Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
feeling: working
calliope tune: "The Gallant Shearers"-Tannahill Weavers
 
 
 
Kathleen
I'm working my way through season three of Smallville, the only season I hadn't seen yet. Highlights include the fascinating "Extinction" in which an embittered teenager is executing meteor-infected people one by one and ends up shooting Clark with a kryptonite bullet which leads to Jonathan and Martha having to perform home surgery to save his life, and "Whisper" in which Clark is blinded by a piece of meteor rock and discovers his super hearing, with the cute foreshadowing of Clark having to wear glasses as his eyes heal. "Relic" was an unusual mystery in which Clark discovers his father traveled to Earth in 1961 and fell in love with a woman he's accused of having murdered. The story gives a human side to Jor-El who I usually despise and made me see him in a more sympathetic light, as well as giving a fantastic excuse to have Clark with retro clothing and hair. I loved the scene where Jor-El reveals where he's from and then picks up Louise and floats in the stars with her, and their romance was a lovely and tragic fairytale. I loved how everyone's lives were woven together in the past, especially Hiram Kent saving Jor-El from the police, and Lex's grandfather being a murderer, showing the roots of the Luthor family's evil. "Hereafter", a moving and unique episode, features a teenager who can see the way someone will die by touching them, a meteor power that leaves him deeply troubled and afraid of human contact, a situation that poses an intriguing and unsolved question when the boy touches Clark and sees only a cape and light, leading him to wonder whether Clark is immortal. He sees a flash of the school coach committing suicide, but Clark saves the man, changing the future and setting into motion a dangerous chain of events that threaten several lives, the teen's included. The ending with Clark finding Jonathan collapsed in the barn was a superbly filmed and acted finale to a deftly woven story. Running through the episode is another storyline involving Adam, the teen Lana met while recovering from her injury. He has a lot of potential, not the least of which is being the first person in the series to give Lana a swift emotional kick to try to force her to grow up and get over herself, despite being yet another guy to fall for her. His story arc takes a chilling and startling turn when toward the end of the episode the boy, having bumped into him by accident, seems to suggest that Adam had already died, giving a sinister edge to the unknown medicine he's been taking. My favorite episode of the season is the heartbreaking and gorgeous "Memoria" in which Lex, attempting to regain his lost memories, unearths pieces of his tragic childhood, including the death of his infant brother, Julian. The conclusion shocked me and made me cry, and it was one of the most moving episodes I've seen of anything. Lex has finally won me over, and it makes me sad to realize what he'll end up like in only a few seasons.

Season 7 of The Virginian is out on DVD and little has changed this year with the exception of Stacey mysteriously vanishing and new ranchhand David Sutton, a kind and unassuming drifter who settles at Shiloh, stepping into his place. Trampas and he have an easy and wonderful friendship, bringing back something lost when Steve left the show. Clay and Holly Grainger are firmly established as the owners of Shiloh but their relationship with the hands remains strained or forced, and I couldn't help my jaw dropping when Clay threatens to fire Trampas after he gets into a fight. The season has a comfortable but mostly worn feel, as if the writers were short on new ideas and instead reused ones from earlier seasons. However there's still some gems among the rest, including the unusual and intriguing "The Wind Of Outrage" in which the Virginian and Trampas find themselves held prisoner by a group of Frenchmen on the Canadian border and Trampas is as wonderful as usual, the excellent and well crafted "The Stranger", "Nora", a intriguingly twisted tale of a woman attempting to promote her army husband through any means necessary including murder, the delightfully quirky "Big Tiny" and the hilarious "Crime Wave In Buffalo Springs" both of which brought some much needed humor back to the show, and the complex and fascinating "Stopover".

I finally got season four of Merlin and I'm already in love with the knights: Leon, of course, because he's wonderful, and Lancelot as always, but Percival, too, especially after the adorable scene where he finds and rescues the three children, and Elyan for coming to their defense and his speech to Arthur in the season's opener. Arthur has finally transformed into the kind and just king of legend, and for the first time in the series I find myself truly caring about him and warming up to him, especially when he's so gentle with the girl whose family was killed in "The Darkest Hour", and the heartbreaking conversation he has with Merlin at the end of the first part of that episode. I also love that he finally calls Merlin his friend, and seems to care about him, even if he's still awkward at saying it. Bradley James has turned into an incredible actor this season, really impressing me with subtle touches to the character, like the way his voice shakes when he calls for help after Uther is stabbed. There's something strangely off about Merlin, as if he's changed into Emrys and left most of the endearing awkwardness and goofy boyish charm behind, and even his banter with Arthur sometimes lacks the quirky fun it once had. This Merlin is somehow far older than last season's, and the boy who once sobbed over the father he barely knew doesn't shed a single tear for Lancelot, one of his oldest friends and one of the few people with whom he could be himself and not have to hide his magic. And Lancelot...I've forgiven the writers for many things when it came to Merlin's jaw-dropping disregard for the core concepts of Arthurian Legend because I loved and appreciated the clever reimagining and easy to become attached to characters of the series but that's where I draw the line. Santiago Cabrera's Lancelot is my very favorite version of my favorite character in Arthurian Legend, so obviously I wasn't looking forward to seeing his death, but I expected something more noble and heartwrenching. I expected to feel more than numb resignation when he walked through the veil, and for the focus to linger on his sacrifice and the grief left by it instead of instantly shifting off into Arthur and Gwen's romance and Merlin trying to hide his secret. Lancelot deserved far better than to be written off and forgotten when he'd worn out his usefulness to the writers who only have eyes for Arthur/Gwen, and to head straight into the next episode and have Arthur's birthday party and everyone laughing and happy felt horribly cruel. If that wasn't enough there's the dreadful "Lancelot Du Lac" which manages to make Lancelot's beautiful last name into something twisted while corrupting and almost destroying the strength of his character and decency. I was disappointed with the season's finale "The Sword In The Stone". Despite playing fast and loose with the legends Merlin usually has an impressive way of introducing my favorite things such as the Round Table, Arthur's coronation, and Lancelot, but Arthur pulling the sword, one of the most awe-inspiring moments in the legends, was sadly ruined by having it be caused by Merlin's magic instead of Arthur's destiny, casting all the glory on Merlin. Tristan and Isolde's love shone through, and both the actors were very well cast, but it took me a while to adjust to them being smugglers. Arthur was hilarious when Merlin took his will but I couldn't help feeling uncomfortable with the idea, even played for laughs. Between that and killing Agravaine, Merlin seems to have crossed a dark line this season that makes me sad to watch. Also, as much as I enjoy the idea of the people of Camelot as fugitives, the story felt like a rehash of last season's finale. But there's still bright spots in the season with the adorable baby dragon and the superb episode "His Father's Son" in which Arthur truly stepped into the king's shoes and proves himself a far better man than Uther. Things finally get back to normal in "A Servant Of Two Masters", a hilarious tale where enchanted Merlin comes up with way after way to kill Arthur that always fails in the end. The hug was wonderful, as well as Arthur's determination to find Merlin, even if the episode gives me even more reason to hate Morgana, the worst and most evil version of the character yet. "The Secret Sharer" is also incredible, a beautiful glimpse at Arthur and Merlin's future destiny, as well as tender Merlin and Gaius moments and a surprisingly sweet scene with Arthur and Gaius. Arthur and Merlin's banter at the beginning is finally the way it should be, and I couldn't stop giggling through the whole scene. My favorite episode of the season was the deeply moving "Herald Of A New Age", for it's focus on Elyan and the incredible acting from Bradley James during the scene in which Arthur confronts and makes his peace with the spirit. I sobbed when the "child" hugged and forgave him, and the episode was perfect in every way. Next on my list of Arthurian adaptations to watch was the '60s musical Camelot, and once I got past the strangeness of everyone randomly bursting into song I completely fell in love with it. It's a gorgeous, flawless film that manages to capture everything I adore about the love triangle of the legends while not focusing so much on the magic and sorcery. I teared up through most of it, and sobbed at the ending. Arthur came across as somewhat silly at first but he surprised me by turning in a moving performance starting with his heartbreaking monologue when he discovers Lancelot and Guinevere are in love, and by the end of the film I loved his portrayal, capturing Arthur's heart and also his caring for both his wife and knight in the scene where Lancelot saves Guinevere from execution. Guinevere wasn't how I picture her but she did a superb job at the role, and her slowly growing love for Lancelot was beautiful and convincing, as well as perfectly pulling off her tragic last scene. Lancelot was fantastic, one of the very best takes on the role I've seen, managing to carefully balance the flaws and virtues of the knight while making it easy to see why Guinevere would fall in love with him. He had gorgeous blue eyes and a French accent, too, and the scene where he brings the dead knight back to life was so powerful it sent chills up my spine. Following that was King Arthur, the most unusual and fascinating version so far. Despite setting and style being completely shifted, and Arthur as a Roman soldier who leads a ragtag but skilled group of knights, everyone was easily recognizable, with Arthur's strength of character and caring heart shining through. I loved the clever way the film took key moments such as the sword in the stone and made them believable in a historical and non-magical context, and the amount of research and training that went into making the film was impressive, especially how well the actors swordfought. Lancelot, as usual, gets the best scenes and lines, as well as two swords, and his fate, however foreshadowed, deeply saddened me, as did Tristan's tragic and horrific death. I did prefer the alternate ending to the one they used which felt too happy and weak for an otherwise powerful and grim film, but the beautiful scene of the horses running put tears in my eyes. I also loved the costumes and the stunning music, especially the haunting theme. Last, I saw Knights Of The Round Table, an extremely faithful version that finally included Elaine, my favorite female character from Arthurian Legend. She was wonderful, sweet, lovely, and perfectly cast, and my heart ached for her tragic love for Lancelot. The film also finally had Galahad as Elaine's and Lancelot's son, played by the most adorable baby ever, and there was a heart-tugging scene where Guinevere, tears running down her cheeks, picks him up and cuddles him. Percival was also as I imagine him, and I enjoyed his friendship with and trust in Lancelot. My favorite scene was Lancelot throwing Excalibur into the ocean, gorgeous and haunting. 

I finally watched Robin Of Sherwood's season two finale "The Greatest Enemy" which I'd been dreading. I already knew what was going to happen but, as I expected, it didn't make it any easier. It was gut-wrenching to watch, knowing that this time Robin wouldn't get out alive, but his actual death scene was unique and beautifully handled, not letting the viewers actually see Robin die, only the arrows released before cutting to a new scene. I'm still not sure why he didn't kill the sheriff with his last arrow but the way he smiles and shoots it off into the sky was incredibly poignant, as was his goodbye to Marion and the scene between Marion and Much when they realize he's dead. I liked the mirror of the beginning, where the men shoot the arrows and remember Robin each in their own way, showing how he touched each of them. Then I started season three, and despite the fact that I'd already made up my mind to dislike the new guy, I just couldn't. Two episodes and I was already head over heels for him, even if he'll never take Robin of Loxley's place in my heart. But Robert is adorable and so very sweet, and he won me over with how humble he was and determined to never replace Robin as well as how he managed to win each of the men over. I've accepted him as the leader, but he's still Robert and not Robin to me, because Robin of Loxley was Robin Hood, the only one who's ever fit how I imagined and won me over at the first moment. But I love Robert, too, and his episodes are amazing like "The Inheritance" which made me all fangirly over the fantastic combination of Robin Hood and Arthurian Legend when the band defends the castle of Camelot and Robert is asked to protect the round table. He's also adorable with children, and his dimples never fail to make me grin. By the last episode he'd won me over so much he's become my favorite character, and the finale "Time Of The Wolf" broke my heart as much as "The Greatest Enemy" did, only in a different way. It was an unusual but fitting end, somehow, closing Marion's story while still leaving the possibility of a happy ending, and even if I wanted to shake her it was an uncanny parallel to the pilot where she's planning to enter the convent. I heard that if the series had continued Marion would eventually have come to her senses, returned to Robert and married him, and I think to picture that as the ending. There was so much to love in the finale, just the same, with the final flashbacks, the last "nothing's forgotten, nothing is ever forgotten", and especially the adorable scene where Little John, so happy to see Robert alive and well, grabs him from behind in a huge hug that nearly crushes and knocks Robert over, even if he grins back. Robin Of Sherwood left me with a tiny crush on Jason Connery, though, so I've been watching some of his other roles, and it blew my mind to realize he was Dominic in Smallville. I even tolerated the Sixth Doctor to see his episode of Doctor Who "Vengeance On Varos". Six, while still being egotistical and occasionally unfeeling, was surprisingly good to Peri, and I especially liked his approach to rescuing her when he shoots out the controls and then imprints her own identity back on her. The story was refreshingly unique and good, too, about a grim planet where the people's "entertainment" consists of televised torture and executions. Jason Connery's character, Jondar, is a rebel who's been tortured and is moments away from execution when the Doctor and Peri rescue him and his wife who's being held prisoner. The four of them wind up in the midst of a series of deadly traps but manage to escape them all. I couldn't help giggling and shaking my head at the Doctor hauling Peri around like a sack of grain, just like Five carried her but at least he had the excuse of being sick, while Jondar ever so gently carries and sets down his wife. After that was the adorable Puss In Boots, a perfect adaptation of the fairytale and I couldn't stop smiling through the entire film. Jason Connery as Corin looked impossibly young in it, younger than Robert despite it being filmed later, and he was so precious all the way through, cuddling little Puss, singing, dancing, and winning the heart of the princess. Human!Puss was hilarious, too, and I loved how the princess wasn't a damsel in distress and accepted Corin instantly. Then was Casablanca Express, an action WWII adventure that put him as Cooper, a soldier defending a train from Nazis. He was beaten up and wounded and still managed to save the day and I loved his determination as well as felt his anger at how the military leaders used him and the others, including his friend who died, as pawns in a spy game. Best of all, he used a crossbow as his weapon, the first war film I've seen with bows and arrows, and I kept seeing flashes of Robert in him. His girlfriend was awesome, too, tough and able to distract Germans, send radio signals, and still run to him and support him out at the end. I also found the people on the train fascinating, from the talkative little girl to the tragic and touching study of the Arab and the priest.   

I'm working my way through season eight of The X-Files and it's so wrong without Mulder being there with Scully, and her heart breaking is painful to watch. I sobbed when she goes into Mulder's apartment, hugs his shirt, and curls up in his bed. The feel of the series has changed, too, giving it a dark, almost dangerous edge that Mulder and Scully's relationship always lightened, and even the Lone Gunmen and the return of Gibson Praise can't seem to make me feel better. But there's John Doggett, possibly the character with the worst introduction in the history of the show which makes me want to do exactly what Scully does and toss a cup of water in his face, and yet curiously grows on me with each episode. He can't compare to Mulder, of course, but there's a good heart beneath the tough exterior, and he cares about Scully. The more I see of him the more I grow to love him. Scully and he work well together, and even though I'm all the way behind Mulder/Scully, I get why others ship them. The episodes are as good as ever, including the stunning "Invocation" which provides insight into Doggett's past against a haunting storyline. The music alone was enough to make me tear up, and the last part was deeply poignant. Other superb episodes include the deeply moving and unusual "The Gift" which gives Doggett a chance to shine as well as making the "monster" far more human than the humans misusing him. I found the concept of the soul eater fascinating, and Doggett's death freeing the creature was incredibly poignant, as well as Mulder's refusal to add to it's suffering. The season's storyline of Supersoldiers and Mulder's abduction and return is fascinating and very well done, even if it saddens me to see good, caring Billy Myles turned into an alien. Krycek's death was horrible and painful to watch, and as much as I loved him I can't help hating Skinner a little for killing him, since regardless of anything else, Krycek was trying to fight the aliens and save earth.

I discovered films of the Eloise books that I loved as a kid and gave a try to Eloise At Christmastime. It was perfect, as hilarious and adorable as the stories, and the little actress who played Eloise was amazing. I don't think I've ever seen a more talented, believable child actor/actress in anything. I loved her cute relationship with Bill, who was very sweet, and her determination to see him get the girl he loved. Nanny was very funny, too, and so good with Eloise. The plaza was exactly as I'd imagined and everything, all shown from Eloise's point of view, had a wonderful sense of childhood magic. After that was Eloise At The Plaza which was hilarious and nearly as cute as the other. The ending with the water pouring through the mail drop onto Miss Stickler was perfectly done, and I loved the romance subplot against Eloise and Leon's adorable friendship which made me want a grown-up Eloise story where she marries him. I've always had a bit of a weakness for The Three Musketeers and finally got around to seeing a film version from 1993. While not faithful by any means it was fun and perfectly cast and I grinned through almost all of it. Aramis was always my favorite and I loved him here, a perfect mix of priest and warrior. D'Artagnan was a little young but cute and quite the fighter. I loved his backflips during the swordfight, and how he finally manages to get the guy who killed his father and win the girl at the same time. The ending was hilarious and perfect. I also watched the 2011 version, and while I vastly prefer the '93 one, especially it's more indepth picture of the musketeers, I loved the steampunk and pirate feel of the film, especially the amazing airships. In other new films I saw The Other Boleyn Girl which, while playing fast and loose with history, was a gorgeous, deeply poignant tale. I've always been interested in Mary so it was a treat to see a portrayal of her, and I loved and mourned for George. Anne was nothing like I'd imagined, but it was easy to see how she'd capture the king's eye, and I grew to both like and pity her by the end. Henry the Eighth was much as I'd pictured: enigmatic, handsome, and obsessed with the hope of a male heir. I adored William Stafford and loved that he and Mary found happiness in the end. The costumes and settings were gorgeous, and the ending poignant. After that was 2009's Star Trek, a surprisingly good reboot. I liked Jim a lot, and Chekov was precious, both wonderful characters. Everyone seemed more realistic and human as well, and the special effects were stunning, everything in space coming to life. Star Trek Into Darkness was even better, a dazzling, special effects-laden tale with a heart. I loved the parallels between Jim saving Spock at the beginning to Jim's sacrifice, and Spock, who I thought was all right in the first film completely won me over, as well as shattering my heart in the scene where he cries, and then puts his hand up in the salute against Jim's through the glass. Chekov was a darling, worrying me terribly when he wore a red shirt through much of the film, so I was happy to see him switch back in the end, but I loved him coming to the rescue. Scotty was hilarious, Bones was wonderful, figuring out how to save Jim - I loved that the tribble lived, too! - and Khan was a terrifying villain. Next was the adorable and touching Heart and Souls which had me laughing hysterically one minute and tearing up the next. The conclusion was beautiful, the singing fun, and Robert Downey Jr. was both hilarious and completely adorable, as well as showing an incredible range of talent. After that was the sweet and touching The Decoy Bride which made me tear up and laugh by turns as James and Katie's adorable relationship grew. Next was the gorgeous Warm Bodies which was nothing like I'd expected. It was a little scary, for sure, but I didn't expect such a beautiful love story, or a moving, hopeful ending. I adored R and how he slowly became alive, as well as his relationship with Julie, and the outcome was poignant and deeply touching as the humans all brought the zombies to life. Then was the unusual and haunting Memoirs Of A Geisha which was a tragic but hopeful story. The characters fascinated me and the voice-over and scenery was beautiful. Next was the surprisingly spooky The Happening, the last of M. Night Shyamalan's films I hadn't seen. Creepy moments aside, though, it had the hallmarks of his films: everyday people thrown in extraordinary circumstances who come together. I loved watching the characters grow and change, and despite the jolting, bittersweet ending, I enjoyed the plot. Next was Jack The Giant Slayer, a quite faithful and entertaining version of the fairytale. Nicholas Hoult was excellent at the role, making me love Jack for the first time ever, and I liked the added romance plot as well as the background of the giants's war and the magical crown, and I loved both Isabelle and Elmont, as well as the cute, intriguing ending. Next was the 2000s remake of The Time Machine which impressed and disappointed me on various levels, both as a fan of the book and of the 1960 version. Unlike Rod Taylor's instantly appealing time traveler, Guy Pearce took a while to grow on me, but his transition from somewhat geeky and awkward professor to hero of the story, and I liked that Mara, unlike the more innocent, child-like Weena, was able to hold her own, protect her brother, and even try to rescue Alexander. The world was more richly detailed, with the new elements of the fragmented moon, and the unique nest-like houses that the future people lived in I loved the happy ending, overlapping the two time periods and providing closure for Alexander's housekeeper, and the added background story of Alexander losing his first love was an interesting touch. I also adored the nods to the original film such as the design of the machine, the clocks, Alan Young's cameo, and the fact that the film was directed by HG Wells' own great-grandson which made for some fascinating ideas. After that was the moving and unusually haunting Jakob The Liar which found surprisingly beautiful. Robin Williams was startingly good as Jakob, a perfect mix of gentleness and quite resistance against the Nazis, all while keeping everyone's spirits up. I loved the simplicity of the story, Jakob's friendship with Lina, and the fairytale-like ending that left their fate up to your mind..I'd like to go with what I saw because it made me happy to think Mischa and his fiancee survived and would go on to care for and raise Lina.

In new animated films I saw the quite adorable Turbo. I loved the title character and his friendships with both the people and other snails. The story was cute, and the race was perfect, as well as the wonderful ending. Next was The Swan Princess III: Mystery Of The Enchanted Treasure, a cute and lovely sequel to the fabulous The Swan Princess. I loved seeing life in the castle post their marriage - too bad they didn't add in a little child for them, though - and the story was both funny and touching, poignant in parts such as Derek's grief when he thinks he's lost Odette, and hilarious in the scenes like the tango dance. I followed that with The Swan Princess II: Escape From Castle Mountain, and I loved Derek's mother getting a larger role, as well as Jean-Bob finally getting to turn into a prince if only for one scene. I loved the song "The Magic Of Love", and Derek and Odette's romance, while a little shaky at first, quickly found it's footing as she saved him over and over and he rescued her. After that was Bartok the Magnificent, a spin-off to Anastasia which, while failing to live up to it's gorgeous original film, still managed to be quite entertaining, mostly due to it's darling hero. Next was the beautifully animated Joseph King Of Dreams, a touching story with lovely and clever moments - I especially loved the tree that grew in the dungeon, and his future wife bringing him food in prison - that I really enjoyed. Last was the touching fantasy The Nutcracker Prince. Pavlova was endearing, Hans and Clara's friendship was adorable, and I loved the happy ending.
 
 
calliope tune: "Total Eclipse Of The Heart"-Bonnie Tyler
feeling: calm
 
 
Kathleen
I went backwards to season four of Smallville and the last of Clark's high school years. While the season's storyline about Clark's, Lana's, the Luthors's, and the Teagues's hunt for the mysterious stones of power is my least favorite so far, the unrelated episodes more than make up for it. Lex continues his slow journey toward evil, unfortunately just as I've finally come to appreciate the sadness of Clark and his friendship and it's eventual fate, while Lois, new this season, won me over at last with the glimpses of her past and a quirky introduction to Clark that finally has me shipping them. Jonathan and Martha end up somewhat in the background, but shine whenever given the chance, and Martha gets a hilarious scene in which she's possessed by a teenager and dances to her iPod. Chloe finally learns Clark's secret, unbeknownst to him, and I love her attempts to hint to Clark that she knows without actually telling him. New this season is Clark's adorable dog Shelby who sadly doesn't get to keep any of the superpowers he displays in his introduction episode, including saving Clark's life when he gets trapped in a kryptonite-filled truck that's on fire. Also there's Jason Teague, and I'm not sure if the fact that he was supposed to be in more than one season caused the writers to rush his storyline or if I just keep getting distracted by looking for Sam Winchester everytime he appears on the screen. Either way he starts out as a decent, even sweet person, despite unfortunately being yet another love interest for Lana, and then partway through the season snaps and turns into this mother-devoted psycho trying to get his hands on the stones of power who ends up getting shot, thrown off a cliff, and dragging himself back to the Kents to take them hostage during the second meteor shower. He does do the deranged thing very well, though, especially in the season's finale, and I wish the writers had done a better job with his transformation like they did with Davis. My favorite episode of the season was the moving "Ageless" in which Clark and Lana discover an abandoned newborn who quickly grows into a child and then a teenager. It's both sweetly funny as Clark cares for an infant and then a little child who leaps into his arms and calls him "dad" - if Clark and Lois had a son I think he'd be exactly like Evan - and completely heartbreaking as it's revealed that Evan's genetic quirks will cause his death in a matter of hours. As sad as it was I liked that they didn't do a last minute rescue and instead had Clark just stay with him in the end, since Clark can't save everybody and it was more powerful that way. I also loved "Blank", a fascinating episode with a unique and sympathetic antagonist featuring Clark losing his memory and Chloe attempting to teach him about his powers. Then I finished season five which starts the shift from Smallville to Metropolis as the town picks up the pieces following the second meteor shower while Clark adjusts to a human life without his powers. Chloe and Clark have a wonderfully deep friendship this season, with Clark finally learning Chloe knows his secret, even if it makes me slightly sad to think how Clark will end up treating her before long. In one episode someone refers to them as "Nancy Drew and Hardy Boy" which put all sorts of happy ideas into my mind of an updated, grown up version of the books with both of them and reminded me of how I used to ship Clark/Chloe in the first season. It's also Jonathan's last season, and even though I was prepared for how sad it would be his death hurt to watch. I suppose it was the most powerful choice to have Jonathan be the one to die for Clark, but I wish he'd been in at least a season or more beyond this because Clark was so much more of a hero when he was around. "Exposed" was offbeat and fun with Lois and Clark's awkwardly hilarious relationship and Tom Wopat guest starring as an old friend of Jonathan's. There were all these nods to The Dukes Of Hazzard and I kept giggling when Jack slid in through the window. I loved "Aqua" and wish AC had been in more of the series instead of just a few episodes. He's a perfect contrast to Clark and so much like Mark Harris that I kept grinning through the whole episode. "Mercy", a spooky episode in which Lionel and Martha become trapped in a bitter man's twisted games, gave me a new appreciation for Lionel and cast him in an entirely different light than I've thought of him in before. I also liked "Fragile", a perfect blend of sweet and scary as the Kents take in Maddie, a little girl who can manipulate and explode glass and is unable to control her power when she becomes upset. Clark's interactions with her were adorable and made me wish Clark had a younger sibling on the series. "Lexmas" was my favorite, a heartwrenching Christmas episode in which a badly wounded Lex gets a chance to see the path his life could take depending on his choices where he finds himself having left his fortune, married to Lana, raising two children, and close friends with Chloe and the Kents. The ending was heartbreaking, and I wish the writers had gone with that storyline, even if only in the parallel world, since as much as I usually dislike Lana she's strangely good when paired with Lex, and Lex makes a surprisingly sweet father. Now I'm on season two which includes the fantastic and unique "Nocturne" about a teenager locked in a basement because exposure to sunlight turns him into a vicious killer, and the heartbreaking "Ryan" which shows just how kind and good Lex could be before he was completely corrupted. His interactions and comic book discussions with Ryan are beautiful, and poignant, especially when they talk about the issue in which the hero and his friend turn against each other. Also I love how Lex can have anything at his command from the restraining order that keeps Ryan with the Kents to the best doctors in the world, basically the same role Oliver will later fill. I never saw them as a parallel before but it makes sense: both Lex and Oliver have wealth, power, family issues, a shaky friendship with Clark, and a dark side, but while Lex's eventually destroys him and everyone around him, Oliver is able to overcome his and become better for it. The offbeat "Skinwalker" has Clark foretold by American Indian cave paintings and legends while weaving in skinwalkers and another hint to Clark and Lex's future. My favorite story of the season is "Lineage", a gorgeous and touching episode in which everyone searches for the truth about their past: Lana to find a mysterious man in a photograph of her mother, Clark to elude a woman who believes he's the son she gave up for adoption in infancy, Lex to discover whether Clark is Lionel's son by his mother's nurse, and even Chloe, coming to terms with her mother abandoning her. Sadly, it has the first rift between Clark and Chloe as he hurts her by saying things about her mother and then stumbles over an apology while Chloe, of course, forgives him. I wish she'd just once told him off, because it might have helped Clark stay who he was at the beginning before he became an alien angsty antihero. On the bright side, though, the child who played little!Clark was precious! He looked like a little angel with that smile; the scene where he touches little!Lex's cheek broke my heart, and there's something incredibly heartwrenching about Jonathan being the one to find and save little!Lex, launching the entire story. I wish there was a full episode with toddler!Clark using his powers and growing up with the Kents. The storyline of Lucas continues strangely with "Prodigal" in which Lex discovers him alive and brings him back. Lucas is somewhat annoying and abrasive, so different from Lex's later "brother" Grant, who had so much potential and was sadly never fully explored by the writers who wrote him out much too quickly. The episode does provide some interesting insight into the sort of person Lex would be if he'd grown up with the Kents when he's forced to stay with them for a few days. Whitney finally gets a conclusion in "Visage", and despite the fact that he dies a hero, trying to save another soldier's life, it left me saddened, probably because he was my second favorite, after Chloe, in season one. Whitney was never fairly treated by anyone in Smallville, and didn't deserve either his ultimate fate or having someone impersonate him and destroy his character. It's not easy being Jimmy. Across season eight he gets elaborately lied to by Clark, forced to play a psychopath's game, has a heart attack, gets attacked by a shadow creature, is ripped to shreds by Doomsday in the middle of his wedding, witnesses a murder, breaks Chloe's heart and his own, becomes a drug addict, is beaten up, and ultimately is killed leaving Chloe's and Oliver's lives shattered. So while Smallville's Jimmy isn't my favorite version by any stretch I can't help but feel a little sorry for him. But I love Davis because he's the most tragic person in the series, an EMT who saves countless lives and is lost from the start no matter how hard he tries to fight his other half, and Chloe tries so hard to save him and can't. The most heartbreaking part of the season is after he tries to kill himself when she keeps him in her basement and stays near him because her presence keeps him from transforming. His backstory with the Luthers in "Eternal" is emotionally devastating, and thought-provoking. I'd love to see a parallel world where the Kents found and raised Davis as well. Lana unfortunately showed back up but does manage to redeem herself by having a final episode that even I found somewhat sad as she turns into walking kryptonite and is forced to leave Clark. Not that I'm not a little glad, though, because I'm getting used to Lois and she's completely wonderful compared to Lana. On the bright side watching the seasons out of order means seeing everything in the light of what will happen including Oliver trying to keep Chloe safe in "Beast" and "Hex"'s early hints of what will eventually spark Oliver and Chloe's relationship. They're beautiful together, perfectly matched and at ease with each other, and to be honest there's more chemistry between them in two platonic scenes than in a whole season of Jimmy/Chloe episodes. It's already obvious what a tragedy it would have been if Clark had let Chloe use the Legion Ring to go back and save Jimmy like this. Both of them are starting to lose control of their lives: Chloe questioning her career and relationships and Oliver beginning on his downward spiral with revenge against Lex and far too many drinks. But things aren't as dark as they'll become and there's treats like the fantastic "Toxic" which shows Oliver's past with the origins of Green Arrow and his first meeting with Tess or "Turbulence" where Clark reveals his identity leading to fan clubs, screaming teenagers, and being arrested before he undoes the day with the Legion Ring. Speaking of "Legion" I really liked Cosmic Boy, a superhero I have no familiarity with. One of my favorite things about the series is how many superheroes they manage to include, many of whom I've never heard of. As much as I like Clark with his parents, season eight for me is where Smallville became amazing, removing the people I disliked and bringing together everyone I love as well as the beloved backdrop of the Daily Planet. The season finale "Doomsday" was one of the most heartwrenching episodes I've seen of anything beginning with the poignant scene of Chloe and Davis stargazing and ending with Davis's tragic turn into madness, his and Jimmy's deaths, and Clark turning his back on everyone. I wanted so much for them to be able to save Davis and my heart broke when he said there was nothing left of him to save. I sobbed when Oliver stood apart from the others with a tear rolling down his face and when Chloe gave little Jimmy his brother's camera and told him to carry on in his footsteps. Season seven was good but there was far too much Lana and barely any Oliver. I'm finished with six now and it was perfect, even if it's sad to see the last glimpses of innocent and dorky farmboy!Clark until "Fortune". Apart from his absurd jealousy of every guy who looks at Chloe, I've finally gotten used to Jimmy, and Lois, too, even if I may still shake my head at her from time to time. I think if the writers hadn't tried to ship Jimmy/Chloe or made Clark into a mess every time he falls in love with a girl I could have accepted the two much earlier. Still, whether or not the writers planned it that way the canon ships are already obvious, with Clark/Lois and Oliver/Chloe feeling so right. Also Jimmy/Lois have strangely good chemistry which is a pairing I've never thought of before, and I'm slightly disturbed to find myself shipping Lex/Lana. Partway into the season Oliver, smart-alecky, frequently shirtless, and brilliantly golden-haired, shows up and the series is never the same again, jumping from fairly good to superb and stealing my heart in one scene of him dressed as Robin Hood, and his first meeting with Chloe where she refers to him as "wow" is adorable. Chloe shines this season in "Freak", an offbeat story of a blind teenager whose ability to identify the meteor-infected exposes Chloe's own infection, and the heartbreaking "Progeny" in which Chloe's mother, committed when Chloe was a child, escapes from 33.1 and reveals her ability to control those around her. "Labyrinth", a complex and twisting episode, has Clark awakening in a hospital to be told that his life is the product of his mental illness and Chloe as the only one who believes in him, and "Justice" featuring Oliver starting up the Justice League is fantastic. "Reunion", an unusual and excellent glimpse into the past, is about Oliver and Lex's school years where Lex was already a disturbed and lonely child and Oliver was a popular troublemaker who bullied him, the two of them bound by the tragedy surrounding a classmate. I guessed at the twist but it was still an incredible episode, and I loved the contrast between the two: Lex growing more evil and Oliver changing for the good and even apologizing to Lex in the end. I wasn't sold on the boy who played young Oliver at first but his amazing way at capturing adult Oliver's expressions and way of speaking blew me away, as did the look on his face during the accident. This series's casting never fails to impress me. My favorite episode of the season was "Noir", an outrageously fun adventure of Jimmy and Chloe investigating Lana's shooting that results in Jimmy getting hit over the head and dreaming he's in 1940. There Lionel and Lex run a speakeasy, Lois is a singer in love with Lex, Lana is a femme fatale who hires Jimmy and is plotting Lex's murder, Clark leads a double life as a geeky reporter and a cop complete with a superman logo-shaped badge, and Jimmy is a freelance detective. The old parts were beautiful in black and white with sliding frame changes, and I loved the whole feel of the episode. Both the dream sequence and the current mystery parts made me wish for a grownup Nancy Drew series with Allison Mack; she's reminded me of Nancy since the beginning and would be perfect in the role.

I'm finishing up season four of The Streets Of San Francisco, and Steve and Mike's friendship keeps getting more adorable. There's this moment in "Solitaire" that had me giggling when Steve is in the hospital joking around about Mike's temporary partner and Mike leans over and taps him on the nose before he leaves. Karl Malden and Michael Douglas's friendship comes through their characters so much and it's perfect. In the same vein of mystery/cop/detective series, I've been watching Peter Gunn on MeTV's Saturday Night Noir and it's a quirky show, almost a radio drama with images, with an amazing theme and unintentionally hilarious fight scenes. Peter has nothing of a past, and after a handful of episodes I still know nothing about him, but I enjoy his banter with the wonderful Lt. Jacoby and the way his mind works. MeTV has also picked up Mr. Lucky and I'm loving getting to see it again, both for the atmosphere of humor and breezy noir as well as Andamo, played with great relish by Ross Martin who's not only in his element as the South American-accented revolutionary who throws himself into trouble, but looks like he's having the time of his life. As much as I adore Artemus, Andamo is special and never fails to make me smile. I'm also working my way through Naked City each week, up to "Torment Him Much And Hold Him Long" and I'm beginning to think Robert Duvall should have been a regular in the show. He's incredible and a guest star so much that they could have just picked one and had him be there always. Personally, I would have chosen Johnny from "Five Cranks For Winter, Ten Cranks For Spring" because he's a sweet but fully imagined character, and I love him dearly, as well as that being my favorite episode. I love Adam, too; he's fascinating and the most human cop I've seen in any series. He's far from perfect, relies too much on his heart above his head, fails often, and isn't too proud to get his hands dirty when he has to. The last episode had him even practically begging for his life when someone is holding his own gun on him, and Paul Burke did a superb job with the scene, putting just the faintest quiver into his voice when he mentions the hair trigger on his gun, and looking vulnerable in every movement while still attempting to maintain control.

I watched the Doctor Who movie again and it was surprisingly good, even with snake!Master, making me wistful for the lack of more episodes of that era. Eight is a wonderful Doctor, my second favorite, delightfully quirky and childlike one moment while heartbreakingly alone and lost the next, half human and lovable, and I adore the steampunk style of his clothes and TARDIS. I like how intuitive he is to the future of everyone he meets, and how even after all the Master has done to him and the people he cares about he still tries to save the Master in the end. Grace was a fun companion, a good match for him, and a cute romantic pairing. There were so many moments that made me smile, from the Doctor reading The Time Machine to his "perfectly fitting" shoes to him pounding on the TARDIS, all complete with a '90s vibe and a perfect mix of British and American culture with touches from his past selves to tie it all together, and reminds me of the fun elements I miss so much in newer seasons.

I discovered Robin Of Sherwood this week and am loving it so far. I've loved the book Robin Hood as long as I can remember and became obsessed with the legends after reading King Raven, but have never found a film/tv version that felt right until now. Robin has this unearthly, changeling-like quality to him that's perfect for a man of myth, Much is sweetly adorable, Friar Tuck and Little John are suited for their roles, and Will Scarlet, despite not quite matching what I picture, simmers with the fury of his tragic past as he should. Marian is finally a good image of how I picture her, sweet, lovely, yet able to stand by Robin's side during the worst of times. Sherwood is gorgeous, beautifully green and lush, and the villages and castle are exactly as they should be, definitely the most realistic concept of the world of the book. I was looking forward to the archery contest and wasn't disappointed: Robin was disguised as an old man unlike most versions and, which delighted me to no end, he actually split the arrow instead of just hitting the target in the center. There's this quiet magical feel to the series, too, with the hunter in the forest, the mists across the water, the arrow stolen at Stonehenge, and the sorcerer who can wound Robin without touching him, and a poignant feel of destiny with Robin's common line "Nothing's forgotten".  

I saw the pilot of Lucan, an unusual '70s series about a feral child discovered in the woods running with a pack of wolves who's brought back and slowly educated, only to find himself drifting in the hope of discovering the truth about his past when his compassionate teacher suddenly dies. Lucan is a curious but sweet mix of naive human and wary animal, with his wolf characteristics appearing in startling bursts before vanishing under perfectly human mannerisms, and, while he seems a little too ordinary at times, he's an interesting and unique lead. I love the style of the series and pretty theme, too.

MeTV's showcase was The Lone Ranger which was a treat since I hadn't seen it in years. I love Reid and Tonto's friendship, and it's sweet to think it carried over to real life to some extent. I've always adored Clayton Moore and how he took the role to heart, and it was odd to see John Hart's version in one of the episodes: a somewhat colder and harder-edged loner compared to Clayton Moore's soft, almost gentle style that endeared me instantly. The last episode was a happy surprise in color, letting me see his lovely blue costume. The station has also picked up Bewitched which I haven't seen since I was a child and I'm loving it again. I want a crossover between Bewitched and Tucker's Witch that makes Samantha and Amanda related...cousins, maybe. Both series have so much in common and it would awesome to have the people from both team up. 

I've been watching the super addictive Andy Williams Show this week and it's wonderful. I've loved Andy Williams since longer than I can remember and collected every song of his I could so it's a real treat to finally see his tv series. As I expected I love his singing; there's something magical about watching "Moon River" that goes beyond the nostalgic yearnings I get when I hear it, and I look forward to each song to see which he'll sing. The comedy sketches are hilarious, especially when Andy gets thrown through a wall by a lovesick, loudly singing girl and the later sketch with her as an opera singer who causes everything in earshot to fall over; and the guests, with the Kingston Trio among many familiar faces, always make me give these loud shrieks of happiness when they're announced.

I seem to have found the bad apple in my quest to see all things Camelot: the 1981 film Excalibur which veers between the surprisingly superb and the shockingly dreadful enough to give me whiplash. On the good side it's the first version I've found that finally includes Sir Ector and Kay taking Arthur to the tournament and Arthur, failing to find Kay's stolen sword, impulsively pulls the sword from the stone. I've always found Arthur's adoptive father and brother and his relationship with them to be fascinating and sadly overlooked so it was a treat to see a little of it here. The epic quest to save the dying and barren Camelot and it's king was superbly done, with a horror-tinged feel as knight after knight is horribly sacrificed along the way and the people, dressed in rags against a dark background, reach out to the knight in bright silver armor as he rides by without stopping. Lancelot, always my focus in any Arthurian adaptation, had the looks to measure up but a somewhat disappointing take, portraying him as a slightly egotistical man who duels other knights for the fun of it and who, in an unusual and intriguing twist, ends up getting run through by Arthur's sword which, unable to be used for personal gain, breaks. Horrified, Arthur throws it into the water and the Lady of the Lake throws it back to him, whole, as well as bringing Lancelot back to life. On the downside I felt the casting was one of the major problems of the film, as well as the fact that it felt as if the writers were trying too hard to capture the magic of the story while forgetting it's heart. While Perceval is refreshingly well chosen and gives an excellent performance as an almost feral boy Lancelot discovers in the forest who proves to be among the most noble of the knights, and little Morgana does an amazing job with her tiny role, most of the rest either overact - the constantly yelling every line Uther is especially dreadful - or are miscast - Morgana and Guinevere would have been better suited to the other's role and the dark, brooding Arthur would have made a better Gwain than the golden-haired king of legend. On the other note even Lancelot's wistful glances at the queen during and after the wedding can't create any believability to Lancelot and Guinevere's love story, and Gwain's complex story from Lancelot's closest friend to bitterest enemy is reduced to a brief enchantment that leads to Lancelot killing him in a duel. Following that was Sword Of Lancelot, a fascinating take on the legends which is notable for being the only version I've seen to have Lancelot be French, lovely accent and all. Cornel Wilde makes an excellent Lancelot, my second favorite so far, capturing both his dangerous yet noble side as well as the charming and playful edge that makes it impossible to not fall for him as Guinevere does, and their interactions from a funny comment about "magical" soap to a Latin lesson in the sand with his sword are perfectly done, as well as Lancelot's dramatic rescue of her from the burning pyre. It's nice to finally have a fair, golden-haired Guinevere, Merlin as the adviser at the Round Table, Arthur being the right mix of just kindness and hard justice, sending Guinevere to her death and then weeping over his laws, and Lancelot and Gawain's friendship to Lancelot killing Gawain's brother in his escape, turning Gawain against him before they make amends, just as everything should be. The film has the unusual twist of having Arthur die while Mordred survives to take over Camelot, forcing Lancelot out of exile in France to return to battle Mordred and save it, and ends with the heartbreaking scene I've always hoped to see in a version: Lancelot's return to Guinevere in which she chooses to remain at the convent. Then I saw Guinevere, the most unique version of the legends I've come across, and I adored it's idea of Guinevere and Lancelot having grown up together, as well as Guinevere meeting Arthur and not knowing his name when he's a young man who comes to her father's aid during a battle. Lancelot was perfect and I loved that he left Guinevere a rose at the end, Guinevere unusually fully imagined and strong, even willing to trade her life for Arthur's and personally kill her enemies, but Arthur was strangely weak-willed and there was no true love between Arthur and Guinevere. Unfortunately the film has an abrupt ending that leaves countless threads hanging, never resolving what happened to Lancelot after his heartbreaking disappearance, or whether Guinevere ever told Arthur about their daughter or found the child back. Last was Merlin's Apprentice and I liked Jack, the hilarious and awkwardly magical thief and student of Merlin who's the key to finding the lost Grail that can save Camelot. It was a beautiful miniseries with the right blend of humor and tragedy with an unexpected twist, and I especially loved the moments of Merlin with little Arthur, the haunting scene at the end of part one as the people flee the crumbling bridge away from Camelot where the past flashes in front of Merlin's and Jack's eyes with slow motion photography followed by the screen going dark, and the adorable ending.

In other new movies I saw Spartacus which was stunning. Kirk Douglas was excellent in the title role and the direction was breathtaking. Next was a re-watch of the always amazing Spellbound followed by Journey To the Center of the Earth and its sequel which were incredibly fun and random. Next was the gorgeous southern gothic Night of the Hunter, one of the most stunning films I've seen with its beautiful and strange photography and plot. Along the same lines was the beautifully haunting The Innocents with its ghost story and poignant feel. Next was Key Largo, the loveliest role I've ever seen Humphrey Bogart in, and he and Lauren Bacall lit up the screen. Next was the fun and very Hitchcock but better than him adventure Charade which kept me entertained. Next was the creepy but fascinating original Invasion of the Body Snatchers. Next was the odd but excellent Sunset Boulevard.
 
 
calliope tune: "Suspicion"-Terry Stafford
feeling: amused
 
 
Kathleen
11 May 2012 @ 10:52 pm
Title: Night and Day
Fandom: Robin Of Sherwood
Summary: Marion reflects on the two sons of Herne and her love for both of them.
Genre: romance, drama
Characters: Marion of Leaford, Robin of Loxley, Robert of Huntingdon, Herne the Hunter
Pairings: Robin/Marion, Robert/Marion
Warnings: set early to mid season three

The fire burned bright in him and for a while it warmed us all. But he's gone and the fire went with him. )
 
 
calliope tune: "They Don't Know"-Tracey Ullman
feeling: surprised