Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
feeling: working
calliope tune: "The Gallant Shearers"-Tannahill Weavers
 
 
Kathleen
27 January 2016 @ 03:10 am
The X-Files, my childhood love, is back for a tenth season after all these years, and I'm happily wallowing in nostalgia. It's a complete delight so far, with all the old faces, easter eggs, and parallels to the past episodes, along with the original intro and theme. "My Struggle" is an interesting, although flawed start. The actors take a bit to get into their roles again - Scully by the end of the first episode, Mulder by the second - although Skinner is as if he never left. I also loved the glimpse of the Cigarette Smoking Man at the end. It made me sad to see Mulder so skeptical and jaded, even though it makes sense after all these years, and I actually winced when he tore the I want to believe poster. But the scene where his face light up when he sees the spaceship was so Mulder I teared up. "Founder's Mutation" is a superb blend of the myth arc and monster of the week, with a sympathetic monster, and a heartbreaking subplot featuring Mulder and Scully's daydreams about if they'd kept William, all of which, especially the forehead kisses, had me sobbing. "Mulder and Scully Meet the Were-Monster" is pure comedy, and despite how much I hated the original 100% comedy episodes, it works, helped along by the offbeat and hilarious premise of a monster who is bitten by a human and becomes human when the moon comes out. The character was great fun - I also loved the puppy, I adored seeing Mulder slowly becoming a believer again, and the theme being his ringtone was flawless. "Home Again" is a gut-wrenching subplot against an intriguing concept. It's not carried off perfectly and the storylines don't fit perfectly together, but they both impact emotionally, especially in the flashbacks. "Babylon" seems to have been greatly disliked by most, but I rather enjoyed it. The guest characters, especially Miller, were enjoyable, the concept intriguing, and I never knew how much I needed Mulder dancing to country western music in a stetson. I was very sad how little screentime the Lone Gunmen got, though, and that they were only a hallucination. "My Struggle II", is excellent, making my wish the whole season could have been a miniseries of the plot, rather than just the first and final episodes. I've always preferred the mythology arc episodes to the stand alone, and it's fun to finally see the Syndicate's endgame after all these years. It was a delight to see Mulder and the Cigarette Smoking Man interact again. As much as I love to hate CSM, and as proud as I am of Mulder for not taking his deal, I've always found their dynamic fascinating, with that strange mix of father-son relationship against hatred and so much evil committed. It was wonderful to have Miller back - I adored his scenes with Mulder - and Einstein grew on me a lot compared to last episode, even if her skepticism is far more annoying than Scully's ever was. I've never been a big Reyes fan, but it was nice to see her again, even if she seemed desperately out of character. I just can't believe Reyes would ever ally herself with CSM, and especially not for the selfish reason of saving her own life, even if she did give Scully the information she needed to help everyone sick. I was incredibly sad that Doggett didn't even get a mention, though, as part of me had always hoped, even if I didn't ship it, that Reyes and he ended up together, since it might have made him happy. I loved the opening of alien!Scully, as well as Scully being the key to saving the world - Mulder's line about thanking the CSM for saving her and CSM commenting on her being Mulder's weakness made my shipper heart melt - but the cliffhanger ending left me screeching and desperate for more. Overall, weak spots aside, I enjoyed the season, and it was so wonderful and nostalgic to have my childhood babies back on my screen.

Once Upon A Time is back for the second half of season five with a mythology arc, and while nothing like what I'd expected I'm enjoying most of it so far. I love seeing this new version of Emma,still strong and brave, but no longer closed off and hurting, now determined to save Killian and fight for their future. I was never a big Neal fan, but I was glad she finally got closure with him. Killian, always being whumped, is already breaking my heart, even though I love seeing his faith in Emma and knowing she was coming for him. I liked seeing the origins of Liam and he entering the Navy and first seeing the Jolly Rodger. I was a little sad about Liam's deal with Hades, but did love him sticking by his brother and doing the right thing in the end, earning himself a happy afterlife and closure with Killian. Killian and Emma's goodbye broke me, but their reunion, and Killian finally coming back to life, was the most beautiful scene ever. The little kisses Emma gave him had me giggling and grinning. Emma has grown so much since she took her walls down, and I adored seeing them back together, as well as Emma finally admitting, without anything bad having to happen, that she loved him. I adored Charming hugging Killian, as well as trying to save him from Mr. Hyde. Snow White is delightful so far, finally getting to be the character I loved in season one again, and I love Charming and her moments together and with baby Neal. I adored her calling Killian by his first name and acting motherly toward him. Her friendship with Hercules was a surprise delight and I only wish we could see more of him. I liked Meg, too, who, while very different from the Disney version, was a sweet character. Hades, never one of my favorite Disney villains, is a mix of annoying and truly scary, even if the flaming hair makes me snicker. I also despised his romance with Zelena, and was delighted when she killed him. Surprisingly Zelena, once my least favorite character, has grown on me quite a bit, largely due to her love for her baby, and the fact that she's a lot nicer with her memories back. I also enjoy her new relationship with Regina. I teared up during Regina's goodbye to her father - and loved that Henry got to meet him - as well as her closure with Daniel. I liked her getting closure with her mother, but was annoyed Cora, after all the horrible things she did, got redeemed for doing so little to make amends. I'm broken over Robin Hood's death, as well as what it means to Regina, and leaving poor little Roland an orphan, but I loved that Regina didn't revert back to the Evil Queen, and even attempted to destroy her other half, showing how much she's grown. I adore that Rumplestiltskin and Belle are finally having a baby, and Rumple's instant willingness to do whatever he had to to protect the baby breaks my heart and gives me Rumple and Bae feels all over again - if seeing them in the flashback wasn't heart-tugging enough! I did like that he showed remorse at sending Milah into the river, too, even if I despise Milah and honestly didn't care that he did it. But I appreciate that Rumplestiltskin has seemingly come to terms with his darkness and found a balance between his love for Belle and his power, something I hope Belle will eventually come around to, as I want so much to see them and their baby as a family. I love Belle but she's frustrating me so far this season, pulling away from Rumplestiltskin when, in this case, he's actually doing the right thing, being honest with her and himself, and trying to save their baby. I'm also incredibly sad that True Love's Kiss didn't work to wake her, after Rumplestiltskin was willing to give up who he is to try it. The season finale introduces a new and intriguing world, the Land of Untold Stories, with a delightful cameo by the Three Musketeers, a tantalizing hint at Agrabah, and new characters in the introduction of Dr. Jekyll and Mr. Hyde. I love the steampunk feel of the world and characters, and the concept of characters being able to split off their evil sides is intriguing, leaving me excited for season six.

The Musketeers has completed its third and final season, and despite a few things that felt rushed or forced, I enjoyed every moment. The series finally hit its stride and settled into its characters even more than the previous seasons, all of whom have grown so much. I adored that everyone got a happy ending, especially Aramis, D'Artagnan and Constance (I was so afraid for all of them), and Aramis and Anne's little son was absolutely adorable. I also loved Porthos getting a love interest, and a little family all at once. I wasn't incredibly fond of Sylvie at first - I greatly enjoy Athos and Milady's relationship, felt Sylive and Athos's came out of left field, and aren't very fond of Athos in general, and less so this season - but she grew on me, and seemed to make Athos a better person. I was surprisingly pleased with the villains this season, compared to my hatred - and not in a love to hate way - of the last two season's, with each one unique, and some even strangely sympathetic, like the King's ill-fated brother. I was saddened to lose both the King and Treville, but did love seeing Milady again, even if only for a couple episodes. I also adored the baby Musketeer - I never did get his name - and was so happy he survived and ended up becoming a full-fledged Musketeer in the end.

I watched The Living and the Dead, and while it wasn't at all what I was expecting, I completely fell in love with it. The acting was superb, the music, scenery, and cinematography all breathtaking, and the plot had a gorgeous Gothic feel that delighted me, as well as shocking me with the twists. I liked the themes of growth and healing, as well as realizing one's own limitations, and Nathan and Charlotte's relationship was both adorable and heartbreaking yet realistic. I loved the poignancy of the episodes, and how the writers didn't shy away from tragedy and darkness, while still leaving a glimmer of hope. I also had no idea how much I needed to see Colin Morgan holding a baby until now.

Zoo is on season two, and it's a surprisingly emotional and jarring ride from season one's fluffy outrageous tone. I'm not happy with the changes in Jamie's character - I get that she suffered a lot but becoming a murderous psycho, and lashing out at Mitch who fought the hardest to save her, seems wildly out of character. Logan was an interesting, although completely under-used and largely pointless character. who didn't seem to quite deserve the horrible ending he got. I'm broken over Chloe's senseless death (and the destruction of my otp), and Dariela irks me endlessly - I despise her instant romance with Abe, as much as I want him to get a *nice* love interest. But, on the bright side there's snarky as usual Mitch and Abraham and Jackson's heart-warming friendship to fill the void. I also adore that we're finally getting backstory on Jackson, including flashbacks to his sad childhood, and, while I'm worried and so sad for him, I'm very interesting in his story arc this season as he slowly mutates. I love the new and creative animals this season, especially the adorable Moe the jellyfish, and the electric ants.

I've started watching Roswell again, a show I faintly remember from my childhood, and falling in love with it. Max and Liz's star-crossed, alien/human love story hits all my tropes, and it's easy to also root for Michael and Maria's romance. I love Max, who projects the perfect mixture of sad vulnerability and other-worldliness, and Michael continues to break my heart. I also surprisingly even love the female characters, with Liz and Maria perfectly tolerable, and Isabel very likeable. I adore the way the characters, particularly the alien trio, form a makeshift family. While Kyle is a somewhat useless character, I did love his interactions with Max in the episode where they were both drunk, and hope for more scenes with the two of them. The Sheriff is a fascinating character, from a sympathetic villain to on their team, and I love his relationship with the kids. I love the theme and setting, especially the Crashdown, too. I'm not especially fond of Tess, as much as I like Emilie de Ravin, who feels like a plot device solely to create angst for Max and Liz, but I do love the realization of who and what the aliens are.

I binge-watched the complete series of Roar, and it was such a treat to plunge back into a Kiwi show again. They have such a lovely feel and warmth, and are so nostalgic to me. I adored the Celtic soundtrack, and the characters, for the most part, were all likeable, especially Conor. Molly annoys me a bit, but I love everyone else. I'm only sad the show didn't continue, because it grew on me more and more, and seemed to be getting better by the episode. The setting was also quite unique and very enjoyable.

I'm finally getting to watch the seasons of Gunsmoke I hadn't seen, starting with eight. Chester is in the show much less this season, sadly, but there's a new character in the form of half-Comanche blacksmith Quint, and so far he's both a delight and quite easy on the eyes. There's also the episode "Us Haggens" which introduces Festus, long before he'd become a regular. His voice is quite different, and he doesn't have all his quirks yet, nor his beloved Ruth, but I can see the roots of the character I'd learn to love, even then. I also found it interesting how he's likeable, but not quite as sweet and slightly more intelligent than the later character. Among other excellent episodes is the delightful and heart-tugging "I Call Him Wonder", a flawless prequel to one of my favorite later season episodes. By season eleven, Doc and Festus, now a regular, have a wonderful banter and friendship going, and I adored episodes like "Wishbone" where Festus cares for Doc who's been bitten by a snake, and another episode where Festus has been badly beaten up and Doc worries over him. Quint is sadly gone, though, replaced by Thad, the only character in the show I've ever disliked. In truth, Thad is harmless, although far from charismatic and very dull compared to all other deputies Matt had, but I've always had such an irrational loathing of him.

I'm on season four of Maverick now and it's a delight. I've always been unusual in that I've never cared for Bret and found his episodes far less interesting for the most part. Filling his place is cousin Beau who is fine so far, and Bart has a bit more episodes than usual, all of which are excellent.

New this season is The Shannara Chronicles, an absolute treasure so far. It's pulling heavy inspiration from Tolkien, but I don't mind because its old fantasy, and therefore different from most current tv and films that draw from more recent novels. It's undoubtedly one of the most gorgeous shows I've ever seen, with the lush backdrop of New Zealand mingled with tactful cgi and well-done filming, costumes, and props, all a richly detailed and offbeat blend of Medieval high fantasy merged with post-dystopian futurism. I love the beautiful opening credits which quickly explain the background and mythos of the series. The whole show has a slightly modernized tinge over the feel of the Kiwi shows of the '90s I grew up on, making me both happy and somewhat nostalgic at the same time. I love the vast majority of the characters, and nearly all of the male ones, helped by a likable cast and the refreshing lack of common tropes in most of their personalities. Wil is a complete sweetheart, and its a joy to have a protagonist who is mostly inept at fighting, admits fear, sorrow, and horror, and would much rather be a healer than go on an epic quest. Allanon is fabulous, a perfect mix of dry wit and slightly spooky power; and I adore the writers for, once, not killing off the mentor character at first convenience. I love his relationship with Wil, and I'm always a sap for the magic comes at a cost trope. Ander is sweet, and I absolutely adore his relationship with Amberle, and have so many headcanons about how he poured all his love into her because of his father's rejection, brother's death, and his other brother's seeming indifference toward him. On a shallow note, his looks are absolutely stunning, too. Bandon is a precious baby, and I'm so worried for him, especially concerning his gift. I'm not fond of Eretria, but I appreciate the layers of her character, and the realism of a life of abuse having shaped her into what she is, while still showing flashes of a good, yet scarred heart beneath it all. Amberle seems sweet but I dislike her with Wil, and that seems to be half of her personality.

In other new shows there's Legends of Tomorrow, a delightfully zany and surprisingly emotional mash up of heroes that results in just about the most overtly comic book series I've ever seen. Snagged from other DC shows, I know most of the characters already, especially my baby, Ray, thankfully on a much better show and surrounded by a better cast, but still as precious and nerdy as ever. Heat Wave is growing on me a lot, and I already loved Captain Cold, Professor Stein, and Jax. The only brand new character is Rip Hunter and he's great so far, even if often exasperated and shady. AI Gideon is also fun.

Also new is Outsiders, an intriguing and highly unusual series. The characters are interesting and layered - I adore Asa, the setting - and contrast between the ways of life - is fascinating, and I enjoy the relationships, especially Hasil and Sally Ann.

Daredevil is back for season two, bringing with it all the unique things that set it apart from and make it more deeply thought-provoking than other superhero shows with its realism, haunting cinematography, long scenes of dialogue, and poignant character study as it fleshes out its characters and thankfully narrow setting. Added to the always fascinating supporting characters this season is Frank Castle, an intriguing and layered character. I loved his clashes and eventual alliance - including saving his life - with Matt, and despite his violent, morally grey actions, I enjoyed his more tender moments, such as his love for his family and dog. Also new is Elektra, a character I enjoyed in the movie, and is even better here, both in her own complex morality, and her poignant relationship with Matt. I loved seeing the priest, Claire, and Wilson Fisk again, and only wish they could have been in it more. While there were some things I found unnecessary or unwanted - Foggy and Matt's breakup rehash of season one, the less focused storyline, and especially the Matt/Karen forced and annoying romance angle - I loved so many moments, especially Matt getting his new sticks, and all the returning supporting characters. I was disappointed in Karen's character, which, while troubled and somewhat traumatized last season, was far more interesting and likable as opposed to how whiny and annoying she came across this season. Despite the forced chemistry at first, I grew to enjoy her scenes with Frank, and she seemed much more like her season one character with him.

I went to see X Men: Apocalypse in theatres, and it was fabulous, definitely my second or third favorite film of the series so far. Charles has finally stepped into the role of the kindly professor I loved, and his character growth is a delight to behold. I also enjoyed the unique explanation for how he ended up bald, even if I'm going to miss his fantastic hair. Erik breaks my heart, as usual, and the death of his family was devastatingly cruel - I so wanted to see more of his little daughter's animal mutation, and their scenes together were so touching and tender. I adored Charles and Erik's scenes together - their balance between friend and enemy is my favorite relationship in the series - and I inwardly shrieked when Erik swung to the X-Men's sides and dropped the huge metal X in front of Charles to protect him from Apocalypse. I also loved that the movie ended on a hopeful note for their relationship. Despite my reservations, I quickly grew to love the younger versions of the characters: Storm was fascinating, Scott was as precious as his adult version, and surprisingly, I liked Jean a lot more than the adult who I've never really cared for. I loved her saving Charles by unleashing her power, showing a flipped parallel to the darkness of her character in the original films. I'm horribly upset about Alex, though, and cling to the hope that he'll come back alive in some future film, since his body was never shown. Nightcrawler, a favorite of mine from the original films, was precious, and I adored every moment with him. Angel was a fascinating character, and I only wish there had been redemption for him, or at least more time, as his story seemed ripe for more exploration than it got. It was nice to see Mystique fully with the good guys by the end, and I love that she seems to be staying to train the new kids. Quicksilver was as much of a treasure as last movie, with a delightfully expanded role. I was a little disappointed he never told Erik he was his son, but his perfect mix of poignancy and quirky humor warmed my heart. His song sequence was endearing, and I was extremely worried when Apocalypse hurt him, but thankful when things ended happily for him. Apocalypse was an intriguing, although under-developed villain. I loved the concept of him - his gaining powers through body transference - and the few glimpses given of how he viewed the world, but he lacked full motivation for his actions. Wolverine's cameo was an unexpected and beautiful scene. I adored Jean giving him a memory, and the fact that he never spoke highlighted how good an actor Hugh Jackman is, with all the emotions he conveyed through his eyes.

I stumbled across Beyond the Prairie, and despite my reservations and few annoyances, mainly Laura being blonde - I'm far from a book purist on anything, but an absolute stickler than Laura must have brown hair - I enjoyed it quite a bit. It's pretty cute and a complete delight to see some of my favorite things from The Long Winter, my favorite book of the series, and the one thing I was always so sad the tv show didn't include. I've had a massive crush on Cap Garland since I was little, and despite him not being what I imagine I still shrieked like a schoolgirl at finally having him on my screen, even if only for a few short scenes. I also loved the inclusion of the blizzard, and Almanzo and Cap's journey for the wheat, especially Almanzo and Laura's adorable reunion scene. In other favorites, he voice over was lovely, Mary was sweet and I would have loved to see more of her, and baby Rose was so precious.

I re-watched the pilot for the failed remake of The Time Tunnel since I hadn't seen it since I bought my DVDs of the original show years ago. The last time I watched it I was too distracted by paperwork to do more than fume a bit over Tony being a woman and everything being modern, but this time I gave it an honest try and was pleasantly surprised. It's a little rough, as many pilots are, but despite all the changes I was impressed by how well they actually captured the characters. Despite making Tony a woman, a lot of her character traits were familiar: her quickly formed bond with Doug, determination to save and help everyone even if it means bending the rules like letting the boy stay with the woman who cared about him, and her loss of a family she loved, all things essentially a part of the original Tony's character. Likewise the controllers at the Time Tunnel are the original blend of would be savior with slight hints of mad scientist over-reaching where they shouldn't and maybe even willing to sacrifice the travelers if necessary. Happily Doug was the best part. Ironically, although Tony is my favorite, I adore Doug, usually taking his POV in my fanfic, and relate to him in many ways, so one of the lines struck me; when Doug is told by his dying friend who he no longer remembers that he was "the loneliest guy" he knew. That was so perfectly original Doug. Underneath the knowledge and determination there's just this incredibly deep loneliness that always made me think that if he didn't have or lost Tony he'd have no one at all, since odds are he'll never get back to Ann. I would have loved to see a glimpse of the other new Doug, the one who didn't have the family, to see if he was the way I imagine, but it definitely gave me so many plotbunnies of an AU version. But still I adored his little family - his wife and cute kids - and was thrilled when they remained at the end, even when time was set back, even though I was sad that that meant Tony didn't regain her lost family, too. I loved David Conrad as Doug, too, since he was very believable as a modern day version of the original character.

I watched The Huntsman: Winter's War and was left with mixed feelings. While I adored seeing the Huntsman again, and finally getting his backstory, I hated how much was retconned, particularly Ravenna's death and the Huntsman's wife. Female warriors are one of my least favorite type of characters, and I could see nothing in Sara's character that resembled Snow White as the first film implied. Freya was an unnecessary addition to the story, and greatly boring with the exception of the final few minutes that made me feel a bit of sympathy for her. Many of the other characters, like the other Huntsman, who I would have liked to see more of, were underused, and the dwarves were wasted in comic relief. The plor seemed overstuffed and muddled, and while pretty, failed to measure up to the beautifully dark and imaginative first movie. Saddest of all, to me, Snow White married the Prince, eliminating all the implications of the first movie that the Huntsman had taken that role, having been the one to kiss her awake.

I discovered and have been watching the adorable and imaginative Tinkerbell animated film series, which fills out the backstory of the Peter Pan character. I love the world of Pixie Hollow, with all it's imaginative concepts - fairies painting ladybugs and stripes on bumblebees and the flower bulbs with legs - and I love the other fairy characters, especially Terrence and the sweet little Fawn.
 
 
calliope tune: "Green Fields"-Brothers Four
feeling: hungry
 
 
Kathleen
I'm on the eighth and final season of Rawhide and as expected so much has changed. The intro is odd, and I miss the "head 'em up, move 'em out" endings, but the plots are as good as ever. Rowdy is finally trail boss with Gil gone, and despite my reservations and his somewhat less carefree, more "grown up" personality, I'm adoring both the change and the chance to see Rowdy finally step into the role properly. Unlike Gil's hostile, often cruel attitude, Rowdy makes for a warmer, kinder boss who, unlike Gil, values the men more than the herd, and the entire feel of the series as well as the trail boss to drovers relationship seems more relaxed without Gil's abrasiveness. His selflessness is obvious throughout the season, with countless contrasts to Gil, especially when he lets another drover, falsely accused of murder, escape, and gets himself arrested in his place to investigate the brutality of the lawman. Also, while he puts the herd before himself, he's instantly willing to risk the herd and time for the men, something Gil would never have considered. Of the original cast only Wishbone and Jim Quince, now serving as ramrod, remain, and despite my happiness in still having them I miss the others, especially Mushy, terribly. The always solid John Ireland steps in as drover Jed Colby, and the sweet, British-accented greenhorn Ian stole my heart from his intro. I love Rowdy's protectiveness of him unlike the more equal relationship he shares with the others. Simon Blake fills the position of trusted drover and he's fabulous, fitting perfectly with the cast and having a simple yet lovely friendship with Rowdy and the other men.

Outlander has just started and it's gorgeous so far with a flawless intro/theme and the very beautiful Jamie Fraser whose face keeps looking like a young Jamie Bamber so much i just want to cuddle and protect him from harm. I finally have all the kilts and Scottish accents my heart could desire. The show continues to get better with twists and turns, gorgeous scenery, including an ancient castle, a beautifully interwoven fairytales, and Jamie's sweetness. I can't say how many years I've longed to hear "Dinna fash" come out of a tv character's mouth. Dougal bothers me, though, between his treatment of Claire and his eyes on his brother's position, even at the cost of killing Jamie. Geillis annoys me dreadfully, and I'm completely convinced she's going to turn evil, if she isn't already. I do adore Mrs. Fitz, though, and the Laird, despite my first impressions, is proving to be intriguing character.

Way late but I've just discovered the fabulous Hell On Wheels and I'm rolling in the gorgeous intro, authenticity, classic western feel, and excellent writing. It's a real treat, and I already love Bohannon, Naomi, and their little baby. Doc and Eva's relationship is sad and touching, and I quite like Psalms.

I've been enjoying Extant, and despite a slow start it has my full interest now, thanks to a likeable protagonist, and a genuinely creepy, without being gruesome alien being. The idea of it being able to create the image of a lost loved one is superbly disturbing, even if I'd yet to completely figure out the plots. Harmon is an intriguing character, and I love little Ethan, the so very human robot child, and only hope he stays good.

I've finally started sticking with a season of Teen Wolf and genuinely enjoyed season four, despite some plot holes, due to an intriguing storyline. I loved the concept and mystery of the Deadpool list - and was completely shocked at who the Benefactor turned out to be, and loved seeing each character come into their own. Malia was a pleasant surprise, proving to be pretty cute and adorable, and I giggled through her scene of being so proud over her low grade at school. Braeden was another surprise, as I assumed the character would either die or turn evil, and instead found myself enjoying her story arc and romance with Derek which I'd never guessed I'd end up shipping. I loved how Argent came to terms with Allison's death as well as the Pack, and was okay with Peter's fitting fate. Kate's open ending was frustrating, though, and I can't help wishing they'd just killed her off. Derek was the best part, as usual. I loved seeing him come full circle and to terms with his heart and past, smiling more and forming relationships. While he had me terrified much of the season, I enjoyed seeing both child and human sides of him, but especially the beautiful transition into full and gorgeous wolf, my favorite twist of the season.

I finished season three of The Mod Squad and it was fabulous. I shriek a little inwardly every time Pete calls Julie "angel" and the two kissed in an episode - although sadly just as part of their cover. The trio's friendship is beautiful, as is their relationship with Captain Greer; I loved when he called Pete and Linc "his boys".

I discovered the amusing '80s sitcom Bosom Buddies and am loving it so far. The premise is outrageous but the guys's friendship and colorful side characters make it all works, and I love the theme and situations they manage to get themselves into.

I finished season two of Maverick and am still loving Bart best, as well as lamenting the fact that I seem to be the only one who prefers him to Bret. Bart, always the more serious and warmer in personality, gets all the best episodes, including the stunning "Prey Of The Cat" in which Bart gets put through the mental and physical wringer when a conniving woman falls for him, kills her own husband, and eventually winds up getting Bart nearly lynched for two murders. I found Raquel a fascinating, although tragic character in it, and Jack Kelly did an incredible job on the role, especially with Bart's tangible fear in the scene where he's locked in the cell as the mob comes into the jail. On a happier note, there's a new recurring character this season: the adorable scoundrel 'Gentleman' Jack Darby played by the always fabulous Richard Long, and he's both hilarious and completely perfect, gleefully playing off Bart with every quip.

I'm watching season two of The Courtship Of Eddie's Father now and it's every bit as adorable as last season. Tom and Eddie have the sweetest, most realistic father-son relationship ever, and I love all the other characters and the way they all relate.

I got a chance to watch the pilot of Young Hercules and loved it. As much as I love Ryan Gosling's Hercules Ian Bohen was even better, a perfect mixture of uncertainty and skill. Iolaus was flawless as usual, and I loved Jason's role. The plot was fun and unexpectedly poignant in places, especially due to a couple character deaths and Jason's fatal injury and healing with the golden fleece.

In new miniseries I watched Empire which for whatever historical embellishment more than makes up for it in beautiful scenes, intriguing people, and the stunning good looks of a super young and dark-eyed Santiago Cabrera. I was fascinated by Shakespeare's Julius Caesar so I got a little thrill during the Ides Of March prophesies near the beginning, then haunted by the tragedy of Caesar's death in the senate which plunged Rome into chaos. The only one to hear Caesar's dying wish, freed gladiator Tyrannus flees Rome with Octavius, Caesar's heir over the assumed successor Marc Antony. Hunted by assassins and betrayed by friends, Tyrannus attempts to teach Octavius all he knows in order to keep him alive and mold him into a great ruler, protecting him at the risk of his own life. I'm always drawn to the gladiators so it was no surprise that I loved Tyrannus, and the actor underplays the role wonderfully with most of his acting coming from his eyes and movements. Octavius is young and flawed but spirited and troubled enough that I cared about his journey, believable as the uncertain boy who suddenly finds himself growing up overnight. Brutus is a intriguing and conflicted traitor, and Julius Caesar, a deeply kind leader, has far too short a role.

I finally saw the 2013 miniseries of Anna Karenina and it was gorgeous, by far the best version over the other two I've tried. Everyone was perfectly cast, and the haunting feel of desperation over-shadowing Anna finally came out on the screen. Santiago Cabrera was gorgeous as usual, and I was very impressed by the actress who played Anna. I also loved that the film used the other characters more, and the setting and tone was beautiful. Also I gave a try to the '48 film and it was quite lovely, a well done version with beautiful, misty photography, and while I don't usually care for Vivien Leigh, her fragile looks and helpless style captured Anna well. I got chills when she describes her dream of how she'll die, and the recurring image of the old man by the train was incredibly powerful. The children were very believable, too, and little Sergei was adorable.

I finally saw Legion, which I'd been meaning to watch since I started Dominion, and while it initially took me a bit to warm up, I grew to love it. Paul Bettany was a wonderful Michael, very much like Tom Wisdom's portrayal, but with a bit less of a hardened edge, which is logical since he hasn't yet seen so much horror. The scene where he fights Gabriel and dies by his hand was haunting, and I loved his resurrection and beautiful, restored wings. Audrey was a sweet character, and I was saddened that she didn't survive the film, and I loved Jeep's quiet love for Charlie. Baby Alex was absolutely adorable, too.

I tried two Charles Dickens starting with the complex and lovely 1998 miniseries Our Mutual Friend. I've completely fallen in love with the wonderful Eugene Wrayburn who alternately made me smile, put stars in my eyes when he kissed Lizzie's hand, broke my heart, and put it back together again. He and Lizzie were beautiful together and while I loved the whole film their story was my favorite. The historical accuracy of BBC films never fails to impress me, and it felt like a time capsule of the 1860s, gorgeously filmed and acted. I also saw the lovely Martin Chuzzlewit which has some of my favorite Dickens characters including optimistic and cheerful Mark, sweet and caring Tom, kind-hearted and gentlemanly John, and impish waif Bailey. It was a perfect blend of hilarious comedy with Augustus's scenes and darker moments with Jonas, one of the few Dickens villains who makes my skin crawl. Everything had the wonderful, period feel; the only things I wish is that there was more of John and Ruth's and Mark and Mrs. Lupin's romances, as well as scenes instead of just a letter describing Martin's change of heart when he's ill in America and later has to care for Mark when he, too, becomes sick. But the actors were all perfect for their roles, and I adored seeing Peter Wingfield as John...such a different but just as heart-tugging role as the Sin Eater.

In theatres I saw The Giver and it far exceeded my expectations, making me both smile and cry several times. The world-building was fantastic, especially the unique choice of having the world and part of the film without color. The actors were all fabulous, and several scenes deeply moving, especially Giver's poignant speech toward the end, and Jonas's interactions with little Gabriel. I loved the gentle, slow-moving feel of the plot, even during action scenes, and the contrast of emotions Jonas learned to feel.

I discovered one more Charles Farrell film, the talkie After Tomorrow which impressed me a lot more than I'd been expecting. The story was realistic, brushed with a mix of adorable and tragic moments, and topped off with a very happy and unexpected ending. Charles Farrell was, as usual, wonderfully sweet, playing the innocent, faithful character he was so good and loveable as, and the whole cast was quite talented. Lacking more of his films I'm now watching the adorable series My Little Margie and loving it. Charles Farrell is wonderful as Margie's father, and Gale Storm is perfect as the ever mischievous Margie. In other new silent films I've discovered a love for Charlie Chaplin. I watched The Kid which was adorable, and fell in love with his character as well as his adorable father-son relationship with little John. Their scenes together were wonderful, and I loved the happy ending. After that was the flawless City Lights, a perfect mesh of hilarious comedy and bittersweet romance which made me completely adore Charlie Chaplin. The story was poignant and deeply touching and I wished it'd been a bit longer to ensure a completely happy ending.

In new films this week I watched the wonderful Lemony Snicket's A Series Of Unfortunate Events which was a perfect blend of bittersweet and hilarious, all with a zany, quirky, turn of the century feel that instantly made me adore it. I loved how imaginative the story was, with dry humor, poignant and lovely moments, and loveable characters, such as little biting Sunny or the hilarious Aunt Josephine and her fears of everything. Violet and Klaus were easy to root for, and I loved the three children's relationship and how they looked after each other. Next I saw the gorgeous Bridge To Terabithia, a flawless, heartbreaking story with a very familiar cast: Josh Hutcherson as bullied little loner Jess, Annasophia Robb from Samantha as the imaginative Leslie, adorable little Bailee Madison from Saving Sarah Cain as Jess's darling sister May Belle, and Robert Patrick from The X-Files as Jess's strict yet not unloving father. The plot was beautifully sad, rich in imagination, and I loved the world Jess and Leslie created, even if I've never cried so hard during a film. The ending was poignant yet lovely, with May Belle entering Terabithia as their new princess, and I adored her relationship with Jess, as well as the twists and turns in the plot such as the bully finally standing up for Jess against the other bullies. Josh Hutcherson was wonderful as Jess, with just the right amount of childish awe and world-weary sadness to make me love him. Following that I watched the clever and imaginative Percy Jackson & the Olympians: The Lightning Thief, a modern twist on Greek mythology with a likeable bunch of heroes, especially the funny satyr Grover. I loved the way it tied the myths to what was happening in the teen's lives, and the unusual aspects such as Percy's dyslexia being the fact that he can read ancient Greek. Then I saw Becoming Jane, a gorgeous and poignant biography of Jane Austen's early years and her first and only love. Anne Hathaway was perfect as Jane, and James McAvoy was wonderful as Tom, a bit of a rogue but loveable. It was beautifully filmed and directed, and I teared up at the ending, so sad yet lovely. Next was The Spiderwick Chronicles, an enchantingly imaginative fantasy with fairies and an adorable little brownie that made me feel like a kid. The story was fun, I teared up at the bittersweet ending with Lucinda and her father, and I loved the talented cast, especially the children. Then I saw Butch Cassidy and the Sundance Kid and loved how much it was like Alias Smith and Jones with their banter, the safecracking, Etta reminding me so much of Clementine, and just the feel of the film in general. Butch and Sundance had a wonderful close, yet easy friendship, and the humor is gently underplayed beneath a feel of dread; you can actually feel the time running out, driving them to toward the ending which gives the film a bittersweet feel. I loved the attention to detail and use of sepiatone filming and pictures within the film, as well as the theme, "Raindrops Keep Fallin' On My Head", which I've always loved. The ending completely broke me, though, not that I wasn't expecting it, but it was heartbreaking to actually see it, even though it was beautifully, poignantly filmed. Next was the gorgeous The Eagle, a flawless and beautiful film with loads of friendship, whump, and all other elements I love, as well as being set in the time period of Hadrian's Wall which made me giddy from the beginning. I loved Marcus saving Esca in the arena by yelling at the people to turn their thumbs down into thumbs up, a selfless act that turns into an enduring friendship of equals instead of simply master and slave. I loved how Esca saves him in the end, and him being set free yet still remaining with him in the end. It was a wonderful story, too, and I loved every moment of it. Following that was The Patriot, a guilty pleasure since I love the Revolutionary War, and it was both stunning and completely heartbreaking, with lovely photography and superb acting, making me cry and yet giving me moments that were heartwarming, such as little Susan speaking, or the soldier naming his son after Gabriel. The film reminded me a lot of Shenandoah though, which both made me happy and intrigued me. Then I saw the 2004 version of The Phantom Of The Opera, a utterly gorgeous and breathtakingly haunting film that made me cry. I loved both Raoul for his selflessness and determination to save Christine as well as the tragic Phantom for his deep love and sadness, and frankly would have been happy for Christine to end up with either. Still the ending made me burst into tears I'd been holding back the whole film. The music was glorious, especially "Music Of The Night", always my favorite, and the acting and direction were simply stunning. Next was the surprisingly excellent Rise Of The Planet Of The Apes, a stunningly poignant and thought-provoking film that was also deeply moving. I wasn't expecting much and was completely blown away by it. James Franco continues to impress me with the sensitivity of his acting, and his relationship with Caesar was beautifully done. The scenes where Caesar spoke were powerful and I loved the message of the film as well as all the nods to the original. Then I saw Tron: Legacy, an incredibly imaginative and fabulous sci-fi with a richly detailed cyborg world all inside a computer. I loved Sam - a perfectly cast Garrett Hedlund - and the jaw-dropping special effects. I discovered Heidi's wonderful sequel Courage Mountain and completely fell in love with it. While this Heidi took a while to grow on me I instantly took to Peter, mostly because he's quite close to what I imagine the child Peter looking like and acting like grown up. I loved the parallels between the films, such as Heidi having to save Peter from falling off the cliff, and the lovely new additions like Peter giving Heidi his panpipes to remember him while she's away. The best part of all, though, was seeing a pairing I've loved since I was seven truly and really become canon. Peter and Heidi were perfect together, even kissing, hugging, and promising to wait until Peter returns from the war, and I was melting with happiness through every moment. Next was The Last King Of Scotland, a gritty but fascinating historical drama. Nicholas was a very human protagonist, and the events surrounding and involving him were both disturbing and very interesting, opening my eyes to a part of history I'd never heard of. After that was Atonement, and while it didn't impress me as much as I'd hoped it was still a gorgeously filmed movie, especially the breathtaking and heartwrenching war scenes such as Dunkirk or Robbie discovering the dead girls. I never felt like I got to know the characters very well, but I still cared enough about them, especially the tragic Bryony, to be interested in their fate. The final twist stunned me, leaving the film with a bittersweet and haunting conclusion. Next was the 1990 version of Treasure Island, a remarkably faithful adaptation with the always wonderful Christian Bale as Jim. I liked that Jim was more of a fighter and saved everyone unlike the more childish Jim from the Disney version, but I missed the warm relationship between the Doctor and he which was considerably toned down. While I felt it needed a little more fun in the plot, it was still a well-done film, and I loved the period details and sea-faring adventure. Next was September Dawn, a heartbreaking and beautifully old-fashioned film about the Mountain Meadows Massacre. It's a historical event I've been interested in for a long time and I liked the feel and style of the film, capturing the tragedy in a star-crossed romance and a mixture of people I grew to love or hate. Jonathan was especially fascinating and played by a very talented actor, and the nearly black-and-white contrast between the two groups was refreshing and unusual, more like an old film. Then was Prince Of Persia: The Sands Of Time, a fantastic and ridiculously fun movie with shades of One Thousand and One Arabian Nights which I've loved all my life. I'm not familiar with the actor but he was amazing as Dastan, the street orphan turned prince, and both he and the boy who played him as a child would be perfect in a live-action version of Aladdin. I loved the concept of the time-turning-back dagger and sand, and there were more than enough acrobatics to keep me entertained. I was a little sad that Tamina didn't remember him in the end, but the fact that she was alive and that they were together made me too happy to worry about it. Next was Noah which was gorgeous, with a fascinating, fresh look at the story while sticking close enough for comfort. The scene of the animals coming to the ark was breath-taking, and the cinematography was stunning throughout. I loved the idea of the evil character being seen by Noah as the snake, and the flood's start was exactly as I imagine. I loved Shem and Ila's story, how they met, their love for each other and their children, and they being the ones to start the world over. Noah was quite different than I imagine, and there were times I didn't exactly like him, even if I understood his motives, but he was quite human and easy to relate to. Naamah was excellent, given the depth she always lacks, and little Japheth was precious. Only Ham felt miscast, despite Logan Lerman doing a good job at the role. After hearing about it for so many years I finally saw Kiss Of Death and surprisingly loved it. Film noir has never been my favorite genre but this film more than makes up for it by crafting an easy to follow plot with good characters that are easy to warm to. Victor Mature is excellent as always as the anti-hero, and I adored getting to see him play a husband and father with two adorable little girls, for a change. Richard Widmark was creepy and good as always, although I was expecting more from his role due to the hype I've always heard surrounding his performance. I loved the hopeful ending, and setting of the movie. After that was a rare Glenn Ford film I hadn't yet seen: A Stolen Life. Bette Davis was surprisingly excellent at the dual role, portraying both sisters as so unique she had me easily convinced she was two different people. Glenn Ford was lovely, even if his character was a bit naive, and it was a treat to see him so young. Next was Priest, a film of gorgeous cinematography and amazing world-building with a superb twist on vampires. I loved the gadget-filled, 1800s like world, the distinct cross markings on their faces, and the bikes. All the characters, from Priest himself, to Hicks, to Lucy were fabulous, and I was saddened to not find a sequel resolving Priest and Priestess's unrequited love, as well as seeing Priest getting to know his daughter. I'm starting to love Karl Urban's roles so I watched Pathfinder, a unique tale of a Viking child taken in by an Indian tribe who grows to be an adult to defend them against a second invasion. Karl Urban was wonderful as Ghost, and I loved his relationships with his adoptive mother and sister - their deaths broke me - as well as Starfire. The ending was lovely. After that was The Pianist, an utterly heartbreaking and gorgeous true story of a Holocaust survivor. Adrien Brody was absolutely stunning - he certainly deserved that oscar - and the story made me tear up so many times. Next was the delightful Sky Captain and the World of Tomorrow. I loved the world and visuals, as well as the romance. Next was the offbeat but intriguing Suddenly Last Summer. Next was I Confess, an excellent and interesting Hitchcock. Next was the delightfully shippy Children of Dune and its awesome world-building and glowy eyes. Next was On the Waterfront, always excellent, and the iconic The Wild One. Next was the visually lovely City of Ember. Next was the surprisingly enjoyable Alexander. Next was The Legend of Hercules, a flawed but highly enjoyable version of the myth. Next was the fun and random fairytale adventure Ella Enchanted. Next was the Pirates of the Caribbean which despite a slow start quickly won me over. Next was the enjoyable and lovely The Story of Alexander Graham Bell. Last was the Kiwi adventure Doom Runners which I enjoyed greatly, despite it definitely being a kids' movie, probably because of Dean O'Gorman.

In new superhero films I watched The Amazing Spiderman 2 but despite some excellent moments and early humor it seemed disconnected and over-filled. This Peter isn't easy for me to relate to but he seemed better last film, more human and awkward instead of annoying and never serious. Gwen and his breakup seemed random and simply to add more heartbreak, and Harry, the character I was most looking forward to was completely ruined, turned into a whining, strange kid whose transformation into the green Goblin made little sense, even if his appearance was creepy and fascinating. Gwen's death was tragic and completely heart-wrenching, making the best scene, sadly, in the entire film. The ending seemed abrupt and out of place, with Peter reverting too quickly to his joking persona without giving another thought to Gwen and too much was left hanging.

I finally saw Dr. Horrible's Sing Along Blog and surprisingly loved it, both for the music as well as the plot. The sadness of the ending was a shock but I liked the origin of the bad guy feel to the story, even if the last moments left it hanging for a sequel.
 
 
calliope tune: "Lover's Cross"-Jim Croce
feeling: mischievous
 
 
Kathleen
I finished season four of The X-Files, including the stunning "The Field Where I Died", a story structured around the storming of a cult's compound as Mulder finds himself inexplicably drawn to the field across from the compound. When one of the wives slips into the speech of a Civil War nurse, she reveals the events of the battle that took place in the field and her memories of Mulder, then a young Confederate soldier and her sweetheart, dying there. Mulder undergoes hypnosis, finding his own memories and discovering that he and Melissa are linked through time, star-crossed lovers in every life from the field to the Holocaust. The series had already explored reincarnation but "The Field Where I Died" has such a quiet, haunting sensitivity that it's impossible not to be drawn into the tragic story, already guessing what the outcome will be in their current lives. Combined with the poignancy of Mulder's voiceover and the torn 1860s photographs it's a breathtaking episode, and I can't help wishing they'd had a flashback tie-in episode to it. The season and series' best is the quietly powerful "Paper Hearts" in which Mulder begins to suspect that Samantha's abduction may have been at the hands of a serial killer whose final victim remains unidentified. The story and Mulder's grief is gently handled and the open ending and fabric heart is enough to make anyone cry like a baby. On other notes how brilliant is the casting of Roy Thinnes as Jeremiah Smith? Considering he was obsessed with hunting down every last alien in The Invaders, there's something ironic about him playing a good alien here. I want a crossover or an inside joke in an episode where they say all the alien-hunting, brainwashing, and being brought back to life by the outer space CPR machine has turned David into an alien, one with amnesia which excuses why he has a different name. Krycek is back and as usual Mulder jumps out of character and turns him into a punching bag. I wish the writers had realized how well Krycek worked with the others when they weren't beating him up, putting me in the position of having to choose between Mulder and Krycek, and how much happier I'd have been if he'd been in it more often. I'd have a hard time enjoying the conspiracy episodes if not for Krycek. I love him and I have no regrets about it; I want to bandage him up and protect him from Skinner. Pendrell is tragically shot and killed; he was so sweet and adorable that it hurts to watch him die like that. I also finished season five, with the breathtaking "Redux". Mulder and Scully's relationship isn't forced, it just happened, slowly growing from a partnership to a friendship to a "I'd die for you but can't live without you" romance. The scene where Mulder goes into the hospital, kneels beside Scully's bed, and cries against her hand broke my heart. "Usual Suspects" is a delightful flashback episode explaining the origin of the Lone Gunmen and Mulder's friendship. I've always felt they were underused so it's wonderful to see them shine. "The Red and the Black" plunges ahead, bringing in new ideas, such as the vaccine, the alien war, and Krycek revealing their agenda. The way he says "Good luck to you, my friend" in Russian right before he leaves broke my heart. I'm on season six now. With the bad guys in charge and the x files burned and dismissed, Mulder and Scully, secretly working on the files against orders, have their work cut out for them. Mulder gets another "I want to believe" poster, and the dark, shadowy style of the series hasn't changed even if they appear to have gotten slightly wider-beaming flashlights. About time, guys. Mind-reading wonder child Gibson slips in and out of the hands of the bad guys as it's revealed that humanity's DNA is part extraterrestrial mutated virus. "Arcadia" is a treat with it's perfect balance of humor and creepiness and Mulder and Scully's undercover names "Rob and Laurie Petrie". "Monday" is a fascinating and heartbreaking time loop story as a woman, the only person who realizes the day is repeating, attempts to prevent Mulder from entering the bank her boyfriend is robbing which will set of a chain of events ending with all the people being killed. The poignant and old-fashioned "The Unnatural" is a sweet love letter to baseball with two of my favorite guest characters this season and an adorable scene where Mulder teaches Scully to hit a ball. "Field Trip" has a beautiful scene where Mulder reaches over in the ambulance and Scully catches his hand without even opening her eyes as if they can sense each other. "Two Fathers/One Son" fully explains the Syndicate while building toward it's shocking ending, with the Cigarette Smoking Man killing Spender just as he'd become an ally of Mulder and Scully, and the Syndicate being massacred by the alien rebels. Krycek fortunately escapes and he's still working against the aliens which puts him on the good side this season. I'd never seen it and skipped over it while working through the early seasons so I went back and watched the whump-filled "Fight The Future". It was fantastic, everything the show does best on a larger scale, and so perfectly shippy I couldn't stop grinning. The almost kiss was just mean, though, but the film made up for it by having Mulder's beautiful speech about how Scully saves him complete with a forehead kiss, Mulder rescuing Scully including carrying her and doing CPR on her, and their hand holding at the end. My favorite scene was the gorgeous one where, after escaping and watching the spaceship above him, Mulder looks over at Scully, smiles faintly, and passes out in the snow from cold and exhaustion. Scully, even weak as she is, slowly reaches over, lifts him into her lap and holds him, laying her face against his hair. It's a beautiful moment and shows how much they mean to each other after all they've been through together. I was saddened to see the Well-Manicured Man get killed, since I thought he was an interesting character with a lot of potential, but he died well, saving Mulder's life from the syndicate and Scully from the virus, and I was glad Mulder trusted him enough in the end to use the coordinates and medicine.  

MeTV is showing Remington Steele so I'm getting to see it; it took about half of the first episode but it grew on me, and it's quite a cute and funny series so far, especially the growing relationship between Laura and Remington. I found him a little off-putting at first but his dry humor and fast thinking eventually won me over. The clever thing about the premise is you're never quite sure who and what "Remington" is, other than the fact that he's a fan of Humphrey Bogart detective films and he has a collection of passports, all with different names. George and Bent from North and South were both in the pilot, with James Read a regular as Murphy, an interesting, somewhat underappreciated, and often whumped guy, and Philip Casnoff in an ill-fated, small role, making me wish for some sort of quirky crossover where Bent's descendant is still managing to make trouble for George's descendant in the 1980s.  

I've been watching the complete series Logan's Run, tv version of the fantastic book and fun film, and it's a treat, even if book purists will be screaming five minutes into it. Instead of computers, the City is run by a group of budget-saving Elders, and palmflowers are nowhere to be seen, a shame since the film did them beautifully, while new additions include a shiny silver vehicle and having the Runners joined by android REM. Pure good instead of the book's antihero, Logan finds himself a Runner when he knocks out Francis to save Jessica who was helping another Runner escape, and the two quickly find their way out into the sunlight, wandering across the land in search of Sanctuary with a trio of Sandmen hot on their trail. Jessica and Logan eventually grow into a romantic relationship by the last episodes. Francis still doesn't get to be the secret rebel of the book and yet again is reduced to a stalking Sandman who attempts to look menacing but, happily, it's impossible to look truly evil with '70s feathered hair. Logan and Jessica adapt far too quickly to Outside, but it's forgiven because of the countless civilizations which they find themselves the teachers of, including the pacifist and enslaved remnants of humanity including an adorable little girl who they rescue, and a spooky group of robots whose desire to serve may not be as innocent as it sounds. The thought-provoking "Half Life" has the trio discovering a city where the people have split themselves into two parts: one "positive" living in the city, and the other cast out into the woods. However their "perfect" world is threatened when the leader of the castouts begins to care, and the positive's wife who lost her other half aids Logan in attempting to put the pairs together. "Carousel", a superb episode, finds an amnesiac Logan returning to the City, only to remember hours before his trial and intending to sacrifice himself to reveal the truth. "Man Out Of Time" is the best episode, with a hauntingly tragic story of a scientist in the past who travels to Logan's time to learn what caused the war in order to prevent it, despite knowing that by correcting the past he'll be erasing everyone in the present. As time passes he begins to care about the people he meets, and teaches them all he can before returning to his time. The poignant conclusion is one of the best I've seen in any old series and the entire episode is stunning. With the hair, clothes, and alien adventures there's never a dull moment and I haven't had so much fun watching a series in quite some time.

I'm finally getting to see the 12 O'Clock High episodes where Gallagher is in charge. Although I like Savage, I love Gallagher more, and I'm thrilled to see the hot-shot kid pilot transform into a responsible colonel who handles the crew with compassion. Gallagher has come a long way, not only in promotions, and even if I saw the potential in him from the start it's still fascinating to see just how much he's matured. New is Sandy Komansky, a well-meaning young soldier. Unlike Savage and Gallagher's abrasive uneasiness around each other, Komansky and Gallagher have a comfortable friendship, probably because of the contrast between the two leaders. Savage comes across as an unsympathetic and demanding general, mostly a hard shell with a caring interior that he hides, while all of Gallagher's feelings are on the surface, easily understood at face value, like Komansky. Gallagher leads with his heart above his head, risking his life multiple times to save his men or civilians, and he has an endearing warmth Savage lacks. The series has gone to color now, and as much as I like war series in black and white, the brilliant and colorful flight scenes are breathtaking. In "Gauntlet Of Fire" even with a wounded leg Komansky comes along in the plane when Gallagher sets out to fly the final mission alone, with a cute comment about being court-martialed. I love the way he always tacks on "sir" as an afterthought. In "Fortress Wiesbaden" Gallagher finally defies the commandos's orders and goes back for Komansky when he's wounded, getting him to safety. I love how he sticks with his men no matter what, and his lines about teamwork. "A Long Time Dead" scared me stiff when badly wounded Komansky is pushed out of the airplane by a demented officer, and most of the episode has Gallagher attempting to see justice done for his murder. I choked up when he sits and stares at Komansky's name plate. Thankfully Komansky is discovered alive at a field hospital at the very end and there's a cute final scene with him. He's far too sweet to die, especially like that, and it would have broken my heart if they hadn't fixed the ending. Happily both Komansky and Gallagher, despite serious injuries that sent him home, survive the final episode, and although it didn't wrap the war up it felt like a finale. I also discovered Naked City, an intriguing cop series starring Paul Burke as Adam, a compassionate, deep-thinking officer much like Gallagher. The episode, "On The Battlefront Every Minute Is Important", had David Janssen in it and it's always a treat to see him apart from Richard and as an entirely different person like the one he was here, the owner of a wealthy advertising business with only months to live. Seeing Adam, he offers to give him his business which prompts Adam reflecting on why he does his job in a beautifully worded moment. 

I finished season three of Wagon Train and they had fun with classics, including the cute "Christine Elliot Story" which borrows slightly from Little Men, especially violin-playing Nat, and "Tom Tuckett Story", a lovely adaptation of Great Expectations which has Ben Cooper looking similar to John Mills in my favorite film version. Charles Aidman was the title character of "Amos Gibbon Story", and I've never seen him in such a heartbreaking and moving role before, as a prisoner whose mind has snapped from the guards' abuse. My heart kept bleeding for him, and his acting was incredible. Onto season four which shakes everything up with fresh ideas. Season opener "Wagons Ho!" brings back the wonderfully trouble-prone greenhorn Sam Evans, his wife Melanie, and his Aunt Em in a hilarious and sweet sequel, and the lighthearted style continues into the delightful "Horace Best Story" with Ken Curtis as semi-Indian Pappy Lightfoot. On another familiar note, little, pre-Barnaby Michael Burns is in three episodes including "Allison Justis Story", a sad tale with Flint shooting a thief only to learn he may have killed an innocent man who's left behind a bitter young son who's determined to avenge his father. "Princess Of A Lost Tribe", the season's strangest idea and one of the most unusual episodes I've ever come across, plays like a hauntingly tragic fairytale as Flint stumbles upon his own Shangri-La, an isolated, mythical Aztec city, and falls in love with a girl about to die. "Saul Bevins Story" is a beautiful drama of a blind man determined to prove his worth who fails at first to notice the woman who loves him. Ron Harper was in "River Crossing" as a young soldier on his first mission who finds himself caught between an Indian massacre and the uprising that follows. He's taken by the chief and his officer will be killed but they promise to return him alive. I wish it had gone a little further to show how it affected him, and how he managed under a new officer, but on the bright side I like to imagine Garrison coming from a military family so the young soldier could be his grandfather. The best episode is the stunning and deeply moving "Will Santee Story" about a man and his family's attempts to escape the shadow of his brother who was hanged, a situation that only becomes more difficult when he falls in love. This season includes a treat for me: the introduction of my favorite, Chris Hale, the new wagonmaster whose tragic backstory, warm heart, and kindness won me over to the series. With his arrival, everything snaps into place, as the harsh spats are replaced by a "thrown together" family feel. This is Wagon Train as I love it.

There was an amazing The Guns Of Will Sonnett episode "Meeting In A Small Town" in which Jeff's dream led them to a border town where a bounty hunter has set a trap for Jim. Jeff creates a sting that ends up killing the bounty hunter and Will, who doesn't believe the dream had any merit, and Jeff leave the town. Right after that, Jim comes riding in. At the ending he meets a little boy with a toy gun who says when he grows up he plans to kill Jim Sonnett. Jim's last words to him and the music is done in an eerie way that made me wonder whether someday the child is going to be the one to kill him. The series' finale "Three Stand Together" was beautiful and brought tears to my eyes when Jim and Jeff finally meet face to face and the three become a real family.

The Lazarus Man had an episode that mentioned the Sultana! I was thrilled as I've never seen it on any series and it's always been one of my main interests related to the Civil War. The series is fascinating and unique, and I love how the focus is on the people Lazarus meets more than Lazarus himself.

I managed to get my hands on the unusual and offbeat western Dead Man's Gun, a series about a cursed revolver changing hands and causing tragedy to whoever comes into contact with it. Happily, the episode was about Jack the Ripper, a long interest of mine, but with the unique twist of imagining who Jack was and what became of him after the Whitechapel murders. The story had him continuing his crimes in an American tent city where a woman accidentally discovers his secret. She ended up shooting and killing him in the end, and she and another townsperson buried him and resolved to never admit the secret.


I'm working my way through Overland Trail, a usually light-hearted western with super young Doug McClure as Flip, a kid raised by the Cheyenne, and Kelly, the man who runs the Overland Stage and cares about Flip as if he was his son. The two have a wonderful, warm relationship even if they tease and play pranks on each other constantly, and I'm loving the series.

I've never been much of a fan of Jean-Luc in Step By Step, just never noticed him. But I watched "Just Say Maybe" and sort of fell in love. He's hilarious and very sweet, cute as can be with Lilly, and his offbeat humor is a perfect match for the series. I felt almost the same way about Cody: at first I didn't care for him, then I was used to him, and finally one episode I realized I missed him when he wasn't there. There's something about seeing things through nostalgic eyes that makes me appreciate things I never paid attention to the first time around.

I was watching The Big Valley "Rimfire", Jarrod's episode, and Van Williams turned up in it! It's just like old times, Rex and Ken working together again, and Van Williams still has that lovely accent and those stunning blue eyes. He played a kind sheriff with a young son so there were some cute moments between him and the little boy as well as some excellent scenes with Jarrod, including one where Jarrod saves him from a mine shaft. I was a little worried about him because it seemed like the episode was setting the scene for him to get killed but happily he was only wounded and survived. Now I want to find one of those reincarnation fanfics that has The Big Valley and Bourbon Street Beat somehow tied together.

I'm watching Donna Reed Show season one and I'm up to "April Fool" which had James Darren as a super sweet rock star who gets sick and has to stay with the Stones while he recovers. Mary has stars in her eyes (who wouldn't?) and in the end he takes her to her school dance, sings to her, and kisses her on the cheek. *squee!* So adorable and charming. I rediscovered my love for the adorable, quirky That Girl. I always loved Donald and Ann's relationship and it's lost none of it's charm; they're magic together.

I saw Aquaman, the pilot that wasn't picked up for a series, and it's a shame since it had promise. As much as I'm used to Smallville's AC, I loved Justin Hartley's take on the role, even if I kept expecting him to put on green and pick up a bow and arrow. Still the film was unusual and fun from the beginning, and it's a nice version of an oft-forgotten superhero.

I finished season three of Merlin and there's a beautiful library now for Merlin to visit in place of the dragon cave. Arthur and Merlin have settled into a blend of teasing, insults, and true caring, and Arthur said something nice to Merlin, even though he quickly covered it up, "wisdom and an idiot", so Arthur. Uther drowned children born with magic during the purge, and the scene with the mother pleading and the wet, ghostly children sent chills up my spine. How did unborn Merlin escape? If Uther could track down almost all the magical people and kill them he would have known Balinor and Hunith were going to have a baby, and that he'd be a dragon lord, too, not to mention magical. I need a flashback episode to answer this question, baby!Merlin would be adorable; I can just see the little ears! "Goblin's Gold" was hilarious, lightening the darker mood of the season and keeping me laughing. I loved Merlin teasing Arthur by making him stay donkey-ish for an extra day, and Gaius fixing Uther's bald head. I adore Arthur testing Gaius, with enough faith in Merlin to doubt Gaius' word, and knowing Gaius well enough to know the truth. Another favorite was "Love In The Time Of Dragons". I love Gaius and his relationship with Merlin so it was fascinating to see it put to the test, even if my heart hurt for Merlin. I always enjoy the glimpses of the past, especially the Purge, and it's nice to see Gaius featured. I loved "Queen Of Hearts", how Arthur would give up the throne to go with Gwen, and old!Merlin who messes with my mind. I had to get used to Merlin being too young and now with him changing like that I get the idea that old!Merlin was just him under a spell. Then "The Eye Of The Phoenix"; I've missed the quest episodes: magical jewelry and creatures, a tower, quicksand, and a bridge with a keeper. Finally, "The Coming Of Arthur", with the round table, knights, hand coming out of the lake with the sword, sword in the stone, Gaius using magic to save Merlin, Arthur and Gwen's tender moments, Lancelot returning, and Freya!

I saw Lois & Clark: The New Adventures Of Superman and it was a different take on Superman. I love this version of Clark; he's sweet, a little awkward, and yet not afraid to show his skills at writing or rescue someone when it's not too superhuman. Lois is a bit annoying but Jimmy more than makes up for her with his adorable enthusiasm, one of the best versions of Jimmy I've seen. I like when Clark rescues him from the exploding building; there needs to be far more Clark and Jimmy friendship stories out there since I've always loved their interactions. There was a hilarious scene where Martha Kent is sewing costumes for Clark before she decides on the Superman suit, and all of them are completely outrageous, especially the one with the Robin Hood hat.

I love Irwin Allen. No matter what, you can count on him for glowing buttons, flashing sets, imminent danger, friendship, whump, fights, squee, and a great deal of silver paint. And it's all wonderful, even if his best last only a season or a pilot film like City Beneath The Sea. Beneath the oceans of 2053 lies Pacifica, a glittering city filled with people that also houses all the world's gold and military weapons...and in a matter of days is going to be destroyed by a meteor. When the former commander, Mike Matthews, is called back to take charge of the situation, he finds himself faced with the people who still blame him for the tragic death of a crew member: Woody, the current commander, and the man's widow, Lia who spends her days searching for proof to charge Mike with murder. The problems don't end there, as unbeknownst to Mike, his brother Brett is planning to steal the weapons from the vault and control just about everything. On Mike's side is Aguila, a hybrid human who breathes water and believes in his innocence. But hours after Mike arrives another accident occurs, seriously injuring Woody and adding more guilt to Mike, even as he starts to wonder if two accidents aren't too much of a coincidence, and someone is behind it all. CBTS didn't get picked up as a series and it's a shame because it's completely, absurdly fun. Bits and pieces of Irwin Allen's prior series are everywhere, and there's enough flashing lights to outfit a discotheque. The bond between the five leads grows throughout the film and the final scenes are lovely; they would have made a great team to watch each week. Robert Colbert is Woody and James Darren is a scientist but unfortunately don't share a scene together; still the idea of Doug and Tony at the bottom of the sea is too good to resist. Most fascinating is Aguila, the physically altered human with no backstory who swims like a fish, breathes through gill-like lungs, and dresses so much like the Man From Atlantis that I couldn't stop grinning. In other new films this week I started with The Boy In The Striped Pajamas. Eight year old Bruno lives in world of innocence and dreams of knights in armor, a comfort since his father received a promotion and moved the family to a guarded house in the country. Lonely and looking for someone to play with, Bruno spies the "farm" in the distance and becomes curious, even when his questions are quickly brushed aside. But when he finally goes up to the fence around the farm he sees a boy his age on the other side, wearing "pajamas". The film is heartbreakingly beautiful, offering a fresh, sensory, and simplistic view of the Holocaust through the eyes of a child, even down to the low filming. Bruno is startlingly naive, contrasting with his Hitler-enamored sister and the hostile world changing around him, and Shmuel and his friendship and their clasped hands make a powerful statement. The imagery is poignant, using childhood toys: a ball, a swing, and a pile of dolls mimicking photographs of the camps to allude to the truth Bruno can't understand, and I was spellbound by how gently the Holocaust is handled up until the final minutes when it all comes crashing in. Second was Send Me No Flowers and I couldn't stop laughing. Hypochondriac George overhears his doctor's phone call and mistakenly believes he has only weeks left to live. With the help of his friend Arnold, George attempts to put his "final" days to good use: choosing a cemetery plot, having Arnold write his eulogy, and, most importantly, finding a new husband for his wife, Judy. Definitely one of the most hilarious films I've ever seen. Next I saw Robin Hood Prince Of Thieves, an unusual but fun and fascinating twist on the legends, and loved it. Robin has a good heart and is believeable as a leader, risking his life from the beginning to try to save others, and I loved the diverse and fully imagined Merry Men, especially Little John and his family, and all the treehouses and swinging ropes.

How awesome is the extended musicvid for Backstreet Boys' "Larger Than Life" with the spaceships, spacesuits, cryogenic chambers, explosions and Brian in the matrix on a futuristic surfboard? It's like watching them all in a mini sci-fi film! I found the sweetest news clip from 2005 of Nick and Brian visiting a toddler who was born with half a heart. Her parents played Backstreet Boys music before and after she was born and the beat had strengthened her heart, they believe, saving her life. Brian was so adorable singing, holding, and dancing with the little girl; I love when he compliments her shoes and him hugging her is precious. And Backstreet Boys are getting a star on the Hollywood Walk of Fame next year!
 
 
feeling: indifferent
calliope tune: "Toast and Marmalade For Tea"-TinTin
 
 
Kathleen
Recovering from the claustrophobia of being jammed into a theatre with too many people, I just got back from The Hunger Games! I had very high expectations for the film and it filled them all and still blew me away, especially the bread scene even if it missed the dandelion moment. Peeta was incredible. I expected as much from the other films I've seen with the actor but he pulled every emotion possible out of every scene and was even better than I'd imagined, and so vulnerable I kept wanting to hug him. Prim was sweet, Gale was surprisingly sympathetic, I actually felt for him, and Haymitch made me love him even though I didn't like the book character. The other Tributes were very much as I'd pictured, especially little Rue. The scene where she died hurt, and then when the district saluted Katniss I don't think there was a dry eye in the theatre. My favorite scenes were the chariots, Katniss finding Peeta by the river, and that final hug when they think the Games are over. I was slightly disappointed that Peeta healed up so quickly after the medicine arrived, since I wanted the scene where Katniss is pounding on the glass screaming, but the whole film was beyond perfection, especially this line: "I think about it all the time. How I tossed you that bread, I should have gone to you, I should have gone out in the rain. I remember when I first saw you. Your hair was in two braids instead of one, and in music assembly when they asked who knew the valley song and your hand shot straight up. After that I watched you walk home everyday...every day."

So apparently most Les Miserables fans hate Marius. I'm beginning to suspect somethings wrong with me when my favorite character is always the least popular with other fans, still this surprised me because I always assumed Marius would be a popular character. He's certainly a romantic and tragic revolutionary and, even though I adored him years before I ever saw the fantastic 1998 movie or any other version, he's pretty. I have a weakness for high cheekbones and he has the highest ever.

I'm working my way through the complete 1978 series Battlestar Galactica and I adore Starbuck with his hilarious womanizing, gambling, cigar-smoking, and gorgeous hair, even CORA, his computer, wants to flirt with him. On the flipside I feel sorry for poor Athena; she starts out as one of the leads and after a few episodes the writers seem to have no idea what to do with her, and she spends the rest of the series staring at a computer screen or eating dinner. I love how detailed the world is from the viper fights to the "space Las Vegas", and Apollo, Boomer, and Starbuck's friendship, as well as Apollo and Boxey's relationship, is heartwarming. Rick Springfield turned up in the pilot, which was a treat, even if he had a tiny and tragic role. Starbuck gets to show his caring side in the dream-like "War Of The Gods" when he offers his life to save dead Apollo, even in payment after Apollo has been brought back to life, and his crying shows how much he really does care about his friends. "Fire In Space" showcases Boomer as a hero, as well as showing the loyal heart of Starbuck when he jumps off the ship into outer space to grab onto Apollo who's lost his grip, and continues holding onto him, floating without ropes, until help arrives. Starbuck gets some nice whump in "Greetings From Earth" as well as "The Young Lords", both of which have cute scenes with him and kids. The beautiful and moving "Lost Warrior" features an incredible and fun western showdown between Apollo and a cylon, as well as a lovely backstory and star-gazing finale. While there's no real finale the last episode was superb, and I love the broadcast being the moon landing as well as the adorable "waggling the wings" part.

I'm up to "The Seige" in A Man Called Shenandoah and by now I see the writers enjoy tormenting him. Here he comes closer than ever with the hope of a family, a name, and a hometown only to have it all snatched away. On the bright side Charles Aidman was in it! I adore him, no matter what role he has he's excellent, and he got to have a cute little daughter in this one which is always a sweet bonus. I'm still not convinced on the ending, though. Since the doctor said in the pilot that some people with amnesia forget to read I think it's possible that his handwriting was forgotten and relearned (or at least I'd like to think so), not to mention the fact that little Nora sort of looked like him, enough to put a doubt in my mind. It would have made an excellent finale, too.

I'm infamous for ignoring special features on DVDs so it's taken me all this time to notice my The Time Tunnel set came with a bonus movie, Time Travelers, and watch it. Clint, a doctor desperate to find a cure for the outbreak of an extinct disease, and Jeff, a former astronaut, join forces to travel back to the 1800s and speak to the doctor who found a cure for the deadly virus but lost the records to the Chicago Fire. At the last moment something goes wrong and the men arrive a mere 29 hours before the fire, with Clint contracting the virus, leaving it up to Jeffrey to get them back in time to save both their lives. With Rod Serling's story of a doomed love and poignant endings and Irwin Allen's colorful touch to lend a bit of fun to it all, the two leads have a good and believeable friendship with strong similarities to Tony and Doug's friendship in The Time Tunnel. I would have loved to see Tony and Doug in the Great Chicago Fire but there's enough of both of them in Jeff's character to not feel too wistful. It's a shame they didn't make this into a series as it would have been interesting to see what other adventures Clint and Jeff could have had, and I really liked Jeff as well as the focus being on the travelers.

I saw "The Bounty Hunter", the Trackdown episode that spun-off into Wanted Dead Or Alive and it was interesting to see how much rougher Josh was compared to the series, quick to fight and shoot while later it shakes him up everytime he has to kill someone. He and Hoby worked well together and it would have been nice to see Hoby in Wanted Dead Or Alive. Along the same lines, I also saw a hilarious Boy Meets World episode with the Monkees, being different characters but with many in-jokes and an adorable ending, and the Make Room For Daddy that spun-off into Andy Griffith Show. Andy's character was more goofy, and Aunt Bee was an entirely different character, but it was cute and I can see the makings for the series, especially with Andy and Opie's relationship. While I was working on "Dust Off The Moon" I kept noticing the overlap between the real John Ringo and the tv version, especially the holes in John Ringo's life that could have been filled by someone like Cully. That eventually led to my considering the opposite: if Johnny would become like the real person if Cully was taken away. But I never thought about what would happen to Cully without Johnny. I saw The Rifleman episode "Mark's Rifle" where Mark Goddard played a character very much like Cully, a trick shot artist with a carny background and a likeable smile. But underneath all that is a world-weary, bitter thief, a dark mirror of Cully, or who Cully could have been if he'd shot Johnny or if Johnny had never met him. It would have been fascinating if Johnny Ringo had done an It's A Wonderful Life styled episode for each of them.

I saw an amazing Marcus Welby M.D. episode "A Matter Of Humanities" with Pete Duel as a man with aphasia. He only said one word over and over throughout the episode but it was an incredible acting job, one of the most impressive I've seen. I also discovered the excellent sci-fi series Journey To The Unknown and am working my way through it. I'm also binge-watching the fun sci-fi Gemini Man - I really want a watch like that - and it's clone, the '70s version of The Invisible Man, the catchy Fame, the jazzy detective series T.H.E. Cat, the quirky Jack of All Trades, and the excellent western Branded. I'm also enjoying the '90s sci-fi Roswell.

Heidi, the little Swiss dreamer, and Peter, the young goat-herder with issues have held my heart since I first saw the 1993 movie Heidi as a young child, and even then I knew they had to get married someday. They were so adorable together; Heidi needed someone to look after her, and Peter seemed to come out of his shell only with her help. The moment he saved her on the cliff I was in love with them forever. I recently heard of the not official but good enough for me sequels to the book: Heidi Grows Up and Heidi's Children, which find Heidi and Peter marrying and having twins.

I managed for almost the entire first season of The X-Files to not ship Mulder/Scully. It was "Beyond The Sea" that did me in, right at the scene where Mulder is on the ER table, dying, and Scully is standing there. She's not even crying but that look on her face, like her world is falling apart. And then when she lies for him in "Tooms", and the whole "only trusting him" and the way he panics when she's kidnapped and oh.

I'm watching S.W.A.T. season one. There's enough closeness among the team to make me happy and I love Luca; he's hilarious, adorable, and such a flirt. "Blind Man's Bluff" is my favorite episode so far, with a wound leaving Harrelson deskbound and a new, harsh officer in charge of the team, leading to sweet moments as Harrelson undergoes surgery to get back to his job, Hilda brings him a giant sandwich in the hospital, and Luca goes to his office to visit him.

I've been working through The Big Valley season two and I'd nearly forgotten my childhood love for this gloriously overdone western. It's a colorful soap opera packed with enough brothers h/c to make me squee like a teenager. And it has Richard Long. I don't know what it is about him but I adore him completely. All he has to do is make that amused, crooked smile of his and I'm instantly in love with whatever character he is. It must have started with Jarrod Barkley of the quirkily spelled name, noble character, and gorgeous blue eyes. Not that Jarrod's the only looker, as it has possibly the best looking cast a western ever flaunted. There's Heath, occasionally troubled by his past and constantly troubled by hair that can't decide what color it wants to be. It was bottle blond last season and now it's inching into the brown zone more by the episode. I'm assuming it will be black next season at the rate it's going. He has a crooked, meltable smile and that western accent that always endears me to a character as soon as he opens his mouth. Even Nick who unnerved me seems better now, even if he could use his big brother's ease at controlling his temper. He's such an incredibly different character from Black Saddle it's amazing, mark of a good actor, I guess. Poor Audra doesn't get to do much but be pampered by her brothers and lose the latest object of her affections but she cries nicely and has lots of bright clothing so I suppose she can't complain. In all seriousness, though, it's a fantastic show, surprisingly deep for such a pretty series, with lovely amnesia episodes. I've also been watching Green Acres and fallen in love with it's adorable way of breaking the fourth wall as well as it's homespun humor. I love how ditzy Lisa is, the fancy furniture and clothes against the rundown farm, and the telephone on top of their house. All of the townspeople are hilarious, too, such characters. I've also been rewatching a childhood favorite in Leave It To Beaver. I've been on a cop show spree too this week, watching all the series I used to and loving them all: the fantastic Baretta with Fred and Baretta's disguises, Patrick Swayze in The Renegades, Dan's ability to be anything in David Cassidy Man Undercover, Doyle's curls in The Professionals, David Janssen in Richard Diamond, Mark Goddard in The Detectives, and my favorite Kojak. I'm loving the spy/detective series Hawaiian Eye, and best of all, the jazz-flavored Johnny Staccato, too.

I'm working through Cheyenne and watched the excellent "The Long Winter". Cheyenne's comment about the "tame flowers" was adorable! It makes sense, too, if people call wildflowers "wild" why not call flowers tended in a flower bed "tame"? I saw Paul Brinegar playing a trail hand in another episode, "Lone Gun", about a cattle drive, and one of the other characters was named Rowdy, so he got to keep calling him by that name while I kept expecting to see Clint Eastwood answer. He didn't have his usual whiskers, though, so I recognized him by his voice alone. Then Sheb Wooley turns up two episodes later. This series is like Rawhide before it started. Speaking of which, I finished the new season of Rawhide including Pete's final episode "The Deserter's Patrol". I'm always a little worried when I know a character I like is leaving a series for fear they'll kill him or he'll disappear without a word, which is almost worse. Thankfully if he had to leave they gave him a good send-off; he takes a job as an Army scout and takes the son of his dead friend as his. I miss Pete terribly, though. Clay lacks the warmth and clarity of character, too many shades of grey. This season did give me an unexpected gift by having Pete in the episode "Reunion". It's wonderful to have him back, if only briefly. In the last episode "Devil and the Deep Blue". Teddy turned back up! I'd been wondering where he was this season. Poor Teddy, I rather like him and he never seems to get a main role in any episode. Also, be still, my childhood heart, I watched the adorable "Grandma's Money", and "The Pitchwagon", a feast of hilarious moments where the drivers stage an impromptu talent show, both of which made me remember yet again why I adore Rowdy from his drawstring hat to that sugar sweet and oh so gullible heart. Let's just say when he sings and the girls in the crowd shriek, I'm silently doing it, too. There must be something magical about tv cowboys...they can steal your heart again and again, no matter how old you think you've become.

I adore Barney Sloane, the down-trodden character in Young At Heart, so I was thrilled to discover the film was a remake of another movie, 1938's Four Daughters, and that Frank Sinatra's role (called Mickey) was originally John Garfield's. With four sisters instead of three, the plots are still very similiar, of the women marrying men who they don't completely love yet. Into this walks a piano-player with neither self-confidence or hope compounded by a firm belief that his fates are out to destroy him. Almost the same until you reach Mickey's first scene and everything changes. Expecting the instant pull Barney had on me, I found myself recoiling from John Garfield's portrayal. Barney is such a tragic and emotionally-fragile character you bleed for him; Mickey comes across as sarcastic and bitter, enjoying feeling sorry for himself. It's the most subtle things that seem to change everything: the way they look, the tone of voice, and Frank Sinatra's unique, soulful eyes and world-weary delivery of the lines give a depth to Barney that Mickey doesn't have, and I never truly bonded with the character. It's a shame because it would have been fascinating to see John Garfield tackle the role the same way, including the final scene. Four Daughters has Mickey die shortly after in hospital, and the next scene finds Anne smiling, seemingly having forgotten all about him, and returning to the original man she loved. Young At Heart takes a far more hopeful and beautiful turn as Laurie's desperate attempts to convince Barney that she loves him and needs him finally gives him the strength to pull through surgery. The last scene finds the couple, now with a baby, Barney having finished the song that haunted him through the film. Despite a last cute moment Four Daughters left me saddened and confused, Mickey seeming like an out of place part that was worked in at the last moment and removed without anyone noticing. Young At Heart is so romantic and hopeful that I grin ear to ear at the ending. John Garfield, in his first role, has that brooding sarcasm that he'd use so well in later roles, but his approach is so opposite from Frank Sinatra's that I felt I was watching a different character completely, and the ending only confirmed that idea. The change of the character surviving, I understand, was Frank Sinatra's request that Barney be given a second chance, and I not only agree with his choice but adore him for it. More than Mickey, Barney is the backbone of the film, and the original ending would have defeated the point of the story.

I love sword-and-sandals films and among my favorites is The Robe. Victor Mature was an excellent actor when given a chance at a good role, like Demetrius, requiring an emotional depth pouring out of his eyes. It's always saddened me how there's no real ending for him, so it was with great excitement that I discovered the sequel Demetrius and the Gladiators. Picking up a while later, Demetrius is living with a potter and his daughter Lucia, a young woman he loves from afar, never guessing she also loves him. His world comes shattering around him when Caligula launches an empire-wide search for the robe, believing it will grant him immortality. When they arrive his attempts to protect Lucia from the soldiers sentence him to the gladiator fights, and near death, the conniving Messalina saves him and sets her eye on him at any cost. Demetrius forced to watch as the gladiators attack and appear to kill Lucia. Demetrius lashes out, turning his back on his religion, friends, and even pacifism. Freed and given a position as Tribune, he sets out to recapture the Robe when he discovers Lucia is still living and in possession of it. It's is a well done what if?, interesting in that it isn't a single event that sets him off but more the last straw, implied that it began when Marcellus died for him. I wondered how Demetrius would feel when it sunk in. He's been through torture to the brink of death, rescued moments before dying, and healed, even as his friends knew that bringing Peter there would cast suspicion on themselves, and then Marcellus turns back and gives himself up to allow the others to have a chance to escape with Demetrius. Surely all this would haunt Demetrius, and I would have liked the sequel to touch on this more. His loss of faith, violent anger, and later change of heart, are sudden but believable but I found it somewhat out of character for him to instantly rush into a relationship with Messalina the moment he thinks Lucia is dead. Victor Mature gets center stage in the sequel and he's wonderful, equally convincing as his usual kind-hearted character and the embittered transformation mid-way through the movie. The film ends on a hopeful note but another sequel would have been perfect although the loose ends are tied up. In other new films I watched the 2010 Clash of The Titans which was surprisingly better than the original, even if I was broken-hearted that Ixas and Eusebius were killed. Hans Matheson was wonderful as Ixas - saving Perseus's life and going around with fantastic bows and arrows - and the actor who played Eusebius looked so much like Krycek I couldn't believe my eyes. Perseus was an easy to sympathize with hero, and I liked his relationship with Io even if I was hoping he'd end up with Andromeda in the end. But the special effects were all amazing, and it was quite fun. Next was The Andersonville Trial, a fascinating and moving film of Henry Wirz's trial. The cast was amazing and I was intrigued by the fact that the entire film takes place in the courtroom. William Shatner was superb as Chipman, the prosecuter whose moral convictions and deep sense of caring for those who died drives him to prove Wirz's guilt, and Michael Burns had a achingly tragic role as a nineteen year old survivor of Andersonville who remains lost in the war in his mind. The film dug deeply into the implications of following or disobeying orders and ended with a sobering, thought-provoking comment. I finally saw Because They're Young, and it was superb. I love old "teen rebel" films and couldn't resist the fantastic cast. Dick Clark is an idealistic teacher at a rough school who believes any student can be reached if he tries hard enough, at odds with the hardened principal who wants to go by the rules, teach the good students, and throw away the bad ones. Both are put to the test when he gets Michael Callan in his class, a rough kid with a chip on his shoulder who gets involved in a robbery and finds himself caught against a switchblade. Even as a bad boy he still has that impish grin that makes me smile back. Roberta Shore and cute, towheaded Doug McClure were adorable high school sweethearts in the movie and made me remember how I used to ship Trampas/Betsy before Randy showed up. Throw in some radio music by Bobby Rydell, Duane Eddy at the dance, and James Darren with his million-dollar-smile and very glittery hair and eyes and I was in love. Next I saw the lovely film The Winning Team, a biography of a star baseball pitcher and his devoted wife whose strength helps him overcome a brain injury and gives him the courage to make not only a comeback but win the world series for his team. Then I discovered the film Stolen Women Captured Hearts. Anna is a new bride, married to a man she barely knows when the Lakota capture her, her life spared by the mysterious warrior Tokalah. Forced to adjust in order to survive, Anna finds her heart strangely warmed by Tokalah's kindness as well as confused by the way he seems to have met her before, as she finds herself falling in love for the first time. But her newfound happiness is threatened when Custer takes an interest in returning her, a simple task that quickly turns tragic. It's one of those lovely romantic films that are just pretty to look at, along with the benefits of a clever backstory of Tokalah having seen Anna in a vision, the Indians actually played by Indians, and a unique final choice. Next was Splendor In The Grass, a haunting film that's been on my "must watch list" for ages. Set in the '20s and quite accurate to the time period, the story centers on Bud and Deanie, two star-crossed teenagers deeply in love who only want to get married in their small Kansas town. But Deanie's out-of-touch parents and Bud's ambitious, harsh father threaten their relationship, and finally drive them apart: Bud to alcohol and other women and Deanie to the brink of insanity. With poignant photography, incredible acting (especially Bud's tormented, wild sister) and an aching study in social standards and heartbreak, it's a superb film. Second was Magnificent Obsession, about Bob Merrick, a playboy millionaire with no direction in life who recklessly crashes his motorboat and almost drowns, saved thanks to a resuscitator borrowed from the local doctor, who at the same time suffers a heart attack and dies. Guilt-ridden, Bob attempts to make amends to the widow, Helen, but his efforts result in a tragic accident that leaves her blinded. He begins joining her on the beach where she sits, befriending and falling in love with her. Not knowing who he is, she returns his feelings but fate intervenes when she disappears, leaving behind only a note breaking off the relationship. Flash forward to years later and he's now a talented neurosurgeon when word comes that she's been found, dying in a hospital. In a strange twist of fate he becomes the only person who can save her life and give them another chance at happiness together. It was a rich and lovely soap opera in the grand style only that era could do. The casting is unusual but grew on me, the theme is stunning, and it's a glorious movie to look at. Bob grows over the film and the transformation is fascinating as his conceited, devil-may-care ways turn into a man who gives everything of himself and asks for nothing. Next was All That Heaven Allows, a gorgeous and moving film that's one of the best happy-ending romances I've seen in a very long time. Cary is a lonely widow caught in an endless routine of country clubs, artificial friends, social standards, and the cold glitz of a wealthy, privileged life. Ron is her garderner who's starting his own tree farm, a genuine, loving man who refuses to let little things matter and lives life to the fullest. When a shared breakfast draws the two together they find themselves falling in love, a romance which tests Cary's relationships with her friends and her nearly-grown children as well as shaking the core of her orderly lifestyle. Unable to deal with social convention, she breaks their relationship off, and it takes a season of loneliness and a tragic accident before Cary discovers that what she's wanted all along isn't money or people to think well of her, only the kind of love Ron can give. It was a beautiful movie, both heartwarming and poignant, rich and gripping. Last was the quirky but fun musical The Pirate with Gene Kelly in all his swashbuckling glory as an actor who pretends to be a pirate in order to win the woman who has a crush on the pirate. More Victor Mature's films, too, and the past two were the best so far. The Egyptian tells the tragic story of a man who rises and falls through the ranks from an abandoned infant on the Nile to a wealthy doctor to Pharoh. Victor Mature played a soldier and childhood friend to the doctor who rises with him and changes as he does. The film had gorgeous scenery and sets, a haunting theme, and an incredible, heartbreaking scene where the soldiers kill the worshippers on the outskirts of Egypt. The best scene, I think, is the Doctor's inspiring speech toward the end. Million Dollar Mermaid was a sweet, wonderful film with Victor Mature being fabulous as the carny drifter with his head in the clouds, such a colorful character. I've never seen him play that sort of role and he pulled it off beautifully. The swimming scenes and the technicolor were glorious, and the setting was richly detailed with the silent movie sets, flying machines, and carnival. I've also been on a nostalgic kick and watched all the Ma & Pa Kettle films. I had a couple as a kid and saw them over and over but I hadn't thought of them again until recently. They're every bit as hilarious and fun as I remember.
 
 
feeling: stressed
calliope tune: "Together Forever"-Rick Astley
 
 
Kathleen
12 May 2012 @ 02:51 pm
Scarves for profiles or tumblr. I can't recall who created the original codes, sorry! Feel free to modify widths or colors.

TONY NEWMAN, TIME TRAVELER



DOUG PHILLIPS, TIME TRAVELER



AT LEAST THEY'RE TOGETHER



SOMEWHERE ALONG THE CORRIDORS OF TIME

 
 
feeling: dorky
calliope tune: "Sutter's Mill"-Dan Fogelberg
 
 
Kathleen
11 May 2012 @ 11:01 pm
Title: Chapters; A Story Out Of Order
Fandom: The Time Tunnel
Summary: Does the next day come simply because it does or does it come only because we let go of the day before?
Genre: angst, hurt/comfort, friendship
Characters: Doug, Tony, Ann
Pairings: Doug/Ann
Warnings: dark themes, pre and post-series

Anything that creates faith is a miracle. )
 
 
feeling: infuriated
calliope tune: "Devoted To You"-Everly Brothers
 
 
Kathleen
11 May 2012 @ 10:24 pm
Title: Smoke and Mirrors; Outside Of Camelot; Oubliette; Split Ends
Fandom: The Time Tunnel
Summary: Does the next day come simply because it does or does it come only because we let go of the day before?
Genre: angst, hurt/comfort, friendship
Characters: Doug, Tony, Gen. Kirk, Ann, Jerry, Dr. Swain
Pairings: Doug/Ann
Warnings: dark themes, character deaths, violence, pre and post-series

Suppose I told you that time itself doesn't exist. It's only motion we measure, the motion of the Earth spinning, the orbit of the Earth around the Sun. )
 
 
feeling: pleased
calliope tune: "Guitar Man"-Bread
 
 
Kathleen
11 May 2012 @ 10:23 pm
Title: You and Me; Wicker Man; Bleeding Backwards; Second Star To The Right
Fandom: The Time Tunnel
Summary: Does the next day come simply because it does or does it come only because we let go of the day before?
Genre: angst, hurt/comfort, friendship
Characters: Doug, Tony, Ann, Jerry, Gen. Kirk
Pairings: none
Warnings: dark themes, post-series, pre-series

You meant a great deal to me. You must have forgotten but I never have. )
 
 
feeling: productive
calliope tune: "Cold As Ice"-Foreigner
 
 
Kathleen
11 May 2012 @ 10:22 pm
Title: Present Tense; Comes and Goes; Homecoming; Tantalus
Fandom: The Time Tunnel
Summary: Does the next day come simply because it does or does it come only because we let go of the day before?
Genre: angst, hurt/comfort, friendship
Characters: Doug, Tony
Pairings: none
Warnings: dark themes, character deaths

I have some relatives in Philadelphia. The trouble is, they haven't been born yet. )
 
 
calliope tune: "Master Jack"-Four Jacks & A Jill
feeling: working