Kathleen
The episode "Millennium" of The X-Files has always been one of my favorites so I was thrilled to discover it was a crossover with another show of the same title and by the creator of The X-Files. Millennium is a fascinating, much forgotten series in a different vein but with many of the same characteristics that make The X-Files so good. Frank Black, a former police detective who has the uncanny ability to see through the eyes of killers, is a sympathetic and incredibly human protagonist, and his relationship with his little daughter Jordan is adorably precious. The themesong and intro are beautiful, and the episodes, including the stunning "Kingdom Come", are poignant and haunting character studies exploring the motives behind crime. Other excellent episodes include "The Well-Worn Lock", a deeply moving look at a difficult issue, and the haunting "The Wild and The Innocent". I worked my way through season one and am completely captivated by the series. I'm on season two now and lamenting the format changes. The Millennium Group has transformed from good to edging into evil, growing more and more shady with each episode, Peter and Frank are beginning to drift apart, Frank snapped and actually killed a man, and Katherine has separated from Frank, taking Jordan with her, which means the cute father-daughter moments are few and far between and making even the Christmas episode leave a bittersweet taste. Also the lingering end times mythos of season one is more oppressive and far reaching, accounting for better than half of the episodes. Much of the spellbinding plots have been toned down, settling for often confusing and open-ended stories. Not to say there aren't some gems among the rest, though, like the poignant, thought-provoking "Luminary", one of the scant episodes to have a hopeful conclusion as well as an intriguing guest character, and the chilling "Monster" in which a troubled child accuses a daycare worker and Frank of abuse against the town's children and herself. The season's best is the stunning two-part "Owls"/"Roosters", a fascinating mix of religious treasure hunt and Nazi war history which brings some hope in Frank, Katherine, and Peter's separations. The finale was one of the most shocking and bold episodes I've seen on any show, leaving Peter's fate hanging in the balance, Katherine dead, and Frank left alone in a cabin, holding Jordan as everything falls apart. It was good in an intense and chilling way, and I'm more worried about Peter's fate than the loss of Katherine, even as surprised as I am that the writers chose to kill her off. I'm grateful Jordan was spared, though, as I don't think I could have handled that.

I'm on the ninth and last season of The X-Files, now, and the whole show just aches without Mulder. I love Doggett dearly, and he's wonderful, but everything makes me miss Mulder, especially the gloomy tone of the series as it winds down. Monica Reyes is now a regular, and while not one of my favorites by any means, I'm getting used to her. Sadly, the relationship, friendship or otherwise, between Scully and Doggett isn't explored further until halfway through the season, and most episodes team up Doggett and Reyes with Scully a third wheel. Still there's some unique ideas left, such as "4D" in which a murderer is able to shift between parallel worlds, shooting and paralyzing the parallel Doggett in this world and trapping the real Doggett in the parallel world. While Reyes's decision to let the parallel Doggett die to bring back the real one saddened me, I loved the concept of the episode, as well as the twists in the plot. Also there's the poignant "Trust No1" which expands on the supersoldiers story arc by showing they have a weakness, as well as building another chapter in the mystery of little William. The episode made me miss Mulder more than ever, and I wish he'd been in it, if only for a little bit. Doggett gets to shine as an amnesiac stranded in a Mexican town in "John Doe", and Robert Patrick does some incredible, heartbreaking acting throughout, especially during the scene where he relives his son's death. The disturbing "Hellbound" is also one of the season's most unusual and fascinating episodes about a murdered man reincarnated over and over to avenge his death. Doggett is brilliant again in the poignant and original "Audrey Pauley" which features a beautifully sad performance from the title character as well. "Jump The Shark" brings back some much needed humor to the show, and even returns The Lone Gunmen's Jimmy and Yves, but ends on a heartbreaking note when Byers, Langly, and Frohike are killed. I could have dealt with one of them dying, but all three was too much, and even though the writers spared Jimmy I sobbed over losing the others. I like to believe the comic book retcon and think the trio's deaths were faked and they survived. To make matters even worse, Scully gives little William up for adoption to protect him right after the child is cured of his powers. While the couple adopting him was sweet, I teared up through the episode, especially at the end, and it was just one blow too many. Still the episode brought Jeffrey Spender back, a character I grew to really like before his "death" a couple seasons ago, and even as badly hurt as he was, I was glad he survived. "Release" provides closure for Doggett over the loss of his son and Hayes is one of the most fascinating non-recurring characters in a long time. I'm conflicted on the finale "The Truth", though. On one hand there was a lot I loved: Monica's finest moment in all two seasons of her when she stands up to the court, Mulder and Scully together at the end in a bittersweet parallel of the pilot, Kerst helping Mulder finally, Spender and Mulder are confirmed to be half brothers, and all the cameos from past characters - the Lone Gunmen, X, Gibson Praise, Spender, Marita, and even Krycek which left me incredibly emotional and nostalgic. But there was so much more that was never tied up. Doggett and Reyes are left on the run, Mulder and Scully can't visit William, Gibson never can be safe, and the date of the invasion still looms over everyone.

I discovered the wonderful miniseries Alice, a brilliant updating of Alice In Wonderland. Andrew-Lee Potts was fabulous as the colorful Hatter, a completely different character except for an occasional flash where I saw Connor in him, and I loved his take on the role: a mix of quirkiness and sadness, but all completely adorable. I loved his relationship with Alice as she grows to trust and love him. Wonderland was incredibly reimagined and very clever, from the Looking Glass to the bottled and sold emotions, and I loved all the characters, especially the quite hilarious Charlie. After that I watched Tin Man, a clever reimagining of Oz. I loved Glitch dearly, and the brilliant way the tale was retold, with all the elements just dfferently put together. The ending was a little too sugary but I was glad DG and her friends and parents all survived, as well as Cain finding his son back. I also squeed a little over the fact that the parallels for Glinda and the Wizard - DG's mother and father - were married.

I finally got to see Man Of Steel and was left with mixed emotions. There were a lot of changes - I'd expected as much - and it was a very different look at Superman, so while I hated some things I was pleasantly surprised to find some of the changes were actually for the better. Most of the time on earth was reduced to smashing action scenes with little pause for emotion or human moments, with the scenes on Krypton feeling the most personal. While the flying creatures were a bit much, I liked the strange silver robots who projected images. Jimmy was absent without a mention which saddened me, but Perry White was awesome, actually getting to do more than barking at Lois and Clark from behind his desk. I loved how determined he was to save Jenny, and he gave the character depth I've not usually seen. Zod was all right. While he lacked the subtle creepiness and emotional depths of Callum Blue's take on the role, he was evil enough to make Zod seem formidable. Lana was reduced to little more than a cameo, which I didn't mind, and Pete strangely enough started out as a bully, but the biggest surprise was Jor-El who I usually hate, yet in this film I not only grew to care about him but actually rooted for him and was heartbroken when his consciousness died without knowing if Superman was able to stop Zod. My main problem was, strangely enough, with Lois. With all the hype about her character saving his emotionally, I was expecting a strong, 3-d character and a carefully crafted relationship between Clark and Lois. And while the concept of her knowing Clark was Superman right from the start improved things greatly - and I like the film taking Smallville's route of the two knowing each other well before Clark started at the Daily Planet, everything else was very disappointing. Unlike Erica Durance's strong woman with hidden depths, or Kate Bosworth's quiet yet delightfully realistic heroine, Amy Adams's character was flat, reduced to little more than a damsel in distress who gets saved multiple times and does nothing of worth in the film beside force Superman to rescue her. Their relationship felt forced and awkward, and the only scene in which they felt like the Lois and Clark I've always shipped was when Lois comes over and holds him after Zod's death. Henry Cavill was so-so as Clark/Superman. He definitely looked the part and was unquestionably handsome, but his performance felt largely wooden. Only twice, when Jonathan died and during Zod's death did he exhibit any realistic emotion, and the first scene was so out of character, Clark would never stand by and watch Jonathan die no matter what he wanted, that I felt uncomfortable more than sad. Unlike most people I didn't truly have a problem with the writers having Superman commit murder, though, because it felt like a complete expression of how much he cares about the people of earth, and he killed Zod with such sadness that it was one of the few moments he truly felt like Superman. I did love the scenes of Clark as a child playing with a cape, though, and the beginning parts of him drifting from place to place was an interesting and fresh perspective on the character. I watched Spiderman, a refreshingly old-fashioned and incredibly fun take on the superhero. Tobey Maquire did a lovely job as Peter, but my heart went out to James Franco's tragic and flawed Harry Osborn who reminds me so much of Lex in Smallville. I ached for him, and absolutely despised his father in the film; I've rarely been more happy to see a character meet their end. The CGI felt nicely restrained, the theme and photography was soaring, and I grew to love the characters as I never have before. I followed that with Spiderman 2 which was every bit as good as the first one, even if Mary Jane grated on my nerves. My favorite scene was when Peter stopped the train using his webs, and then passes out from exhaustion. It was beautiful and moving to watch the people catch and carry him inside, and promise not to reveal his secret. Then Spiderman 3 which broke my heart to see Harry turn into the goblin. Harry is so very sweet when he's not consumed with hatred for Spiderman, and completely adorable like in the scene where he dances the twist with Mary Jane. It bugs me that Peter never fully explains Harry's father's death which might have mended things before it was too late. Still his grief and determination to save Harry when his heart stops is beautifully done. Harry and Peter were incredible together in the last battle, and I couldn't help sobbing oat Harry's death..so poignant and haunting. Both the actors are superb - and goodness, can James Franco ever cry - and the scene was heartbreaking. Despite that, I loved the ending, very fitting and lovely for the trilogy. After that I gave a try to The Amazing Spiderman, and while Andrew Garfield's Peter is a rougher version than Tobey Maguire's sweet and endearing take on the role and he has no concept of humility, he still managed to grow on me enough to want to see the next film. My favorite scene was when he saved the little boy, and I loved his relationship with Gwen, too, far better than Peter and Mary Jane. On my superhero list I watched Thor, a fantastic film that was equal parts superhero movie and a refresher course in Norse mythology. I loved Thor's journey from headstrong and spoiled egotist to warmth, kindness, and greatness, contrasted with the tragedy of Loki who I pitied and still loathed by turns, as well as being fascinated by his origins. I adored Thor's relationship with Jane most of all, and can't wait for the sequel. In the meantime I watched The Avengers with it's delightfully new to me set of superheroes, and Thor, who I've grown to love, to introduce me to them all. I adored Clint who has a little bit of Oliver Queen about him, and his hinted-at romance with Natasha, and not knowing the character, I was grateful he didn't get killed off after Loki took him over. Steven/Captain America was wonderful, and Iron Man/Tony was hilarious and easy to love. I also really liked the film's Bruce Banner, a kind and soft-spoken person, even if I couldn't warm to the CGI Hulk..I'm too used to the The Incredible Hulk's gentler, more human Hulk, but I did giggle at his scene where he whacks Loki around. I loved how old-fashioned pieces of the film were, just like old superhero films, and the amazing closing credits. I loved when Tony saved the island by flying the bomb, and how Hulk saved him. The team was fantastic together, much like the Justice League, and I hope there's at least one sequel in the works eventually. Then I had to watch Captain America: The First Avenger, and I loved Steve and how courageous he was, both before and after his transformation, like the scene where he falls on the grenade, thinking it's live, to save everyone, and later when he takes off after his friend and saves all the prisoners in the factory. His costume is one of favorite superhero get-ups, and I love how he uses absolutely everything as a shield. Chris Evans is also classically handsome and very old-fashioned looking which, aided by fabulous makeup, clothing, and period detail, helps make things realistic to the time period, despite the sci-fi elements. Then I watched Iron Man and Iron Man 2 and I love Tony..he makes the entire show as I don't find the superhero side of him nearly as fascinating and fun as the human part. I ship Pepper and he so much..they're wonderful together and so sweet, and I adore his holograms and talking computer. Next was X-Men and the excellent sequel X2, my favorites out of the bunch so far, with an intriguing, multi-layered world and characters, especially the mysterious but good-hearted Wolverine. I loved his friendship with Rogue and how he was willing to sacrifice himself for her. The scene where he heals her was powerful and very poignant, and I can't help shipping them just a little. It also made me strangely happy that Hugh Jackman looks like a young Clint Eastwood, and even sounds like him a little! I also loved Scott and his unusual ability, even if he's forced to live behind odd sunglasses most of the film, and Xavier, one of the kindest and genuinely good characters I've seen in a long time. Nightcrawler is also a wonderful caring character, very much unexpectedly so. I love how the films are more about the interpersonal struggles and emotions than just special effects, a unique spin on the genre, with some heavy, powerful moments like the raid on the school and everyone trying to save the children, as well as the people's attitude toward the "mutants". Last was X-Men: The Last Stand, and while I hated and cried over how Scott and Xavier, both characters I loved, were written out, I loved the way it tied everything up. Bobby, someone I'd thought wouldn't make it through the first film alive, thankfully survived and got his happy ending with Rogue. I loved that I got to see more of Kitty, and her friendship with Bobby was adorable. I sobbed for Wolverine, having to kill Jean to save everyone, but I loved how the school carried on and continued, and people seemed more accepting of the mutants. Next was Fantastic Four and the sequel Rise Of The Silver Surfer. I wasn't familiar with the comics but I grew to love the characters, especially the good-hearted Reed and the hilariously endearing Johnny. I loved the unique development of their powers, as well as how they all worked together to defeat Doom. Ben's story arc was especially poignant and I was glad he found some happiness by the end of the first film. I loved how Johnny proved himself a hero in the second film, and I was fascinated by the mysterious Silver Surfer. After that was the fantastic and incredibly underrated Green Lantern. The special effects were dazzling, and I loved the concept of it all, along with the richly imagined aliens. Hal was a loveable, cocky protagonist, and I adored how his humanity made him the best of the lanterns as well as how he destroyed Parallax, and how the others finally came to his rescue. Next was Batman Begins which I surprisingly enjoyed a lot considering I've never cared for Batman. As I expected, Christian Bale was fantastic in the role, and it was a treat to see him playing a superhero. Bruce's relationship with Alfred was beautiful, and I loved the contrasts and comparisons between Bruce and Batman. After that was The Wolverine which, while the weakest X-Men film so far, was still a lot of fun, with Hugh Jackman effortlessly assuming the role of the tortured loner. While I disliked the focus on Jean, I loved seeing Wolverine coming back to life emotionally, paralleled by his death and coming back to life after removing the robot parasite from his heart. His relationship with Yukio was sweet, reminding me of Rogue and he, and I adored seeing Charles Xavier at the end. Next was the original Superman '70s film, and I loved Christopher Reeve nearly as much as Brandon Routh as the character. The concept of turning back time was fascinating, too.

I found another animated film, Rise Of The Guardians, a beautiful and touching fairytale with many whimsical touches. Jack, Bunnymund, North, Tooth, and Sandy were loveable protagonists, as was little Jamie, and the walking eggs and little elves were hilarious. It was equally heartwarming and poignant and I kept smiling and tearing up through the whole film. After that was the fun Megamind. I loved Megamind, such a perfect mix of over-the-top bad guy and superhero, and Metro Man, despite his short role, was hilarious. I also loved Minion and the delightfully happy ending with Megamind and Roxie. Next was the amusing The Incredibles, which, while far from a perfect film, was fun and featured a very cute family of superheroes. I loved each of their powers and how they all fought together. Then I saw Wreck-It Ralph which was quite clever and cute. I loved the candy world of Sugar Rush and the adorable characters, as well as the retro feel of the games. Next was Sinbad: Legend Of The Seven Seas, a gorgeously animated, swashbuckling adventure. I loved Sinbad, his colorful crew including a cute dog, and their mythology-tinged quest. After that was Epic, an imaginative and cute fantasy. I loved the world and concepts of the story, and Nod was adorable. I do wish MK had stayed small, though, as she and Nod were sweet together, but I was happy Ronin survived and he and Nod patched things up. Then I saw the Toy Story trilogy. While not my favorite animated films by any means, and surprisingly dark for kid's films, there were still quite a few cute moments. I loved the clever way the toys were each portrayed, like the etch-a-sketch, Barbie and Ken, or Woody's floppy legs, Woody's devotion to the other toys, and Woody and Buzz's friendship. Buzz's Spanish setting was absolutely hilarious, definitely the best part of the films, and I teared up at the bittersweet ending. After that was the adorable Gnomeo and Juliet. I enjoyed the clever, light-hearted, and even poignant take on the story, and the characters, especially Gnomeo, Shroom, and Featherstone were precious and loveable. Next was Home whose adorable cat and alien won me over, as did the sweet storyline.

I watched the latest version of Les Miserables. Although I was correct in my assumption that the story would feel strange as a musical, and I found the constant singing of lines better spoken to be annoying after a while, there were some very good things about it, too. Some of the music, especially "I Dreamed A Dream" and the barricade boys's songs, were beautiful, and the filming was stunning, showing the poverty yet beauty of old France. Hugh Jackman was brilliant as Jean ValJean, definitely the most layered and realistic portrayal I've seen in all the versions I've watched, and the ending, with him joining those lost, had me in tears. He also, surprisingly, had quite a lovely, expressive voice. While no Marius can ever steal my heart the way Hans Matheson did in the 1998 version, Eddie Redmayne, despite not looking anything like I picture Marius, did a good job with the role, especially with the heartbreaking "Empty Chairs At Empty Tables". His getting injured at the barricade and the sewer rescue were uniquely done, and I was impressed by how realistic and filthy everything looked, as well as the foreshadowed imagery of the coffins as part of the barricade. I loved the kinder, more fatherly image of Jean and Marius, especially the gorgeous "Bring Him Home", but I missed Marius's closeness to Gavroche as the two had little to no interaction unlike most versions. Little Cosette was precious and perfect with Jean, but sadly grown up Cosette's role was reduced to little more than a sweet voice and a few longing looks at Marius. As much as I loved actually seeing their wedding in a version, I was disappointed by how the film treated her character, as well as her seemingly whirlwind romance with Marius, pushing Eponine as the more sympathetic ship of the two with Marius, unpleasantly for me since I've always disliked her. Gavroche was perfect, a cocky mix of adorable imp and little spitfire rebel, and his death, as usual, was one of the toughest scenes to watch, as was the poignant death of the last two barricade boys. Javert, for the first time, had a sympathetic side, and I even felt for him when he pinned the medal on Gavroche's body.

In other new films I saw the hilarious Disney George Of The Jungle, a delightfully tongue-in-cheek comedy that kept me laughing through the whole thing. George was sweet, innocent, and incredibly funny, and I loved his relationship with Ursula. Ape was also amusing, and Shep was precious. It was one of the happiest, most feel good films I've seen in a long time, and the happy ending with little curly-haired baby George made me grin ear to ear. Next was Newsies, a fun and wonderful musical. The period details were impressive and I adored the characters, especially Jack and little Les and the friendship between the boys. After that was Inkheart, a beautiful, highly imaginative fantasy where book characters come to life. I loved Farid - and ship him with Meggie - and the family relationships between Mo, Meggie, and Resa. My favorite character, though, was the fabulous Dustfinger. My heart bled for him at the same time I rooted for him to get home and adored his fire skills. He was quite a complex, fascinating character, too, and I was so glad he got his happy ending. Then I saw Empire Of The Sun, an unusual and deeply poignant war film through the eyes of an English child in Japan during WWII. Christian Bale was amazing as little Jim, going through every emotion and growing so much throughout the film, and his performance had me alternating between smiles and tears. The last parts were especially haunting and the entire film was beautifully done. After that was Pacific Rim, a fascinating concept including my favorite sci-fi trope of mind-melding that didn't quite measure up but with some flashes of brilliance here and there, especially when the focus was less on smashing things and more on the human interest side. I loved Raleigh - I've missed Charlie Hunnam's pretty face - and the film was at it's best when focused on him, showing him from an idealistic young pilot whose brother is killed to a seemingly decades older man called back into action in a last ditch effort to save the world. I liked his relationship with Mako and would love the sequel to explore more of them. I loved Herc, too, and his relationship with Chuck and Chuck's ultimate sacrifice had me in tears, especially when he said goodbye to his dog. Newton and Hermann were amusing in their few scenes, and I was sad about the Russian duo and the triplets who had far too little screentime. I never could warm up to Stacker, though, and disliked him for how he treated Raleigh so I wasn't as affected by his death. The recurring theme of the clock up until the last part where it's finally stopped was poignant. Next was The Mortal Instruments which, despite my watching it entirely for Jamie Campbell Bower, I ended up enjoying. The premise was fun, especially the fascinating idea of runes, and I loved most of the side characters, especially the werewolves. Jace was my favorite, though, showing a lot of character growth and depth across the film. After that was the sweet Sooner Or Later, a film I've wanted to see for ages. Rex Smith was lovely as usual, playing a sensitive singer, and on a shallow note his hair was gorgeous. The story was touching and quite funny in parts, the music was perfect, and I loved the hopeful ending. Next was The Trial, an intriguing legal thriller and excellent adaptation of the book which I enjoyed. Next was A Child Is Waiting, a poignant and deeply moving study of a little filmed subject. It made me cry but I loved it, and thought it was Judy Garland's best film. Next was the heartwrenching '40s version of i>Waterloo Bridge, a beautiful and haunting tragedy. Next was a childhood obsession and my favorite Shirley Temple movie Bright Eyes which I still love just as much.

I'm finished with season five of Wagon Train, now, and the feel was slightly different, with more of the stories taking place in towns instead of on the journey. The cast is still the same, but it's Flint's last season and I'm already missing him, even though I love Coop. Excellent episodes include the fascinating "Kitty Allbright Story", the utterly heartbreaking "Charlie Shutup Story", and the adorable makeshift family saga of "The Clementine Jones Story". The season's best, though, is the wonderful "Dick Pederson Story" which casts James MacArthur as a sweet loner who befriends a fatherless family of little girls and nurses them through an epidemic. Best of all the episode features an adorable ending. Onto season six now and mourning Flint's unexplained absence - a word or two saying where he was would have been nice - but otherwise enjoying it. There's a touch of comedy in the fun "Charlie Wooster Outlaw" to balance out the tragedy of the poignant "Lily Legend Story" which explores Duke's past. Other excellent episodes include "Davy Baxter Story" in which Chris is forced to make an agonizing decision to amputate a young man's arm to save his life, a story in which Tommy Sands gets to shine as the title character, and "Caroline Casteel Story" about a woman rescued from the Indians who returns home to find no one accepts her.

I watched the fascinating and haunting documentary Our Spirits Don't Speak English about the Indian boarding schools and was both deeply moved and horrified at all I learned about a very bleak time in America's history. The personal testimonies were especially poignant.
 
 
calliope tune: "An Old-Fashioned Love Song"-Three Dog Night
feeling: silly
 
 
Kathleen
I'm on the eighth and final season of Rawhide and as expected so much has changed. The intro is odd, and I miss the "head 'em up, move 'em out" endings, but the plots are as good as ever. Rowdy is finally trail boss with Gil gone, and despite my reservations and his somewhat less carefree, more "grown up" personality, I'm adoring both the change and the chance to see Rowdy finally step into the role properly. Unlike Gil's hostile, often cruel attitude, Rowdy makes for a warmer, kinder boss who, unlike Gil, values the men more than the herd, and the entire feel of the series as well as the trail boss to drovers relationship seems more relaxed without Gil's abrasiveness. His selflessness is obvious throughout the season, with countless contrasts to Gil, especially when he lets another drover, falsely accused of murder, escape, and gets himself arrested in his place to investigate the brutality of the lawman. Also, while he puts the herd before himself, he's instantly willing to risk the herd and time for the men, something Gil would never have considered. Of the original cast only Wishbone and Jim Quince, now serving as ramrod, remain, and despite my happiness in still having them I miss the others, especially Mushy, terribly. The always solid John Ireland steps in as drover Jed Colby, and the sweet, British-accented greenhorn Ian stole my heart from his intro. I love Rowdy's protectiveness of him unlike the more equal relationship he shares with the others. Simon Blake fills the position of trusted drover and he's fabulous, fitting perfectly with the cast and having a simple yet lovely friendship with Rowdy and the other men.

Outlander has just started and it's gorgeous so far with a flawless intro/theme and the very beautiful Jamie Fraser whose face keeps looking like a young Jamie Bamber so much i just want to cuddle and protect him from harm. I finally have all the kilts and Scottish accents my heart could desire. The show continues to get better with twists and turns, gorgeous scenery, including an ancient castle, a beautifully interwoven fairytales, and Jamie's sweetness. I can't say how many years I've longed to hear "Dinna fash" come out of a tv character's mouth. Dougal bothers me, though, between his treatment of Claire and his eyes on his brother's position, even at the cost of killing Jamie. Geillis annoys me dreadfully, and I'm completely convinced she's going to turn evil, if she isn't already. I do adore Mrs. Fitz, though, and the Laird, despite my first impressions, is proving to be intriguing character.

Way late but I've just discovered the fabulous Hell On Wheels and I'm rolling in the gorgeous intro, authenticity, classic western feel, and excellent writing. It's a real treat, and I already love Bohannon, Naomi, and their little baby. Doc and Eva's relationship is sad and touching, and I quite like Psalms.

I've been enjoying Extant, and despite a slow start it has my full interest now, thanks to a likeable protagonist, and a genuinely creepy, without being gruesome alien being. The idea of it being able to create the image of a lost loved one is superbly disturbing, even if I'd yet to completely figure out the plots. Harmon is an intriguing character, and I love little Ethan, the so very human robot child, and only hope he stays good.

I've finally started sticking with a season of Teen Wolf and genuinely enjoyed season four, despite some plot holes, due to an intriguing storyline. I loved the concept and mystery of the Deadpool list - and was completely shocked at who the Benefactor turned out to be, and loved seeing each character come into their own. Malia was a pleasant surprise, proving to be pretty cute and adorable, and I giggled through her scene of being so proud over her low grade at school. Braeden was another surprise, as I assumed the character would either die or turn evil, and instead found myself enjoying her story arc and romance with Derek which I'd never guessed I'd end up shipping. I loved how Argent came to terms with Allison's death as well as the Pack, and was okay with Peter's fitting fate. Kate's open ending was frustrating, though, and I can't help wishing they'd just killed her off. Derek was the best part, as usual. I loved seeing him come full circle and to terms with his heart and past, smiling more and forming relationships. While he had me terrified much of the season, I enjoyed seeing both child and human sides of him, but especially the beautiful transition into full and gorgeous wolf, my favorite twist of the season.

I finished season three of The Mod Squad and it was fabulous. I shriek a little inwardly every time Pete calls Julie "angel" and the two kissed in an episode - although sadly just as part of their cover. The trio's friendship is beautiful, as is their relationship with Captain Greer; I loved when he called Pete and Linc "his boys".

I discovered the amusing '80s sitcom Bosom Buddies and am loving it so far. The premise is outrageous but the guys's friendship and colorful side characters make it all works, and I love the theme and situations they manage to get themselves into.

I finished season two of Maverick and am still loving Bart best, as well as lamenting the fact that I seem to be the only one who prefers him to Bret. Bart, always the more serious and warmer in personality, gets all the best episodes, including the stunning "Prey Of The Cat" in which Bart gets put through the mental and physical wringer when a conniving woman falls for him, kills her own husband, and eventually winds up getting Bart nearly lynched for two murders. I found Raquel a fascinating, although tragic character in it, and Jack Kelly did an incredible job on the role, especially with Bart's tangible fear in the scene where he's locked in the cell as the mob comes into the jail. On a happier note, there's a new recurring character this season: the adorable scoundrel 'Gentleman' Jack Darby played by the always fabulous Richard Long, and he's both hilarious and completely perfect, gleefully playing off Bart with every quip.

I'm watching season two of The Courtship Of Eddie's Father now and it's every bit as adorable as last season. Tom and Eddie have the sweetest, most realistic father-son relationship ever, and I love all the other characters and the way they all relate.

I got a chance to watch the pilot of Young Hercules and loved it. As much as I love Ryan Gosling's Hercules Ian Bohen was even better, a perfect mixture of uncertainty and skill. Iolaus was flawless as usual, and I loved Jason's role. The plot was fun and unexpectedly poignant in places, especially due to a couple character deaths and Jason's fatal injury and healing with the golden fleece.

In new miniseries I watched Empire which for whatever historical embellishment more than makes up for it in beautiful scenes, intriguing people, and the stunning good looks of a super young and dark-eyed Santiago Cabrera. I was fascinated by Shakespeare's Julius Caesar so I got a little thrill during the Ides Of March prophesies near the beginning, then haunted by the tragedy of Caesar's death in the senate which plunged Rome into chaos. The only one to hear Caesar's dying wish, freed gladiator Tyrannus flees Rome with Octavius, Caesar's heir over the assumed successor Marc Antony. Hunted by assassins and betrayed by friends, Tyrannus attempts to teach Octavius all he knows in order to keep him alive and mold him into a great ruler, protecting him at the risk of his own life. I'm always drawn to the gladiators so it was no surprise that I loved Tyrannus, and the actor underplays the role wonderfully with most of his acting coming from his eyes and movements. Octavius is young and flawed but spirited and troubled enough that I cared about his journey, believable as the uncertain boy who suddenly finds himself growing up overnight. Brutus is a intriguing and conflicted traitor, and Julius Caesar, a deeply kind leader, has far too short a role.

I finally saw the 2013 miniseries of Anna Karenina and it was gorgeous, by far the best version over the other two I've tried. Everyone was perfectly cast, and the haunting feel of desperation over-shadowing Anna finally came out on the screen. Santiago Cabrera was gorgeous as usual, and I was very impressed by the actress who played Anna. I also loved that the film used the other characters more, and the setting and tone was beautiful. Also I gave a try to the '48 film and it was quite lovely, a well done version with beautiful, misty photography, and while I don't usually care for Vivien Leigh, her fragile looks and helpless style captured Anna well. I got chills when she describes her dream of how she'll die, and the recurring image of the old man by the train was incredibly powerful. The children were very believable, too, and little Sergei was adorable.

I finally saw Legion, which I'd been meaning to watch since I started Dominion, and while it initially took me a bit to warm up, I grew to love it. Paul Bettany was a wonderful Michael, very much like Tom Wisdom's portrayal, but with a bit less of a hardened edge, which is logical since he hasn't yet seen so much horror. The scene where he fights Gabriel and dies by his hand was haunting, and I loved his resurrection and beautiful, restored wings. Audrey was a sweet character, and I was saddened that she didn't survive the film, and I loved Jeep's quiet love for Charlie. Baby Alex was absolutely adorable, too.

I tried two Charles Dickens starting with the complex and lovely 1998 miniseries Our Mutual Friend. I've completely fallen in love with the wonderful Eugene Wrayburn who alternately made me smile, put stars in my eyes when he kissed Lizzie's hand, broke my heart, and put it back together again. He and Lizzie were beautiful together and while I loved the whole film their story was my favorite. The historical accuracy of BBC films never fails to impress me, and it felt like a time capsule of the 1860s, gorgeously filmed and acted. I also saw the lovely Martin Chuzzlewit which has some of my favorite Dickens characters including optimistic and cheerful Mark, sweet and caring Tom, kind-hearted and gentlemanly John, and impish waif Bailey. It was a perfect blend of hilarious comedy with Augustus's scenes and darker moments with Jonas, one of the few Dickens villains who makes my skin crawl. Everything had the wonderful, period feel; the only things I wish is that there was more of John and Ruth's and Mark and Mrs. Lupin's romances, as well as scenes instead of just a letter describing Martin's change of heart when he's ill in America and later has to care for Mark when he, too, becomes sick. But the actors were all perfect for their roles, and I adored seeing Peter Wingfield as John...such a different but just as heart-tugging role as the Sin Eater.

In theatres I saw The Giver and it far exceeded my expectations, making me both smile and cry several times. The world-building was fantastic, especially the unique choice of having the world and part of the film without color. The actors were all fabulous, and several scenes deeply moving, especially Giver's poignant speech toward the end, and Jonas's interactions with little Gabriel. I loved the gentle, slow-moving feel of the plot, even during action scenes, and the contrast of emotions Jonas learned to feel.

I discovered one more Charles Farrell film, the talkie After Tomorrow which impressed me a lot more than I'd been expecting. The story was realistic, brushed with a mix of adorable and tragic moments, and topped off with a very happy and unexpected ending. Charles Farrell was, as usual, wonderfully sweet, playing the innocent, faithful character he was so good and loveable as, and the whole cast was quite talented. Lacking more of his films I'm now watching the adorable series My Little Margie and loving it. Charles Farrell is wonderful as Margie's father, and Gale Storm is perfect as the ever mischievous Margie. In other new silent films I've discovered a love for Charlie Chaplin. I watched The Kid which was adorable, and fell in love with his character as well as his adorable father-son relationship with little John. Their scenes together were wonderful, and I loved the happy ending. After that was the flawless City Lights, a perfect mesh of hilarious comedy and bittersweet romance which made me completely adore Charlie Chaplin. The story was poignant and deeply touching and I wished it'd been a bit longer to ensure a completely happy ending.

In new films this week I watched the wonderful Lemony Snicket's A Series Of Unfortunate Events which was a perfect blend of bittersweet and hilarious, all with a zany, quirky, turn of the century feel that instantly made me adore it. I loved how imaginative the story was, with dry humor, poignant and lovely moments, and loveable characters, such as little biting Sunny or the hilarious Aunt Josephine and her fears of everything. Violet and Klaus were easy to root for, and I loved the three children's relationship and how they looked after each other. Next I saw the gorgeous Bridge To Terabithia, a flawless, heartbreaking story with a very familiar cast: Josh Hutcherson as bullied little loner Jess, Annasophia Robb from Samantha as the imaginative Leslie, adorable little Bailee Madison from Saving Sarah Cain as Jess's darling sister May Belle, and Robert Patrick from The X-Files as Jess's strict yet not unloving father. The plot was beautifully sad, rich in imagination, and I loved the world Jess and Leslie created, even if I've never cried so hard during a film. The ending was poignant yet lovely, with May Belle entering Terabithia as their new princess, and I adored her relationship with Jess, as well as the twists and turns in the plot such as the bully finally standing up for Jess against the other bullies. Josh Hutcherson was wonderful as Jess, with just the right amount of childish awe and world-weary sadness to make me love him. Following that I watched the clever and imaginative Percy Jackson & the Olympians: The Lightning Thief, a modern twist on Greek mythology with a likeable bunch of heroes, especially the funny satyr Grover. I loved the way it tied the myths to what was happening in the teen's lives, and the unusual aspects such as Percy's dyslexia being the fact that he can read ancient Greek. Then I saw Becoming Jane, a gorgeous and poignant biography of Jane Austen's early years and her first and only love. Anne Hathaway was perfect as Jane, and James McAvoy was wonderful as Tom, a bit of a rogue but loveable. It was beautifully filmed and directed, and I teared up at the ending, so sad yet lovely. Next was The Spiderwick Chronicles, an enchantingly imaginative fantasy with fairies and an adorable little brownie that made me feel like a kid. The story was fun, I teared up at the bittersweet ending with Lucinda and her father, and I loved the talented cast, especially the children. Then I saw Butch Cassidy and the Sundance Kid and loved how much it was like Alias Smith and Jones with their banter, the safecracking, Etta reminding me so much of Clementine, and just the feel of the film in general. Butch and Sundance had a wonderful close, yet easy friendship, and the humor is gently underplayed beneath a feel of dread; you can actually feel the time running out, driving them to toward the ending which gives the film a bittersweet feel. I loved the attention to detail and use of sepiatone filming and pictures within the film, as well as the theme, "Raindrops Keep Fallin' On My Head", which I've always loved. The ending completely broke me, though, not that I wasn't expecting it, but it was heartbreaking to actually see it, even though it was beautifully, poignantly filmed. Next was the gorgeous The Eagle, a flawless and beautiful film with loads of friendship, whump, and all other elements I love, as well as being set in the time period of Hadrian's Wall which made me giddy from the beginning. I loved Marcus saving Esca in the arena by yelling at the people to turn their thumbs down into thumbs up, a selfless act that turns into an enduring friendship of equals instead of simply master and slave. I loved how Esca saves him in the end, and him being set free yet still remaining with him in the end. It was a wonderful story, too, and I loved every moment of it. Following that was The Patriot, a guilty pleasure since I love the Revolutionary War, and it was both stunning and completely heartbreaking, with lovely photography and superb acting, making me cry and yet giving me moments that were heartwarming, such as little Susan speaking, or the soldier naming his son after Gabriel. The film reminded me a lot of Shenandoah though, which both made me happy and intrigued me. Then I saw the 2004 version of The Phantom Of The Opera, a utterly gorgeous and breathtakingly haunting film that made me cry. I loved both Raoul for his selflessness and determination to save Christine as well as the tragic Phantom for his deep love and sadness, and frankly would have been happy for Christine to end up with either. Still the ending made me burst into tears I'd been holding back the whole film. The music was glorious, especially "Music Of The Night", always my favorite, and the acting and direction were simply stunning. Next was the surprisingly excellent Rise Of The Planet Of The Apes, a stunningly poignant and thought-provoking film that was also deeply moving. I wasn't expecting much and was completely blown away by it. James Franco continues to impress me with the sensitivity of his acting, and his relationship with Caesar was beautifully done. The scenes where Caesar spoke were powerful and I loved the message of the film as well as all the nods to the original. Then I saw Tron: Legacy, an incredibly imaginative and fabulous sci-fi with a richly detailed cyborg world all inside a computer. I loved Sam - a perfectly cast Garrett Hedlund - and the jaw-dropping special effects. I discovered Heidi's wonderful sequel Courage Mountain and completely fell in love with it. While this Heidi took a while to grow on me I instantly took to Peter, mostly because he's quite close to what I imagine the child Peter looking like and acting like grown up. I loved the parallels between the films, such as Heidi having to save Peter from falling off the cliff, and the lovely new additions like Peter giving Heidi his panpipes to remember him while she's away. The best part of all, though, was seeing a pairing I've loved since I was seven truly and really become canon. Peter and Heidi were perfect together, even kissing, hugging, and promising to wait until Peter returns from the war, and I was melting with happiness through every moment. Next was The Last King Of Scotland, a gritty but fascinating historical drama. Nicholas was a very human protagonist, and the events surrounding and involving him were both disturbing and very interesting, opening my eyes to a part of history I'd never heard of. After that was Atonement, and while it didn't impress me as much as I'd hoped it was still a gorgeously filmed movie, especially the breathtaking and heartwrenching war scenes such as Dunkirk or Robbie discovering the dead girls. I never felt like I got to know the characters very well, but I still cared enough about them, especially the tragic Bryony, to be interested in their fate. The final twist stunned me, leaving the film with a bittersweet and haunting conclusion. Next was the 1990 version of Treasure Island, a remarkably faithful adaptation with the always wonderful Christian Bale as Jim. I liked that Jim was more of a fighter and saved everyone unlike the more childish Jim from the Disney version, but I missed the warm relationship between the Doctor and he which was considerably toned down. While I felt it needed a little more fun in the plot, it was still a well-done film, and I loved the period details and sea-faring adventure. Next was September Dawn, a heartbreaking and beautifully old-fashioned film about the Mountain Meadows Massacre. It's a historical event I've been interested in for a long time and I liked the feel and style of the film, capturing the tragedy in a star-crossed romance and a mixture of people I grew to love or hate. Jonathan was especially fascinating and played by a very talented actor, and the nearly black-and-white contrast between the two groups was refreshing and unusual, more like an old film. Then was Prince Of Persia: The Sands Of Time, a fantastic and ridiculously fun movie with shades of One Thousand and One Arabian Nights which I've loved all my life. I'm not familiar with the actor but he was amazing as Dastan, the street orphan turned prince, and both he and the boy who played him as a child would be perfect in a live-action version of Aladdin. I loved the concept of the time-turning-back dagger and sand, and there were more than enough acrobatics to keep me entertained. I was a little sad that Tamina didn't remember him in the end, but the fact that she was alive and that they were together made me too happy to worry about it. Next was Noah which was gorgeous, with a fascinating, fresh look at the story while sticking close enough for comfort. The scene of the animals coming to the ark was breath-taking, and the cinematography was stunning throughout. I loved the idea of the evil character being seen by Noah as the snake, and the flood's start was exactly as I imagine. I loved Shem and Ila's story, how they met, their love for each other and their children, and they being the ones to start the world over. Noah was quite different than I imagine, and there were times I didn't exactly like him, even if I understood his motives, but he was quite human and easy to relate to. Naamah was excellent, given the depth she always lacks, and little Japheth was precious. Only Ham felt miscast, despite Logan Lerman doing a good job at the role. After hearing about it for so many years I finally saw Kiss Of Death and surprisingly loved it. Film noir has never been my favorite genre but this film more than makes up for it by crafting an easy to follow plot with good characters that are easy to warm to. Victor Mature is excellent as always as the anti-hero, and I adored getting to see him play a husband and father with two adorable little girls, for a change. Richard Widmark was creepy and good as always, although I was expecting more from his role due to the hype I've always heard surrounding his performance. I loved the hopeful ending, and setting of the movie. After that was a rare Glenn Ford film I hadn't yet seen: A Stolen Life. Bette Davis was surprisingly excellent at the dual role, portraying both sisters as so unique she had me easily convinced she was two different people. Glenn Ford was lovely, even if his character was a bit naive, and it was a treat to see him so young. Next was Priest, a film of gorgeous cinematography and amazing world-building with a superb twist on vampires. I loved the gadget-filled, 1800s like world, the distinct cross markings on their faces, and the bikes. All the characters, from Priest himself, to Hicks, to Lucy were fabulous, and I was saddened to not find a sequel resolving Priest and Priestess's unrequited love, as well as seeing Priest getting to know his daughter. I'm starting to love Karl Urban's roles so I watched Pathfinder, a unique tale of a Viking child taken in by an Indian tribe who grows to be an adult to defend them against a second invasion. Karl Urban was wonderful as Ghost, and I loved his relationships with his adoptive mother and sister - their deaths broke me - as well as Starfire. The ending was lovely. After that was The Pianist, an utterly heartbreaking and gorgeous true story of a Holocaust survivor. Adrien Brody was absolutely stunning - he certainly deserved that oscar - and the story made me tear up so many times. Next was the delightful Sky Captain and the World of Tomorrow. I loved the world and visuals, as well as the romance. Next was the offbeat but intriguing Suddenly Last Summer. Next was I Confess, an excellent and interesting Hitchcock. Next was the delightfully shippy Children of Dune and its awesome world-building and glowy eyes. Next was On the Waterfront, always excellent, and the iconic The Wild One. Next was the visually lovely City of Ember. Next was the surprisingly enjoyable Alexander. Next was The Legend of Hercules, a flawed but highly enjoyable version of the myth. Next was the fun and random fairytale adventure Ella Enchanted. Next was the Pirates of the Caribbean which despite a slow start quickly won me over. Next was the enjoyable and lovely The Story of Alexander Graham Bell. Last was the Kiwi adventure Doom Runners which I enjoyed greatly, despite it definitely being a kids' movie, probably because of Dean O'Gorman.

In new superhero films I watched The Amazing Spiderman 2 but despite some excellent moments and early humor it seemed disconnected and over-filled. This Peter isn't easy for me to relate to but he seemed better last film, more human and awkward instead of annoying and never serious. Gwen and his breakup seemed random and simply to add more heartbreak, and Harry, the character I was most looking forward to was completely ruined, turned into a whining, strange kid whose transformation into the green Goblin made little sense, even if his appearance was creepy and fascinating. Gwen's death was tragic and completely heart-wrenching, making the best scene, sadly, in the entire film. The ending seemed abrupt and out of place, with Peter reverting too quickly to his joking persona without giving another thought to Gwen and too much was left hanging.

I finally saw Dr. Horrible's Sing Along Blog and surprisingly loved it, both for the music as well as the plot. The sadness of the ending was a shock but I liked the origin of the bad guy feel to the story, even if the last moments left it hanging for a sequel.
 
 
feeling: mischievous
calliope tune: "Lover's Cross"-Jim Croce