Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
calliope tune: "The Gallant Shearers"-Tannahill Weavers
feeling: working
 
 
 
 
 
Kathleen
14 November 2014 @ 03:02 pm
I watched The Hobbit: Batlle Of the Five Armies and on the last film of the series, the director finally gets it right, finding the perfect balance between nostalgia and a compelling new story. While there are still a few flaws - Tauriel remains unnecessary, Fili gets far too little screentime, Kili is obviously pushed to the viewers as the favorite, and we still never get to "know" many of the characters like in LOTRs, the good points far outweigh the bad. Most notably, unlike the others, this film never feels padded or stretched, the pace remains steady, and the removal of comedy elements give it a good solid feel the other films lacked. Bilbo, more likeable now that his acting is toned down, shows the noble heart that's always endeared me to the hobbits, and the highly likeable Bard gets to be the hero in taking down the dragon and leading the army of men. His moments with his children are beautiful, and I was grateful they all got their happy ending. Thorin's tragic spiral into madness is brilliantly acted and compelling, and his, Fili, and Kili's deaths reduced me to tears, even though I was saddened that Kili and Fili didn't get to die side by side as in the book. Legolas, the one addition to the trilogy I've loved since the beginning, was at his very best, showing off his fighting skills as well as hinting at his past - his strained relationship with his father, unrequited love for Tauriel, and, most intriguingly, the loss of his mother. The scene where his father finally tells him that his mother loved him made me sob, and I teared up at the mention of Aragorn as Legolas sets off to find him in the end. The links to LOTRs were skillfully done and never forced as before, and I loved how the ending drifted seamlessly into the first LOTRs. The closing theme was gorgeous - I'm so happy they used Billy Boyd's lovely voice again - and the credits were beautiful.

I went to see Night At The Museum 3: Secret Of the Tomb in theatres, and it was wonderful, a poignant, touching, and funny finale to a wonderful trilogy. Larry was perfect as always, and his friendship with the museum characters never fails to warm my heart. Teddy remains my favorite of the characters, and it made me tear up a little to see his last scenes. Jed and Octavius were hilarious as usual, and I couldn't stop laughing at them watching videos, taking selfies, and using a computer. The new characters, especially Lancelot, were treats, and I loved how many of the old characters they packed in, as well as Ahkmenrah having so much more screentime than in the other films, and even getting a backstory and happy ending after all the nights he spent locked in the coffin. Hugh Jackman's cameo was an unexpected delight, and I couldn't stop laughing all through his scene.

I also saw Mockingjay in theatres and it was painfully excellent, a more grim film than the others but so faithful to the books I couldn't help be delighted. My heart broke for Finnick, a character I never bonded with in the books but have learned to love in the movies, and my favorite part was his speech, including the creepy but fascinating aspect of Snow's poison and roses. His scene with Annie was beautiful and I only wish they shared more, especially flashbacks. While I was disappointed by the Hanging Tree's melody, and didn't care for her voice at all, I loved the other music as well as the beautiful direction style. Peeta was excellent, shattering my heart, especially when enough breaks through the brain-washing that he's able to warn Katniss, and the ending left me broken. Prim was a sweetheart as always, and I loved actually seeing more of Buttercup.

In other new movies I watched What's Eating Gilbert Grape, and despite my dislike of Johnny Depp, I surprisingly loved it. The story was beautiful, moving, and very realistic, and the small town setting gave it a vintage feel decades older than the movie. The acting was amazing, especially Leonardo DiCaprio who did a stunningly convincing job portraying Arnie. Next was the new miniseries Houdini, a uniquely filmed and incredibly entertaining account of Houdini's life and career. Adrien Brody was wonderful as Harry, and I adored Bess and his relationship, as well as his friendship with Jim. The tricks were fabulous to watch, and I liked the voice-overs looking into his thoughts as well as the bits of old footage toward the end. I saw the miniseries The Pillars Of the Earth and completely fell in love with it. The history, a time period I knew little about, was intriguing, the plot twists were fascinating, and I loved the characters, especially Jack and his relationship with Aliena. Many of the other characters, like Prior Phillip, Ellen, and Martha, were all interesting to see their stories, and I loved the happy endings for most of the good characters, and just desserts for the evil. The scenery and cinematography was lovely. I also watched the sequel miniseries World Without End, and it was fascinating, both for the history as well as the personal stories. I liked both of the romances, and was happy to see them both end up together and safe. The plot twists, especially with the Sir Thomas being the king were jaw-dropping, and the entire series was beautifully filmed and made. Then was If I Stay, a lovely and unusual film. I loved Adam and his relationship with Mia, and the ending was gorgeous. Next was L'Homme Qui Rit, a stunningly beautiful version of Victor's Hugo's heartbreaking book, and it was amazing, both for sets and filming as for the talented cast and intriguing characters. Next was Dracula Untold, a beautiful and heartwrenching version of the vampire's origins. I loved how he was shown as a good man who made a terrible choice to save his son, and his relationship with his little family was wonderful. After that was The Maze Runner. I adored the unique freshness of the plot, the oppressive setting, and mood, as well as how character driven it was. Dylan O'Brien was surprisingly good as Thomas - I never thought much of his acting before - and I felt for all the characters, which left me very intrigued for the next film. Next was the fascinating The Rite which I watched solely for Colin O'Donoghue - who was amazing - but ended up loving. The plot was straightforward but affective, and I liked how the story acknowledged true evil and true goodness. The scene where Michael remembers his mother giving him the card and finds the strength to defeat the demon was beautiful, and I felt the ending was largely satisfying. Next was the precious Christmas With Holly which was, like most Hallmarks, beautifully heartwarming and fun. I adored Mark and Holly's relationship, and all the characters were loveable in their own way. I teared up and laughed throughout and loved every moment. Next was the gorgeous miniseries The Red Tent. Dinah has long been one of the most fascinating Biblical characters to me, and I loved seeing her story come to life. Shalem and Benia were both wonderfully kind men, and I was glad Dinah found happiness a second time. I loved how her son came to love her and see her as his mother, and Joseph and Dinah's relationship was beautifully portrayed. Next was the intriguing and oddly beautiful Solomon Kane. I loved the title character - James Purefoy was fabulous and I completely adore his accent - both for his redemption arc as well as his friendship with Meredith. The scene where he pulls himself off the cross to save her was stunning, and I loved their beautiful reunion toward the end. I'm slowly growing to love zombie films and the latest was 28 Days Later. I loved seeing the genre from the British point of view, and the characters, especially the well-intentioned Jim, despite how little is revealed about their pasts, were all intriguing. I enjoyed Jim's relationship with Selena, and was extremely grateful that they went with the ending where Jim survived and the three were rescued. Next was the hilarious short film Incest!: The Musical which was adorable and needed to be so much longer. I couldn't stop laughing, and I loved Alex and Katie's determination to be together. Next was the hauntingly poignant I Am Dina. The story was intriguing, but it was the unusual characters, amazing acting, especially from the child who played little Dina, and stunning scenery that captivated me, along with the beautiful theme. The original version's ending was somehow more fitting, and I teared up at Dina trying to comfort her childish self. Hans Matheson was lovely as Tomas, and I wish he'd had a larger role, but I'm happy he at least got a happy ending, and - I assume - got to still be part of little Benjamin's life. Next was the adorable Sky High which made me laugh and love superheroes a little more than I already do. Will was loveably able to be related to, Layla was sweet, and I adored Warren and his fabulous hair. There were so many flawless in-jokes, too, and the gentle spoofing of the genre was perfect. Next was Mama, an effectively creepy story. The children, both the young actresses and the little girls who played the older versions, were incredible, and I loved Lucas and Annabelle and how they grew to love them. I was saddened by the ending, but it seemed fitting and was bittersweet. Next was the adorable Change Of Heart, the first talkie I'd seen Charles Farrell and Janet Gaynor in together, and the first time I'd gotten to hear her voice. Despite the somewhat rushed end (and Madge getting a happy ending which I didn't want) I loved the story, especially the characters and warmly vintage feel I get from old movies. After that was After, an unusual and interesting story. I loved seeing Freddy and Ana's intertwined stories from childhood to present day, and how their escape required both of them. The ending was perfect. Next was the surprisingly beautiful Elizabethtown which had some wonderful messages along with some whimsical and loveable characters. Orlando Bloom and Kirsten Dunst were both wonderful, and I adored their characters and relationship. The plot was a perfect blend of tears and laughter and I loved every minute. Then I saw the gorgeous Italian miniseries Romeo E Giulietta which has quickly become my favorite version. I fell in love with the characters and broke for them, especially Romeo and Mercutio, and I loved the small enhancements to the plot while remaining faithful, such as giving the nurse something of a backstory and more depth. The scenery and score was stunning, too, and I loved the wintery feel of the film. Then was Pearl Harbor, a gorgeous and beautifully moving movie. I loved the vintage feel, and surprisingly didn't mind the love triangle, probably because I loved all three characters. I was sad that Danny died, but I loved that he did so saving Rafe's life, and the ending, with Rafe and Evelyn together and raising Danny and Evelyn's little boy, made me tear up.

In new fairytale films I saw La Belle Et La Bete, and it was a beautiful and unique version of the fairytale. I would have liked more scenes between Belle and the Beast, as her sudden love for him didn't make much sense other than pity once learning his backstory, and Belle often came across as somewhat spoiled and childish, but the film was gorgeous, especially the details such as the weeping statue, the photography, and the costumes - Belle's green dress was stunning. I loved the unusual origin story of the curse, as well as the adorable dogs, and having the film be a story Belle told her children was an adorable touch. After that was another of the gorgeous Sechs auf einen Streich series, Aschenputtel, and it was beautiful. I loved that the version spent more time showing Viktor, the Prince, as well as the fact that he got to meet Cinderella twice before the ball, making his love for her more logical. Both Viktor and Cinderella were sweet characters and it was easy to root for their happiness, as it was to despise the stepmother and sister, who instead of the cartoonish characters they usually are, were despicable and cruel. I loved the birds helping Cinderella, and the magical tree, and Viktor's relationship with his father was adorable. I also discovered the Märchenperlen series and saw my first, the stunning Die sechs Schwäne. It's long been one of my favorite fairytales and it was adapted beautifully and faithfully, with just a few twists to the plot to make it unique and exciting. I loved the characters and the happy ending.

I gave a try to the BBC miniseries of Ben-Hur, and as I expected, there were quite a few changes from my beloved '50s version, but definitely not all of them bad. Being so much longer, this version had the ability to include things I've always wanted to see, like Judah and Messala's childhood friendship and the beginning of Esther and Judah's love story. Joseph Morgan, despite being a little young for the role, made a good Judah, especially the angry, almost unhinged version that returns for revenge. Messala, intriguingly, was more layered than the '50s pure evil version, and the tragedy of his father's disinterest in him was contrasted against the Ben-Hur's family's original love for him that he betrayed. I loved that the film had him survive the race long enough for Judah and he to make their peace. Esther was somewhat disappointing, coming across as immature and too quick to think badly of Judah, and I didn't warm to her, even by the ending. I loved the new character of Athene, though, and her last scene was fascinating.

In new animated films I saw the adorable Bolt. I loved the title character, Mittens, and Rhino, and the adventure and happy ending for all the characters was wonderful.

I also saw Exodus: Gods and Kings, and as I expected I couldn't help doing a compare and contrast to The Ten Commandments which has been one of my favorite movies since I was in preschool. On the good side I liked how the film portrayed Moses as more warrior and hot-tempered, and the sword's inclusion throughout was a nice touch, especially at the Red Sea scene. In both movies I love the elder Pharaoh's relationship with Moses and he was lovely here. Ramses had more of an edge than Yul Brynner's version, and yet a tenderness with his little son that brought tears to my eyes during the funeral scene. I appreciated the over-whelming feel of the plagues, and the larger scale of the swarms of insects and frogs. Zipporah was beautiful portrayed, with her and Moses's love a highlight of the film, and I adored Moses's scenes with his son. Joshua, despite much less screentime, was just as wonderful, and the actor's beautiful eyes were so expressive and fitting for the character. On the downside the film felt rushed, with not enough needed time spent on Moses's days at the palace, and the focus on war and violence sadly limited the character study which would have smoothed out the plot. It was a fine action movie, but not a powerful and inspiration epic like The Ten Commandments, and in the end I think a combination of the two would result in perfection.

I saw the trailer/spoof "Dr. Quinn Morphine Woman" and it was hilarious, spot on to the original show while poking fun at what it would be like today. I loved seeing nearly everyone again, however briefly, and Sully's horrible wig and hair flipping had me howling with laughter. His and Michaela's kiss, complete with over-dramatic Indian music and heartbeating and breathing, was an absolute treasure. The concept of Michaela as a druglord and the town as addicts was brilliant, and everyone was so perfectly in character I only wish it had been far longer. I also got to see a bit of the pilot California, which sadly never became a series. It was wonderful to see Hank get a chance to shine, and I adored his interactions with Zack. It was quite a sweet and touching episode, and I only wish it had been given a real chance.

I discovered the show The Legend Of William Tell by accident and watched the episode "The Tomb Of the Unknown Warrior". The series is unusual, with great world-building, and I love the clever twist on the original legend. The episode used one of my favorite tropes of body-swapping with a fascinating twist, of enemies exchanging bodies by accident, only to have one die, and the injured survivor on trial for killing himself. Dean O'Gorman was excellent at the role and I loved that it turned out so well.

I finally broke down and watched Dean O'Gorman's episodes of Xena Warrior Princess, and despite not being very fond of the show I really enjoyed "Athen's Academy Of the Performing Bards". He played Homer, and I loved the way the historical people were portrayed, as well as the old movie clips.

I've started watching Copper, a heart-breaking yet incredible series. I appreciate the often painfully accurate history, from the filth of Five Points to the past of little Annie, one of the most tragic characters I've seen on a tv show. I love how the show doesn't flinch from portraying difficult elements, and isn't afraid to make its characters morally complex. Corky is a fascinating, haunting character, and I love his friendship with Annie and how he treats her like his own daughter.

Season two of Resurrection is on now and it's even more jaw-dropping than season one, with twist upon twist against an intriguing story arc. The plot took a very different path than I'd expected but for the most part I'm glad. The concept of this being the second time the Returned came back and the storyline of the 1930s flashbacks and discovered bones are both chilling and fascinating, especially the "demon" story of episode four. Margaret is a disturbing character but I'm intrigued to see where her motives lie. I like seeing some character growth of Janine's part, as well as Fred, and it's lovely to see a bit more of Barbara, especially when she gets to share a scene with Maggie. On the reverse side I'm saddened by Marty betraying Maggie by reporting the bones as well as Lucille's troubling down-spiral and Jacob's oddly defiant behavior which seems so out of character for the sweet boy of last season. The mysterious virus is intriguing, sadly taking Marty's parents and my hope of their having a reunion, but thankfully sparing little Jenny, and Marty finally gets a scene with her. Janine's obsession with Rachael's baby, and apparent kidnapping of Rachael has me terrified, and I'm stunned by Tom's death. The finale was nicely done, even if so many questions were left unanswered - I'll forever be saddened the Government Lady's backstory wasn't explored and Tom never came back - it felt overall largely satisfying. Strangely enough I'm content with not knowing how and why the Returned came back, as across the series I've seen that the point was more focused on how they lived life to the fullest with their second chance. I was happy Rachael chose to stay, and her baby was precious - I'm presuming he's okay and Preacher James was just crazy - and I'm incredibly happy Marty got to keep Jenny. Best of all was Fred's character growth when he stops Henry from wanting to give up Rachael. Another happy treat was Marty and Maggie's relationship; I've shipped them from the start and I'm thrilled they ended up together.

Season two of The 100 is on now and it's not quite as amazing as last season, with so many changes. To my gratitude, Finn is alive, and still the light of the show. The twist of Mt. Weather and it's eerily welcoming people who may or may not be what they seem already has my attention, and as much as I'm saddened by how feral Clarke has been forced to become, I love that she seems to be the only one with any sense. Jasper, such a fun character at the start, only annoys me now, and I miss who he used to be. Monty, as usual is flawless and given far too little screentime since the show pushed Raven into his shoes. I still can't make myself care much about Raven, especially after her cruelty to Murphy. As much as he's a bad guy I've loved him since the start and I'm incredibly excited for the hope of a redemption arc for him. I love Lincoln and Octavia as characters but definitely not as a pairing, and I'm not fond of how their relationship keeps being pushed to the point that they're now going to his village rather than Octavia trying to find her brother and even care if he's alive. Kane's storyline is troubling so far, and he seems to have lost much of the growth of character he showed throughout season one. Bellamy's decency and changed personality have finally made me grow to like him, and I enjoy his friendship with Finn. Finn is breaking my heart, especially when he killed the Grounder, and I'm worried as to what will become of him. I finally made it to "Spacewalker" and in many ways the show is over for me. The Grounders were never innocent with all the kids they killed from the start - their first act is to spear Jasper - and I've wanted them wiped out since the beginning so I felt no pity for their village, only anger that they demand retaliation when they've done more and worse. But to actually kill Finn, the one bright spot of the show, by Clarke's hands was too cruel for words.

Season two of Atlantis has begun, and it's somewhat darker while still, thankfully, retaining some more light-hearted moments. Minos has sadly died; I grew to enjoy his character so I'll miss him, and Ariadne is now queen. Ariadne has never been one of my favorites, and more screentime for her does nothing to make me happier, and she seems worryingly willing to tip into darkness if necessary, even if her intentions toward Atlantis seem good. Jason and the Oracle's relationship remains my favorite on the show, and I'm already concerned by her warning that Jason will turn evil if he learns the truth about his mother. As sad as the vision makes me, I was thrilled to see confirmation, through the glimpse of the Argo, that Jason is THE Jason of mythology. "Telemon" returns to my favorite setting, the arena, with a fascinating story that raises more questions than answers regarding Ariadne's new suitor. "The Marriage of True Minds", the season's best so far, is beautiful and touching, featuring a gorgeous score and some much missed banter between the main trio. "The Day of the Dead", an odd, and somewhat plotless zombie fest, nevertheless features the first intriguing meeting between Jason and Medea, who seems to care in the scene where she heals Jason's leg, and yet ends by stabbing Ariadne.

Onto season ten of Supernatural and the demon!Dean storyline I've dreaded since last season. While I'm so grateful to see the writers have finally put Sam back in the character he used to be, and it's wonderful to see his determination to find and save Dean, I'm saddened by the disconnect between the characters. Dean isn't the scary demon I assumed he'd become but rather a strange, jerk version of himself, chasing women, getting into fights, and singing, and apart from his coldness toward Sam he seems more bitter than non human. Castiel and his steadily declining health has me terrified, even as I'm saddened at yet another season's storyline that distances him from the brothers. I miss Team Free Will together, and I've grown tired of the constant angels storyline, as Castiel is the only one of the angels I've ever enjoyed watching. "Reichenbach"'s revelation that some of Castiel's grace still exists makes me happy, yet I'm proud of Cas for refusing; he's come such a long way and learned so much. Demon!Dean is progressively spookier, and the final scene made me shudder. "Soul Survivor" was superb, and I'm so grateful to have caring!Sam, human!Dean, and healthy!Castiel back again, the way it should be. The twist that Sam forced a man to sell his soul to find Crowley and Dean was fascinating, and I'm intrigued to see if there will be further fallout. I'm also shocked by Crowley saving Castiel. "Ask Jeeves" is a delight, much like an early seasons' ghost hunting episode while still with a glimmer of worry regarding Dean and the Mark. "The Executioner's Song" was stunning, driving Dean closer to a dark ending, while showcasing Team Free Will, a recipe that always forms the best episodes. I teared up when Cain tells Dean he'll kill Cas and Sam, and cheered when Dean was strong enough to give up the blade to Castiel.

I gave a try to the new series Galavant, and despite a shaky pilot, fell in love with it in the second episode. It's hilarious, outrageous, and the characters, even the bad guys, are all loveable. I already ship Isabella and Galavant, and I can't wait to see what happens.

In other new shows I started watching the intriguing Eye Candy and I'm already hooked. The premise is interesting, the acting and emotions are excellent, and I can feel for the main character. I was incredibly sad they killed off Ben, though, since he was so sweet and I loved Lindy and he together. But I'm starting to love Tommy and even ship Lindy and he.

I also discovered the new series 12 Monkeys and I'm in love with it: a sci-fi show with an actual science basis, bound by laws that make sense for a refreshing change. Cole is a likeable and tragic protagonist, with shades of grey - I teared up during the scene where he says how much he wants forgiveness - and I already ship him with Cassandra. My favorite character, however, is Ramse, whose goodness shines through the dark future and friendship with Cole keeps me interested in learning about their pasts. I love the concept, too, and the jumping between time periods.
 
 
feeling: discontent
calliope tune: "You Belong To Me"-Duprees
 
 
Kathleen
Catching Fire was stunning, everything I'd hoped for and more, transforming my least favorite book of the trilogy into a film I loved even more than the first. It was extremely faithful, too, retaining all the scenes I liked while still being a gorgeous film, even if the action felt more visceral than the last film. The costumes were beautiful, especially Katniss's mockingjay dress, the arena was impressive, and everything seemed more vivid and realistic than before. The rebellion scenes were done extremely well, disturbing enough to be affective, and I couldn't help crying during the part when Katniss talks to Thresh's and Rue's families. Jennifer Lawrence was amazing. I was very unhappy with the casting choice, did my best to tolerate her for most of the first film, but she's finally won me over, turning in a performance that gave me chills, most so in the final scene as well as the part where she shoots the arrow into the sky's force field. Peeta was wonderful, still my forever favorite, quietly loving Katniss from a distance and trying to save her at any cost. I teared up during the scene where he holds the morphling girl as she dies and distracts her by getting her to look at the sunrise. Despite the amount of Gale/Katniss moments, there were so many moments of Peeta/Katniss. I loved Katniss and Peeta's scene on the beach, the pearl scene, and the part on the train where they talk about their favorite colors. Peeta's locket hit me the hardest, though, because as much as he loves Katniss he included Gale. Everyone, especially Effie got more depth in this film, and I choked up when she actually cried about Peeta and Katniss going back in the arena, as well as the scene where she was trying to unite the team. I've grown to love movie Haymitch in a way I never bonded with the book character, and I loved his anger at the capitol when they announce the Quarter Quell as well as him standing up to the Peacekeepers. Cinna's death was as horrific as I'd imagined. He was always one of my favorites and it hurt to see it happen, even though I was prepared for it. Mags was lovely, as tragic as little Rue, but so courageous, and both Wiress and Beetee were fascinating. My only disappointment was the lack of Gloss and Cashmere. They're my favorite one book characters, and I ship them to pieces, but they sadly had no character development, hardly any screen time, and a single line between the two of them. President Snow's granddaughter was surprisingly delightful, quite unlike her grandfather and such a little Peeta/Katniss shipper! Joanna surprised me the most. She was my least favorite character in the series, and while she's still loud-mouthed and even annoying the flashes of humanity, especially the scene where she urges Katniss to "make them pay" made me see her in a different, much better light. Finnick, too, who I always found annoying and unnecessary, was much better than I'd expected, and while he still isn't my favorite I appreciate him a lot more now. The actor wouldn't have been my choice but he impressed me, especially during Mag's death and his face as he watches Katniss after he saved Peeta. I was so glad the force field/CPR scene was left in after they cut out most of the whump from the last film - I can't help it, I need my guilty pleasure. While I have a lot of issues with Gale I thought the actor did a good job with the role, actually getting to do something this film, and I liked, in a way, that Gale's whipping was the result of trying to save someone instead of just stealing. Prim was wonderful, so much more grown up and yet still so innocent, and she made my heart ache as much as in the last film. The ending was as painful as I'd dreaded - I barely survived the wait between the Catching Fire and Mockingjay books - but I adored how the pin turned into the mockingjay at the end.

I've been working my way through Christian Bale's films, starting with the stunning Reign Of Fire. Christian Bale was incredible as Quinn, reducing me to tears during the scene where his friend gets killed, and making me smile during his adorable moments play-acting for the children. I loved his relationships with Alex and Jared, and that the three got their happy ending, although I was saddened by Creedy's death; I loved him and his beautiful Scottish accent. The scenery of dystopian England was amazing, and there were so many moments I loved. Next was the true story Rescue Dawn. Christian Bale, as expected, was stunning and everything about the film was stunningly authentic to the point of being painful and difficult to watch while also being an inspiring story of survival. Next was Terminator Salvation and despite not knowing the prior films I became fascinated by the dark and strange world of it. Marcus was a haunting character, deeply tragic and ultimately human, and the significance of him giving his heart - his most human part - in sacrifice to save John's life was poignant. I teared up when little Star took his hand. Kyle, too, was a fascinating character. Next was Captain Corelli's Mandolin, an intriguing and beautiful love story against some unfamiliar history which caught my interest. The twists and turns in the plot were excellent, the ending lovely but sad, and I liked Antonio, but I still wish Pelagia had chosen Mandras. Christian Bale was wonderful as Mandras, a gentle and ultimately deeply selfless character. After that was the stunning Equilibrium which was both thought-provoking and fascinating, with a richly detailed futuristic world. I loved Christian Bale's role - and whoa, what an acting job - as Preston slowly learns to feel. The scene where he listens to the music was incredibly touching, and I teared up when he breaks down after failing to save Mary. The ending was perfect, the right balance of hope and loss.

In other new films I saw the stunning The Island, a fast-paced dystopian story with Ewan McGregor doing a superb job as the somewhat innocent and yet heroic Lincoln. I loved the concept and plot, as well as the surprisingly happy ending. Next was Moulin Rouge, a gorgeous and heartbreaking musical. Ewan McGregor was fabulous as the idealistic, tragic Christian; I'm truly learning to appreciate his roles, and I adored the love story as well as the riches colors and sets of the film. The songs were lovely, too, as was the dancing, and the ending reduced me to tears. After that was the live-action '90s adaptation of The Jungle Book, a lovely and wonderful version. I loved Mowgli, especially his friendships with the animals and him learning human ways, and the happy ending as well as the filming was beautiful. Next was Percy Jackson: Sea Of Monsters, the next film in the series and as much a treat as the first one. I adored Tyson, such a sweet character, and was so glad to see him survive and be accepted by the others. Percy's skills with water were as impressive as ever, and the friendship between the half-bloods and Grover was lovely. As in the last film the re-imagining of myths was cleverly done - I especially loved the chariot and Hermes running a Fed-Ex store - with plenty of heroics and amusing moments. Then was the bizarre Inception with it's richly detailed world and complex plot which fascinated me. Leonard DiCaprio was excellent as Dom and I loved the recurring theme of the spinning top as well as the open, yet happy final scene. Next was the whimsical Big Fish. Ewan McGregor was charming in as Edward, the settings and characters were lovely, and the bittersweet ending was perfect. After that was the amusing and often hilarious spoof Austenland. I giggled at the in-jokes and loved most of the over-the-top characters. Next was 2000's Arabian Nights, a fascinating and beautifully done adaptation with magical characters and a richly detailed world. I especially loved the "Three Brothers" story, as well as the story within a story within a story format but it was all amazing. Next was the visually gorgeous The Illusionist, an unusual and fascinating peek into the magical world of a stage magician during the turn of the century. The historical accuracy was impressive, the ending was jaw-dropping, and I loved how beautiful everything was. After that was the haunting The Book Thief, a gorgeous and slow-moving WWII drama. I fell in love with the characters, especially Max and Liesel and was so glad to see them both survive and reunite..I found myself shipping them as the story went on. Having Death as the narrator added a poignant feel to the story, and the ending was beautiful. Next was the gorgeously filmed and unusual Oblivion. Jack - all of them - fascinated me, as did his poignant retained and shared memories and ultimate sacrifice. The ending was beautiful and hopeful. Then was the surprisingly good Real Steel. I was expecting little and instead fell in love with the story and characters, even choking up at the end when Charlie hugged Max. Their relationship, as well as Charlie and Bailey's were beautiful, and I loved Atom. Charlie was a wonderful mixture of gruff and gentle, and it ended up being one of my very favorite of Hugh Jackman's roles. Next was Ender's Game, a haunting and visually stunning film with a stunning, poignant ending. I sobbed when the alien wiped away Ender's tears, and during the bittersweet ending, and I loved Ender's closeness with his sister and team. After that was the adorable Kate & Leopold. Hugh Jackman was adorable and quite dreamy as the time traveler, and I loved the romance, as well as the other characters. Next was The Alamo, a moving account of the history. Juan Seguin was a fascinating character, and I loved the poignancy of the events as well as the beautiful filming. I tried the 2013 version of Romeo and Juliet which was a mixture of lovely and disappointing. The score and filming was gorgeous, and the added moments such as a glimpse of what a happy ending would have been like or the final scene when their hands are placed together were hauntingly poignant. Benvolio was precious and Tybalt and Mercutio were the best versions I've seen. Douglas Booth was surprisingly good as Romeo, despite a weak start, fusing emotion and passion into the role and excelling best in his scenes away from Juliet such as the part where he learns of her death. The beginning of the film felt rushed, with not enough time given to learn the characters or be invested in them, and Romeo and Juliet's relationship was far too fast. Hailee Steinfeld, sadly, was the worst part of the film, rushing and barely forming her lines, and emotionally flat in nearly every scene, and I couldn't care about her character in the least. After that was the haunting The Help, a poignant and deeply moving look at a tough issue, with stunning acting and beautiful period detail. Next I saw Nanny McPhee and it's sequel Nanny McPhee Returns which I ended up loving more than the first. The first was very cute, though, and I loved the happy ending and the lovely wedding, especially the snowy wedding dress. The sequel was perfect, though, with it's wonderful WWII setting, gentle humor, loveable characters, and an unexpected and poignant final tie-in to the first film. The children were quite talented, and despite him having only a tiny role I adored Ewan McGregor as their father. The final scene made me tear up, as did the part where Norman and Cyril visit Cyril's father. Then was The Impossible, a gorgeous and beautifully filmed true story which made me sob and fall in love with the family and their closeness as they went through their ordeal. I'm starting to adore Ewan McGregor and he, like the rest of the cast, did a stunning job. Next was Cowboys & Aliens a fun smash-up of two genres that managed to pack in some poignant moments and a touch of steampunk. Jake was a unique mix of violent anti-hero and gentleness, and I loved following his journey. Then was Valkyrie, an excellent and poignant true story.The period details were impressive, even if I wished the cast had German accents, and Tom Cruise even resembled the real man quite a bit. The final scene telling the history was very moving. Next was the lovely Under the Greenwood Tree with a lovely cast and sweet romance and setting. Then was The Secret of Roan Inish, one of the first movies I ever saw and my introduction to selkies. I appreciate it so much more as an adult, and its so beautiful and unique. Next was the strange but gorgeous film The Piano. I adored the theme and imagery and the ending was beautiful. Next was the tragic but gripping Agora which fascinated and moved me. Then was the lovely and strange Ondine. Colin Farrell was excellent as always and I loved the fairytale feel.

I've been working my way through the Hornblower films and they're amazing, everything I didn't know I wanted with sailors and ships and gorgeous period detail. The characters are all fascinating, the world richly filled, and everything is so beautiful it's a treat. I love Horatio; he's fabulous, both hot-tempered and kind at heart. Archie is also lovely, such a sweet, tragic character, and I love his friendship with Horatio. As I expected "Retribution" destroyed me emotionally. I adored Archie, and his death was heartbreaking, more so in that he died giving up his good name, the only thing he had left, to save Horatio, and no one can ever know. The way his death was shown with him vanishing was poignantly beautiful and haunting. I was glad Bush survived his injuries, though. Sadly, though, Horatio becomes a much harder character without Archie's sweet spirit to temper him, and I miss the optimistic young sailor I loved so much in the early films. Maria is a sweet character, though, and I wish they'd continued the films to show Horatio as a father and hopefully learning to love Maria.

I'm working my way through Band Of Brothers and the authenticity is impressive to the point of being painful to watch, especially with it's raw mix of horror and beauty. My favorite character is Eugene Roe, a sad and easy to love medic, and I adore his soft Cajun accent. I also really like Winters and his friendship with Nixon.

I saw the short film Heartless, a backstory for the Tin Man of Oz and was impressed by it's faithfulness and poignancy. I loved the more steampunk look of the Tin Man, leaving the human eyes, and the ending where he's humming the song while rusted in place was heartbreaking.

I'm watching the fifth and final season of Stargate Atlantis, a show I'm going to miss terribly, and despite some changes it's as excellent as always. The replicators storyline as well as Elizabeth's character mercifully finally end with an episode that almost manages to make me feel sorry for her. I think the new actress helps considerably. Instead the focus transfers and continues with Teyla and her son against Michael's ever-horrific experiments. I'm still not sold on the baby storyline, which felt forced, rushed, and out of character, something that could have been greatly improved if the baby's father had been introduced before the storyline, since I don't really mind him although I don't know anything about him, or better yet, making the father one of the regular characters. I gave a little shriek when Elizabeth questioned whether Sheppard could be the father, and with Teyla giving him the middle name of John I'd love to see someone do an AU of it. But, anyway, everyone, especially Sheppard and McKay are adorable with the baby, and I loved that Sheppard was able to somewhat make his peace over the people he's lost by managing to save Teyla and the baby, even so badly injured. Like Sheppard, McKay gets even more depth, and it stuns me to look back and see how much I disliked the egotistical character I first met in episode one compared to how much I love him now, giggling when he talks or complains, and tearing up when he gets hurt. "The Shrine" was an amazing acting job for David Hewlett, too, filled with h/c and some deeply poignant moments between the whole team. Samantha has sadly been removed from command, appearing only in the pilot, to be replaced with Woolsey, and while far from my favorite, he's not as bad as I'd feared and even occasionally shows a human, even amusing side. To my delight, Carson is cured and awake, appearing in several episodes, and clone or not, it warms my heart to hear that lovely Scottish accent again and watch him saving lives, even making it more bearable to tolerate Jennifer. I'm definitely not enjoying the McKay/Jennifer shipping of the season, though, even if it's nice to see McKay happy. I'm glad, after all that happened to the first Carson, that this one got a hopeful, even happy ending. "The Daedalus Variations" is an intriguing concept with a hilarious moment when Sheppard highly praises his alternate reality self. Other excellent episodes include the painful but incredible "Broken Ties" in which Ronon is captured and tortured by the wraith into an addiction to the enzyme. Watching him go through withdrawal put a lump in my throat, but I loved how the team stuck by him and got him through. "Tracker" forms an intriguing bookend to Ronon's story as another runner, this one traveling with a little girl, kidnaps Jennifer to treat the sick child. I liked the concept that runner's trackers had become more advanced since Ronon, as well as the poignant open ending - I like to think he got away from the wraith. Carson turned back up in "Outsiders", a nice closure to the Hoffa drug storyline, and I loved him going all action hero. It was nice to see McKay and he finally get that day off together, too, and it made me so happy to see him again, being all adorable with the village children. "The Prodigal" finalizes Michael's storyline, ending with his death at Teyla's hand, a dark but somehow fitting close for a tragic but evil character. "Remnants" is another strange episode but one that gives an interesting look at Sheppard's fears. The season's best is the stunning "Vegas", an unusually filmed story set in a parallel world. Parallel!Sheppard is fascinating, and so many moments, from the wraith passing as human to McKay discussing the little details that changed this Sheppard's life from the Atlantis one's gave me chills. The ending was haunting and poignant, with the song indicating Sheppard's character as he dies. "Enemy At The Gate" was a fitting finale, tying up the remaining threads to close out the stories of each person. Carson was back, although in a minor role, as was Sam. I didn't care for the handling of Todd's character, usually so sympathetic, as well as Sheppard's treatment of him, and the plot was somewhat rushed and filled, lacking in many more human moments, but the ending made it all worth while as Atlantis returns to earth, bringing the team home and leaving them looking at the Golden Gate Bridge. Ronon's death was shocking and horrible, but thankfully he's brought back to life - a shame the implications weren't explored more later - and I love everything about the scene from Teyla's and McKay's grief to Sheppard going back for him to find him alive; I found it a fascinating insight into Sheppard's character how, even being told Ronon is dead, he still goes back for him as if he won't believe it until he sees it or he's just that determined to not leave someone behind. Also Jason Momoa's acting was beyond incredible.

I've discovered and started watching the adorable '90s series Little Men which is happily set as something of a sequel rather than a remake of the film which I love, and while the Professor's death saddens me I love Nick and the color he brings to the show with his sea-faring past. The kids are all quite talented and appealing, especially Dan, Nan, and Nat, and little Rob is precious. Laurie, Meg, and Amy all make appearances and seem very much in character and believable as older versions. I also like this Jo, a perfect mix of motherly love and spirit who has a bit of June Allyson's Jo about her, and the old Canadian feel of the episodes is heartwarming. I also ship Nick and Jo and love the direction their relationship is slowly going.

I'm on the eighth and final season of Wagon Train and it's back to the comfortable black & white, hour long format of the early years while still retaining all the cast except for Duke. Bill is oddly out of character and even cruel at times but Coop is as wonderful as always, and Wooster happily gets more storylines. Barnaby is almost all grown up now, serving as co-scout, wearing a gun, and courting girls, and while I miss the adorable little boy of before I love seeing him as an adult. Excellent episodes include the hauntingly sad "John Gillman Story" with Bobby Darin in a touching role, the multi-storyline "Those Who Stay Behind", the somewhat dark "Echo Pass Story" in which Coop talks a woman into murdering a man - an evil guy but still a little creepy. I loved Coop's friendship with Wooster and the relief on his face at the end when he discovers he's alive, and the lovely "Miss Mary Lee McIntosh Story". Much of the season has an unusual supernatural obsession featuring ghosts, vampire bats, and a girl who can see the future in the quite good "Wanda Snow Story". "Betsy Blee Smith Story" is an amusing and often hilarious misadventure as Coop finds himself posing as a girl's husband, as well as being adorable with a baby. There's also the lovely "Katy Piper Story" with one of the sweetest one-shot characters in Katy, as well as an intriguing bit of character growth for Barnaby. The season's best is the haunting "The Indian Girl Story" which poses moral questions and few answers within it's tragic tale, as well as providing another chance for Barnaby to shine.

Onto season three of Once Upon A Time and I'm already sick of Neverland while it's Peter Pan mythos makes me want to bang my head against a wall. Pan is creepy and annoying, Tinkerbell gives me a pain most of the time even if she does manage to redeem herself in some slightly shippy scenes with Killian, and the constant gripping makes me want to kill off half the characters en masse. Thankfully there is a few saving graces as Rumplestiltskin's tragic story continues to unfold, and Robin Hood is back, the second actor but still good. I loved Roland and how adorable daddy!Robin Hood was, even if the man with the lion mark storyline is odd. Bae annoys me most of the time, and I can't accept him as the same person as the adorable little child of season one. On the bright side Killian Jones, minus the ghastly Emma romance subplot - she's my least favorite character and I absolutely detest her - is a fascinating character, a mix of tragedy and bad guy, especially with the haunting backstory of how he lost his brother and became a pirate, and his sort of friendship with Charming is amusing. Ariel and Eric's story which I'd been looking forward to was sadly poorly handled and rushed, with Eric coming across as rather bland, and their first meeting already having taken place. Ariel herself was fairly good, though, if more than a little naive. "Going Home" was gut-wrenching, even if part of me refuses to accept Rumplestilskin's death. I'm grateful Peter Pan is gone, and was deeply moved by Rumplestiltskin's sacrifice and final words to Belle and Bae. Regina's character growth was poignant to watch, as was her relationship with Henry. As glad as I am to be done with Storybrooke I found the scene where it's erased heartbreaking, especially as everyone vanishes into the smoke.

Continuing in my quest to watch everything Arthurian I discovered and gave a try to new series starting with the 50s The Adventures Of Sir Lancelot which was adorable and included a catchy theme. William Russell has a lovely, soft voice and the fight scenes are always fun since he seems to give everything to the part. Next was Arthur Of The Britons an unusual and quiet series portraying Arthur as a Celtic warrior rather than a king and focusing heavily, much to my delight, on his sort-of friendship with Kay.

Out of boredom I gave a try to BBC's Sherlock and found it a weird mix of the horrible and strangely entertaining. SM's influence is obvious with the annoying humor, hitting of the reset button, "everybody lives", plot holes, and teeth-gritting fan pandering - if I hear him use the T-shirt gimmick one more time I'm going to scream. However there are a few flashes of brilliance such as the scene where a wounded Sherlock comes back to life with beautiful use of light as the surgery scene overlaps with him in his dream struggling up stairs, as well as the tragic moment where Mycroft sees Sherlock as a little boy after he shoots the bad guy. While I can't stand Martin Freeman and can say nothing good about his lifeless John Watson, Benedict Cumberbatch is surprisingly good as Sherlock, capturing many of the stranger aspects while still making him likeable and often amusing. Molly is a delightful character, as is Sherlock's landlady.

I got to see the pilot for Swingin' Together which was never picked up for a series and it was quite cute, with the always delightful Bobby Rydell as a traveling singer fronting a band. It's a shame it didn't continue, because it was fun and I loved the hints of family-like friendship between the guys, especially their Mr. Cunningham and them.

I've started watching When Calls The Heart, a tv series based upon a series of books I enjoyed as a kid and it's quite cute so far, bringing back that frontier period drama feel that's been seriously lacking since the 90s. The characters, especially the children, grow on me, and Jack is appealing, even if I wish they hadn't changed his name from the book. I also saw the film, and while I didn't enjoy it nearly as much as the tv show there were some lovely moments, especially with Edward, a character I wish the series included. I can't figure out exactly where and how it fits with the show, though, since the characters are vastly different in personality and circumstances of their relationships and meetings.

I've started watching Arrow and while it hasn't completely won me over I find it's unusual version quite interesting. While I miss Oliver's humor and warmth, this scarred, troubled, and often violent Oliver is realistic seeing all he went through, and the family intrigue is a fun twist. I adore Barry Allen, such a cutie and a sweetheart, and I love finally seeing the origins of the Flash. I'm looking forward to the spin-off, too. My favorite character so far is the complex and tragic Roy Harper, and I'm fascinated by his journey from thief to superhero. There's a good heart underneath all the anger, and I loved seeing Oliver save him. "Three Ghosts", my favorite episode so far, was stunning, and delightfully whump-filled, continuing with the intriguing storyline of the Japanese miracle drug. I was saddened by Slade's turn into evil, though, since I liked both Shado and he.
 
 
calliope tune: "Harden My Heart"-Quarterflash
feeling: ecstatic
 
 
Kathleen
Recovering from the claustrophobia of being jammed into a theatre with too many people, I just got back from The Hunger Games! I had very high expectations for the film and it filled them all and still blew me away, especially the bread scene even if it missed the dandelion moment. Peeta was incredible. I expected as much from the other films I've seen with the actor but he pulled every emotion possible out of every scene and was even better than I'd imagined, and so vulnerable I kept wanting to hug him. Prim was sweet, Gale was surprisingly sympathetic, I actually felt for him, and Haymitch made me love him even though I didn't like the book character. The other Tributes were very much as I'd pictured, especially little Rue. The scene where she died hurt, and then when the district saluted Katniss I don't think there was a dry eye in the theatre. My favorite scenes were the chariots, Katniss finding Peeta by the river, and that final hug when they think the Games are over. I was slightly disappointed that Peeta healed up so quickly after the medicine arrived, since I wanted the scene where Katniss is pounding on the glass screaming, but the whole film was beyond perfection, especially this line: "I think about it all the time. How I tossed you that bread, I should have gone to you, I should have gone out in the rain. I remember when I first saw you. Your hair was in two braids instead of one, and in music assembly when they asked who knew the valley song and your hand shot straight up. After that I watched you walk home everyday...every day."

So apparently most Les Miserables fans hate Marius. I'm beginning to suspect somethings wrong with me when my favorite character is always the least popular with other fans, still this surprised me because I always assumed Marius would be a popular character. He's certainly a romantic and tragic revolutionary and, even though I adored him years before I ever saw the fantastic 1998 movie or any other version, he's pretty. I have a weakness for high cheekbones and he has the highest ever.

I'm working my way through the complete 1978 series Battlestar Galactica and I adore Starbuck with his hilarious womanizing, gambling, cigar-smoking, and gorgeous hair, even CORA, his computer, wants to flirt with him. On the flipside I feel sorry for poor Athena; she starts out as one of the leads and after a few episodes the writers seem to have no idea what to do with her, and she spends the rest of the series staring at a computer screen or eating dinner. I love how detailed the world is from the viper fights to the "space Las Vegas", and Apollo, Boomer, and Starbuck's friendship, as well as Apollo and Boxey's relationship, is heartwarming. Rick Springfield turned up in the pilot, which was a treat, even if he had a tiny and tragic role. Starbuck gets to show his caring side in the dream-like "War Of The Gods" when he offers his life to save dead Apollo, even in payment after Apollo has been brought back to life, and his crying shows how much he really does care about his friends. "Fire In Space" showcases Boomer as a hero, as well as showing the loyal heart of Starbuck when he jumps off the ship into outer space to grab onto Apollo who's lost his grip, and continues holding onto him, floating without ropes, until help arrives. Starbuck gets some nice whump in "Greetings From Earth" as well as "The Young Lords", both of which have cute scenes with him and kids. The beautiful and moving "Lost Warrior" features an incredible and fun western showdown between Apollo and a cylon, as well as a lovely backstory and star-gazing finale. While there's no real finale the last episode was superb, and I love the broadcast being the moon landing as well as the adorable "waggling the wings" part.

I'm up to "The Seige" in A Man Called Shenandoah and by now I see the writers enjoy tormenting him. Here he comes closer than ever with the hope of a family, a name, and a hometown only to have it all snatched away. On the bright side Charles Aidman was in it! I adore him, no matter what role he has he's excellent, and he got to have a cute little daughter in this one which is always a sweet bonus. I'm still not convinced on the ending, though. Since the doctor said in the pilot that some people with amnesia forget to read I think it's possible that his handwriting was forgotten and relearned (or at least I'd like to think so), not to mention the fact that little Nora sort of looked like him, enough to put a doubt in my mind. It would have made an excellent finale, too.

I'm infamous for ignoring special features on DVDs so it's taken me all this time to notice my The Time Tunnel set came with a bonus movie, Time Travelers, and watch it. Clint, a doctor desperate to find a cure for the outbreak of an extinct disease, and Jeff, a former astronaut, join forces to travel back to the 1800s and speak to the doctor who found a cure for the deadly virus but lost the records to the Chicago Fire. At the last moment something goes wrong and the men arrive a mere 29 hours before the fire, with Clint contracting the virus, leaving it up to Jeffrey to get them back in time to save both their lives. With Rod Serling's story of a doomed love and poignant endings and Irwin Allen's colorful touch to lend a bit of fun to it all, the two leads have a good and believeable friendship with strong similarities to Tony and Doug's friendship in The Time Tunnel. I would have loved to see Tony and Doug in the Great Chicago Fire but there's enough of both of them in Jeff's character to not feel too wistful. It's a shame they didn't make this into a series as it would have been interesting to see what other adventures Clint and Jeff could have had, and I really liked Jeff as well as the focus being on the travelers.

I saw "The Bounty Hunter", the Trackdown episode that spun-off into Wanted Dead Or Alive and it was interesting to see how much rougher Josh was compared to the series, quick to fight and shoot while later it shakes him up everytime he has to kill someone. He and Hoby worked well together and it would have been nice to see Hoby in Wanted Dead Or Alive. Along the same lines, I also saw a hilarious Boy Meets World episode with the Monkees, being different characters but with many in-jokes and an adorable ending, and the Make Room For Daddy that spun-off into Andy Griffith Show. Andy's character was more goofy, and Aunt Bee was an entirely different character, but it was cute and I can see the makings for the series, especially with Andy and Opie's relationship. While I was working on "Dust Off The Moon" I kept noticing the overlap between the real John Ringo and the tv version, especially the holes in John Ringo's life that could have been filled by someone like Cully. That eventually led to my considering the opposite: if Johnny would become like the real person if Cully was taken away. But I never thought about what would happen to Cully without Johnny. I saw The Rifleman episode "Mark's Rifle" where Mark Goddard played a character very much like Cully, a trick shot artist with a carny background and a likeable smile. But underneath all that is a world-weary, bitter thief, a dark mirror of Cully, or who Cully could have been if he'd shot Johnny or if Johnny had never met him. It would have been fascinating if Johnny Ringo had done an It's A Wonderful Life styled episode for each of them.

I saw an amazing Marcus Welby M.D. episode "A Matter Of Humanities" with Pete Duel as a man with aphasia. He only said one word over and over throughout the episode but it was an incredible acting job, one of the most impressive I've seen. I also discovered the excellent sci-fi series Journey To The Unknown and am working my way through it. I'm also binge-watching the fun sci-fi Gemini Man - I really want a watch like that - and it's clone, the '70s version of The Invisible Man, the catchy Fame, the jazzy detective series T.H.E. Cat, the quirky Jack of All Trades, and the excellent western Branded. I'm also enjoying the '90s sci-fi Roswell.

Heidi, the little Swiss dreamer, and Peter, the young goat-herder with issues have held my heart since I first saw the 1993 movie Heidi as a young child, and even then I knew they had to get married someday. They were so adorable together; Heidi needed someone to look after her, and Peter seemed to come out of his shell only with her help. The moment he saved her on the cliff I was in love with them forever. I recently heard of the not official but good enough for me sequels to the book: Heidi Grows Up and Heidi's Children, which find Heidi and Peter marrying and having twins.

I managed for almost the entire first season of The X-Files to not ship Mulder/Scully. It was "Beyond The Sea" that did me in, right at the scene where Mulder is on the ER table, dying, and Scully is standing there. She's not even crying but that look on her face, like her world is falling apart. And then when she lies for him in "Tooms", and the whole "only trusting him" and the way he panics when she's kidnapped and oh.

I'm watching S.W.A.T. season one. There's enough closeness among the team to make me happy and I love Luca; he's hilarious, adorable, and such a flirt. "Blind Man's Bluff" is my favorite episode so far, with a wound leaving Harrelson deskbound and a new, harsh officer in charge of the team, leading to sweet moments as Harrelson undergoes surgery to get back to his job, Hilda brings him a giant sandwich in the hospital, and Luca goes to his office to visit him.

I've been working through The Big Valley season two and I'd nearly forgotten my childhood love for this gloriously overdone western. It's a colorful soap opera packed with enough brothers h/c to make me squee like a teenager. And it has Richard Long. I don't know what it is about him but I adore him completely. All he has to do is make that amused, crooked smile of his and I'm instantly in love with whatever character he is. It must have started with Jarrod Barkley of the quirkily spelled name, noble character, and gorgeous blue eyes. Not that Jarrod's the only looker, as it has possibly the best looking cast a western ever flaunted. There's Heath, occasionally troubled by his past and constantly troubled by hair that can't decide what color it wants to be. It was bottle blond last season and now it's inching into the brown zone more by the episode. I'm assuming it will be black next season at the rate it's going. He has a crooked, meltable smile and that western accent that always endears me to a character as soon as he opens his mouth. Even Nick who unnerved me seems better now, even if he could use his big brother's ease at controlling his temper. He's such an incredibly different character from Black Saddle it's amazing, mark of a good actor, I guess. Poor Audra doesn't get to do much but be pampered by her brothers and lose the latest object of her affections but she cries nicely and has lots of bright clothing so I suppose she can't complain. In all seriousness, though, it's a fantastic show, surprisingly deep for such a pretty series, with lovely amnesia episodes. I've also been watching Green Acres and fallen in love with it's adorable way of breaking the fourth wall as well as it's homespun humor. I love how ditzy Lisa is, the fancy furniture and clothes against the rundown farm, and the telephone on top of their house. All of the townspeople are hilarious, too, such characters. I've also been rewatching a childhood favorite in Leave It To Beaver. I've been on a cop show spree too this week, watching all the series I used to and loving them all: the fantastic Baretta with Fred and Baretta's disguises, Patrick Swayze in The Renegades, Dan's ability to be anything in David Cassidy Man Undercover, Doyle's curls in The Professionals, David Janssen in Richard Diamond, Mark Goddard in The Detectives, and my favorite Kojak. I'm loving the spy/detective series Hawaiian Eye, and best of all, the jazz-flavored Johnny Staccato, too.

I'm working through Cheyenne and watched the excellent "The Long Winter". Cheyenne's comment about the "tame flowers" was adorable! It makes sense, too, if people call wildflowers "wild" why not call flowers tended in a flower bed "tame"? I saw Paul Brinegar playing a trail hand in another episode, "Lone Gun", about a cattle drive, and one of the other characters was named Rowdy, so he got to keep calling him by that name while I kept expecting to see Clint Eastwood answer. He didn't have his usual whiskers, though, so I recognized him by his voice alone. Then Sheb Wooley turns up two episodes later. This series is like Rawhide before it started. Speaking of which, I finished the new season of Rawhide including Pete's final episode "The Deserter's Patrol". I'm always a little worried when I know a character I like is leaving a series for fear they'll kill him or he'll disappear without a word, which is almost worse. Thankfully if he had to leave they gave him a good send-off; he takes a job as an Army scout and takes the son of his dead friend as his. I miss Pete terribly, though. Clay lacks the warmth and clarity of character, too many shades of grey. This season did give me an unexpected gift by having Pete in the episode "Reunion". It's wonderful to have him back, if only briefly. In the last episode "Devil and the Deep Blue". Teddy turned back up! I'd been wondering where he was this season. Poor Teddy, I rather like him and he never seems to get a main role in any episode. Also, be still, my childhood heart, I watched the adorable "Grandma's Money", and "The Pitchwagon", a feast of hilarious moments where the drivers stage an impromptu talent show, both of which made me remember yet again why I adore Rowdy from his drawstring hat to that sugar sweet and oh so gullible heart. Let's just say when he sings and the girls in the crowd shriek, I'm silently doing it, too. There must be something magical about tv cowboys...they can steal your heart again and again, no matter how old you think you've become.

I adore Barney Sloane, the down-trodden character in Young At Heart, so I was thrilled to discover the film was a remake of another movie, 1938's Four Daughters, and that Frank Sinatra's role (called Mickey) was originally John Garfield's. With four sisters instead of three, the plots are still very similiar, of the women marrying men who they don't completely love yet. Into this walks a piano-player with neither self-confidence or hope compounded by a firm belief that his fates are out to destroy him. Almost the same until you reach Mickey's first scene and everything changes. Expecting the instant pull Barney had on me, I found myself recoiling from John Garfield's portrayal. Barney is such a tragic and emotionally-fragile character you bleed for him; Mickey comes across as sarcastic and bitter, enjoying feeling sorry for himself. It's the most subtle things that seem to change everything: the way they look, the tone of voice, and Frank Sinatra's unique, soulful eyes and world-weary delivery of the lines give a depth to Barney that Mickey doesn't have, and I never truly bonded with the character. It's a shame because it would have been fascinating to see John Garfield tackle the role the same way, including the final scene. Four Daughters has Mickey die shortly after in hospital, and the next scene finds Anne smiling, seemingly having forgotten all about him, and returning to the original man she loved. Young At Heart takes a far more hopeful and beautiful turn as Laurie's desperate attempts to convince Barney that she loves him and needs him finally gives him the strength to pull through surgery. The last scene finds the couple, now with a baby, Barney having finished the song that haunted him through the film. Despite a last cute moment Four Daughters left me saddened and confused, Mickey seeming like an out of place part that was worked in at the last moment and removed without anyone noticing. Young At Heart is so romantic and hopeful that I grin ear to ear at the ending. John Garfield, in his first role, has that brooding sarcasm that he'd use so well in later roles, but his approach is so opposite from Frank Sinatra's that I felt I was watching a different character completely, and the ending only confirmed that idea. The change of the character surviving, I understand, was Frank Sinatra's request that Barney be given a second chance, and I not only agree with his choice but adore him for it. More than Mickey, Barney is the backbone of the film, and the original ending would have defeated the point of the story.

I love sword-and-sandals films and among my favorites is The Robe. Victor Mature was an excellent actor when given a chance at a good role, like Demetrius, requiring an emotional depth pouring out of his eyes. It's always saddened me how there's no real ending for him, so it was with great excitement that I discovered the sequel Demetrius and the Gladiators. Picking up a while later, Demetrius is living with a potter and his daughter Lucia, a young woman he loves from afar, never guessing she also loves him. His world comes shattering around him when Caligula launches an empire-wide search for the robe, believing it will grant him immortality. When they arrive his attempts to protect Lucia from the soldiers sentence him to the gladiator fights, and near death, the conniving Messalina saves him and sets her eye on him at any cost. Demetrius forced to watch as the gladiators attack and appear to kill Lucia. Demetrius lashes out, turning his back on his religion, friends, and even pacifism. Freed and given a position as Tribune, he sets out to recapture the Robe when he discovers Lucia is still living and in possession of it. It's is a well done what if?, interesting in that it isn't a single event that sets him off but more the last straw, implied that it began when Marcellus died for him. I wondered how Demetrius would feel when it sunk in. He's been through torture to the brink of death, rescued moments before dying, and healed, even as his friends knew that bringing Peter there would cast suspicion on themselves, and then Marcellus turns back and gives himself up to allow the others to have a chance to escape with Demetrius. Surely all this would haunt Demetrius, and I would have liked the sequel to touch on this more. His loss of faith, violent anger, and later change of heart, are sudden but believable but I found it somewhat out of character for him to instantly rush into a relationship with Messalina the moment he thinks Lucia is dead. Victor Mature gets center stage in the sequel and he's wonderful, equally convincing as his usual kind-hearted character and the embittered transformation mid-way through the movie. The film ends on a hopeful note but another sequel would have been perfect although the loose ends are tied up. In other new films I watched the 2010 Clash of The Titans which was surprisingly better than the original, even if I was broken-hearted that Ixas and Eusebius were killed. Hans Matheson was wonderful as Ixas - saving Perseus's life and going around with fantastic bows and arrows - and the actor who played Eusebius looked so much like Krycek I couldn't believe my eyes. Perseus was an easy to sympathize with hero, and I liked his relationship with Io even if I was hoping he'd end up with Andromeda in the end. But the special effects were all amazing, and it was quite fun. Next was The Andersonville Trial, a fascinating and moving film of Henry Wirz's trial. The cast was amazing and I was intrigued by the fact that the entire film takes place in the courtroom. William Shatner was superb as Chipman, the prosecuter whose moral convictions and deep sense of caring for those who died drives him to prove Wirz's guilt, and Michael Burns had a achingly tragic role as a nineteen year old survivor of Andersonville who remains lost in the war in his mind. The film dug deeply into the implications of following or disobeying orders and ended with a sobering, thought-provoking comment. I finally saw Because They're Young, and it was superb. I love old "teen rebel" films and couldn't resist the fantastic cast. Dick Clark is an idealistic teacher at a rough school who believes any student can be reached if he tries hard enough, at odds with the hardened principal who wants to go by the rules, teach the good students, and throw away the bad ones. Both are put to the test when he gets Michael Callan in his class, a rough kid with a chip on his shoulder who gets involved in a robbery and finds himself caught against a switchblade. Even as a bad boy he still has that impish grin that makes me smile back. Roberta Shore and cute, towheaded Doug McClure were adorable high school sweethearts in the movie and made me remember how I used to ship Trampas/Betsy before Randy showed up. Throw in some radio music by Bobby Rydell, Duane Eddy at the dance, and James Darren with his million-dollar-smile and very glittery hair and eyes and I was in love. Next I saw the lovely film The Winning Team, a biography of a star baseball pitcher and his devoted wife whose strength helps him overcome a brain injury and gives him the courage to make not only a comeback but win the world series for his team. Then I discovered the film Stolen Women Captured Hearts. Anna is a new bride, married to a man she barely knows when the Lakota capture her, her life spared by the mysterious warrior Tokalah. Forced to adjust in order to survive, Anna finds her heart strangely warmed by Tokalah's kindness as well as confused by the way he seems to have met her before, as she finds herself falling in love for the first time. But her newfound happiness is threatened when Custer takes an interest in returning her, a simple task that quickly turns tragic. It's one of those lovely romantic films that are just pretty to look at, along with the benefits of a clever backstory of Tokalah having seen Anna in a vision, the Indians actually played by Indians, and a unique final choice. Next was Splendor In The Grass, a haunting film that's been on my "must watch list" for ages. Set in the '20s and quite accurate to the time period, the story centers on Bud and Deanie, two star-crossed teenagers deeply in love who only want to get married in their small Kansas town. But Deanie's out-of-touch parents and Bud's ambitious, harsh father threaten their relationship, and finally drive them apart: Bud to alcohol and other women and Deanie to the brink of insanity. With poignant photography, incredible acting (especially Bud's tormented, wild sister) and an aching study in social standards and heartbreak, it's a superb film. Second was Magnificent Obsession, about Bob Merrick, a playboy millionaire with no direction in life who recklessly crashes his motorboat and almost drowns, saved thanks to a resuscitator borrowed from the local doctor, who at the same time suffers a heart attack and dies. Guilt-ridden, Bob attempts to make amends to the widow, Helen, but his efforts result in a tragic accident that leaves her blinded. He begins joining her on the beach where she sits, befriending and falling in love with her. Not knowing who he is, she returns his feelings but fate intervenes when she disappears, leaving behind only a note breaking off the relationship. Flash forward to years later and he's now a talented neurosurgeon when word comes that she's been found, dying in a hospital. In a strange twist of fate he becomes the only person who can save her life and give them another chance at happiness together. It was a rich and lovely soap opera in the grand style only that era could do. The casting is unusual but grew on me, the theme is stunning, and it's a glorious movie to look at. Bob grows over the film and the transformation is fascinating as his conceited, devil-may-care ways turn into a man who gives everything of himself and asks for nothing. Next was All That Heaven Allows, a gorgeous and moving film that's one of the best happy-ending romances I've seen in a very long time. Cary is a lonely widow caught in an endless routine of country clubs, artificial friends, social standards, and the cold glitz of a wealthy, privileged life. Ron is her garderner who's starting his own tree farm, a genuine, loving man who refuses to let little things matter and lives life to the fullest. When a shared breakfast draws the two together they find themselves falling in love, a romance which tests Cary's relationships with her friends and her nearly-grown children as well as shaking the core of her orderly lifestyle. Unable to deal with social convention, she breaks their relationship off, and it takes a season of loneliness and a tragic accident before Cary discovers that what she's wanted all along isn't money or people to think well of her, only the kind of love Ron can give. It was a beautiful movie, both heartwarming and poignant, rich and gripping. Last was the quirky but fun musical The Pirate with Gene Kelly in all his swashbuckling glory as an actor who pretends to be a pirate in order to win the woman who has a crush on the pirate. More Victor Mature's films, too, and the past two were the best so far. The Egyptian tells the tragic story of a man who rises and falls through the ranks from an abandoned infant on the Nile to a wealthy doctor to Pharoh. Victor Mature played a soldier and childhood friend to the doctor who rises with him and changes as he does. The film had gorgeous scenery and sets, a haunting theme, and an incredible, heartbreaking scene where the soldiers kill the worshippers on the outskirts of Egypt. The best scene, I think, is the Doctor's inspiring speech toward the end. Million Dollar Mermaid was a sweet, wonderful film with Victor Mature being fabulous as the carny drifter with his head in the clouds, such a colorful character. I've never seen him play that sort of role and he pulled it off beautifully. The swimming scenes and the technicolor were glorious, and the setting was richly detailed with the silent movie sets, flying machines, and carnival. I've also been on a nostalgic kick and watched all the Ma & Pa Kettle films. I had a couple as a kid and saw them over and over but I hadn't thought of them again until recently. They're every bit as hilarious and fun as I remember.
 
 
feeling: stressed
calliope tune: "Together Forever"-Rick Astley
 
 
Kathleen
11 May 2012 @ 10:33 pm
Title: Broken Wings; But Our Souls Are Flying
Fandom: The Hunger Games
Summary: From the start there was never any hope for either of them. 
Genre: drama, tragedy
Characters: Thresh, Rue, Gloss, Cashmere, Katniss
Pairings: Gloss/Cashmere
Warnings: violence, death, implied incest, implied forced prostitution and abuse

I'm very hard to catch. And if they can't catch me, they can't kill me. )
 
 
feeling: uncomfortable
calliope tune: "Galveston"-Glen Campbell