Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
calliope tune: "The Gallant Shearers"-Tannahill Weavers
feeling: working
 
 
 
Kathleen
I finished season four of The X-Files, including the stunning "The Field Where I Died", a story structured around the storming of a cult's compound as Mulder finds himself inexplicably drawn to the field across from the compound. When one of the wives slips into the speech of a Civil War nurse, she reveals the events of the battle that took place in the field and her memories of Mulder, then a young Confederate soldier and her sweetheart, dying there. Mulder undergoes hypnosis, finding his own memories and discovering that he and Melissa are linked through time, star-crossed lovers in every life from the field to the Holocaust. The series had already explored reincarnation but "The Field Where I Died" has such a quiet, haunting sensitivity that it's impossible not to be drawn into the tragic story, already guessing what the outcome will be in their current lives. Combined with the poignancy of Mulder's voiceover and the torn 1860s photographs it's a breathtaking episode, and I can't help wishing they'd had a flashback tie-in episode to it. The season and series' best is the quietly powerful "Paper Hearts" in which Mulder begins to suspect that Samantha's abduction may have been at the hands of a serial killer whose final victim remains unidentified. The story and Mulder's grief is gently handled and the open ending and fabric heart is enough to make anyone cry like a baby. On other notes how brilliant is the casting of Roy Thinnes as Jeremiah Smith? Considering he was obsessed with hunting down every last alien in The Invaders, there's something ironic about him playing a good alien here. I want a crossover or an inside joke in an episode where they say all the alien-hunting, brainwashing, and being brought back to life by the outer space CPR machine has turned David into an alien, one with amnesia which excuses why he has a different name. Krycek is back and as usual Mulder jumps out of character and turns him into a punching bag. I wish the writers had realized how well Krycek worked with the others when they weren't beating him up, putting me in the position of having to choose between Mulder and Krycek, and how much happier I'd have been if he'd been in it more often. I'd have a hard time enjoying the conspiracy episodes if not for Krycek. I love him and I have no regrets about it; I want to bandage him up and protect him from Skinner. Pendrell is tragically shot and killed; he was so sweet and adorable that it hurts to watch him die like that. I also finished season five, with the breathtaking "Redux". Mulder and Scully's relationship isn't forced, it just happened, slowly growing from a partnership to a friendship to a "I'd die for you but can't live without you" romance. The scene where Mulder goes into the hospital, kneels beside Scully's bed, and cries against her hand broke my heart. "Usual Suspects" is a delightful flashback episode explaining the origin of the Lone Gunmen and Mulder's friendship. I've always felt they were underused so it's wonderful to see them shine. "The Red and the Black" plunges ahead, bringing in new ideas, such as the vaccine, the alien war, and Krycek revealing their agenda. The way he says "Good luck to you, my friend" in Russian right before he leaves broke my heart. I'm on season six now. With the bad guys in charge and the x files burned and dismissed, Mulder and Scully, secretly working on the files against orders, have their work cut out for them. Mulder gets another "I want to believe" poster, and the dark, shadowy style of the series hasn't changed even if they appear to have gotten slightly wider-beaming flashlights. About time, guys. Mind-reading wonder child Gibson slips in and out of the hands of the bad guys as it's revealed that humanity's DNA is part extraterrestrial mutated virus. "Arcadia" is a treat with it's perfect balance of humor and creepiness and Mulder and Scully's undercover names "Rob and Laurie Petrie". "Monday" is a fascinating and heartbreaking time loop story as a woman, the only person who realizes the day is repeating, attempts to prevent Mulder from entering the bank her boyfriend is robbing which will set of a chain of events ending with all the people being killed. The poignant and old-fashioned "The Unnatural" is a sweet love letter to baseball with two of my favorite guest characters this season and an adorable scene where Mulder teaches Scully to hit a ball. "Field Trip" has a beautiful scene where Mulder reaches over in the ambulance and Scully catches his hand without even opening her eyes as if they can sense each other. "Two Fathers/One Son" fully explains the Syndicate while building toward it's shocking ending, with the Cigarette Smoking Man killing Spender just as he'd become an ally of Mulder and Scully, and the Syndicate being massacred by the alien rebels. Krycek fortunately escapes and he's still working against the aliens which puts him on the good side this season. I'd never seen it and skipped over it while working through the early seasons so I went back and watched the whump-filled "Fight The Future". It was fantastic, everything the show does best on a larger scale, and so perfectly shippy I couldn't stop grinning. The almost kiss was just mean, though, but the film made up for it by having Mulder's beautiful speech about how Scully saves him complete with a forehead kiss, Mulder rescuing Scully including carrying her and doing CPR on her, and their hand holding at the end. My favorite scene was the gorgeous one where, after escaping and watching the spaceship above him, Mulder looks over at Scully, smiles faintly, and passes out in the snow from cold and exhaustion. Scully, even weak as she is, slowly reaches over, lifts him into her lap and holds him, laying her face against his hair. It's a beautiful moment and shows how much they mean to each other after all they've been through together. I was saddened to see the Well-Manicured Man get killed, since I thought he was an interesting character with a lot of potential, but he died well, saving Mulder's life from the syndicate and Scully from the virus, and I was glad Mulder trusted him enough in the end to use the coordinates and medicine.  

MeTV is showing Remington Steele so I'm getting to see it; it took about half of the first episode but it grew on me, and it's quite a cute and funny series so far, especially the growing relationship between Laura and Remington. I found him a little off-putting at first but his dry humor and fast thinking eventually won me over. The clever thing about the premise is you're never quite sure who and what "Remington" is, other than the fact that he's a fan of Humphrey Bogart detective films and he has a collection of passports, all with different names. George and Bent from North and South were both in the pilot, with James Read a regular as Murphy, an interesting, somewhat underappreciated, and often whumped guy, and Philip Casnoff in an ill-fated, small role, making me wish for some sort of quirky crossover where Bent's descendant is still managing to make trouble for George's descendant in the 1980s.  

I've been watching the complete series Logan's Run, tv version of the fantastic book and fun film, and it's a treat, even if book purists will be screaming five minutes into it. Instead of computers, the City is run by a group of budget-saving Elders, and palmflowers are nowhere to be seen, a shame since the film did them beautifully, while new additions include a shiny silver vehicle and having the Runners joined by android REM. Pure good instead of the book's antihero, Logan finds himself a Runner when he knocks out Francis to save Jessica who was helping another Runner escape, and the two quickly find their way out into the sunlight, wandering across the land in search of Sanctuary with a trio of Sandmen hot on their trail. Jessica and Logan eventually grow into a romantic relationship by the last episodes. Francis still doesn't get to be the secret rebel of the book and yet again is reduced to a stalking Sandman who attempts to look menacing but, happily, it's impossible to look truly evil with '70s feathered hair. Logan and Jessica adapt far too quickly to Outside, but it's forgiven because of the countless civilizations which they find themselves the teachers of, including the pacifist and enslaved remnants of humanity including an adorable little girl who they rescue, and a spooky group of robots whose desire to serve may not be as innocent as it sounds. The thought-provoking "Half Life" has the trio discovering a city where the people have split themselves into two parts: one "positive" living in the city, and the other cast out into the woods. However their "perfect" world is threatened when the leader of the castouts begins to care, and the positive's wife who lost her other half aids Logan in attempting to put the pairs together. "Carousel", a superb episode, finds an amnesiac Logan returning to the City, only to remember hours before his trial and intending to sacrifice himself to reveal the truth. "Man Out Of Time" is the best episode, with a hauntingly tragic story of a scientist in the past who travels to Logan's time to learn what caused the war in order to prevent it, despite knowing that by correcting the past he'll be erasing everyone in the present. As time passes he begins to care about the people he meets, and teaches them all he can before returning to his time. The poignant conclusion is one of the best I've seen in any old series and the entire episode is stunning. With the hair, clothes, and alien adventures there's never a dull moment and I haven't had so much fun watching a series in quite some time.

I'm finally getting to see the 12 O'Clock High episodes where Gallagher is in charge. Although I like Savage, I love Gallagher more, and I'm thrilled to see the hot-shot kid pilot transform into a responsible colonel who handles the crew with compassion. Gallagher has come a long way, not only in promotions, and even if I saw the potential in him from the start it's still fascinating to see just how much he's matured. New is Sandy Komansky, a well-meaning young soldier. Unlike Savage and Gallagher's abrasive uneasiness around each other, Komansky and Gallagher have a comfortable friendship, probably because of the contrast between the two leaders. Savage comes across as an unsympathetic and demanding general, mostly a hard shell with a caring interior that he hides, while all of Gallagher's feelings are on the surface, easily understood at face value, like Komansky. Gallagher leads with his heart above his head, risking his life multiple times to save his men or civilians, and he has an endearing warmth Savage lacks. The series has gone to color now, and as much as I like war series in black and white, the brilliant and colorful flight scenes are breathtaking. In "Gauntlet Of Fire" even with a wounded leg Komansky comes along in the plane when Gallagher sets out to fly the final mission alone, with a cute comment about being court-martialed. I love the way he always tacks on "sir" as an afterthought. In "Fortress Wiesbaden" Gallagher finally defies the commandos's orders and goes back for Komansky when he's wounded, getting him to safety. I love how he sticks with his men no matter what, and his lines about teamwork. "A Long Time Dead" scared me stiff when badly wounded Komansky is pushed out of the airplane by a demented officer, and most of the episode has Gallagher attempting to see justice done for his murder. I choked up when he sits and stares at Komansky's name plate. Thankfully Komansky is discovered alive at a field hospital at the very end and there's a cute final scene with him. He's far too sweet to die, especially like that, and it would have broken my heart if they hadn't fixed the ending. Happily both Komansky and Gallagher, despite serious injuries that sent him home, survive the final episode, and although it didn't wrap the war up it felt like a finale. I also discovered Naked City, an intriguing cop series starring Paul Burke as Adam, a compassionate, deep-thinking officer much like Gallagher. The episode, "On The Battlefront Every Minute Is Important", had David Janssen in it and it's always a treat to see him apart from Richard and as an entirely different person like the one he was here, the owner of a wealthy advertising business with only months to live. Seeing Adam, he offers to give him his business which prompts Adam reflecting on why he does his job in a beautifully worded moment. 

I finished season three of Wagon Train and they had fun with classics, including the cute "Christine Elliot Story" which borrows slightly from Little Men, especially violin-playing Nat, and "Tom Tuckett Story", a lovely adaptation of Great Expectations which has Ben Cooper looking similar to John Mills in my favorite film version. Charles Aidman was the title character of "Amos Gibbon Story", and I've never seen him in such a heartbreaking and moving role before, as a prisoner whose mind has snapped from the guards' abuse. My heart kept bleeding for him, and his acting was incredible. Onto season four which shakes everything up with fresh ideas. Season opener "Wagons Ho!" brings back the wonderfully trouble-prone greenhorn Sam Evans, his wife Melanie, and his Aunt Em in a hilarious and sweet sequel, and the lighthearted style continues into the delightful "Horace Best Story" with Ken Curtis as semi-Indian Pappy Lightfoot. On another familiar note, little, pre-Barnaby Michael Burns is in three episodes including "Allison Justis Story", a sad tale with Flint shooting a thief only to learn he may have killed an innocent man who's left behind a bitter young son who's determined to avenge his father. "Princess Of A Lost Tribe", the season's strangest idea and one of the most unusual episodes I've ever come across, plays like a hauntingly tragic fairytale as Flint stumbles upon his own Shangri-La, an isolated, mythical Aztec city, and falls in love with a girl about to die. "Saul Bevins Story" is a beautiful drama of a blind man determined to prove his worth who fails at first to notice the woman who loves him. Ron Harper was in "River Crossing" as a young soldier on his first mission who finds himself caught between an Indian massacre and the uprising that follows. He's taken by the chief and his officer will be killed but they promise to return him alive. I wish it had gone a little further to show how it affected him, and how he managed under a new officer, but on the bright side I like to imagine Garrison coming from a military family so the young soldier could be his grandfather. The best episode is the stunning and deeply moving "Will Santee Story" about a man and his family's attempts to escape the shadow of his brother who was hanged, a situation that only becomes more difficult when he falls in love. This season includes a treat for me: the introduction of my favorite, Chris Hale, the new wagonmaster whose tragic backstory, warm heart, and kindness won me over to the series. With his arrival, everything snaps into place, as the harsh spats are replaced by a "thrown together" family feel. This is Wagon Train as I love it.

There was an amazing The Guns Of Will Sonnett episode "Meeting In A Small Town" in which Jeff's dream led them to a border town where a bounty hunter has set a trap for Jim. Jeff creates a sting that ends up killing the bounty hunter and Will, who doesn't believe the dream had any merit, and Jeff leave the town. Right after that, Jim comes riding in. At the ending he meets a little boy with a toy gun who says when he grows up he plans to kill Jim Sonnett. Jim's last words to him and the music is done in an eerie way that made me wonder whether someday the child is going to be the one to kill him. The series' finale "Three Stand Together" was beautiful and brought tears to my eyes when Jim and Jeff finally meet face to face and the three become a real family.

The Lazarus Man had an episode that mentioned the Sultana! I was thrilled as I've never seen it on any series and it's always been one of my main interests related to the Civil War. The series is fascinating and unique, and I love how the focus is on the people Lazarus meets more than Lazarus himself.

I managed to get my hands on the unusual and offbeat western Dead Man's Gun, a series about a cursed revolver changing hands and causing tragedy to whoever comes into contact with it. Happily, the episode was about Jack the Ripper, a long interest of mine, but with the unique twist of imagining who Jack was and what became of him after the Whitechapel murders. The story had him continuing his crimes in an American tent city where a woman accidentally discovers his secret. She ended up shooting and killing him in the end, and she and another townsperson buried him and resolved to never admit the secret.


I'm working my way through Overland Trail, a usually light-hearted western with super young Doug McClure as Flip, a kid raised by the Cheyenne, and Kelly, the man who runs the Overland Stage and cares about Flip as if he was his son. The two have a wonderful, warm relationship even if they tease and play pranks on each other constantly, and I'm loving the series.

I've never been much of a fan of Jean-Luc in Step By Step, just never noticed him. But I watched "Just Say Maybe" and sort of fell in love. He's hilarious and very sweet, cute as can be with Lilly, and his offbeat humor is a perfect match for the series. I felt almost the same way about Cody: at first I didn't care for him, then I was used to him, and finally one episode I realized I missed him when he wasn't there. There's something about seeing things through nostalgic eyes that makes me appreciate things I never paid attention to the first time around.

I was watching The Big Valley "Rimfire", Jarrod's episode, and Van Williams turned up in it! It's just like old times, Rex and Ken working together again, and Van Williams still has that lovely accent and those stunning blue eyes. He played a kind sheriff with a young son so there were some cute moments between him and the little boy as well as some excellent scenes with Jarrod, including one where Jarrod saves him from a mine shaft. I was a little worried about him because it seemed like the episode was setting the scene for him to get killed but happily he was only wounded and survived. Now I want to find one of those reincarnation fanfics that has The Big Valley and Bourbon Street Beat somehow tied together.

I'm watching Donna Reed Show season one and I'm up to "April Fool" which had James Darren as a super sweet rock star who gets sick and has to stay with the Stones while he recovers. Mary has stars in her eyes (who wouldn't?) and in the end he takes her to her school dance, sings to her, and kisses her on the cheek. *squee!* So adorable and charming. I rediscovered my love for the adorable, quirky That Girl. I always loved Donald and Ann's relationship and it's lost none of it's charm; they're magic together.

I saw Aquaman, the pilot that wasn't picked up for a series, and it's a shame since it had promise. As much as I'm used to Smallville's AC, I loved Justin Hartley's take on the role, even if I kept expecting him to put on green and pick up a bow and arrow. Still the film was unusual and fun from the beginning, and it's a nice version of an oft-forgotten superhero.

I finished season three of Merlin and there's a beautiful library now for Merlin to visit in place of the dragon cave. Arthur and Merlin have settled into a blend of teasing, insults, and true caring, and Arthur said something nice to Merlin, even though he quickly covered it up, "wisdom and an idiot", so Arthur. Uther drowned children born with magic during the purge, and the scene with the mother pleading and the wet, ghostly children sent chills up my spine. How did unborn Merlin escape? If Uther could track down almost all the magical people and kill them he would have known Balinor and Hunith were going to have a baby, and that he'd be a dragon lord, too, not to mention magical. I need a flashback episode to answer this question, baby!Merlin would be adorable; I can just see the little ears! "Goblin's Gold" was hilarious, lightening the darker mood of the season and keeping me laughing. I loved Merlin teasing Arthur by making him stay donkey-ish for an extra day, and Gaius fixing Uther's bald head. I adore Arthur testing Gaius, with enough faith in Merlin to doubt Gaius' word, and knowing Gaius well enough to know the truth. Another favorite was "Love In The Time Of Dragons". I love Gaius and his relationship with Merlin so it was fascinating to see it put to the test, even if my heart hurt for Merlin. I always enjoy the glimpses of the past, especially the Purge, and it's nice to see Gaius featured. I loved "Queen Of Hearts", how Arthur would give up the throne to go with Gwen, and old!Merlin who messes with my mind. I had to get used to Merlin being too young and now with him changing like that I get the idea that old!Merlin was just him under a spell. Then "The Eye Of The Phoenix"; I've missed the quest episodes: magical jewelry and creatures, a tower, quicksand, and a bridge with a keeper. Finally, "The Coming Of Arthur", with the round table, knights, hand coming out of the lake with the sword, sword in the stone, Gaius using magic to save Merlin, Arthur and Gwen's tender moments, Lancelot returning, and Freya!

I saw Lois & Clark: The New Adventures Of Superman and it was a different take on Superman. I love this version of Clark; he's sweet, a little awkward, and yet not afraid to show his skills at writing or rescue someone when it's not too superhuman. Lois is a bit annoying but Jimmy more than makes up for her with his adorable enthusiasm, one of the best versions of Jimmy I've seen. I like when Clark rescues him from the exploding building; there needs to be far more Clark and Jimmy friendship stories out there since I've always loved their interactions. There was a hilarious scene where Martha Kent is sewing costumes for Clark before she decides on the Superman suit, and all of them are completely outrageous, especially the one with the Robin Hood hat.

I love Irwin Allen. No matter what, you can count on him for glowing buttons, flashing sets, imminent danger, friendship, whump, fights, squee, and a great deal of silver paint. And it's all wonderful, even if his best last only a season or a pilot film like City Beneath The Sea. Beneath the oceans of 2053 lies Pacifica, a glittering city filled with people that also houses all the world's gold and military weapons...and in a matter of days is going to be destroyed by a meteor. When the former commander, Mike Matthews, is called back to take charge of the situation, he finds himself faced with the people who still blame him for the tragic death of a crew member: Woody, the current commander, and the man's widow, Lia who spends her days searching for proof to charge Mike with murder. The problems don't end there, as unbeknownst to Mike, his brother Brett is planning to steal the weapons from the vault and control just about everything. On Mike's side is Aguila, a hybrid human who breathes water and believes in his innocence. But hours after Mike arrives another accident occurs, seriously injuring Woody and adding more guilt to Mike, even as he starts to wonder if two accidents aren't too much of a coincidence, and someone is behind it all. CBTS didn't get picked up as a series and it's a shame because it's completely, absurdly fun. Bits and pieces of Irwin Allen's prior series are everywhere, and there's enough flashing lights to outfit a discotheque. The bond between the five leads grows throughout the film and the final scenes are lovely; they would have made a great team to watch each week. Robert Colbert is Woody and James Darren is a scientist but unfortunately don't share a scene together; still the idea of Doug and Tony at the bottom of the sea is too good to resist. Most fascinating is Aguila, the physically altered human with no backstory who swims like a fish, breathes through gill-like lungs, and dresses so much like the Man From Atlantis that I couldn't stop grinning. In other new films this week I started with The Boy In The Striped Pajamas. Eight year old Bruno lives in world of innocence and dreams of knights in armor, a comfort since his father received a promotion and moved the family to a guarded house in the country. Lonely and looking for someone to play with, Bruno spies the "farm" in the distance and becomes curious, even when his questions are quickly brushed aside. But when he finally goes up to the fence around the farm he sees a boy his age on the other side, wearing "pajamas". The film is heartbreakingly beautiful, offering a fresh, sensory, and simplistic view of the Holocaust through the eyes of a child, even down to the low filming. Bruno is startlingly naive, contrasting with his Hitler-enamored sister and the hostile world changing around him, and Shmuel and his friendship and their clasped hands make a powerful statement. The imagery is poignant, using childhood toys: a ball, a swing, and a pile of dolls mimicking photographs of the camps to allude to the truth Bruno can't understand, and I was spellbound by how gently the Holocaust is handled up until the final minutes when it all comes crashing in. Second was Send Me No Flowers and I couldn't stop laughing. Hypochondriac George overhears his doctor's phone call and mistakenly believes he has only weeks left to live. With the help of his friend Arnold, George attempts to put his "final" days to good use: choosing a cemetery plot, having Arnold write his eulogy, and, most importantly, finding a new husband for his wife, Judy. Definitely one of the most hilarious films I've ever seen. Next I saw Robin Hood Prince Of Thieves, an unusual but fun and fascinating twist on the legends, and loved it. Robin has a good heart and is believeable as a leader, risking his life from the beginning to try to save others, and I loved the diverse and fully imagined Merry Men, especially Little John and his family, and all the treehouses and swinging ropes.

How awesome is the extended musicvid for Backstreet Boys' "Larger Than Life" with the spaceships, spacesuits, cryogenic chambers, explosions and Brian in the matrix on a futuristic surfboard? It's like watching them all in a mini sci-fi film! I found the sweetest news clip from 2005 of Nick and Brian visiting a toddler who was born with half a heart. Her parents played Backstreet Boys music before and after she was born and the beat had strengthened her heart, they believe, saving her life. Brian was so adorable singing, holding, and dancing with the little girl; I love when he compliments her shoes and him hugging her is precious. And Backstreet Boys are getting a star on the Hollywood Walk of Fame next year!
 
 
feeling: indifferent
calliope tune: "Toast and Marmalade For Tea"-TinTin
 
 
Kathleen
11 May 2012 @ 08:47 pm
Title: Requiem For Innocence
Fandom: The Fugitive
Summary: A quiet moment for Richard Kimble as he holds the child he saved.
Genre: hurt/comfort
Characters: Richard
Pairings: none
Warnings: scene for "Smoke Screen"

But in the darkness, fate moves it's huge hand... )
 
 
feeling: refreshed
calliope tune: "No Not Much"-Four Lads