Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
calliope tune: "The Gallant Shearers"-Tannahill Weavers
feeling: working
 
 
 
Kathleen
14 November 2014 @ 03:02 pm
I watched The Hobbit: Batlle Of the Five Armies and on the last film of the series, the director finally gets it right, finding the perfect balance between nostalgia and a compelling new story. While there are still a few flaws - Tauriel remains unnecessary, Fili gets far too little screentime, Kili is obviously pushed to the viewers as the favorite, and we still never get to "know" many of the characters like in LOTRs, the good points far outweigh the bad. Most notably, unlike the others, this film never feels padded or stretched, the pace remains steady, and the removal of comedy elements give it a good solid feel the other films lacked. Bilbo, more likeable now that his acting is toned down, shows the noble heart that's always endeared me to the hobbits, and the highly likeable Bard gets to be the hero in taking down the dragon and leading the army of men. His moments with his children are beautiful, and I was grateful they all got their happy ending. Thorin's tragic spiral into madness is brilliantly acted and compelling, and his, Fili, and Kili's deaths reduced me to tears, even though I was saddened that Kili and Fili didn't get to die side by side as in the book. Legolas, the one addition to the trilogy I've loved since the beginning, was at his very best, showing off his fighting skills as well as hinting at his past - his strained relationship with his father, unrequited love for Tauriel, and, most intriguingly, the loss of his mother. The scene where his father finally tells him that his mother loved him made me sob, and I teared up at the mention of Aragorn as Legolas sets off to find him in the end. The links to LOTRs were skillfully done and never forced as before, and I loved how the ending drifted seamlessly into the first LOTRs. The closing theme was gorgeous - I'm so happy they used Billy Boyd's lovely voice again - and the credits were beautiful.

I went to see Night At The Museum 3: Secret Of the Tomb in theatres, and it was wonderful, a poignant, touching, and funny finale to a wonderful trilogy. Larry was perfect as always, and his friendship with the museum characters never fails to warm my heart. Teddy remains my favorite of the characters, and it made me tear up a little to see his last scenes. Jed and Octavius were hilarious as usual, and I couldn't stop laughing at them watching videos, taking selfies, and using a computer. The new characters, especially Lancelot, were treats, and I loved how many of the old characters they packed in, as well as Ahkmenrah having so much more screentime than in the other films, and even getting a backstory and happy ending after all the nights he spent locked in the coffin. Hugh Jackman's cameo was an unexpected delight, and I couldn't stop laughing all through his scene.

I also saw Mockingjay in theatres and it was painfully excellent, a more grim film than the others but so faithful to the books I couldn't help be delighted. My heart broke for Finnick, a character I never bonded with in the books but have learned to love in the movies, and my favorite part was his speech, including the creepy but fascinating aspect of Snow's poison and roses. His scene with Annie was beautiful and I only wish they shared more, especially flashbacks. While I was disappointed by the Hanging Tree's melody, and didn't care for her voice at all, I loved the other music as well as the beautiful direction style. Peeta was excellent, shattering my heart, especially when enough breaks through the brain-washing that he's able to warn Katniss, and the ending left me broken. Prim was a sweetheart as always, and I loved actually seeing more of Buttercup.

In other new movies I watched What's Eating Gilbert Grape, and despite my dislike of Johnny Depp, I surprisingly loved it. The story was beautiful, moving, and very realistic, and the small town setting gave it a vintage feel decades older than the movie. The acting was amazing, especially Leonardo DiCaprio who did a stunningly convincing job portraying Arnie. Next was the new miniseries Houdini, a uniquely filmed and incredibly entertaining account of Houdini's life and career. Adrien Brody was wonderful as Harry, and I adored Bess and his relationship, as well as his friendship with Jim. The tricks were fabulous to watch, and I liked the voice-overs looking into his thoughts as well as the bits of old footage toward the end. I saw the miniseries The Pillars Of the Earth and completely fell in love with it. The history, a time period I knew little about, was intriguing, the plot twists were fascinating, and I loved the characters, especially Jack and his relationship with Aliena. Many of the other characters, like Prior Phillip, Ellen, and Martha, were all interesting to see their stories, and I loved the happy endings for most of the good characters, and just desserts for the evil. The scenery and cinematography was lovely. I also watched the sequel miniseries World Without End, and it was fascinating, both for the history as well as the personal stories. I liked both of the romances, and was happy to see them both end up together and safe. The plot twists, especially with the Sir Thomas being the king were jaw-dropping, and the entire series was beautifully filmed and made. Then was If I Stay, a lovely and unusual film. I loved Adam and his relationship with Mia, and the ending was gorgeous. Next was L'Homme Qui Rit, a stunningly beautiful version of Victor's Hugo's heartbreaking book, and it was amazing, both for sets and filming as for the talented cast and intriguing characters. Next was Dracula Untold, a beautiful and heartwrenching version of the vampire's origins. I loved how he was shown as a good man who made a terrible choice to save his son, and his relationship with his little family was wonderful. After that was The Maze Runner. I adored the unique freshness of the plot, the oppressive setting, and mood, as well as how character driven it was. Dylan O'Brien was surprisingly good as Thomas - I never thought much of his acting before - and I felt for all the characters, which left me very intrigued for the next film. Next was the fascinating The Rite which I watched solely for Colin O'Donoghue - who was amazing - but ended up loving. The plot was straightforward but affective, and I liked how the story acknowledged true evil and true goodness. The scene where Michael remembers his mother giving him the card and finds the strength to defeat the demon was beautiful, and I felt the ending was largely satisfying. Next was the precious Christmas With Holly which was, like most Hallmarks, beautifully heartwarming and fun. I adored Mark and Holly's relationship, and all the characters were loveable in their own way. I teared up and laughed throughout and loved every moment. Next was the gorgeous miniseries The Red Tent. Dinah has long been one of the most fascinating Biblical characters to me, and I loved seeing her story come to life. Shalem and Benia were both wonderfully kind men, and I was glad Dinah found happiness a second time. I loved how her son came to love her and see her as his mother, and Joseph and Dinah's relationship was beautifully portrayed. Next was the intriguing and oddly beautiful Solomon Kane. I loved the title character - James Purefoy was fabulous and I completely adore his accent - both for his redemption arc as well as his friendship with Meredith. The scene where he pulls himself off the cross to save her was stunning, and I loved their beautiful reunion toward the end. I'm slowly growing to love zombie films and the latest was 28 Days Later. I loved seeing the genre from the British point of view, and the characters, especially the well-intentioned Jim, despite how little is revealed about their pasts, were all intriguing. I enjoyed Jim's relationship with Selena, and was extremely grateful that they went with the ending where Jim survived and the three were rescued. Next was the hilarious short film Incest!: The Musical which was adorable and needed to be so much longer. I couldn't stop laughing, and I loved Alex and Katie's determination to be together. Next was the hauntingly poignant I Am Dina. The story was intriguing, but it was the unusual characters, amazing acting, especially from the child who played little Dina, and stunning scenery that captivated me, along with the beautiful theme. The original version's ending was somehow more fitting, and I teared up at Dina trying to comfort her childish self. Hans Matheson was lovely as Tomas, and I wish he'd had a larger role, but I'm happy he at least got a happy ending, and - I assume - got to still be part of little Benjamin's life. Next was the adorable Sky High which made me laugh and love superheroes a little more than I already do. Will was loveably able to be related to, Layla was sweet, and I adored Warren and his fabulous hair. There were so many flawless in-jokes, too, and the gentle spoofing of the genre was perfect. Next was Mama, an effectively creepy story. The children, both the young actresses and the little girls who played the older versions, were incredible, and I loved Lucas and Annabelle and how they grew to love them. I was saddened by the ending, but it seemed fitting and was bittersweet. Next was the adorable Change Of Heart, the first talkie I'd seen Charles Farrell and Janet Gaynor in together, and the first time I'd gotten to hear her voice. Despite the somewhat rushed end (and Madge getting a happy ending which I didn't want) I loved the story, especially the characters and warmly vintage feel I get from old movies. After that was After, an unusual and interesting story. I loved seeing Freddy and Ana's intertwined stories from childhood to present day, and how their escape required both of them. The ending was perfect. Next was the surprisingly beautiful Elizabethtown which had some wonderful messages along with some whimsical and loveable characters. Orlando Bloom and Kirsten Dunst were both wonderful, and I adored their characters and relationship. The plot was a perfect blend of tears and laughter and I loved every minute. Then I saw the gorgeous Italian miniseries Romeo E Giulietta which has quickly become my favorite version. I fell in love with the characters and broke for them, especially Romeo and Mercutio, and I loved the small enhancements to the plot while remaining faithful, such as giving the nurse something of a backstory and more depth. The scenery and score was stunning, too, and I loved the wintery feel of the film. Then was Pearl Harbor, a gorgeous and beautifully moving movie. I loved the vintage feel, and surprisingly didn't mind the love triangle, probably because I loved all three characters. I was sad that Danny died, but I loved that he did so saving Rafe's life, and the ending, with Rafe and Evelyn together and raising Danny and Evelyn's little boy, made me tear up.

In new fairytale films I saw La Belle Et La Bete, and it was a beautiful and unique version of the fairytale. I would have liked more scenes between Belle and the Beast, as her sudden love for him didn't make much sense other than pity once learning his backstory, and Belle often came across as somewhat spoiled and childish, but the film was gorgeous, especially the details such as the weeping statue, the photography, and the costumes - Belle's green dress was stunning. I loved the unusual origin story of the curse, as well as the adorable dogs, and having the film be a story Belle told her children was an adorable touch. After that was another of the gorgeous Sechs auf einen Streich series, Aschenputtel, and it was beautiful. I loved that the version spent more time showing Viktor, the Prince, as well as the fact that he got to meet Cinderella twice before the ball, making his love for her more logical. Both Viktor and Cinderella were sweet characters and it was easy to root for their happiness, as it was to despise the stepmother and sister, who instead of the cartoonish characters they usually are, were despicable and cruel. I loved the birds helping Cinderella, and the magical tree, and Viktor's relationship with his father was adorable. I also discovered the Märchenperlen series and saw my first, the stunning Die sechs Schwäne. It's long been one of my favorite fairytales and it was adapted beautifully and faithfully, with just a few twists to the plot to make it unique and exciting. I loved the characters and the happy ending.

I gave a try to the BBC miniseries of Ben-Hur, and as I expected, there were quite a few changes from my beloved '50s version, but definitely not all of them bad. Being so much longer, this version had the ability to include things I've always wanted to see, like Judah and Messala's childhood friendship and the beginning of Esther and Judah's love story. Joseph Morgan, despite being a little young for the role, made a good Judah, especially the angry, almost unhinged version that returns for revenge. Messala, intriguingly, was more layered than the '50s pure evil version, and the tragedy of his father's disinterest in him was contrasted against the Ben-Hur's family's original love for him that he betrayed. I loved that the film had him survive the race long enough for Judah and he to make their peace. Esther was somewhat disappointing, coming across as immature and too quick to think badly of Judah, and I didn't warm to her, even by the ending. I loved the new character of Athene, though, and her last scene was fascinating.

In new animated films I saw the adorable Bolt. I loved the title character, Mittens, and Rhino, and the adventure and happy ending for all the characters was wonderful.

I also saw Exodus: Gods and Kings, and as I expected I couldn't help doing a compare and contrast to The Ten Commandments which has been one of my favorite movies since I was in preschool. On the good side I liked how the film portrayed Moses as more warrior and hot-tempered, and the sword's inclusion throughout was a nice touch, especially at the Red Sea scene. In both movies I love the elder Pharaoh's relationship with Moses and he was lovely here. Ramses had more of an edge than Yul Brynner's version, and yet a tenderness with his little son that brought tears to my eyes during the funeral scene. I appreciated the over-whelming feel of the plagues, and the larger scale of the swarms of insects and frogs. Zipporah was beautiful portrayed, with her and Moses's love a highlight of the film, and I adored Moses's scenes with his son. Joshua, despite much less screentime, was just as wonderful, and the actor's beautiful eyes were so expressive and fitting for the character. On the downside the film felt rushed, with not enough needed time spent on Moses's days at the palace, and the focus on war and violence sadly limited the character study which would have smoothed out the plot. It was a fine action movie, but not a powerful and inspiration epic like The Ten Commandments, and in the end I think a combination of the two would result in perfection.

I saw the trailer/spoof "Dr. Quinn Morphine Woman" and it was hilarious, spot on to the original show while poking fun at what it would be like today. I loved seeing nearly everyone again, however briefly, and Sully's horrible wig and hair flipping had me howling with laughter. His and Michaela's kiss, complete with over-dramatic Indian music and heartbeating and breathing, was an absolute treasure. The concept of Michaela as a druglord and the town as addicts was brilliant, and everyone was so perfectly in character I only wish it had been far longer. I also got to see a bit of the pilot California, which sadly never became a series. It was wonderful to see Hank get a chance to shine, and I adored his interactions with Zack. It was quite a sweet and touching episode, and I only wish it had been given a real chance.

I discovered the show The Legend Of William Tell by accident and watched the episode "The Tomb Of the Unknown Warrior". The series is unusual, with great world-building, and I love the clever twist on the original legend. The episode used one of my favorite tropes of body-swapping with a fascinating twist, of enemies exchanging bodies by accident, only to have one die, and the injured survivor on trial for killing himself. Dean O'Gorman was excellent at the role and I loved that it turned out so well.

I finally broke down and watched Dean O'Gorman's episodes of Xena Warrior Princess, and despite not being very fond of the show I really enjoyed "Athen's Academy Of the Performing Bards". He played Homer, and I loved the way the historical people were portrayed, as well as the old movie clips.

I've started watching Copper, a heart-breaking yet incredible series. I appreciate the often painfully accurate history, from the filth of Five Points to the past of little Annie, one of the most tragic characters I've seen on a tv show. I love how the show doesn't flinch from portraying difficult elements, and isn't afraid to make its characters morally complex. Corky is a fascinating, haunting character, and I love his friendship with Annie and how he treats her like his own daughter.

Season two of Resurrection is on now and it's even more jaw-dropping than season one, with twist upon twist against an intriguing story arc. The plot took a very different path than I'd expected but for the most part I'm glad. The concept of this being the second time the Returned came back and the storyline of the 1930s flashbacks and discovered bones are both chilling and fascinating, especially the "demon" story of episode four. Margaret is a disturbing character but I'm intrigued to see where her motives lie. I like seeing some character growth of Janine's part, as well as Fred, and it's lovely to see a bit more of Barbara, especially when she gets to share a scene with Maggie. On the reverse side I'm saddened by Marty betraying Maggie by reporting the bones as well as Lucille's troubling down-spiral and Jacob's oddly defiant behavior which seems so out of character for the sweet boy of last season. The mysterious virus is intriguing, sadly taking Marty's parents and my hope of their having a reunion, but thankfully sparing little Jenny, and Marty finally gets a scene with her. Janine's obsession with Rachael's baby, and apparent kidnapping of Rachael has me terrified, and I'm stunned by Tom's death. The finale was nicely done, even if so many questions were left unanswered - I'll forever be saddened the Government Lady's backstory wasn't explored and Tom never came back - it felt overall largely satisfying. Strangely enough I'm content with not knowing how and why the Returned came back, as across the series I've seen that the point was more focused on how they lived life to the fullest with their second chance. I was happy Rachael chose to stay, and her baby was precious - I'm presuming he's okay and Preacher James was just crazy - and I'm incredibly happy Marty got to keep Jenny. Best of all was Fred's character growth when he stops Henry from wanting to give up Rachael. Another happy treat was Marty and Maggie's relationship; I've shipped them from the start and I'm thrilled they ended up together.

Season two of The 100 is on now and it's not quite as amazing as last season, with so many changes. To my gratitude, Finn is alive, and still the light of the show. The twist of Mt. Weather and it's eerily welcoming people who may or may not be what they seem already has my attention, and as much as I'm saddened by how feral Clarke has been forced to become, I love that she seems to be the only one with any sense. Jasper, such a fun character at the start, only annoys me now, and I miss who he used to be. Monty, as usual is flawless and given far too little screentime since the show pushed Raven into his shoes. I still can't make myself care much about Raven, especially after her cruelty to Murphy. As much as he's a bad guy I've loved him since the start and I'm incredibly excited for the hope of a redemption arc for him. I love Lincoln and Octavia as characters but definitely not as a pairing, and I'm not fond of how their relationship keeps being pushed to the point that they're now going to his village rather than Octavia trying to find her brother and even care if he's alive. Kane's storyline is troubling so far, and he seems to have lost much of the growth of character he showed throughout season one. Bellamy's decency and changed personality have finally made me grow to like him, and I enjoy his friendship with Finn. Finn is breaking my heart, especially when he killed the Grounder, and I'm worried as to what will become of him. I finally made it to "Spacewalker" and in many ways the show is over for me. The Grounders were never innocent with all the kids they killed from the start - their first act is to spear Jasper - and I've wanted them wiped out since the beginning so I felt no pity for their village, only anger that they demand retaliation when they've done more and worse. But to actually kill Finn, the one bright spot of the show, by Clarke's hands was too cruel for words.

Season two of Atlantis has begun, and it's somewhat darker while still, thankfully, retaining some more light-hearted moments. Minos has sadly died; I grew to enjoy his character so I'll miss him, and Ariadne is now queen. Ariadne has never been one of my favorites, and more screentime for her does nothing to make me happier, and she seems worryingly willing to tip into darkness if necessary, even if her intentions toward Atlantis seem good. Jason and the Oracle's relationship remains my favorite on the show, and I'm already concerned by her warning that Jason will turn evil if he learns the truth about his mother. As sad as the vision makes me, I was thrilled to see confirmation, through the glimpse of the Argo, that Jason is THE Jason of mythology. "Telemon" returns to my favorite setting, the arena, with a fascinating story that raises more questions than answers regarding Ariadne's new suitor. "The Marriage of True Minds", the season's best so far, is beautiful and touching, featuring a gorgeous score and some much missed banter between the main trio. "The Day of the Dead", an odd, and somewhat plotless zombie fest, nevertheless features the first intriguing meeting between Jason and Medea, who seems to care in the scene where she heals Jason's leg, and yet ends by stabbing Ariadne.

Onto season ten of Supernatural and the demon!Dean storyline I've dreaded since last season. While I'm so grateful to see the writers have finally put Sam back in the character he used to be, and it's wonderful to see his determination to find and save Dean, I'm saddened by the disconnect between the characters. Dean isn't the scary demon I assumed he'd become but rather a strange, jerk version of himself, chasing women, getting into fights, and singing, and apart from his coldness toward Sam he seems more bitter than non human. Castiel and his steadily declining health has me terrified, even as I'm saddened at yet another season's storyline that distances him from the brothers. I miss Team Free Will together, and I've grown tired of the constant angels storyline, as Castiel is the only one of the angels I've ever enjoyed watching. "Reichenbach"'s revelation that some of Castiel's grace still exists makes me happy, yet I'm proud of Cas for refusing; he's come such a long way and learned so much. Demon!Dean is progressively spookier, and the final scene made me shudder. "Soul Survivor" was superb, and I'm so grateful to have caring!Sam, human!Dean, and healthy!Castiel back again, the way it should be. The twist that Sam forced a man to sell his soul to find Crowley and Dean was fascinating, and I'm intrigued to see if there will be further fallout. I'm also shocked by Crowley saving Castiel. "Ask Jeeves" is a delight, much like an early seasons' ghost hunting episode while still with a glimmer of worry regarding Dean and the Mark. "The Executioner's Song" was stunning, driving Dean closer to a dark ending, while showcasing Team Free Will, a recipe that always forms the best episodes. I teared up when Cain tells Dean he'll kill Cas and Sam, and cheered when Dean was strong enough to give up the blade to Castiel.

I gave a try to the new series Galavant, and despite a shaky pilot, fell in love with it in the second episode. It's hilarious, outrageous, and the characters, even the bad guys, are all loveable. I already ship Isabella and Galavant, and I can't wait to see what happens.

In other new shows I started watching the intriguing Eye Candy and I'm already hooked. The premise is interesting, the acting and emotions are excellent, and I can feel for the main character. I was incredibly sad they killed off Ben, though, since he was so sweet and I loved Lindy and he together. But I'm starting to love Tommy and even ship Lindy and he.

I also discovered the new series 12 Monkeys and I'm in love with it: a sci-fi show with an actual science basis, bound by laws that make sense for a refreshing change. Cole is a likeable and tragic protagonist, with shades of grey - I teared up during the scene where he says how much he wants forgiveness - and I already ship him with Cassandra. My favorite character, however, is Ramse, whose goodness shines through the dark future and friendship with Cole keeps me interested in learning about their pasts. I love the concept, too, and the jumping between time periods.
 
 
calliope tune: "You Belong To Me"-Duprees
feeling: discontent
 
 
Kathleen
Since I first heard his voice on the old radio series to films and tv series glasses-wearing Clark Kent never fails to steal my heart away, lately in Smallville, a series I somehow missed and spent the past week catching up on, one that's very similar to another series I love The Powers Of Matthew Star, with a teenage alien survivor of a destroyed world coming into his powers while he's struggling with high school. I was skeptical at first because the cast is outrageously pretty, but if all aliens look this good I'd like to discover one in a cornfield, too. What I always love best is the early scenes with Martha and Jonathan (Daniel from Dr. Quinn Medicine Woman!) since I've always felt that they must have been wonderful parents to have brought up a son like Clark, and here I finally get what I've wanted, to see all the family moments, the homespun life, the "were you ever afraid of me?" moment, Clark's powers being unable to save his father, Clark throwing a wild party while his parents are away (he's so human at times), and Jonathan's adorable comment about Clark's temper tantrums punching holes in the wall. Clark is remarkably similar in appearance and mannerisms to the films' versions, and he convincingly pulls off the struggling teenager already shouldering the weight of the world in addition to every kid's problems of growing up and falling in love for the first time, and I really like Whitney who gets pushed to the background but deserves better. Lex gets depth, a backstory, a first meeting with Clark who saves his life, and a redeeming side which makes it even more of a tragedy to know what he'll become. The cape on the school's mascot, a painted red S on Clark's chest during an end-of-year hazing, a kryptonite necklace, and a vision of Lex's future set the stage for years to come. At it's heart, despite the thrills and lightning speed, Smallville is an uncomplicated look at the events and people that would shape the boy with powers into the superhero. I skipped ahead a bit to see Oliver Queen, and still haven't gotten off the floor. Where do they find these unearthly gorgeous people?

I'm in the final season of Daniel Boone where the show turns into a musical. Daniel sings. Josh sings. Mason sings. Guest characters sing. And the theme's singers conclude that they're the Lovin' Spoonful and transform it into a western rock n roll song. To think Mingo was in four seasons and sang, what, three times at most, and the instant he's gone they decide to become musical? I miss Mingo, he's been my favorite since the first episode, such a compelling character and I wish they'd at least given a reason for his disappearance. Jimmy Dean is now renamed Josh, Gideon and his son Little Dan'l from last season and young sailor Mason, reintroduced the second time as if he hasn't been there before show up now and then. It's a good but darker season so far, especially the opening episode "Flag Of Truce" and the delightful east-meets-west tale "The Dandy".

I spent most of the week skimming through The Virginian season 5 and was left confused, due to the fact I think the writers forgot which season they last did over the summer. For one the sheriff is not only mysteriously alive again but Ryker is his deputy instead of being sheriff as he was last season after the sheriff died. Ryker is gone from the first half of the season which makes it even stranger. The writers also forgot both Morgan Starr and Jennifer, beginning the season as if Betsy and the Judge have just left (and they've left everything they owned too), and giving no reason for Randy being gone without a mention, almost as if season four never existed. On the bright side that's a happy thought, if four was only a dream season than perhaps Betsy married Randy instead and the two of then are living happily back east. Liz is sweet but overtly an attempt to replace Betsy with the same hairstyle, same clothes, a bond with Trampas that doesn't feel as natural as Betsy's, and Stacy, who seemed the most promising at first, was reduced to spending half his episodes in jail by the season's end. I don't like John Grainger, he's too harsh to warm to like the Judge and lacks the dark complexity that makes Morgan Starr intriguing. Several episodes are near copies of the first seasons and only a couple have the series' trademarks: emotion, light moments, and guest characters you care about. Trampas gets the couple good episodes, the gorgeous "Sue Ann" and the incredible "An Echo Of Thunder", both of which recapture the feel of the original seasons, but he's only in about a third of the season if that, and even the Virginian is gone more than he's around. It doesn't even feel like The Virginian anymore and I desperately miss Randy's accent and little songs to cheer me up. I'll hope for better things from season six, I suppose. The final season came out before six so I gave a try to nine, another year of changes, surprisingly all for the better. Now called The Men From Shiloh, appropriate since it works more on the rotating stars format, there's a whistling, spaghetti-western melody and title sequence filled with 1800s-looking photographs. I've never been a fan of the ride-in and haven't liked the intro since three but this one grabs me instantly. There may not have been a lot of westerns in the 1970s but what there were are stunning. Stewart Granger is Alan MacKenzie, Englishman and final owner of Shiloh, and at last there's a lead who measures up to the Judge, a firm but kind man, and easy to warm to. Trampas, complete with an unflattering mustache that's one of the very few regrets this season, and a somewhat tougher antihero version of The Virginian are the only familiar faces, but unlike five I never find myself longing for others. New is a ranch hand in the form of Lee Majors, bringing with him all the charisma of Heath and pulling off his own mustache with somewhat more finesse than Trampas, as Tate, a mysterious drifter with a troubled past who Alan saves from a lynch mob and gradually learns to trust. If his name wasn't enough to endear me to him, Tate is a mix of quiet sensitivity with a dark side, a strange man prone to answer every question with a question of his own. After a couple seasons of bland, carbon copy characters, Tate is a welcome jolt, unique and impossible not to love. Nine comes as a breath of fresh air, going back to it's long-forgotten roots and drawing all the things that made the series' early years so great: a jaw-dropping list of guest stars (including the wonderful and underrated Monte Markham as a good-hearted gun for hire), fascinating characters, intricate plots, movie quality filming, and an authentic western feel. I'm at a loss to understand why this was the final season but I'm grateful that the series went out on such a high note.

I finally got Maverick season one! I had a crossover moment with "Rope Of Cards" when Bret made "five pat hands" and since Maverick came before Alias Smith and Jones I'd like to think Heyes learned the trick from him. I saw a trivia note that every deck of cards in the US sold out the day after the episode aired, so other people must have wanted to try it out, too. My favorite episode was the incredible and complex murder mystery "The Naked Gallows" in which Bart gets to shine as well as show off his skill of observation, and I like the backstory of the debt with wounded Bart saved by Clete. Bart, serious and more unique, has always been my favorite and I love him even more now that I'm seeing his episodes instead of only the ones with both brothers. There's a tv version of King's Row with Jack Kelly as Paris and Robert Horton as Drake that I'd love to get my hands on, but it seems to have vanished into the 50s. Still the idea of the casting makes me very happy.

I'm watching the two pilots of The Six Million Dollar Man and there's quite a difference between them. Steve Austin is an astronaut test pilot who lost an arm, both legs, and an eye in a crash, along with his will to live. But his second chance at life comes from two very different people: a compassionate nurse who stops him from pulling out his oxygen and is determined to help him regain his hope, and the head of the OSI who sees Steve as an expendable project he can always replace. Between them, Steve becomes the first cyborg, part human, part machine, far stronger and faster than he was before, and owned body and soul by the OSI who've sunk six million dollars into rebuilding him, and demand he pay back that debt by doing assignments for the government, work in which no ordinary human could survive. The first pilot delves into Steve's reaction to being little more than a machine, showing how people fear him when they find out, and how he's unwilling to begin any relationships. There's also a chilling bit at the end where the man comments that it would be interesting if they could keep Steve asleep all the time and only wake him up for each assignment. He says it like a joke but it comes across very dark. The second pilot takes an entirely different route and has Steve quickly accepting, even delighting, in his newfound abilities as he jokes about them, flirts with several women, and tricks a guard by crushing his gun. Oscar, played by a different actor, is now less mercenary and even has a line he won't cross, and the story morphs into a superhuman spy saga instead of the character study it could have been. Of course, there's so little of Steve before he's injured that it's hard to know what his personality is but I felt there should have been more transition scenes where he gets used to everything as opposed to the sudden acceptance. It's fun, but I can't help wishing they'd stuck to the original idea.

I went on a marathon of all things Camelot, starting with the miniseries Merlin, an odd spin on the tale but one that deserves praise for it's poignant look at Merlin's memories and the events that shaped him. The opening and ending were especially sad and beautiful, and the sword in the stone scene was exactly as I'd pictured. Next was First Knight, a unique and lovely take on the legends. While Arthur isn't how I picture him looks wise he's the exact personality I've always imagined, a deeply kind and just king his men would follow anywhere, a good man who gives everything and doesn't mind lowering himself to the simple act of giving Lancelot his shirt after it dried. Lancelot, too, isn't exactly the noble knight of usual, but he has a good heart and a tragic past that drives him to care nothing about his life. There's a beautiful and haunting scene where Lancelot is forced to face his demons when he comes across a burning church like the one in which his family died, and he's able to save the people inside. The knights are mostly background but very believable, I loved the unusual armor, the sword fighting is stunning, there's a breathtaking jump off a waterfall, some pretty scenery, and the church is perfect to what I imagine. Following that was Merlin. I've always had quite a different picture of Merlin, a strong, older warrior teaching and guiding Arthur, yet this version greatly surprised me, with a fragile vulnerability in looks and mannerisms but somehow inner strength shining through, contrasting with a frail appearance and adding a lot of quiet depth to him, and he has high cheekbones and ears, oh, yes. Season one so far and officially took over my life, reading my mind and giving me everything I want and then some, all with a '90s vibe that leaves me in a nostalgic, grinning stupor. There's whump, thatched-roof cottages, quests, accents, neckerchiefs, magical glowy eyes, plenty of swordfights, and the hilarious Children In Need special featuring Merlin's microwave dinner, Arthur's teddy bear, and Uther on a cell phone. I'm not sure if Arthur is improving or if I'm just getting used to him but he's steadily growing on me; scrape the surface off and there's a golden heart underneath. I get the feeling that he never had friends so he simply doesn't know how to form relationships with anyone, but he's learning, slowly but surely. Somewhere between where he lets the thief leave with the food and when he drinks both goblets to save Merlin in "The Labyrinth of Gedref" I realized he was awesome. Who can resist that infectious laugh, even if somebody should put that boy in the sunshine, he's pale as a ghost. Merlin is getting sweeter with every episode, so self-sacrificing, dorky, and gentle that it's impossible not to love him instantly and melt at his smile. His little speech about being happy to be Arthur's servant until the day he dies tears me up. He needs to get more credit for what he does. Merlin and Hunith's relationship is one of the most beautiful relationships ever; she needs to be in more episodes. I finished season two now and I'm even more in love with it than before as I spend half the time laughing and the other half in tears. Arthur has become my third favorite, kind heart underneath the attitude more evident now, and he's got quite a flair for the comedy moments; even his expressions can put me in stitches. Merlin and he have a quirky sort of friendship, for all the way Arthur bosses him around, and I love how Merlin can sneak his magic around him from stealing food right off his plate to overheating his bath, and get away with teasing him. I ship Lancelot/Gwen, but I like the direction Arthur and her romance is taking. I was skeptical of Mordred because of the storyline changing from Arthur and Morgana's son to a Druid boy, but he's coming along, with enough eerie powers and disconcerting glances to make me shiver. Merlin and Gaius's friendship is beautiful, and I love how they're willing to do anything to save each other. My favorite episode of the season was the heartbreaking "Lady Of The Lake". The first romance episode of a series always remains my favorite, because I never expect it as much as the later ones, but this one was the best one I've ever seen. Freya was so perfect for Merlin and I imagined that when Merlin fell in love he'd use his magic to make beautiful things for the girl, and I was right, with the flames and adorable rose. "The Last Dragonlord" made me bawl my eyes out for Merlin. He never fails to break my heart everytime he tears up - man, can that actor cry - and I just want to hug him when he looks so sad and frail. Last was The Mists Of Avalon, the haunting and heartbreakingly beautiful look at the women behind Arthur's destiny. Lancelot was wonderful, and the music is exactly as it should be. From Arthur's crowning to the poignant final scene there's so much depth in this version that I'm still reeling, and finally a perfect Mordred, both villian and pawn, used and tormented by fate and the people around him. The scene where he reveals his identity is incredible and when he kills Arthur with his cheekbones of doom I couldn't help crying.

I finished season two of The X-Files and Mulder keeps breaking my heart. He comes across as the strong one at first with his dark, quick humor and answers for everything but he's so wounded that I keep wanting to hug him. Scully and he spent the first part of the season apart, followed by a handful of episodes where she was taken and returned dying. Even her family was giving up on her and Mulder still stuck it out, fighting to keep her alive. Their relationship keeps slowly growing, and it's to the point where they exchange all these gentle hugs or a pat on the head.

I saw "Muted Rifles, Muffled Drums " in A Man Called Shenandoah and now the writers are just being mean. If it wasn't bad enough he can't remember who he is, was almost lynched, shot twice, and left to die in the cold wilderness, now he's being court-martialed. In the end if he wasn't the officer than why wouldn't he have paid attention to his uniform in the photograph? At least he finally has a list of names to work from. I'm doubtful there's a conclusion but I keep hoping and sticking by my theory that Shenandoah is actually Flint McCullough and that's what became of him after he left Wagon Train. I'm on "Aces and Kings" now where another piece of Shenandoah snaps into place as it's revealed he was once a gambler or cardsharp from the way he handles a deck, more to his own surprise than anyone else's. At the end he's off to visit a man named Frank McCulloughm. I heard it fast as "McCullough" and I like to think the m was only a slip. He's got to be Flint, there's so many ways in which they overlap. Branded "Call To Glory" was amazing! It would have been an excellent final episode since it tied everything up and gave Jason some absolution, even if it didn't clear him. I loved how he managed to convince the commander of his mission.

I started the second season of Laredo which picks up the misadventures of Reese, Chad, and Joe, and tosses a new ranger into the mix, silky accented, devilishly charming Erik Hunter whose talents are only equaled by his atrocious sense of fashion. He's delightfully proud of his style of dress, though, and nothing outrages him more than a torn sleeve on his new shirt. In all fairness - hot pink smoking jacket, lavender shirt, and blue paisley vest and hat aside - his peculiar wardrobe is oddly endearing. Any other man would look downright ridiculous. Erik somehow manages, despite appearing like he borrows from a circus clown, to pull off the look, and fits like a piece I didn't know was missing into the group. As much as I love westerns their perpetuity for introducing fantastic characters in the final season and then cancelling the series before I really get to know them frustrates me to pieces, but they're a treat for the time they're there.

I've been rewatching Lawman and noticing all the parallels with Johnny Ringo: a young deputy taken under the wing of an older lawman, Cully's father being dead and Johnny burying the marshal being the introduction between lawman and deputy, the first episode starting with the two at odds before growing into a friendship, a little brother-big sister relationship between deputy and each lawman's girlfriend, and a close friend of the lawman being killed partway into each series. It makes me wish there'd been a crossover where Johnny and Dan were injured or unable to leave and Cully and Johnny had to join forces to bring someone in.

I finished seeing each era of Doctor Who with the last three. Four's was "Logopolis", picked out of wanting to see Tegan's introduction as well as Five's, who doesn't speak at all but smiles beautifully. Four doesn't appeal to me, as much as I like his fashion sense, and he's a bit too detached for what I like. I can't fathom Five ever snapping at his companions when they offer advice, he depends on their ideas and help far too much, and they seem to fit much better with Five which proves my theory that each companion is tailor-made for only one doctor (Rose for Nine). I can't wrap my mind around Four and Turlough being in the same TARDIS together, Four would never have given him the patient trust Five gave. Five is my Doctor and I love him to tiny bits. But the plot was quite interesting even if all old Masters annoy me. For some reason Ten-era Master is so brilliantly diabolical and tragic that I love him. Four has something of a let-down as far as regenerations go, since Five died for Peri, Nine died for Rose, Ten died for Wilfred, and Four dies because his scarf gets tangled up. Well, not quite, but still it's all a bit anticlimactic. But I did a little cheer when Five's face started to appear in those early, swirly-fade-in regenerations. Then came Seven, with the serial "Battlefield", and, whoa, trippy retro intro, I love it! Seven's clothes are awesome, especially the question mark sweater. Seven is an odd mix of goofiness and near-violent outbursts, but by the end of it I liked him. He's got a quirky style - the part where he walks through the middle of the swordfight and tips his hat cracked me up - and he's sweet as can be to Ace, not one of my favorite companions but he works well with her for the most part, and the Brigadier was in it which more than makes up for anything else. Ancelyn and Bambera were hilarious together; they should have been recurring characters. The premise of the Doctor dealing with Camelot and mysterious hints to his future raises as many questions as it does answers as it happily plays with time in the scenes where the Doctor finds instructions in a rune and a written note from a future regeneration of himself. I wish they'd film that as an episode to tie it all together. Then there's the moment where Ancelyn mistakes the Doctor for Merlin and as the episode goes on I start thinking that it's not a mistake after all. There's hints that in some future regeneration the Doctor becomes him since the voiceprints programmed to respond to Merlin's voice answer to the Doctor, Morgaine's mind commands to Merlin are heard and answered by him, and even the Doctor supposes at the possibility. "Are you Merlin?" "No. But I could be. In the future. That is, my personal future. Which could be the past." Three was my last "new" Doctor. I grew fond of him while watching "The Five Doctors" so I was looking forward to actually seeing a serial, "The Time Warrior", a Middle Ages invasion where the Doctor and Sarah Jane meet. While I have a pairing for each Doctor, Sarah Jane is the only companion who I ship with nearly every Doctor, and if ever there was a companion that was a soul mate for him it's her. I would happily have seen her travel with every regeneration. Three is a superb Doctor and fourth in my favorites, behind Five, Ten, and Nine. He's got a lovely warm and in-charge personality, and I adore how he isn't afraid to throw himself into a fight, knock guards out, and even shoot a crossbow. I liked the offbeat intro, too, goes with him, and his era has a steampunk feel, with his ideas, gadgets, and style of dress. Plus he's got one of the best companions ever so he has everything going for him. I'll have to watch more of his episodes. I adore oldWho. Anyone who didn't grow up on it is missing something special as nothing can compare to the warm fuzzies from the old painted props, slow-moving plots, old-fashioned special effects, and, of course, the colorful and cheerful way the TARDIS used to look, like a candyland labyrinth. It's like nostalgia with a cherry on top. I saw The Sarah Jane Adventures "The Death Of The Doctor" and was surprised by how good it was, a great plot and the right mix of drama and humor. I could like Eleven if the series was still under the same production as Nine's and Ten's excellent eras; I didn't like SM's view of Ten in the episodes he wrote, too much cold glitz and not enough emotional heart, which comes out even more in Eleven's era. And a change of companions would make a world of difference. Sarah Jane, Jo, and the kids smooth all the rough edges off the egotism and rudeness and there's far more emotion and tenderness in his speeches here than in any episodes of his I've seen, as well as vision of his character. I loved the beautiful moment when he says he went back and saw all of his old companions and was proud of them; that seemed like the doctors I love and not a stranger using the name. I haven't seen much of Jo before but she's hilarious here, and she and Sarah Jane make an awesome team, convinced the Doctor was alive even when everything seemed to prove he wasn't. The best part was when Sarah Jane talked about some of the early companions, especially Tegan because if only she had gotten to see Ten or any of the new Doctors again I would never want another thing from Doctor Who.

I saw the adorable film Her Highness And The Bellboy which plays like a 1940s fairytale. Jimmy is a sweet, rather naive bellboy at a hotel who spends his meager tips on making Leslie, the fragile and invalid young woman who lives a floor above his room, laugh, the only medicine that seems to help her. And when he's not doing that he has his hands full keeping his pal, Albert, out of trouble with the law, as well as holding down his job. Jimmy's life takes a sudden detour, however, when he mistakes the visiting Princess Veronica for a maid and takes her on an impromptu tour of the city, delighting her so much she hires him as her personal bellhop for the length of her stay. Jimmy instantly gets stars in his eyes, failing to see that she's secretly pining for a reporter, and mistaking her kindness for love he begins neglecting his friends, blind to the fact that Leslie is in love with him. When Veronica finds herself queen and Jimmy mistakes her invitation for him to be her servant as a marriage proposal, both of them must decide who they truly love and whether duty or the heart should lead their decisions. It's a delightful and sweet film, highlighted by the heartwarming talents of June Allyson and Robert Walker, always wonderful and playing off each other beautifully, and Jimmy's hilarious way of clearing a room, complete with that mysterious old lingo kids used to speak. I saw Tangled! I adored Eugene, such a hilarious and colorful hero. I was a bit surprised to discover they'd changed the prince into a thief but after about five seconds I couldn't imagine it any other way. Rapunzel was adorably overactive, and despite my misgivings about the animation style I warmed up to it quickly due to the beauty of the dancing and lantern scenes as well as the heartbreaking moment with Rapunzel's tear. The end was magic. I also saw Tangled Ever After, the adorable short film sequel, and it was even more wonderful and hilarious than the original, if that's possible. I loved how absurd everything was, how everything possible went wrong, and yet Eugene and Rapunzel were almost completely unaware of anything. Also the wedding was perfect, leaving me wanting a sequel where they have children.

My library turns up some incredible stuff from it's basement, including A Fall Of Moondust, with the feel of old paper, and that wonderfully musty smell. It's a disaster epic, with a romance and lovely imagery, on the moon about a ship buried beneath moondust and the people hoping for a rescue as those outside attempt to locate them before the oxygen runs out.
 
 
feeling: busy
calliope tune: "Gypsy Woman"-Brian Hyland
 
 
Kathleen
11 May 2012 @ 08:37 pm
Title: The Dance
Fandom: Dr. Quinn Medicine Woman
Summary: In many ways Sully and Michaela's love story was a dance across the years.
Genre: romance
Characters: Sully, Michaela
Pairings: Sully/Michaela
Warnings: none

I know what you're thinkin', and the answer's yes. I'll always love you, no matter what happens. I'll always find you as beautiful as the first day I saw you. )
 
 
calliope tune: "Never My Love"-Association
feeling: relieved