Kathleen
Summer tv has started and I've been finding some new series to fill the gap left by all the cancelled ones. The first is The Whispers, which I figured I'd like since I love Ray Bradbury and Zero Hour was one of the first stories I read by him. It's not quite what I expected - less creepy for one - but I enjoy the '90s sci-fi feel, the premise, and the characters, especially Sean. I'm hoping the writers are borrowing a bit from Ray Bradbury's other stories, too, like Sean's tattoos. The children, especially Henry, are adorable, and I'm looking forward to seeing where the plot will go.

Also new is Humans and it's amazing although complicated so far. I love how many storylines it has going - Niska's and Leo's are my favorites, I adore the relationships - especially Leo and Max, and fascinating characters, as well as the incredible world building and realism.

Dominion has begun season two, which was an incredible surprise since it just barely got renewed. Because of that I'm viewing every episode as a bonus gift, just because I love this show so very much. It's amazing so far, even more impressive than last season. The shift in characters has streamlined the show nicely, and having Alex spending most of his screentime with Noma instead of Claire - I'm starting to ship them since I never did like Alex/Claire - is a welcome and refreshing change. There's also the interesting addition of Pete, an 8ball Alex turns back into a human. He gets some hilarious lines, and he seems like a sweetheart so far. Michael, much to my relief, hasn't changed completely, even if he seems lost and anchorless without Alex and Vega. I am a little worried about the weird cult he's been sucked into, though, and I don't trust Laurel at all. But once it moves past that, there's some amazing new characters, including the evil and demented Julian who makes Gabriel look safe by comparison, and Gates, who is so fabulous he makes the tedious second storyline in Vega interesting. I adore the flashbacks this season, including little Alex with Michael, and the twins, all of which make me emotional. Gabriel and Michael finally get some screentime together and it's beautiful. Best of all, Gabriel gets some layers and explanation for his hatred of humanity with a compelling and heart-breaking series of flashbacks showing him with little David - an absolutely adorable child with those wild curls!. Carl Beukes's acting has improved so much this season, and he's pulling off the mix of emotional, caring past Gabriel and hopeless, lost current day Gabriel beautifully. The writers continue to amaze me by making me learn to love characters I hated last season, mainly Gabriel who seems so broken I just want to protect him, as well as fleshing out characters I was lukewarm on before - Noma, William, and the General, and introducing new, instantly fascinating characters including Gates. Claire's trajectory toward evil might surprisingly turn out for the best as her character has been the weakest and most dismally dull since the beginning, and a dark side could give her the interesting edge she lacks. "House of Sacrifice" was a poignant episode all around with Noma still struggling over the loss of her wings - I'm grateful her relationship with Alex seems in tact at least - Michael playing cards for his life, Vega on the edge of collapse, Clementine killed again, and even David, spiraled into madness, rejected by his son, and awaiting execution, tugged on my emotions. Most heart-breaking was Gates's death. I loved him, and hoped he'd become one of the main characters, but I'm glad he got a hero's death and a final goodbye with Claire at least. Gabriel, taken over by the darkness, has me worried.

The fifth and final season of Hell On Wheels has first half and starts by breaking my heart with Cullen's daydream of his still missing wife and son. But after that it kicks up the pace by moving onto my favorite part of railroad history: the Chinese workers. The new characters are fascinating so far, especially Mei whose odd friendship with Cullen is already my favorite, and I love the change of scenery and focus on the Central Pacific. I was so happy to see Naomi and the baby again, even if only for a few seconds, at the end, and hope, if nothing else, that Cullen finally gets a happy ending with them.

Teen Wolf season five has started and despite how much I miss Derek, I'm loving the plot and how suspenseful and spooky it is, especially with the steampunk doctors and everything being told in flashbacks, even if it makes me very worried for most of the characters. Malia remains adorable; she and Stiles are quite cute together, Kira is awesome with her added powers this season, and Liam, not one of my favorites last season, has grown on me a lot. It also is giving me a new ship in Liam/Hayden, who are adorable and precious. I was a bit disappointed that I guessed wrong on what Parrish was, but excited by hellhound over phoenix which I'd doubted from the beginning.

I've started watching the new series Zoo and I'm enjoying it so far. It's quite different from the usual "end of the world as we know it" storylines most shows are doing, and the characters, especially Jackson, are likeable.

I've finished the fourth and final season of Nikita and it was a delight to see the show return to the feel of the first two seasons. I loved seeing all the sides of Nikita, from fugitive to dark assassin to happily married and freed. Michael and her scenes were beautiful as always, and I was so happy to see them grow close again. As much as I wanted to see their wedding, eloping seemed more their style, and I'm just glad they finally ended up alive and together at last. Birkhoff was as precious as usual, and it was nice to learn his backstory, as well as see a couple lovely moments with Nikita and he. Owen's story arc was beautiful, and I was so happy how he tried to become better again, even if I'll forever miss who he used to be. I was surprisingly okay with him being paired up with Alex in the end, because even if I don't ship it I just wanted him alive and happy which I got. Ryan wasn't one of my favorites but I teared up when Nikita called him family - I do so love their makeshift, thrown-together family - and the final scene of him, as a vision in Nikita's mind, was poignant.

Since I miss the show so much now that it's over I gave a try to the original show, La Femme Nikita, and while it took me a bit to transition to the differences in cast and characterizations, I was suprised how quickly I fell in love with it. Michael is delightfully French, Nikita has an Aussie accent, and Birkhoff is nothing like Birkhoff, and it's wonderful, mostly due to Michael and Nikita's relationship. I adored them from the start in Nikita but they're even better here, since I get to see them from their first meeting.

I discovered the short lived but fabulous show Moonlight and completely fell in love with it. I have a soft spot for "good" vampires and Mick is a sweetheart. My favorite part of the show is his relationship with Beth, though, and their backstory - with Mick saving Beth when she was a small child and then watching over her like a guardian angel as she grows up - instantly made me ship them. The mythology of the vampires is fairly unique, especially regarding how they can be harmed, which keeps it intriguing, and it has almost a retro, late'80s/early'90s feel which I love.

Since I loved Alex O'Loughlin in that show, I gave a try to his medical drama Three Rivers and quite enjoyed it, definitely enough to add it to my list for future watching. His doctor is sweet and appealing, I loved the guest characters, and it's an enjoyable show with a nice blend of touching and poignant.

I finally managed to find Odysseus with English subtitles and I've completely fallen in love with it. It's delightfully French in the best ways, and simply gorgeous and haunting. I love it's unique, poignant take on the characters, and especially how quickly and deeply it makes me grow to care about it's characters: Helen reduced to me to tears in only three short scenes, and Orion fascinates me. The character growth is excellent, too, especially Télémaque who comes so far in just a few episodes. On a shallow note, the scenery, especially the seascapes and beautiful palace, is stunning.

I've fallen in love with Ghost Whisperer. It's poignant hauntings and easy to love characters are right up my alley and all the different ghosts keep the plot fresh. The best thing about it is Jim and Melinda's relationship. I adore them both, and how they support each other, and I love that the show starts right out with them married, avoiding the tangled love triangles that usually doom a show.

I also started Twisted, an offbeat but intriguing mystery series, and while it has it's flaws - Danny is a bit too nice and well-adjusted for a boy who lost his childhood in prison - I can overlook it because it's so unique, and enjoyable. I'm both fond and slightly unnerved by Danny - I still think he's innocent despite the way it's being set up - and I like Jo and her relationship with Danny.

I gave a try to Baby Daddy and despite not being a big fan of comedy I loved it and laughed through most of it. Ben is precious with baby Emma, and I love the quirky other characters.

Also new to me is Haven. I'd been meaning to try it for ages and I loved it instantly. The theme and old style intro, as well as the intriguing "Troubles" grabbed me, and I adore how sweet Nathan is even if he makes my heart hurt and I want to give him a hug. I also ship Nathan/Audrey hard, and love how she's the only one he can feel.

Extant is back with season two, and a bittersweet mix of good and bad ideas. As much as I love seeing Ethan again, much of the character growth and slow-building suspense from season one has been replaced with action and convenient plot twists, as well as a disturbingly alerted cast, leaving the show not even feeling like the same series. First of all I may be one of the few people who actually shipped John/Molly. I liked the glimmer of hope at the season finale that the two were growing closer and working out their problems. And John was such a sweetheart, trying to keep his family together against all odds. For reasons unknown the writers decided to throw a not even hinted at affair into the works - with Julie, the one character the show would have greatly benefited from to kill off - and then turned Julie evil; as if she wasn't grating enough already. Then, in the show's greatest tragedy, after a fight, the loss of Ethan, and Molly refusing to answer his call to hear his final apology, John gets violently and horribly killed off, and not even the show runner's vague comments about whether or not he's truly dead can make me feel better. In other character changes, Sean, who I liked, is inexplicably dead for seemingly no reason, and half of the other characters are not even mentioned. And I'm probably against him from the start since I dislike the actor, but I don't like the new guy at all, even if he becomes more tolerable after episode one. However, there are a few good points left. Ethan remains as precious as always, and the details, such as the self-driving cars and police tape, are as delightful as last season, while the ethical dilemmas regarding the humanoids become more troubling. I'm most intrigued by Molly's strange new powers, though, and how she'll use them. The finale was stunning, bringing out the best in all the characters and folding everything up enough that whether or not it continues, I'm content. I grew to love JD across the season, and even enjoy him with Molly, quite a surprise considering how much I hated him at the start, and I was relieved that he survived his wound, and loved Molly saving him. Charlie who I enjoyed last season and came to adore this one, turned out to be quite the hero, and I loved that he and Julie survived and seem to have found each other. Ethan was precious as usual, and I was so happy John's firewall saved him. Lucy's change of heart was a poignant surprise, as was the kindness of JD's ex-wife. Most intriguing was the "TAALOR" figure at the end who, from the back at least, strongly resembles John.

I started watching and love The Wonder Years, a show I've meant to check out for a while. The nostalgic '60s setting and realistic characters sucked me in instantly, and I adore Kevin's often hilarious and relatable narration.

I also started Rookie Blue and it's fantastic so far, very much like the '70s police dramas I grew up with and love. The characters are very likeable, especially Dov, and I can relate quite a bit to Andy. I've also found an otp in Sam/Andy. I adore Sam, and the way they met, with her tackling him and arresting him while he's undercover, was right up my shipping alley. I teared up when he's shot and she's trying to keep him alive in the ambulance, especially with the forehead kiss - my ultimate shipping weakness. And I love Boo. It's definitely a show I want to watch from start to finish at some point.

I gave a try to Da Vinci's Demons and was quite impressed. It's a gorgeously filmed series with just enough fantasy to enhance the already interesting history, and the actors seem well cast, with intriguing characters and fantastic world building and details.

The new season of Dragons: Race To The Edge is on and happily it seems to be set before the second movie, so Stoick is still alive. As usual the kids antics are my favorites and I adore the twins (with their pet chicken now!), and Fishlegs's episodes best, while Toothless remains adorable. The new dragons are a lot of fun, and I like the new islands, especially the one the kids have claimed as their own.

I found a few more Sechs auf einen Streich with subtitles and I've been working my way though them. They're all lovely, even the slower ones, and one of my favorites so far is Sechse Kommen Durch Die Ganze Welt, a fairytale I'm not familiar with. It was adorable and very entertaining, though, and I've loved the characters, their relationships with each other, and how they managed to constantly fool the king and win in the end. My absolute favorite, though, is Die Kleine Meerjungfrau, which manages to make an unusually happy ending for everyone without changing much of the original story. I loved the Prince, and even Anneline was an uniquely sympathetic character for a change. I also loved Jorinde und Joringel, a sweet love story with likeable characters, and adored the final twist when Joringel gave up his youth for Jorinde, and then she, giving up her's, made them both young again. Next was the lovely Die Prinzessin auf der Erbse. I adored the clever take on the fairytale, and the characters, especially the Prince, were adorable. Next was Die Zertanzten Schuhe, a flawless adaptation of my very favorite fairytale. I adored the main character and his quiet attempts to make the Princess love him, and the magic world was depicted exactly as I'd imagined. I also loved that the other sisters got their princes and happiness in the end, too. Next was Vom Fischer Und Seiner Frau, based on one of my favorite fairytales, and I adored it, so much so it might be my new favorite of the series. I loved how kind Hein remained, and how through it all he only wanted his wife and old life back. The happier than the original tale ending was delightful, too. Next was Dornröschen. I loved Fynn - possibly the most adorable prince of any version - and was intrigued by the story making him the third in a line that had tried and failed to rescue the princess.

I've also gotten to see a couple more of the Märchenperlen series, including their version of Aschenputtel, and it was both lovely and very unique. As taken aback as I originally was by the fact that Marie's father not only doesn't die but participates in the way she's treated, it ultimately made the story more poignant, and added a new explanation as to why she fell for the prince so quickly, as he would have been the first person who'd showed her kindness since her mother died. I loved how much the film had them interacting before the ball, Leonhard's friendship with Peter and his cousins, and how he wasn't a wealthy, powerful prince like most versions. I also adored the scene where he saves Marie from the fire and carries her off on his horse, and having her family become servants was the most fitting ending I've seen yet. My favorite so far, though, is the gorgeous Die Schöne Und Das Biest, a beautiful and unusual version of the story. I love watching the Beast change - his song with Elsa is lovely - and Elsa is a likeable Beauty, escaping the more annoying aspects of the way the character is portrayed. The dialogue is stunning, including a poignant scene where the Beast and Elsa talk about her mother, and the scene where the Beast turns into the Prince. I loved the servants, too, and stripping away the more magical elements while changing the rose into a whole bush of roses enhanced the story greatly.

In other fairytale films, I saw the stunning miniseries La Bella e la Bestia, the oddest and most beautiful version of the story I've seen. Leon, despite being fully human, was the most Beast-like of any character I've seen, a tormented and deeply troubled man with a flicker of goodness still inside. The backstory of his wife, and the new character of his scheming cousin were fascinating additions, and I loved the side characters, especially the kindly Armand, and the servants. Next was Descendants and despite my early reservations about the somewhat silly premise, it was completely delightful and creative. I loved the main four - their personalities and costumes were spot on - as well as the "good" characters, and their parents were hilariously over the top and fabulous. I didn't even mind the singing and loved a couple of the songs, and the conclusion was adorable. I also saw the Asylum's Sleeping Beauty - as corny as their films are their unusual, strange takes on stories give me so many plotbunnies - and I loved so many of the ideas of it, from the zombies guarding the castle to the Phillip being a brave whipping boy instead of the prince, a cowardly prince siding with Maleficent, his kiss waking her after others fail because they weren't pure of heart, and Aurora kissing him back to life after Maleficent kills him.

I've been working my way through Charlie Chaplin's filmography so far, finding some treasures along the way such as the hilarious and creative One A. M.. I couldn't stop laughing through the bed scene, but there were so many funny moments packed into such a short show. It's also been interesting to watch his character of the Little Tramp slowly evolve from the start when he was a more violent, mean-spirited character to growing into a kinder, gentler, and usually heart-broken hobo. My favorite so far is the adorable The Vagabond, a unique story in which he plays violin, falls in love with a girl, and unusually actually gets her and a happy ending. I loved every minute, especially it's blend of comedy and sadness.

In other new films I watched The Scorpion King 4: Quest for Power and loved it. I adore this goofy set of movies so much, and this was my favorite so far, a perfect blend of humor and zany adventure like they used to make and I've missed so much. I enjoyed the new cast a lot, even the bad guys, and the steampunk and science instead of so much supernatural was delightful. I'm slowly trying to watch more '80s movies and tonight was The Terminator which I surprisingly loved. The premise was both fun and poignant, and the bittersweetness of Kyle and Sarah's relationship broke my heart, as much as loved the twist of Kyle being John's father. The special effects were quite impressive, and I loved Kyle, such a sad yet sweet character, and wished he'd gotten to live. Next was the beautiful Charlie St. Cloud which I cried through most of, but adored completely. Charlie was a loveable character, and his ability to see ghosts as well as his striving to find the reason for his survival was poignant. I loved the bittersweet conclusion. Next was Dragonheart 3: The Sorcerer's Curse, my favorite film of the series so far. I loved Gareth and Drago, especially his snark, and their scenes together were adorable, especially when Drago teaches him to jump in and out of shadows. I liked the happier ending of this film, with the dragon living, better, too. Next was the surprisingly excellent Outlander. I adored the reimagining of Beowolf using my ultimate weakness: a mingling of historical fiction and sci-fi with a sympathetic alien protagonist. I loved the characters, the Viking world, and the fascinating glimpses of the other worlds in space. The ending was beautiful and perfect. Next was The Jacket, a haunting, sometimes difficult to watch, and yet strangely beautiful movie. Jack and his relationship with Jackie broke my heart, and I loved the strange twists and turns of their meetings, as well as the somewhat cryptic ending (I like to think Jack survived in that time and stayed with her). That he was able to truly strange time was a fascinating, rare twist for a time travel film, and I loved the fitting theme at the end.

In new animated films I saw Minions and I loved every minute of it. The Minions are some of my favorite characters to emerge from recent animation, and the trio, especially dear little Bob and his teddy bear, were precious. Scarlet Overkill and her boyfriend were over the top and hilarious, and the opening sequence was flawless. I loved how the ending tied everything together with little Gru meeting the Minions.

I stumbled across the lovely miniseries The 10th Kingdom and fell in love with it's combination of zany twists on fairytales and cheesy, adorable romance. I miss that silliness and light-hearted touch shows had up until the past decade or so, and it's always a treat to revisit that era through something I've never seen. Wolf was flawless - the actor outdid himself - and I could relate a great deal to Virginia, even if I wanted to shake her a few times. But I loved their romance and how they ended up finding their own happily ever after. I also loved the non-traditional but beautiful portrayal of Snow White, and the fantastic world-building.

I also saw the miniseries Tut and while it didn't quite measure up to my expectations, I still loved it and I'm just so thrilled to finally have a drama about one of my favorite historical loves. Avan Jogia was perfect as Tut, slowly growing into the role and getting better by each part. His growth from sheltered boy to flawed king was fascinating to watch, and I grew very attached to him, so much so that even though I knew it was coming, I still teared up at the ending. The General and Ay were complex villains, Ka was deeply tragic - it was nice to see Peter Gadiot's pretty face again - and I was saddened by how the film destroyed the relationship between Tut and Ankhe in favor of more drama, but I loved their reconciliation at the ending. I seem to be in the minority on Suhad, though, who found her character overwhelmingly naive to the point of annoying, and couldn't see what Tut saw in her. But the filming was gorgeous, and several scenes deeply poignant, especially the haunting ending.
 
 
calliope tune: "Even The Nights Are Better"-Air Supply
feeling: devious
 
 
Kathleen
I discovered the amazing 1994 miniseries The Stand and have slowly been working my way through it. I love the slow pace, the dystopian yet hopeful world, the themes of good vs. evil, and the wonderfully diverse characters, especially Nick - I'm still broken over his death and Tom. Stu is my favorite, and I love how he's just an ordinary man, nothing special or chosen like the worn out trope nowadays, and yet such a good, decent guy you can't help loving him. He had me worried quite a bit near the end but I'm so happy he pulled through and got his happy ending with Frannie and the baby.

I also saw the Polish miniseries version of Quo Vadis and while the start took me a bit to catch my interest I grew to love it. The characters were all intriguing and the film had a realistic edge to the historical details. I loved how Marcus changed over the story and grew into a kind, decent person, and I was happy to see Lygia and he get their happy ending.

I went to see the new Cinderella in theatres and it was absolutely beautiful. As much as I enjoy re-imagined fairytales, there's nothing as flawless as the true story told faithfully. The actors were all perfect, and I adored Cinderella, Kit, the Captain, and all the wonderful animals, especially the dear little mice. The Fairy Godmother was delightful, and the special effects were stunning, the perfect balance of real and CGI, and the costumes, especially the dress for the ball were breathtaking. I loved the gentle added touches like Kit and his father and the Stepmother discovering the glass slipper, and the ending was beyond wonderful.

I've heard about The Matrix since it was popular when I was a kid so I finally caved in and watched it. It took a few minutes to grab me but once I did I fell in love with it. As much as I get tired of the main character being "the One", I adored Neo, for his skills, confusion, and incredible fashion sense - I seriously want to steal those coats. I loved his relationship with Trinity, too, and Morpheus with his unwavering faith in him. The action scenes were amazing; I loved the slow motion photography of the bullets and the awesome fight scenes, and I couldn't stop laughing during the scene when Neo goes through the metal detector and shows how many guns he has. Next was The Matrix Reloaded which I enjoyed as much as the first one. I loved the parallels with Neo saving Trinity's life to when she saved his, and Neo's new skills, especially his ability to see all the coding and to fly, were awesome. Last was The Matrix Revolutions, a flawed but poignant finale to the trilogy. I was saddened by Trinity's senseless death, and Neo's ambiguous fate but I loved how the story was tied up in a bittersweet ending, and the last scene, with the Oracle and other characters, was beautiful.

The next Flowers In the Attic movie, If There Be Thorns, aired, and I loved it, far more than the last and a little bit more than the first. I liked seeing Cathy and Chris as adults, hiding their secrets while still deeply in love, even as the tragedy of their pasts continues to impact their children. I liked some resolution and even redemption for their mother in the end, and how Jory accepted and defended his parents after all. The little girl was precious, too. Next was the final movie, Seeds Of Yesterday which crushed me. I liked that the second generation was finally able to break free of the past and find their happy endings, especially Jory who more than deserved it, but I secretly wanted Bart to get what he deserved. Cathy and Chris made my heart ache, and it broke me that they weren't able to be happy in the end, with Chris's death, and Cathy never free of the shadow of the attic. The comments about yellow and the flowers were poignant, and the ending with Cathy finally seeing the paper flowers made me tear up.

Out of curiosity I gave a try to one of the older Anne Of Green Gables movies, starting with the sequel 1940's Anne Of Windy Poplars and was delighted by it. While it took me a bit to adjust to the new cast, I grew to love the sweet yet spunky version of Anne, the gentle, steady Gilbert, and dear little Betty. I adored that Gilbert and Anne took her in at the ending, and the setting, especially the picnic was beautifully idyllic. I also loved the side characters, like Jabez, and Matey, as well as Katherine and Tony's romance. The story was perfectly done, too, and I loved every minute. After that I went back and watched the 1934 Anne Of Green Gables and while it wasn't as good as the sequel it had some intriguing twists on the story that I enjoyed. I was a bit puzzled by how they switched the backstory and had Gilbert's mother jilt Matthew instead of his father jilting Marilla, but I liked the forbidden romance Anne and Gilbert had, especially the adorable scene where he gives her a locket. Likewise it was strange to have Diana be Rachel's daughter - I suppose the movie, being short, felt it easier to simply combine the characters of Mrs. Berry and Rachel. Gilbert was super adorable, though, even as different as he was, and Anne was even more overly imaginative than usual. I loved the ending, too, especially since they had Matthew live and Marilla accept Gilbert.

In other new films I saw The Lovely Bones which was beautiful and haunting. I adore odd, poignant films and it put a lump in my throat as well as dazzling me with some gorgeous scenery and nostalgia for the '70s. Every character was fascinating and I wanted to spend more time with all of them, but I loved the way the story tied up with a bittersweet, perfect ending. Next was The Kingdom Of Heaven, a gorgeous and often poignant epic. I loved the characters, especially King Baldwin and Balian, and was fascinated by the history I knew very little about. The filming was stunning, and so many scenes made me cry, especially Saladin letting everyone go and then even pausing to right the cross on the altar. Next was Dorian Gray and despite a slow start and straying from the book it ended up being an incredible adaptation. Ben Barnes was stunning as Dorian, capturing the grief, wildness, and insanity of the character while still making me feel sorry for him. I loved the style and effects of the painting, and the filming and scenery was gorgeous. Next was Lorenzo's Oil, a heartbreaking but inspiring story that brought tears to my eyes. I loved the slow pace, gentle, but amazing acting, especially from the little child who played Lorenzo, and the couple's devotion and dedication to trying to save their son. The end was deeply poignant but beautiful. Next was the heartbreaking and thought-provoking My Sister's Keeper which explored a difficult concept and featured stunning acting and realistic characters. I cried so much throughout but the ending was beautifully poignant and moving. Next was the strange and gorgeous La Jetée. I could clearly see the inspiration for my beloved 12 Monkeys, and the style, all in still photographs, was surprisingly non-off-putting, with the narration and images drawing me in instantly and keeping me fascinated to the end. I loved the stark feel of the story, the commentary on small details and sensations, and the poignant ending. After that I saw the beautiful and poignant I Am Sam. The actors, especially little Dakota Fanning, were amazing, and the characters stole my heart. It made me cry and laugh throughout and I loved the ending. Next was the beautiful and heartbreaking La Rafle. I sobbed at the ending and throughout, and was deeply moved by the story.

I'd always meant to see a Rudolph Valentino movie and I finally watched a few of his films this week, starting with The Sheik. While it was a bit over the top I loved the adventure of the plot, and the setting, as well as the characters. He isn't the best silent film actor but he's likeable and his films are very enjoyable.

In new animated films I saw The Lego Movie which was surprisingly good and hilarious, especially Batman's song and line about "only working in black". I loved how it didn't take itself seriously, and the concept was creative and a lot of fun.

I've spent the past week watching the new series Daredevil and it's been a treat, to finally have my superhero get such a good adaptation. I adore the characters, especially Matt, Foggy, and Claire, and Ben and Elena's deaths broke my heart. The writing was amazing, reminded me of all that's missing in most shows of the genre, and I loved that Matt never killed anyone. There were so many beautiful touches: the theme and intro, Matt's Catholic past and conversations with his priest, Karen's realistic reaction to killing someone, and Matt's fiery image of the world.

I've started watching the new Poldark show and it's lovely so far. Aidan Turner pulls off the broody, gothic antihero type nicely, and Demelza is adorable. I'm intrigued by the rivalry and fortunes within the family, as well as the social classes.

Along the same lines, I discovered the glorious Italian romance Elisa Di Rivombrosa and despite my pickiness of period drama I was instantly captivated. The actors and characters grabbed me right away, and the gorgeous setting and lyrical Italian just adds to the feel. Elisa is likeable, and Fabrizio, while not always likeable, is compelling - and on a shallow note has mesmerizing blue eyes - and it's easy to see why they would be drawn to each other and swept off their feet and out of their worlds. The parallels between them and the tragedy of the doctor and his wife make me worried, but I'm intrigued. I also like the other characters, like Fabrizio's mother and dear little neice.

I'm on season two of The Musketeers and despite a bit of a shaky start to the season compared to last, it seems to be finding it's feet. Aramis is taking center stage for the most part, which I don't mind, and I love how he tries to be there for his son, even if he can't be a real father to him. I'm relieved that the Cardinal is gone, but detest his replacement even more than I hated the Cardinal. "Through a Glass Darkly", the best so far, does a perfect job of giving scenes to all the characters, backed against a compelling, nail-biting plot. I'm thrilled D'Artagnan and Constance are back together, and intrigued by the twist in Athos and Milady's relationship. The two part finale, especially "Trial and Punishment" was stunning and the season's best, restoring much of what's been missing since season one. I loved the character growth in the episode, especially Milady saving Aramis and offering to have Athos leave with her, and I liked how their relationship changed even if they're now separated. D'Artagnan saving and marrying Constance made me incredibly happy, even if I'm sad Aramis didn't attend the wedding. I also wish LeMay had survived, since I liked him, and he was so kind to Constance. As sad as it was, I'm grateful the story arc of Aramis and Anne and their son is now resolved, and I'm looking forward to seeing them as the child grows up. Ryan Gage's acting was amazing, as the King is usually a difficult role, and in this episode more than usual. I also liked that they went with the route of Aramis becoming a monk, even though I know it won't last. I'm very intrigued by the war storyline for next season, too.

Onto part two of season four of Once Upon A Time and as much as I miss the last story arc I'm slowly starting to appreciate this one. I love Ursula, especially her backstory, and I loved that she was the first to get her happy ending. My favorite thing is August being back, though, and even if it isn't forever I'm just so happy to have him brightening my screen again, since he was one of the first characters I adored in the show and the one I missed the most. Killian's storyline continues to make me smile and cry, and I've fallen in love with shipping Emma and he - how can I resist when he views her as his happy ending? I'm bitter over what the writers have done to Belle, though, since she seems so OOC, and I hate how they've paired her up with the Knave and destroyed two of my OTPs at once. Rumplestiltskin, even evil, still never fails to break my heart, and I can't help hoping for Belle and he to reunite. "Best Laid Plans" finally reveals the Author, and despite my sadness at it not being August - or even a character we knew - I love the concept of it being a title that passes down (as well as the cute little nod to Walt Disney). August continues to be a treasure, even though his illness worried me, and I love his friendship with Emma. The revelation of Maleficent's daughter wasn't a surprise but it was heartbreaking to see her lose her due to a horrible choice made by Snow and Charming, who continue to corrupt themselves. Rumplestiltskin finally got a scene with Belle, even if she was asleep, and managed to reduce me to tears in only a few lines (I'm still bitter over what she did to him since, even if he was doing something wrong his intentions made sense after all he'd suffered being controlled and losing his son). Onto "Heart Of Gold", and I don't think I've been so disappointed by an ep since the Neverland arc. As much as I loved the glimpse of Oz, there was no need to bring Zelena back. I hated her, hated her storyline, and it was long resolved. She serves no point other than to bring Rumplestiltskin more pain, and provide the writers with the laziest way ever of bringing Robin and Regina back together. Marion deserved better, certainly in regards to the original story, and definitely in regards to Robin himself who the show continues to ruin for me, even if his giving Knave the bottle and deleting Regina from his phone shows that he's improving and slowly becoming a better person. Still Roland remains adorable, and Rumplestiltskin's storyline regarding the damage to his heart from all the evil he's done is intriguing. While "Sympathy for the De Vil" failed to make me feel anything for Cruella and I disliked most of the plot, I liked seeing a better side of the Author and a fascinating 1920s world. Rumplestiltskin and Belle's scene together was heartbreaking, even as wonderful as it was to see them together again, and I'm fascinated by the storyline of Rumplestiltskin's blackening heart. "Lily" was an odd but enjoyable ep, showing Emma's continuing journey to darkness, but it's best scene was Rumplestiltskin and the Knave working together to restore Belle's heart, and Rumplestiltskin giving up Belle to keep her safe and happy. I still hope they can find a way back to each other, but I love that he was willing to leave her alone, instead of harming the Knave. "Operation Mongoose", one of the very best episodes of the series so far, was stunning, giving me what I've longed for but had never hoped would happen: a glimpse into an upside down version of fairytale land. I adored the subtle twists on the characters: Charming's "I'll always find you" even as Snow controls his heart, Snow and Regina's storylines flipped and twisted, and especially Killian, even as a coward with no fighting skills or memory of Emma, dying to save her. I cried when they finally reunited with an adorable hug, and I was so happy Emma finally told him she loved him. I was sad there wasn't a true love's kiss between Belle and Rumplestiltskin, but it thrilled me to hear Belle say she still loves him, and to finally have Rumplestiltskin free of the darkness and the dagger.

I'm on season five of Hercules: the Legendary Journeys and Hercules being separated from Iolaus is killing me. I'm intrigued and heart-broken by the glimpses we get of who Hercules could become without Iolaus - bitter, violent, and dangerous, and even when he starts to care about and help people again, he still seems so different and sad. I enjoy Iolaus II, but he makes me miss Iolaus terribly. But he's very sweet, and I love that he got his happy ending and even found true love. Still the plots are superb this season, and it's great fun to see the show expand it's mythology into other countries, including Celtic and Norse. I especially loved seeing the myth of Baldr come to life. The final episode was beautiful, and I even cried a little when Iolaus learns he can stay alive with Hercules.

I gave a try to Nikita and am quite enjoying it so far. Aaron Stanford is wonderful as Birkhoff, and his friendship with Nikita is adorable. Michael is my favorite, and I ship Nikita and he. I love the gradual growth of his character across season one until he breaks away from Division and joins with Nikita. I'm up to the end of season three now and saddened by the direction the show took. Without the plot of taking down Division the story fails to find its footing and I think it would have been so much better if they'd kept the original storyline all the way to the end since Percy's death would have been the perfect finale. I much preferred Percy as the bad guy with his subtle and creepy manipulation instead of Amanda who comes across as showy, annoying, and over-acting instead of frightening. The worst changes are to the characters, though. Gone is the united, makeshift family of the first two seasons as even the relationships are affected: Nikita and Alex are at each others' throats, and Michael and Nikita have half the scenes together they used to. Michael seems cold and distant, unable to come to terms with the loss of his hand, Sonya, forever annoying, gets far too much screentime, Ryan has gone from a sweetheart to hardened boss, and Nikita is violent, harsh, and much like the people she once fought. Only Birkhoff, the sunshine of the show, seems himself. Sean was never one of my favorites but his death seemed cruel and only to cause Alex, who's already lost too much, more pain. And while the characters come back together by season's end, Owen's storyarc ends tragically when he becomes who he used to be, a hardened killer. I adored Owen, and while it helped that he retains the slightest glimmer of Owen, it's horrible to see him disappear into Sam. Still I'm glad he got so much screentime this season and his snark was the highlight of the episodes.

In other new shows I finally got a chance to see the '60s series It's A Man's World with it's fabulous cast (Randy! Michael Burns! Glenn Corbett! and more), and it was lovely, a gentle and often poignant story.

Also new is The Messengers, and while it's a bit cheesy at times and some of the characters (Vera and Rose) have yet to grow on me, I'm enjoying it. I love Joshua, so far, who seems like a decent, nice guy trying to do the right thing, and Erin and Amy are adorable. Raul is my absolute favorite, and I love his interactions with Erin and Amy. I'm curious as to why only Joshua and Raul's gifts hurt them when the other's, not even Erin's healing, seems to affect her, and looking forward to seeing who the seventh angel will be.

I've started watching IZombie and while it's not perfect I love it's quirky, offbeat humor and loveable characters. Ravi is adorable, Liv is so easy to relate to, and Lowell is a gift that keeps on giving - plus it's wonderful to see Bradley James on my screen again.

Season two of Turn has started and as much as I enjoyed the first season, I'm delighted to see they've fixed the problems that annoyed me before and made it 100% better. Ben is still his adorable, lovely self (and there was even a few scenes of him with his hair down!), Caleb remains flawless, and Abe, free of the dreadful Anna/Abe romance, has finally settled into a somewhat likeable character. I love the greater emphasis on spying, along with some 1700s gadgets, and the interaction between the spies, things that were all very lacking before. Andre's character growth is a treat, and I've learned to enjoy him, and feel deeply for him - his reaction after realizing he's lost Peggy made me tear up. The new character, Benedict Arnold and Peggy, especially, are interesting, and I love how the personal drama has taken a backseat to the war. I'm fascinated and heartbroken by Hewlett's journey from a dreamer to a broken fugitive, and surprised by how much I've grown to love and root for him.

When Calls the Heart has also begun season two, and as happy as I am to see Jack again, I'm a little disappointed by the many changes, especially the costume and hairstyle updates that give a strangely modern feel. I do like seeing more of Elizabeth and Jack's families, though, as well as the effect that the changes, including the new name, will have on the town. I loved DeWitt and Mary's wedding, but miss the other characters, and am sad by how much Elizabeth has changed and become less likeable. The new characters are a mixed bag as well: I despise Charles, and Elizabeth's other sister, am ambivalent toward Julie, enjoy Tom but only when he's with Jack - the brothers give me so many feels - and surprisingly adore Rosemary whose hilarious antics cheer me up. I'm also rooting for her love story, and I hope Abigail ends up with the pastor and ditches her current, dreadful love interest.

I've been keeping up with Olympus and it's promising so far, growing slowly into the type of mythological drama tv hasn't had in many years, a little cheesy, a little dark, and a lot of fun. I like the main character and the mystery regarding the curse on his name, as well as his relationship with the Oracle. I like it's different approach to the myths, as well as the riddle inside the mercenary.

While I'm far from a fan of Agents Of SHIELD, I've been keeping up with it in case there are tie-ins with the rest of MCU, and it's given me at least one treat in the form of Luke Mitchell. It's so lovely to see him again and his character, Lincoln, is great fun with his electric powers.

Officially the last person to do so, I've fallen in love with the short-lived series Firefly and it's brilliant, a perfect fusion of thrown together family, fantastic one-liners, and flawless blend of sci-fi spaceships and western music and gun-twirling. I adore the characters, especially Mal, Simon, and River, and all the relationships are heart-warming, especially Simon and River's.

I finally finished watching the complete series of Tour Of Duty and I'd forgotten how much I loved the show and how it handled complex issues, as well as how human it made it's characters. Anderson remains a sweetheart, Goldman never fails to make me cry - especially the episodes with his father, and Purcell breaks my heart time and again. But in watching the last two seasons for the first time I discovered an unexpected treat in Johnny McKay. He's the sort of character I seem to fall for instantly - cocky, brash, always smiling, and a heart of gold, and I knew I'd adore him the instant he blasted rock and roll out of the speakers of his chopper. He's a delight and has quickly become my favorite character.

The second season of Girl Meets World has started and it's brought with it even more old faces from Boy Meets World, the best of which is Eric. Eric was always my favorite and he's as hilarious and loveable as ever, and it make me so nostalgic and happy to see him again.

I'm working my way through season three of Teen Wolf and it's my favorite so far. The show has finally found it's feet with it's division of screentime between characters, and, as is the case with every supernatural show I enjoy, the more characters who know, the better the show is. Without having to waste time hiding the truth the characters get to work together and the plot flows so much better. I also love the bits of humor this season, and the writing has improved so much. Scott continues to be a sweetheart, Derek is still wonderful and makes me cry (I sobbed at his backstory episode), the adults are fabulous, and I'm learning to love Stiles. Also there's Kira, one of my favorite characters in the show, and after two and a half seasons of annoying Allison drama I love that Scott finally has a sweet, kind girlfriend. I'm also glad it's Allison's final season, but I'm sad it's also Isaac's, since I like him. Braeden is awesome, and I actually like Malia and find her backstory fascinating.

I've started watching the later seasons of ER and completely fallen in love with Luka. It's wonderful to see Goran Visnjic in something else, and I adore Luka's relationship with Abby, and watching as he slowly finds happiness. His backstory breaks my heart, and I sobbed my way through the stunning episode "The Lost", especially when he starts praying.

I've completely fallen in love with the soundtrack of La Légende du Roi Arthur, especially the gorgeous "Auprès d'un Autre" and it's music video.
 
 
feeling: ditzy
calliope tune: "Do You Believe In Magic"-Lovin Spoonful