Kathleen
The Musketeers is on now and it's absolutely wonderful, capturing not only the time period but the characters's personalities perfectly. D'Artagnan is wonderfully sassy, Aramis is stunning, and my heart bleeds for Athos already. I love the characters' friendship, and Milady is already an intriguing villain. I love how the series retains the flavor of the books, not shying away from ships between married characters. Constance is wonderful, the first version of the character I've liked, and she and D'Artagnan are perfect together. Thankfully, I absolutely detest her husband which makes the shipping easy. "Sleight of Hand" was even better than the pilot with an intriguing spy plot and plenty of explosions. Aramis and Anne were surprisingly adorable, and even if I know it's doomed I can't help shipping it. I loved that she gave him the necklace, and that he kissed it after the bomb failed to explode. Still it saddened me to think Aramis believes Adele abandoned him when her last thoughts were of how much she loved him. I assumed the Cardinal would be plotting against Aramis by now but it hasn't come up yet. D'Artagnan was fabulous as a spy, getting whumped and yet still saving the day. "Commodities" was excellent, deftly handling the Athos/Milady backstory and allowing Athos to discover she survived. I love how dangerous Milady is compared to some versions, and Athos continues to be more and more tragic. Aramis was hilarious, especially with how proud he was of his stitching, and he even got to speak some Spanish. The scene of him reverting to the role of priest was touching. Porthos got a chance to shine, lending a haunting touch to the scene where he derides a slave trader. I love the way the show uses social issues. "The Good Soldier" gave a glimpse of Aramis's past, focusing on a tragic massacre that only he and his friend, now an assassin and wanted man, survived. While the episode was somewhat weaker than the others it was wonderful to see Aramis featured as well as the attention to past details such as him wearing the cross Anne gave him. "The Homecoming" gave Porthos a chance to shine, as well as give a glimpse of his past. I found the Court Of Miracles fascinating, as well as the insight into his character. "The Exiles" was the best episode so far, perhaps because I went into it only expecting baby!fluff and was pleasantly surprised to find so much more. The plot was perfect, featuring political intrigue with the royals - a hidden twin, a plot to usurp the king, a scheming Queen, and a baby being used as a pawn - alongside the Musketeers and Constance trying to protect the infant and his mother. Constance was back to being fabulous again, helping rescue the child and even sword-fighting to protect Aramis and he. Aramis was wonderful - I think I fell in love with him even more than before - with a poignant lost love revealed, as well as his protection of Agnes and her son. He was adorable with the baby and even got to sing to him, something I never knew how badly I wanted. "A Rebellious Woman" played into my fascination with the 1600s' witch trials while presenting more reasons for me to adore Aramis. I loved all his lines, and the comment about him "cherishing women". Athos's explosion at seeing his wife was stunning, with Tom Burke pulling every emotion possible out of that scene and even scaring me a little in the process. Also the scene of Aramis fighting with books was epic. "The Confession" was a weak plot but made up for a lot of it by enough shiny sword fighting to make even me content. I loved seeing the tournament, especially Athos training D'Artagnan, who showed so much growth in this episode, by finally rejecting MiLady and seemingly growing up. The moment where he finally becomes a musketeer was beautiful, and I loved his hugs with Aramis and Porthos. D'Artagnan and Constance's romance was adorable followed by heartbreaking and while I can see her husband's point of view, I can't help but loathe him for hurting her and threatening to kill D'Artagnan. Aramis was strangely out of character, and the writing seemed shaky, but I enjoyed the continuation of the characters's story arcs and the new twists. "Knight Takes Queen" finally explores the tale of Aramis's lost love and brings him closure, even if I was quite disappointed with who she turned out to be. Aramis/Anne are finally canon, but I feel worried to be shipping it, since it can't go smoothly. Still they're lovely and sweet together, and I liked the parallel of Aramis's lost child to Anne's. King Louis got to show the two different sides of his often childish personality, and the Cardinal continues to grow more evil. The nuns were fabulous, especially Mother Superior, and I loved them defending the convent. "Musketeers Don't Die Easily" was a wonderful finale, neatly tying things up while leaving me looking forward to next season. The romantic relationships were the best: Athos finally got closure over Milady, Constance and D'Artagnan have found each other again but in a bittersweet move, Constance chooses to remain with her husband, and most poignantly, it's heavily implied that Anne's expected child is Aramis's. I loved their final scene together when Aramis pledges to protect the child for the rest of his life, a beautifully acted and touching moment as his eyes show barely constrained happiness mixed with sadness. D'Artagnan was wonderful, pulling off the scheme brilliantly, and I adored the group hug and the "one for all and all for one" finally being spoken.

In brand new shows there's Star Crossed which is lovely so far, a sci-fi reimagining of Romeo and Juliet which will hopefully have a less tragic future. Roman is a wonderful character with a perfect blend of sweetness and snark, and I really like Julia so far. I love the first meeting between Roman and Emery and how most of the aliens seem more human than the humans. The ending of the pilot with Roman saving Julia and his father dying was deeply poignant.

I'm on season two of Once Upon A Time now. The way the characters are all related and the constant recasting of the same character in many roles - crocodile!Rumplestiltskin being the worst - continues to make my head spin, and sadly there's even more focus on the female characters to the expense of the much better written male characters, but there are bright spots in the mess. New this season is Killian, and I love him even better after getting to see his introduction, while Emma's betrayal of him only serves to make me hate her more. Her constant whining and complaining about being an orphan when she's found her family and her son gets old quickly and her personality flips between annoyingly aggressive and so bland she sets my teeth on edge. New also is Phillip, and he's lovely, a perfect mix of sweetness and bravery that makes me only wish the writers would use him more often, and preferably without Aurora, definitely the most useless princess in the series so far, and Mulan who keeps looking like she'll betray everyone and never does - a pity since it might actually make her interesting. I adore the backstory of Phillip being cursed and Belle saving him, and I hope the writers explore that curse more in the future. I was looking forward to Lancelot and was sadly disappointed as this version lacks much of the nobility and depth of the character and seems like more than a means to an end for the writers to correct a short-lived twist for Snow White that might have been more interesting if they'd only explored it further. Regina's lost love Daniel returns in one of the saddest episodes of the series as her relationship with him is the few times I feel pity for Regina. I teared up when she was forced to kill him. Jefferson is back for a few episodes and I couldn't stop smiling when he finally is reunited with his daughter; their relationship is my favorite on the series and it made me so happy that he finally found her again. Dr. Whale finally gets backstory, and despite my original skepticism at how the show would handle a non-fairytale and difficult, iconic character, I was thrilled to see they did a beautiful job. The idea of the Land Without Color, and Rumplestiltskin appearing in color in it is brilliant, and Frankenstein's monster being his brother adds a poignant layer, making me tear up when his brother seemingly begs for death after finally speaking Viktor's name. I loved the parallel of Dr. Whale saving the stranger and finding some atonement for his actions. I was far less pleased with the writers's handling of Jack and the Beanstalk, though, reducing Jack to a girl - who annoyed me every bit as much as I'd suspected she would - and making Charming's brother evil. I did like the giants being good and the humans evil but the story lacked heart. I loved seeing Rumplestiltskin leaving Storybrooke to find his son, along with his endearing confusion at the outside world. His injury and phone call to Belle were heartwrenching, and Belle losing her memory and breaking the little cup broke my heart completely. The origin of Rumplestiltskin's injury was revealed in a way I hadn't expected, as well as how he attained the ability to see the future. The seer was an interesting character that I'd love more background on, and I adored seeing Rumplestiltskin with baby Bae. Neal annoys me, and I find it nearly impossible to consider he and little Bae the same person. Cora is dreadful, unquestionably the most horrible character on the show yet, and the flashback romance with her and Rumplestiltskin makes me both cringe and gag. I've never been so grateful to see a character killed off, and for the first time Snow White gets some depth with the twist of her heart being blackened by killing Cora, even it makes little sense seeing as how evil Cora was and how killing her saved more than just Rumplestiltskin's life. "Welcome To Storybrooke" was fascinating, showing the endless timeloop of the 28 years along with bringing Graham back for the episode. I was so thrilled to see him again, if only in the flashbacks. August's story finally gets an ending after being dreadfully underused and all but forgotten by the writers. Eoin Bailey is one of the most talented actors in the series and I adore August, for his deeply human flaws and attempts to do right. He made my heart hurt in the scene where he lays in the alley, and the poignancy of him turning to wood and finally giving his life to try to save the others had me in tears. I was thankful the fairy brought him back to life but heartbroken that he became a child again, seemingly having forgotten being August and thereby erasing all those beautiful flaws that made his character so wonderfully complex. "Lacey" broke my heart as Rumplestiltskin falls back into evil and Belle ends up with cursed memories, but I adored Robin Hood and his magical bow, even if his role was all too brief. I enjoyed the storyline of the curse failsafe and the beans even if it felt rushed, and I loved seeing Belle finally get her memories back, and Killian showing his good side by returning to help the others and finally giving up his revenge. As evil as Greg is his grief over finally finding his father's fate was poignant. "Second Star to the Right" was lovely, and surprisingly, as much as I usually dislike Neal, I actually liked Bae in his interactions with Wendy, an adorable and wonderful version of the character. I loved the whole Darling family, them taking Bae in, and the twist on the shadow coming to the nursery, as well as Bae ending up with Killian. It saddened me to see them turn against each other in the end, though.

Once Upon A Time In Wonderland is also back from hiatus with 90% more Cyrus and "Nothing To Fear', a tale that finds the Knave rescued from his bottle by Lizard. As much as I ship Will/Anastasia, they're cute together, and Lizard's unrequited crush on him is all the more poignant when he transforms her into a beautiful woman whose dress is suspiciously like the last one he saw Anastasia in before she became the Red Queen. In any event, Lizard didn't deserve her fate, and my heart broke for the Knave, trapped, and unable to do anything but feel the pain of her last wish. Cyrus and Alice are as adorable as always, and the marriage proposal scene, complete was fireworks, had me grinning ear to ear. Alice seemed somewhat out of character, and a tad selfish, but understandable, and I loved that she came around in the end and realized Wonderland needed them. The Red Queen's story arc and Emma Rigby's acting continues to impress me, and I teared up when she realized no one would pay her ransom, then cheered when Cyrus and Alice came to her rescue. The Jabberwocky is creepy but nothing like what I'd imagined and I'm still not sure what to make of her, as much as I enjoy Jafar being intimidated for once by someone more powerful than himself. "Dirty Little Secrets" finally reveals Cyrus's origins, and I was both pleased and disappointed with the backstory. By the summary, I was braced for an evil version of Cyrus and was happily surprised to find him just as charming and good at heart, just more reckless and a bit of a card shark. I liked seeing his brothers, who oddly enough had no names but were every bit as handsome as Cyrus, and Peter Gadiot got a chance to shine - on a shallow note he cries very beautifully. However, I was a little disappointed that his crime was so minor. I suppose I was expecting something larger than simply stealing water to save his mother, even though the guardian of the well was delightfully mythological and creepy. I'm not quite sure what to think of Amara being Cyrus's mother. I'd guessed she was going to be someone we'd already seen in the series but I was sort of hoping for Jafar's mother, since I thought it would have been a poignant and fascinating twist to have Jafar and Cyrus be half brothers. Also considering Amara was involved with Jafar - a little squicky in itself considering she raised him - it's even a little icky. On the bright side I loved Cyrus and Alice finally having a heart to heart talk about their pasts and separation from each other, and I loved Cyrus's doubts - he's still so doubtful that anyone could accept and love him, poor baby - as well as Alice's beautiful reassurances and promises to "be his bottle" and keep him good. The torture scenes of Anastasia broke my heart, and I was glad that at least the Tweedle came to comfort her and help her, I never fully appreciated him before, and now I love him. "Heart Of The Matter" was flawless, finally exploring why the Knave has no heart in a poignant backstory. Cyrus was adorable and hilarious at the beginning, and I adored him in Storybrooke, fascinated by the light switches while Alice was hilariously intrigued by the ice maker. She finally said her "curiouser and curiouser" line, too! I loved the return of the Lost and Found, and Cyrus finally figuring out the fate of his mother, as well as Amara fighting back when Jafar tried to use the staff to kill Cyrus. Anastasia was wonderful, surprising me once again how talented Emma Rigby is - the contrast between the three versions from innocent sweet girl to Red Queen to broken and defeated woman was stunning - and my heart broke when she was so grateful to Cyrus and Alice for returning. The Tweedle was as fabulous as last week, and the White Rabbit was more endearing than usual. Michael Socha had the hardest role, from heartbroken young thief to his usual sarcastic self and everywhere in between, and he nailed it beautifully, making me ache for the Knave when he finally got his heart again. The scene where he finally sees Anastasia and says her name before kissing her brought tears to my eyes followed by complete heartbreak as she's murdered in front of him. "To Catch A Thief" finally reveals Alice and the Knave's first meeting, and it was wonderful and perfect. I adored the funny bits with Alice controlling his heart and him trying to politely murder her, and their friendship was lovely. The fact that she reminds him of his lost sister was touching, and I adored their last flashback scene, taking her right up to the moment she finds Cyrus's bottle. I loved how, even desperate to bring back Anastasia, he couldn't hurt Alice, even jumping into the water to save her. His short scene with Cyrus where he offers to let him get a free punch was amusing, making me wish again the two had more scenes together. I loved the Sultan standing up for the Knave and knowing instinctively who Alice was - I'm so happy they finally met - and since I have no sympathy whatsoever for Jafar I adore his character. The ending tore me up, though, with Cyrus killed and Alice feeling his pain as he died. "And They Lived" was a packed but gorgeous finale, giving me everything I'd hoped and more, all tied up into a beautiful, fitting package. The Knave and Anastasia's love story finally finds their happy ending, and I loved that they became the White King and Queen and ruled Wonderland. Anastasia never seemed to stop smiling once she found him again, and the Knave's love speech and true love's kiss as well as the "sleeping beauty" comment were adorable. He's even more loveable with a heart, and the smile he gives Alice after their last, bittersweet hug was the first genuine, non-pained one in the series, making me grin back in response. The White Rabbit, always a delight, was more fabulous than ever, making me laugh with his comments about Cyrus and Alice and what they'd done to his house, as well as making me tear up a bit at his parting with Alice and his spying on her years later in England. I never could warm to Amara, despite a nice scene where she properly meets and accepts Alice, and a nice cameo by the Flying Carpet, so I wasn't saddened by seeing her make the sacrifice for her sons. I loved that Cyrus's brothers were freed, and I wish there would have been a little more of them, or at least what became of them in the ending. Surprisingly, I was a little sad about the Jabberwocky's uncertain fate, since, despite my first thoughts, she'd become an intriguing character, and I was very sad about the Sultan. Maybe it's my hatred for Jafar, but I've loved the Sultan since the beginning and he was always so kind to Cyrus, so it broke my heart to see his ultimate and somewhat unexpected fate. Jafar showed a rare flash of humanity here and there, but not enough to make me stop cheering when, true to my theory, he became a genie himself, a perfect finish on his story. The dear Tweedle happily got a cameo, and I loved seeing his adorable interactions with little Millie, as well as his happiness at the wedding. Cyrus, thankfully, was brought back, and happily through healing magic rather than the spell, and his scenes with Alice, especially when he lifts her up at the well, were as adorable as usual. Alice and he finally get their much deserved and long-awaited happy ending, and their wedding was gorgeous. I adored everything about it, especially the Rabbit's words, and Alice's stunning dress. I loved that her father finally believed in her, and that she and Cyrus stayed in Victorian England. The ending with them having a tea party with their own daughter - an absolutely adorable little child - made me tear up from happiness, and the inclusion of the book was the perfect cherry on top of the wonderful treat that was this series.

I finally got to see more episodes of The Ponderosa and even more than before it saddens me how quickly the show fell apart. In many ways, as much as I love Bonanza, it had the potential to become better, especially with it's brilliant versions of Hop Sing and Adam who were given far more depth than in the original series. But the townspeople, who I grew to love, were quickly shoved aside, killed off, or sent out of the series, most horribly Carlos, but even dear Frenchy. The brothers's relationships remain the one truly beautiful thing about the series.

I'm up to the episode "Saturday" in Coronet Blue and it's a gorgeous and haunting story of a little boy forced to grow up too quickly. I loved the way he changed Michael's views, and how Michael helped him. More than ever I think it's such a shame how there was no proper conclusion for the series.

In other new/old shows I've been rewatching Emily of New Moon, a childhood favorite. I always shipped Perry/Emily, but I'm warming to Teddy.

I gave a try to the 2000s version of Battlestar Galactica and by considering it a different show instead of a remake I'm managing to enjoy it quite a lot. I love their names being call signals instead of just names, which lets me think the names are passed and these are different people instead of just a different version of the same character. Apollo, never my favorite in the original, is strangely more appealing here, helped along by Jamie Bamber's portrayal of him. As much as I hate Starbuck being a girl she has awesome chemistry with Lee; I adore how she saves him in the miniseries. Boomer, despite being a girl, is a likeable character so far, and Boxey is cute.

In other new shows I've started Teen Wolf, a surprisingly entertaining series. Scott is an appealing protagonist, and strangely enough I love Derek. I also really like Jackson, even if I already know he's the Whitney Fordman of this series, aka the character everyone hates who leaves the show early and I develop an attachment too and mourn him for the rest of the series. I also love the visuals of the werewolves, both their look and their powers, and I'm curious to see where the series goes.

In new movies I saw the 2005 version of War Of The Worlds. I'm usually not fond of remakes and was less than impressed with the original so I was shocked to discover how much I adored it. The filming, acting, and photography were stunning, moving me to tears countless times, and the character growth was amazing. It not only improved on the original film but also the book, making something fresh, believable, and heart-wrenching. I grew to love the characters despite my first impressions and the ending was beautiful and perfect. Next was Saving Mr. Banks, which, while it failed to live up to my hopes and I had many issues with the portrayal of Walt Disney - not the least of which that he looked and sounded nothing like him - I enjoyed. The story behind the making of Mary Poppins was both fascinating and poignant as was the recreation of Disneyland back in the day as well as the premiere of the film. My favorite part was when they finally get her dancing. Colin Farrell was excellent as the writer's loving but troubled father, and I cried at the scene where she drops the pears and goes in after his death. Next was the flawless The Sorcerer's Apprentice which managed to be both hilarious and deeply poignant with equal parts romance, magic, and friendship. I loved every moment, helped along by the fabulous cast, and adored the ending. Then was the intriguing and both fun and poignant Season Of The Witch, a fantasy-drenched look at the days of the Black Plague. Behmen was a tragic hero, and I loved Kay and how by saving him Behmen found his redemption, as sad as the ending was. After that was the haunting and heart-wrenching A.I. Artificial Intelligence. The acting was stunning, and I sobbed at the poignant ending. Jude Law was fabulous as Gigolo Joe, I loved his character and his friendship with David. The parallel between the fairytale and David's quest to be real was heartbreaking, too. Next was the 2009 live-action Mulan which I tried out of curiosity due to my love for the Disney film and was blown away by. It was hauntingly beautiful and achingly sad, and I cried over Wentai and Mulan's tragic romance. Next was the lovely and unusual Winter's Tale, a surprisingly poignant and beautiful story with more than a few unexpected twists. The settings were gorgeous, the acting flawless, and the plot was deeply moving in a bittersweet fairytale-like way. After that was the hauntingly sad true story Changeling which was often brutal but deeply moving, reducing me to tears multiple times. Next was Civil Love, a lovely Civil War era romance between a widow and the wounded soldier she finds in her barn. Daniel was wonderful, sweet and gentle, and I fell in love with him instantly. I liked that Rachel and his love came slowly instead of love at first sight, and how she ended up saving him. My running a little low on new films has led me to giving a try to remakes which I don't usually do, and which has been a combination of the surprising good and unfortunately annoying. I started with the 1999 version of Great Expectations, one of the few films I watch every version of, even though the 1940s one remains my favorite. Miss Havisham was sadly the weakest spot, lacking the madness or invoking the pity of other versions but giving a strangely flat performance. Estella, by contrast, was flawless, both as a haughty child and as a twisted woman incapable of love. The casting, too, was perfect; I had no difficulty whatsoever believing the child and adult were different versions of the same person. Little Pip was a more jaded, world-weary version of the character than I'm used to; fitting, perhaps, but surprising. The child was an excellent actor, though, and I loved how he starts to skip when Miss Havisham tells him to play instead of automatically wanting to play with Estella. Ioan Gruffudd was a very different Pip than I'm used to, but his performance was fascinating and layered, not always likeable but always intriguing. His final scene with Miss Havisham gave me chills as it was the closest I'd imagined to the book. The tune running through the film was poignantly lovely, and I liked the beautiful location shots as well as the bittersweet, more realistic ending. Next was 3:10 To Yuma, which, while failing to live up to the beauty and depth of the original benefited greatly from it's actors. Christian Bale was, in many ways, far more appealing than Van Heflin as Dan, with a tragic backstory and determination to be a hero for his son. The twist at the end by having him die shocked and saddened me. Russell Crowe did a fine job as Ben, but lacked the gentleness that made me fall in love with Glenn Ford, and although I loved the music it wasn't the hauntingly lovely tune from the original. Still the man alone theme found in so many westerns such as High Noon and Sitting Bull and always portrayed best here managed to shine through despite the years, and the characters were still as fascinating as in the original. Next was the intriguing The Invasion which surprisingly manages to be as good as the original with appealing characters, a new twist of certain people being immune, and more than a few creepy moments. Carol attempting to blend in with fascinating, and I loved her relationships with both Ben and Oliver and was grateful that they all got their happy ending. Then was The Lone Ranger, a peculiar mix of the surprisingly good and the terrible. The film seemed to be unable to decide if it was a comedy-parody, a western drama, or a steampunk action flick, and veered so quickly between the genres I got mental whiplash. Red was a quirky and appealing character who was poorly underused, Tonto was given a tragic and fascinating backstory ruined by the clownish and sometimes mean-spirited actions (the worst being hitting John in the head when he realizes he's not dead yet, only badly wounded) and always dreadful "acting" of Johnny Depp. Despite my dislike of Armie Hammer, he managed to do fairly well with what he was given, especially toward the end when he gets to actually be a hero. The story within a story format was well done, and I found a few of the nods amusing. Still the gruesomeness of Cavendish and the squirmingly obvious racism made it far less pleasant than the original series, despite the few flashes of brilliance. Next was Return to Treasure Island which was cute and a nicely done sequel. Dean O'Gorman made a perfect older Jim.

In new animated films I finally saw Wall-E which was very cute and actually somewhat inspiring. Wall-E and Eve's relationship was adorable, especially their dancing in space scene, and I also loved the two humans who found each other in the ship. Next was The Road To El Dorado, a greatly entertaining and random adventure with lovable characters. Next was Finding Nemo and I adored both the title character and the richly detailed world, as well as Nemo and his father's relationship. Next was Rio, a cute and colorful story with an adorably quirky romance between the human characters. Then was The Nightmare Before Christmas which was imaginative and far cuter than I'd imagined, with both towns a lot of fun. ext was the darling Oliver and Company with the cutest animated cat ever and some lovely moments and catchy tunes. Next was Kung Fu Panda which was random but enjoyable. Next was Big Hero 6 which was a little strange and sad but featured the most precious and unique robot ever. Next was the Ice Age series which I laughed my way through and completely fell in love with. Next was Quest For Camelot which was sweet but also featured the first disabled hero I've seen in an animated film which delighted me. Last was a childhood favorite, the beautiful and heartwarming The Snowman.
 
 
calliope tune: "I Started A Joke"-Bee Gees
feeling: depressed
 
 
Kathleen
I'm on the eighth and final season of Rawhide and as expected so much has changed. The intro is odd, and I miss the "head 'em up, move 'em out" endings, but the plots are as good as ever. Rowdy is finally trail boss with Gil gone, and despite my reservations and his somewhat less carefree, more "grown up" personality, I'm adoring both the change and the chance to see Rowdy finally step into the role properly. Unlike Gil's hostile, often cruel attitude, Rowdy makes for a warmer, kinder boss who, unlike Gil, values the men more than the herd, and the entire feel of the series as well as the trail boss to drovers relationship seems more relaxed without Gil's abrasiveness. His selflessness is obvious throughout the season, with countless contrasts to Gil, especially when he lets another drover, falsely accused of murder, escape, and gets himself arrested in his place to investigate the brutality of the lawman. Also, while he puts the herd before himself, he's instantly willing to risk the herd and time for the men, something Gil would never have considered. Of the original cast only Wishbone and Jim Quince, now serving as ramrod, remain, and despite my happiness in still having them I miss the others, especially Mushy, terribly. The always solid John Ireland steps in as drover Jed Colby, and the sweet, British-accented greenhorn Ian stole my heart from his intro. I love Rowdy's protectiveness of him unlike the more equal relationship he shares with the others. Simon Blake fills the position of trusted drover and he's fabulous, fitting perfectly with the cast and having a simple yet lovely friendship with Rowdy and the other men.

Outlander has just started and it's gorgeous so far with a flawless intro/theme and the very beautiful Jamie Fraser whose face keeps looking like a young Jamie Bamber so much i just want to cuddle and protect him from harm. I finally have all the kilts and Scottish accents my heart could desire. The show continues to get better with twists and turns, gorgeous scenery, including an ancient castle, a beautifully interwoven fairytales, and Jamie's sweetness. I can't say how many years I've longed to hear "Dinna fash" come out of a tv character's mouth. Dougal bothers me, though, between his treatment of Claire and his eyes on his brother's position, even at the cost of killing Jamie. Geillis annoys me dreadfully, and I'm completely convinced she's going to turn evil, if she isn't already. I do adore Mrs. Fitz, though, and the Laird, despite my first impressions, is proving to be intriguing character.

Way late but I've just discovered the fabulous Hell On Wheels and I'm rolling in the gorgeous intro, authenticity, classic western feel, and excellent writing. It's a real treat, and I already love Bohannon, Naomi, and their little baby. Doc and Eva's relationship is sad and touching, and I quite like Psalms.

I've been enjoying Extant, and despite a slow start it has my full interest now, thanks to a likeable protagonist, and a genuinely creepy, without being gruesome alien being. The idea of it being able to create the image of a lost loved one is superbly disturbing, even if I'd yet to completely figure out the plots. Harmon is an intriguing character, and I love little Ethan, the so very human robot child, and only hope he stays good.

I've finally started sticking with a season of Teen Wolf and genuinely enjoyed season four, despite some plot holes, due to an intriguing storyline. I loved the concept and mystery of the Deadpool list - and was completely shocked at who the Benefactor turned out to be, and loved seeing each character come into their own. Malia was a pleasant surprise, proving to be pretty cute and adorable, and I giggled through her scene of being so proud over her low grade at school. Braeden was another surprise, as I assumed the character would either die or turn evil, and instead found myself enjoying her story arc and romance with Derek which I'd never guessed I'd end up shipping. I loved how Argent came to terms with Allison's death as well as the Pack, and was okay with Peter's fitting fate. Kate's open ending was frustrating, though, and I can't help wishing they'd just killed her off. Derek was the best part, as usual. I loved seeing him come full circle and to terms with his heart and past, smiling more and forming relationships. While he had me terrified much of the season, I enjoyed seeing both child and human sides of him, but especially the beautiful transition into full and gorgeous wolf, my favorite twist of the season.

I finished season three of The Mod Squad and it was fabulous. I shriek a little inwardly every time Pete calls Julie "angel" and the two kissed in an episode - although sadly just as part of their cover. The trio's friendship is beautiful, as is their relationship with Captain Greer; I loved when he called Pete and Linc "his boys".

I discovered the amusing '80s sitcom Bosom Buddies and am loving it so far. The premise is outrageous but the guys's friendship and colorful side characters make it all works, and I love the theme and situations they manage to get themselves into.

I finished season two of Maverick and am still loving Bart best, as well as lamenting the fact that I seem to be the only one who prefers him to Bret. Bart, always the more serious and warmer in personality, gets all the best episodes, including the stunning "Prey Of The Cat" in which Bart gets put through the mental and physical wringer when a conniving woman falls for him, kills her own husband, and eventually winds up getting Bart nearly lynched for two murders. I found Raquel a fascinating, although tragic character in it, and Jack Kelly did an incredible job on the role, especially with Bart's tangible fear in the scene where he's locked in the cell as the mob comes into the jail. On a happier note, there's a new recurring character this season: the adorable scoundrel 'Gentleman' Jack Darby played by the always fabulous Richard Long, and he's both hilarious and completely perfect, gleefully playing off Bart with every quip.

I'm watching season two of The Courtship Of Eddie's Father now and it's every bit as adorable as last season. Tom and Eddie have the sweetest, most realistic father-son relationship ever, and I love all the other characters and the way they all relate.

I got a chance to watch the pilot of Young Hercules and loved it. As much as I love Ryan Gosling's Hercules Ian Bohen was even better, a perfect mixture of uncertainty and skill. Iolaus was flawless as usual, and I loved Jason's role. The plot was fun and unexpectedly poignant in places, especially due to a couple character deaths and Jason's fatal injury and healing with the golden fleece.

In new miniseries I watched Empire which for whatever historical embellishment more than makes up for it in beautiful scenes, intriguing people, and the stunning good looks of a super young and dark-eyed Santiago Cabrera. I was fascinated by Shakespeare's Julius Caesar so I got a little thrill during the Ides Of March prophesies near the beginning, then haunted by the tragedy of Caesar's death in the senate which plunged Rome into chaos. The only one to hear Caesar's dying wish, freed gladiator Tyrannus flees Rome with Octavius, Caesar's heir over the assumed successor Marc Antony. Hunted by assassins and betrayed by friends, Tyrannus attempts to teach Octavius all he knows in order to keep him alive and mold him into a great ruler, protecting him at the risk of his own life. I'm always drawn to the gladiators so it was no surprise that I loved Tyrannus, and the actor underplays the role wonderfully with most of his acting coming from his eyes and movements. Octavius is young and flawed but spirited and troubled enough that I cared about his journey, believable as the uncertain boy who suddenly finds himself growing up overnight. Brutus is a intriguing and conflicted traitor, and Julius Caesar, a deeply kind leader, has far too short a role.

I finally saw the 2013 miniseries of Anna Karenina and it was gorgeous, by far the best version over the other two I've tried. Everyone was perfectly cast, and the haunting feel of desperation over-shadowing Anna finally came out on the screen. Santiago Cabrera was gorgeous as usual, and I was very impressed by the actress who played Anna. I also loved that the film used the other characters more, and the setting and tone was beautiful. Also I gave a try to the '48 film and it was quite lovely, a well done version with beautiful, misty photography, and while I don't usually care for Vivien Leigh, her fragile looks and helpless style captured Anna well. I got chills when she describes her dream of how she'll die, and the recurring image of the old man by the train was incredibly powerful. The children were very believable, too, and little Sergei was adorable.

I finally saw Legion, which I'd been meaning to watch since I started Dominion, and while it initially took me a bit to warm up, I grew to love it. Paul Bettany was a wonderful Michael, very much like Tom Wisdom's portrayal, but with a bit less of a hardened edge, which is logical since he hasn't yet seen so much horror. The scene where he fights Gabriel and dies by his hand was haunting, and I loved his resurrection and beautiful, restored wings. Audrey was a sweet character, and I was saddened that she didn't survive the film, and I loved Jeep's quiet love for Charlie. Baby Alex was absolutely adorable, too.

I tried two Charles Dickens starting with the complex and lovely 1998 miniseries Our Mutual Friend. I've completely fallen in love with the wonderful Eugene Wrayburn who alternately made me smile, put stars in my eyes when he kissed Lizzie's hand, broke my heart, and put it back together again. He and Lizzie were beautiful together and while I loved the whole film their story was my favorite. The historical accuracy of BBC films never fails to impress me, and it felt like a time capsule of the 1860s, gorgeously filmed and acted. I also saw the lovely Martin Chuzzlewit which has some of my favorite Dickens characters including optimistic and cheerful Mark, sweet and caring Tom, kind-hearted and gentlemanly John, and impish waif Bailey. It was a perfect blend of hilarious comedy with Augustus's scenes and darker moments with Jonas, one of the few Dickens villains who makes my skin crawl. Everything had the wonderful, period feel; the only things I wish is that there was more of John and Ruth's and Mark and Mrs. Lupin's romances, as well as scenes instead of just a letter describing Martin's change of heart when he's ill in America and later has to care for Mark when he, too, becomes sick. But the actors were all perfect for their roles, and I adored seeing Peter Wingfield as John...such a different but just as heart-tugging role as the Sin Eater.

In theatres I saw The Giver and it far exceeded my expectations, making me both smile and cry several times. The world-building was fantastic, especially the unique choice of having the world and part of the film without color. The actors were all fabulous, and several scenes deeply moving, especially Giver's poignant speech toward the end, and Jonas's interactions with little Gabriel. I loved the gentle, slow-moving feel of the plot, even during action scenes, and the contrast of emotions Jonas learned to feel.

I discovered one more Charles Farrell film, the talkie After Tomorrow which impressed me a lot more than I'd been expecting. The story was realistic, brushed with a mix of adorable and tragic moments, and topped off with a very happy and unexpected ending. Charles Farrell was, as usual, wonderfully sweet, playing the innocent, faithful character he was so good and loveable as, and the whole cast was quite talented. Lacking more of his films I'm now watching the adorable series My Little Margie and loving it. Charles Farrell is wonderful as Margie's father, and Gale Storm is perfect as the ever mischievous Margie. In other new silent films I've discovered a love for Charlie Chaplin. I watched The Kid which was adorable, and fell in love with his character as well as his adorable father-son relationship with little John. Their scenes together were wonderful, and I loved the happy ending. After that was the flawless City Lights, a perfect mesh of hilarious comedy and bittersweet romance which made me completely adore Charlie Chaplin. The story was poignant and deeply touching and I wished it'd been a bit longer to ensure a completely happy ending.

In new films this week I watched the wonderful Lemony Snicket's A Series Of Unfortunate Events which was a perfect blend of bittersweet and hilarious, all with a zany, quirky, turn of the century feel that instantly made me adore it. I loved how imaginative the story was, with dry humor, poignant and lovely moments, and loveable characters, such as little biting Sunny or the hilarious Aunt Josephine and her fears of everything. Violet and Klaus were easy to root for, and I loved the three children's relationship and how they looked after each other. Next I saw the gorgeous Bridge To Terabithia, a flawless, heartbreaking story with a very familiar cast: Josh Hutcherson as bullied little loner Jess, Annasophia Robb from Samantha as the imaginative Leslie, adorable little Bailee Madison from Saving Sarah Cain as Jess's darling sister May Belle, and Robert Patrick from The X-Files as Jess's strict yet not unloving father. The plot was beautifully sad, rich in imagination, and I loved the world Jess and Leslie created, even if I've never cried so hard during a film. The ending was poignant yet lovely, with May Belle entering Terabithia as their new princess, and I adored her relationship with Jess, as well as the twists and turns in the plot such as the bully finally standing up for Jess against the other bullies. Josh Hutcherson was wonderful as Jess, with just the right amount of childish awe and world-weary sadness to make me love him. Following that I watched the clever and imaginative Percy Jackson & the Olympians: The Lightning Thief, a modern twist on Greek mythology with a likeable bunch of heroes, especially the funny satyr Grover. I loved the way it tied the myths to what was happening in the teen's lives, and the unusual aspects such as Percy's dyslexia being the fact that he can read ancient Greek. Then I saw Becoming Jane, a gorgeous and poignant biography of Jane Austen's early years and her first and only love. Anne Hathaway was perfect as Jane, and James McAvoy was wonderful as Tom, a bit of a rogue but loveable. It was beautifully filmed and directed, and I teared up at the ending, so sad yet lovely. Next was The Spiderwick Chronicles, an enchantingly imaginative fantasy with fairies and an adorable little brownie that made me feel like a kid. The story was fun, I teared up at the bittersweet ending with Lucinda and her father, and I loved the talented cast, especially the children. Then I saw Butch Cassidy and the Sundance Kid and loved how much it was like Alias Smith and Jones with their banter, the safecracking, Etta reminding me so much of Clementine, and just the feel of the film in general. Butch and Sundance had a wonderful close, yet easy friendship, and the humor is gently underplayed beneath a feel of dread; you can actually feel the time running out, driving them to toward the ending which gives the film a bittersweet feel. I loved the attention to detail and use of sepiatone filming and pictures within the film, as well as the theme, "Raindrops Keep Fallin' On My Head", which I've always loved. The ending completely broke me, though, not that I wasn't expecting it, but it was heartbreaking to actually see it, even though it was beautifully, poignantly filmed. Next was the gorgeous The Eagle, a flawless and beautiful film with loads of friendship, whump, and all other elements I love, as well as being set in the time period of Hadrian's Wall which made me giddy from the beginning. I loved Marcus saving Esca in the arena by yelling at the people to turn their thumbs down into thumbs up, a selfless act that turns into an enduring friendship of equals instead of simply master and slave. I loved how Esca saves him in the end, and him being set free yet still remaining with him in the end. It was a wonderful story, too, and I loved every moment of it. Following that was The Patriot, a guilty pleasure since I love the Revolutionary War, and it was both stunning and completely heartbreaking, with lovely photography and superb acting, making me cry and yet giving me moments that were heartwarming, such as little Susan speaking, or the soldier naming his son after Gabriel. The film reminded me a lot of Shenandoah though, which both made me happy and intrigued me. Then I saw the 2004 version of The Phantom Of The Opera, a utterly gorgeous and breathtakingly haunting film that made me cry. I loved both Raoul for his selflessness and determination to save Christine as well as the tragic Phantom for his deep love and sadness, and frankly would have been happy for Christine to end up with either. Still the ending made me burst into tears I'd been holding back the whole film. The music was glorious, especially "Music Of The Night", always my favorite, and the acting and direction were simply stunning. Next was the surprisingly excellent Rise Of The Planet Of The Apes, a stunningly poignant and thought-provoking film that was also deeply moving. I wasn't expecting much and was completely blown away by it. James Franco continues to impress me with the sensitivity of his acting, and his relationship with Caesar was beautifully done. The scenes where Caesar spoke were powerful and I loved the message of the film as well as all the nods to the original. Then I saw Tron: Legacy, an incredibly imaginative and fabulous sci-fi with a richly detailed cyborg world all inside a computer. I loved Sam - a perfectly cast Garrett Hedlund - and the jaw-dropping special effects. I discovered Heidi's wonderful sequel Courage Mountain and completely fell in love with it. While this Heidi took a while to grow on me I instantly took to Peter, mostly because he's quite close to what I imagine the child Peter looking like and acting like grown up. I loved the parallels between the films, such as Heidi having to save Peter from falling off the cliff, and the lovely new additions like Peter giving Heidi his panpipes to remember him while she's away. The best part of all, though, was seeing a pairing I've loved since I was seven truly and really become canon. Peter and Heidi were perfect together, even kissing, hugging, and promising to wait until Peter returns from the war, and I was melting with happiness through every moment. Next was The Last King Of Scotland, a gritty but fascinating historical drama. Nicholas was a very human protagonist, and the events surrounding and involving him were both disturbing and very interesting, opening my eyes to a part of history I'd never heard of. After that was Atonement, and while it didn't impress me as much as I'd hoped it was still a gorgeously filmed movie, especially the breathtaking and heartwrenching war scenes such as Dunkirk or Robbie discovering the dead girls. I never felt like I got to know the characters very well, but I still cared enough about them, especially the tragic Bryony, to be interested in their fate. The final twist stunned me, leaving the film with a bittersweet and haunting conclusion. Next was the 1990 version of Treasure Island, a remarkably faithful adaptation with the always wonderful Christian Bale as Jim. I liked that Jim was more of a fighter and saved everyone unlike the more childish Jim from the Disney version, but I missed the warm relationship between the Doctor and he which was considerably toned down. While I felt it needed a little more fun in the plot, it was still a well-done film, and I loved the period details and sea-faring adventure. Next was September Dawn, a heartbreaking and beautifully old-fashioned film about the Mountain Meadows Massacre. It's a historical event I've been interested in for a long time and I liked the feel and style of the film, capturing the tragedy in a star-crossed romance and a mixture of people I grew to love or hate. Jonathan was especially fascinating and played by a very talented actor, and the nearly black-and-white contrast between the two groups was refreshing and unusual, more like an old film. Then was Prince Of Persia: The Sands Of Time, a fantastic and ridiculously fun movie with shades of One Thousand and One Arabian Nights which I've loved all my life. I'm not familiar with the actor but he was amazing as Dastan, the street orphan turned prince, and both he and the boy who played him as a child would be perfect in a live-action version of Aladdin. I loved the concept of the time-turning-back dagger and sand, and there were more than enough acrobatics to keep me entertained. I was a little sad that Tamina didn't remember him in the end, but the fact that she was alive and that they were together made me too happy to worry about it. Next was Noah which was gorgeous, with a fascinating, fresh look at the story while sticking close enough for comfort. The scene of the animals coming to the ark was breath-taking, and the cinematography was stunning throughout. I loved the idea of the evil character being seen by Noah as the snake, and the flood's start was exactly as I imagine. I loved Shem and Ila's story, how they met, their love for each other and their children, and they being the ones to start the world over. Noah was quite different than I imagine, and there were times I didn't exactly like him, even if I understood his motives, but he was quite human and easy to relate to. Naamah was excellent, given the depth she always lacks, and little Japheth was precious. Only Ham felt miscast, despite Logan Lerman doing a good job at the role. After hearing about it for so many years I finally saw Kiss Of Death and surprisingly loved it. Film noir has never been my favorite genre but this film more than makes up for it by crafting an easy to follow plot with good characters that are easy to warm to. Victor Mature is excellent as always as the anti-hero, and I adored getting to see him play a husband and father with two adorable little girls, for a change. Richard Widmark was creepy and good as always, although I was expecting more from his role due to the hype I've always heard surrounding his performance. I loved the hopeful ending, and setting of the movie. After that was a rare Glenn Ford film I hadn't yet seen: A Stolen Life. Bette Davis was surprisingly excellent at the dual role, portraying both sisters as so unique she had me easily convinced she was two different people. Glenn Ford was lovely, even if his character was a bit naive, and it was a treat to see him so young. Next was Priest, a film of gorgeous cinematography and amazing world-building with a superb twist on vampires. I loved the gadget-filled, 1800s like world, the distinct cross markings on their faces, and the bikes. All the characters, from Priest himself, to Hicks, to Lucy were fabulous, and I was saddened to not find a sequel resolving Priest and Priestess's unrequited love, as well as seeing Priest getting to know his daughter. I'm starting to love Karl Urban's roles so I watched Pathfinder, a unique tale of a Viking child taken in by an Indian tribe who grows to be an adult to defend them against a second invasion. Karl Urban was wonderful as Ghost, and I loved his relationships with his adoptive mother and sister - their deaths broke me - as well as Starfire. The ending was lovely. After that was The Pianist, an utterly heartbreaking and gorgeous true story of a Holocaust survivor. Adrien Brody was absolutely stunning - he certainly deserved that oscar - and the story made me tear up so many times. Next was the delightful Sky Captain and the World of Tomorrow. I loved the world and visuals, as well as the romance. Next was the offbeat but intriguing Suddenly Last Summer. Next was I Confess, an excellent and interesting Hitchcock. Next was the delightfully shippy Children of Dune and its awesome world-building and glowy eyes. Next was On the Waterfront, always excellent, and the iconic The Wild One. Next was the visually lovely City of Ember. Next was the surprisingly enjoyable Alexander. Next was The Legend of Hercules, a flawed but highly enjoyable version of the myth. Next was the fun and random fairytale adventure Ella Enchanted. Next was the Pirates of the Caribbean which despite a slow start quickly won me over. Next was the enjoyable and lovely The Story of Alexander Graham Bell. Last was the Kiwi adventure Doom Runners which I enjoyed greatly, despite it definitely being a kids' movie, probably because of Dean O'Gorman.

In new superhero films I watched The Amazing Spiderman 2 but despite some excellent moments and early humor it seemed disconnected and over-filled. This Peter isn't easy for me to relate to but he seemed better last film, more human and awkward instead of annoying and never serious. Gwen and his breakup seemed random and simply to add more heartbreak, and Harry, the character I was most looking forward to was completely ruined, turned into a whining, strange kid whose transformation into the green Goblin made little sense, even if his appearance was creepy and fascinating. Gwen's death was tragic and completely heart-wrenching, making the best scene, sadly, in the entire film. The ending seemed abrupt and out of place, with Peter reverting too quickly to his joking persona without giving another thought to Gwen and too much was left hanging.

I finally saw Dr. Horrible's Sing Along Blog and surprisingly loved it, both for the music as well as the plot. The sadness of the ending was a shock but I liked the origin of the bad guy feel to the story, even if the last moments left it hanging for a sequel.
 
 
calliope tune: "Lover's Cross"-Jim Croce
feeling: mischievous