Kathleen
I'm a bit late posting this, but...

FIND OUT WHAT YOUR PATRONUS IS

Mine is a mink. :D
 
 
feeling: nerdy
calliope tune: "Safety Dance"-Men Without Hats
 
 
 
Kathleen
I went to see Oz the Great and Powerful and it was amazing, the perfect Oz film I've always hoped for. James Franco was absolutely wonderful at the role and I fangirled so much over the 1904 carnival opening, both in awe over the sight of it as well as having it in black and white. The themesong was gorgeous and the opening and closing credits were lovely and old-fashioned. Oz was incredible, with just the right balance of CGI and real things, and I adored the music of the various plants and animals as Oscar sailed down the river as well as the butterfly trees, yellow brick road, and Emerald City. I wish the film had shown something of China Town before it was destroyed since it looked like such a sweet, fairytale place, but China Girl was the cutest thing ever! I loved her father-daughter-like relationship with Oscar and how gentle he was with her, and Finley was hilarious. I suppose I should have picked up on the clues but I was completely surprised when Theodora turned into the Wicked Witch. It seemed incredibly tragic, and I've never thought of the Witch that way before. The battle against the witches was amazing, with steampunk and carnival tricks, and I couldn't stop grinning ear to ear at the ending. I also saw Return To Oz and was pleasantly surprised to find it more sweet than scary, and very much capturing the feel of the books. Dorothy, a child as she should be, has an adorable innocence while still having a lot of spunk, and is quite the good little actress for a first role, and her wonderfully fairytale-like companions, especially the cute Jack Pumpkinhead, my favorite in the books, are fantastic and fit perfectly with Dorothy. Ozma is sweet and lovely, exactly as I imagined, and the special effect of her stepping through the mirror was my favorite among the rest, all very well done. While the Emerald City lies in ruins for much of the film, there's still plenty of magic and wonder in Oz, and I loved the creative and whimsical lunchpail tree as well as the glowing effect of the ruby slippers. Then I watched all of the silent Oz films and His Majesty The Scarecrow of Oz, actually written and directed by L. Frank Baum, was my favorite. Tiny and adorable Violet MacMillan was the perfect Dorothy and despite the film pairing up Pon with the Princess who does nothing except be bewitched and have characters fall in love with her, Dorothy and Pon were too cute together, making me want to rewrite the ending and have Pon/Dorothy be canon. Refreshingly, the Wizard wasn't just a "man behind the curtain" and truly had magic, helping the characters, restoring Pon from his enchantment, and making "preserved witch". There was also a quirky and adorable scene which I loved that had a mermaid swimming with an parasol in her hand.

Despite being the last person on earth to do so, I've finally seen Harry Potter, starting with the first Harry Potter and the Sorcerer's Stone. I instantly fell in love with the world and the characters and the richness of imagination of it all, especially the living paintings and talking telegrams. Everyone and everything is fairytale-like and perfectly fantasy-like, and all fabulous. Then Harry Potter and the Chamber Of Secrets, which while not quite as good as the first, was still fun and clever, even with a somewhat darker feel. I love the friendship between Harry, Ron, and Hermione and it was even more evident in the second film. Then Harry Potter and the Prisoner Of Azkaban and I adored Sirius, definitely my favorite minor character so far, such a wonderful and unusual character, and kind, too. My favorite part was the time travel, always fun and even more so here, and the happy ending for everyone. Next was Harry Potter and the Goblet Of Fire, probably my favorite plot so far, and I loved the concept of the contests, especially the one in the water. Cedric's death was shocking and horrible, and I was actually surprised by how much I loved his character considering I'm not a fan of the actor. Daniel Radcliffe, as well as the others, keeps getting better and better at his role, and even the tiny parts are brilliantly cast. I especially am learning to adore Fred and George, and David Tennant was deliciously wicked as Barty Crouch Jr. Next was Harry Potter and the Order Of The Phoenix, and while loving the character development, I was saddened by the gloomy tone. I hated the new professor, but loved the students forming their own school with Harry as the teacher. Severus Snape became more interesting to me with the glimpses into his past, as well as a surprising look at Harry's father when he was young. I adored the new character, Luna, a lovely mix of sadness and sweetness, as well as her touching friendship with Harry. I sobbed over Sirius's death which felt completely unnecessary and horribly tragic, but cheered when Harry was able to overcome Voldemort's possession. Still there was a lot of fun such as Christmas with the Weasleys, and Fred and George - growing more beloved to me by the film - gleefully destroying the school exams with fireworks and flying broomsticks. Next was Harry Potter and the Half-Blood Prince, and the children are growing up so much, falling in love and everything! While I would have preferred Harry/Hermione or even Harry/Luna, Harry and Ginny are quite cute together, and Hermione and Ron seem sweet enough for now. The Weasleys are as wonderful as ever - I especially love Fred and George's shop - and I was sad when their lovely little house got destroyed. Ron scared to me death in the scene where he nearly gets killed, which made me realize how much I love his character. I was saddened by Dumbledore's death, as much as I half expected it, but I found the concept of the horcruxes fascinating. Then was Harry Potter and the Deathly Hallows part 1 and I loved Bill and Fleur, so sweet and wonderful together. Harry's owl getting killed was too sad, as was George's ear, but I loved the way everyone rallied around to defeat Voldemort and protect Harry from him. I sobbed over poor Dobby, such a wonderful and brave little elf and one of favorite side characters, and it felt like one loss too many. On the fun side of things I loved Hermione's bottomless bag, and Ron/Hermione is growing more on me..they're actually quite adorable together. Last was Harry Potter and the Deathly Hallows part 2, an incredible and powerful finale. The destroying of his horcrux was powerful, showing the emotional effect upon not only Voldemort but Harry as well, and I loved the bits of mercy and closure such as Harry saving Draco from the fire after all he'd done. Snape's death was haunting and deeply sad, even if I could never quite grasp whose side he was on until the end, and I teared up over Lupin and Tonks lying dead side by side with their hands almost touching. Fred's death was the worst, though, since I adored the twins, and I couldn't stop sobbing with Ron when the scene showed him lying there. The flashback of Snape and Lily as children was poignant and deeply sad, but lovely in a bittersweet way, and finally made me understand Snape as well as providing insight into Harry's mother. Snape emerged as a deeply tragic hero, surprising me by how much I grew to love his character in those few short minutes. Harry being the last horcrux was stunning and haunting, as well as neatly tying everything together, and I could feel the weight on him having to go to his death. The epilogue was beautiful, though, very much what I'd hoped for and happily adorable. I loved their children and was impressed by how much older they made everyone look, very believable. All in all I adored the series and am very sad to be finished with it, even if I have rewatches to look forward to. The world was magical, the characters dearly beloved, and the cast were all amazing. Daniel Radcliffe impressed me the most - I was familiar with him and impressed by his performance in the incredible The Woman In Black but otherwise didn't know him - growing from adorable and innocent little boy to amazing young man.

I love and consider M. Night Shyamalan a genius with story and direction and I always adore his films, especially the ones I watched recently. The first was Lady In The Water, a lovely, unusual, and visually gorgeous fairytale with easy to love characters. I loved the mermaid-like air about Story as well as the world within the Cove with all the people's lives. The film was also refreshingly slow-moving and I adored how all the people banded together to help Story return home. I followed that with another one of his films, the unusual and creative Unbreakable. I loved the contrasts between Elijah and David, as well as the fascinating illusions to superheroes and comic books in plot and style. The twists in the plot were quite incredible, too, and the stunning final revelation took my breath away. Next was his chilling but amazing The Sixth Sense. Haley Joel Osment was stunning as the troubled yet deeply insightful little Cole, and my heart bled for him and all he could see and hear when no one else could. The final twist was jaw-dropping and deeply poignant. Last was the spooky but beautiful Signs which gave me everything I love in a sci-fi: aliens, family togetherness, stunning acting, and an amazing string of coincidences that added up in the finale.

I discovered the lovely pairing of Bobby Darin and Sandra Dee who were perfect together with That Funny Feeling, an adorable and gently humorously silly romance. I loved the zaniness of the premise, as well as the happy ending. Then I had to see another film of their's, which turned out to be the cute and in many ways even more adorable If A Man Answers. They were fabulous together, and even played husband and wife instead of love interests, and the plot was just as zany and loveable as the first film.

In other new films I watched the 1980s gorgeous fantasy Starman, mostly because of my love for the spin-off tv series, and was impressed by the beauty of it, such a lovely, moving fairytale. Jeff Bridges was wonderfully sweet and innocent as the alien, and I loved his slow-growing and perfect romance with Jenny. Their moments were the best even as much as I loved the story, and I adored when he showed her the star that was his world and told her what their son will be like, definitely my favorite scene. The theme was lovely, too, very fitting. Then I saw the adorable The Water Horse, an incredibly cute and poignant fantasy. Crusoe was precious, and Angus was a wonderful character, as were all the others, especially Mobley, each richly detailed and easy to love or dislike. I had tears in my eyes by the ending but I loved it dearly. Next was Far and Away, a surprisingly lovely historical romance. Despite the slow-moving opening and originally somewhat unlikeable characters, I quickly fell in love with Shannon and Joseph and their story as they struggled in America and grew to care about each other. The scene where they pretend to be a married couple in a beautiful abandoned house was touching and the turning point in their building relationship. I loved the fascinating ending, like Joseph looking down on himself and then coming back through Shannon's love, and the beautiful way they claimed their land together. Following that I saw Beastly, the updated and changed version of Beauty and the Beast that still manages to capture the beauty and magic of the fairytale. Alex Pettyfer was superb as egotistical Kyle who is transformed by a witch into a scarred and disfigured man with one year to find someone to love him. I loved his slow internal transformation as well as his sweet romance with Lindy. The mixture of modern and faithfulness to the tale such as the roses and Kyle's fascinating and ever-changing tattoo was beautifully done, and as a big fan of the book I was thrilled with it's adaptation. Next was A Knight's Tale, an entertaining and curious mix of the Middle Ages and modern day that managed to fulfill my void of jousting, one of my favorite "knightly" things and so often overlooked or underappreciated in films. William was easy to love and root for, Chauncer was hilarious, and I loved all the other characters, too. Then was the beautiful Soul Surfer which I found deeply moving and inspiring. AnnaSophia Robb, always excellent, was superb as Bethany, and knowing it was a true story made it all the more powerful. Next was the '90s version of The Borrowers which, while not faithful to the books, was quite cute and fun. I loved the addition of a little brother, Peagreen, to the Clock family, and Spinner and Arrietty's friendship - I even found myself shipping them when they grow up - as well as the magical glimpses into the world of the borrowers. After that was the fun Van Helsing. I adored Hugh Jackman as the title character - and he looked very swoon-worthy with that long hair - and his high-speed adventures battling monsters. The finale, with Anna dying to save him and Frankenstein's Monster sailing out to sea, was poignant, and I wish there'd be more about Van Helsing's past as I was hoping for some flashbacks, but I enjoyed it, especially the steampunk feel and the amusing Carl. Next was the unusual The Others. The concept was fascinating right from the beginning, with the light sensitive children and moody, foggy English manor house, and I loved the inclusion of mourning photography as part of the themes, a rare thing I've always had something of an interest in. The ending twists were shocking but fascinating, and despite a few chills up my spine I liked the conclusion. After that was the gorgeous and heartwrenching Doctor Zhivago, 2002 remake, which I loved, surprisingly so since I've always disliked the original. Hans Matheson was stunning and shattered my heart as Yuri, the idealistic poet-doctor, and his poignant romances with both Tonya and Lara were heartbreaking. I loved the scenes with Yuri and the children, though, which were adorable, and I sobbed at the ending with little Yuri running, even with the voice-over telling me their child at least survived. The history, especially the newsreel footage, was fascinating, too, and I learned a lot from this beautiful, deeply moving film. I followed that with another Hans Matheson film, the somewhat fictional but stunningly beautiful Imperium: Nero with him as the title character, a sensitive, slowly twisting young man driven to madness. His relationships were poignant and tragic, and the ending made me tear up a little, mostly due to his powerful acting in managing to make Nero pitiable.

In new animated films I found How To Train Your Dragon and promptly fell in love with it. Hiccup was quirky and perfect, Toothless was adorable, and I loved the imagination of the story, as well as the setting. Next was the Arthurian adventure Quest For Camelot which, while far from perfect, was entertaining. I loved Garrett, a uniquely blind knight, and the hilarious chicken, and the ending was lovely. After that was the precious, heartwarming, and utterly adorable Arthur Christmas. I loved James McAvoy's voice work as the sweet and clumsy Arthur, and I laughed through all of the hilarious moments as everyone scrambled to deliver Gwen's gift. I loved how clever and imaginative everything was, as well as the touching, beautiful finale. Then was the humorous spoof of horror films Hotel Transylvania, and I loved Johnny and Mavis, their relationship, the amusing other characters, and the perfect ending. Next I saw The Prince Of Egypt, a stunningly animated film with gorgeous music, especially the beautiful "When You Believe", and a lovely, unusual take on the story with the focus on the tragedy of Moses and Ramses's journey from brothers to enemies, and an incredible nightmare scene in which hieroglyphics came to life.

I'm watching the eighth season of The Virginian and there's few changes this season with the exception of seven's David vanishing, and a new ranch hand, Jim Horn, played by an impossibly young and always completely wonderful Tim Matheson who brings some much-needed prettiness to the cast. He gets to shine in "Family Man", and he's incredibly sweet, especially with the baby. He even gets to sing later in the season! "A Flash Of Darkness" is an unusual episode, despite using the tired trope of blinding a character, if for nothing else than the Virginian finally expressing emotion, even fear, when he calls for Trampas after his injury, and suffers nightmares, cowering in terror from shots. I jolted and got a lump in my throat when he grabbed and hugged Trampas with a quiver in his voice, so unlike him and yet highlighting the friendship between the two that's so often hinted at and spoken of and rarely overtly seen. The season's best is the beautifully poignant "A Woman Of Stone" which takes the usual "white woman returns from Indians" plotline, and makes it believable, acknowledging the span of time and how the characters have changed while still presenting a hopeful, although not idyllic ending.

I'm on season six of Rawhide now, and after seasons of changing and worsening shows it's like finding an old friend back. Except for Clay's disappearance - no great loss - nothing has changed, giving the season a comfortable yet still fresh feel as the good stories keep coming. I like the new theme's look with the silhouettes, giving the show an even older feel. Excellent episodes include the spooky twist ending of "Incident Of The Prophecy", the haunting and poignant episode "Incident At Two Graves", the tragic and unusual "Incident Of The Peyote Cup", and the delightfully light-hearted "Incident Of The Pied Piper" which gives Wishbone a chance to shine as well as providing some adorable moments.

I've discovered the delightful Pushing Daisies, an utterly hilarious and completely adorable show. Ned is cute and precious, and I love his relationship with Chuck, and Emerson and his knitting never fails to make me giggle. Everything is so bright and colorful it looks like something out of the 1970s, and the sets, especially the Pie Hole, are lovely. Plus the narrator is just perfect. In the second season Ned's magician twin half-brothers get introduced and they're wonderful. I've been working through the whole series and have fallen entirely in love with it and it's characters.

I learned of and watched The Lone Gunmen this week, the fabulous spin-off series from The X-Files. Byers, Frohike, and Langly are wonderful as usual, and they're joined by a fourth member, the overly-eager and somewhat dorky but loveable Jimmy Bond. He quickly shot to my favorite as the heart of the group, even as much as I adore the trio. Yves, the other new character, is fascinating, a mix of friend and foe. My favorite episode was the powerful and unusually poignant "Maximum Byers" in which Byers and Jimmy go undercover at a prison to free an innocent man. The surprise twists and bittersweet ending made it just perfect. Other great episode include "Three Men and a Smoking Diaper" is a fun episode that let's the guys show their softer sides while taking care of an infant. Langly especially was adorable with the baby. Also "The Cap'n Tobey Show" which is equal parts who done it and humor with Langly the focal point. I loved the plot, the hilarious ending, and Jimmy and Yves's relationship in it.

In new shows I've discovered the fantastic Primeval and am loving the imagination and glorious fun of it all, as well as it's wonderfully geeky characters and adorable Rex. Cutter and Connor are my favorites, but I have a soft spot for Abby (all these characters and their dimples!) since I ship Connor and her. The whole team works beautifully together, though, and I'm loving the flavor of the series. I finished up season two now and am slowly learning to enjoy the new format, with the help of fun episodes that include raptors in a shopping mall. Claudia has turned into Jenny which is something of a slight improvement, but the annoying Leek and Caroline aren't welcome additions by any means. Still the team is wonderful and Connor and Abby get a beautiful and extremely shippy set of scenes in the episode with the merpeople. Stephen's death was completely horrible and heartbreaking, though, and I wish the writers had killed Helen off instead, since I can't stand her and I liked Stephen. Then season three, off to a great start with a spooky old house and decade old mystery, and Connor imitating Cutter's Scottish accent is the most adorable thing ever. New character Becker doesn't fill Stephen's shoes by any means but he's different and he grows on me more with each episode. But Cutter's death..I'm never getting over that. Stephen's hurt horribly. Cutter's completely shattered me. He was my tied second favorite with Connor and I loved him so much. I can't seem to warm to Danny, either, he's got a cold edge Cutter never had and for all his heroics something just rubs me the wrong way. Sarah, so far, is a lot of fun, though, and I'm grateful to see her replace Jenny. But Abby kissing Connor and their beautiful moment there more than makes up for everything else, and best of all Helen finally gets what she deserved - I've never been so grateful to see a character killed off! Onto season four then, with many format changes. New character Matt is the first intriguing leader since Cutter's death, and Jess is sweet enough, even if she'll never replace Sarah. Still Becker is there and Connor and Abby are back and shippier than ever. Season five was fantastic with an amazing storyline that kept me excited as well as sad that it was the last season. I grew to love Matt, especially when he returned to 1860s London in a steampunk explanation for Spring Heeled Jack, and he made a wonderful leader. Emily made for an interesting character, and I loved her romance with Matt and it having a happy ending against all odds. I grew to adore Lester, always a character I disliked, and he was awesome in the finale, finally leaving his office and standing up to the creatures. He almost never shows it but he loves his team, and I kept grinning ear to ear when he came back to work in the end. Despite the attempt to redeem him at the end, I just couldn't make myself feel anything for Phillip after the way he used and abandoned Connor. Connor broke my heart all season long with his naivety and doubting Abby, but he turned out to be the real hero at last. I loved watching his character grow across the seasons and see Cutter's faith in him rewarded, even if Connor always doubted it himself. His relationship with Abby became so beautiful. I loved how she pulled him back emotionally when he was ready to give up in the finale, and the fabulous proposal scene. Abby was wonderful all season, but especially so in the finale, saving Connor over and over. The ending was perfect except for the hanging thread of a storyline that never got resolved, but I felt happy with it overall, since otherwise it was a fitting last story for everyone.

I discovered and watched the odd and short-lived series Harsh Realm this week. It's an underrated little gem from the creator of The X-Files with a richly detailed, darkly dystopian virtual world that threatens to destroy the real world due to the plans of an evil dictator. The protagonist is Tom, a soldier forced into and trapped inside the world who has to stay alive and take out the corrupt leader to save everyone. I love his little team, and the unusual characters, some good, some bad, who surround him, and the episodes are often intriguing and always fun. "Reunion" is a fascinating and touching story with the focus on Tom and Pinocchio's friendship as well as Tom's with his mother. The scene with Sophie and Tom seeing each other through her eyes was amazing. The series' best is the stunning "Manus Domini", a breathtaking and haunting portrayal of faith and loss which made Pinocchio my favorite character. The ending is deeply moving and tragic, and Tom's voiceovers are especially poignant. While waiting for season nine of The X-Files I watched I Want To Believe. While I didn't enjoy it as much as the first film I still liked the secondary storyline, much better, in fact, than the main one which was a little too gruesome and disturbing for my taste. Scully's attempts to save little Christian were a poignant parallel with William. Mulder seemed a little off at first but fell back into character fairly quickly, and I adored that Scully finally said she loved him and that they kissed. His final line was beautiful and made me grin ear to ear. Also I liked the little bit of Mulder and Skinner friendship included, even if Skinner had a strangely small part.

Feeling nostalgic I watched an episode of Boy Meets World, the wonderful "Can I Help to Cheer You" which was a perfect mix of zany and hilarious humor and poignant sadness. I loved the storyline with Eric, since he was always my favorite - I loved his sweetness and quite amazing hair - and he was adorable with little Tommy. I wish he'd adopted him, but I loved that the two remained friends at the end, such a cute and perfect episode. In new tv series I discovered the Ray Bradbury Theater, adaptations of his stories that I've always loved. My favorite so far is the hauntingly beautiful "The Lake" about a man drawn back to the summer place where a tragedy happened when he was ten. The conclusion was poignant, and the episode was perfectly underplayed and acted, giving it a dream-like quality. I also found the '90s series Roswell this week, a fun story of aliens who survived the 1949 crash and pass themselves off as humans, undiscovered until one of them, teenager Max, heals the human girl, Liz, he has a crush on, when she's shot in the restaurant where she works. Max is a sweet character, with just a dash of mystery to make him seem alien, and I was shipping Max/Liz before the end of the pilot. Then, feeling nostalgic, I started watching season one of Highlander and found it as awesome as I remembered. It's quite a fascinating and often poignant series, and I love Duncan MacLeod and the glimpses that are given of his mostly tragic past.

I borrowed one of the early film "Treasures" from the library, too, and there was an amazing documentary on San Pietro, filmed during WWII with all the battle explained clearly. I've been fascinated by that battle since my obsession with The Gallant Men began, and now I finally understand it. I loved seeing so much of the once beautiful village, too, and the children who could still smile and laugh despite all they'd suffered.
 
 
calliope tune: "Here Comes The Star"-Herman's Hermits
feeling: nostalgic