Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
feeling: working
calliope tune: "The Gallant Shearers"-Tannahill Weavers
 
 
 
Kathleen
14 November 2014 @ 03:02 pm
I watched The Hobbit: Batlle Of the Five Armies and on the last film of the series, the director finally gets it right, finding the perfect balance between nostalgia and a compelling new story. While there are still a few flaws - Tauriel remains unnecessary, Fili gets far too little screentime, Kili is obviously pushed to the viewers as the favorite, and we still never get to "know" many of the characters like in LOTRs, the good points far outweigh the bad. Most notably, unlike the others, this film never feels padded or stretched, the pace remains steady, and the removal of comedy elements give it a good solid feel the other films lacked. Bilbo, more likeable now that his acting is toned down, shows the noble heart that's always endeared me to the hobbits, and the highly likeable Bard gets to be the hero in taking down the dragon and leading the army of men. His moments with his children are beautiful, and I was grateful they all got their happy ending. Thorin's tragic spiral into madness is brilliantly acted and compelling, and his, Fili, and Kili's deaths reduced me to tears, even though I was saddened that Kili and Fili didn't get to die side by side as in the book. Legolas, the one addition to the trilogy I've loved since the beginning, was at his very best, showing off his fighting skills as well as hinting at his past - his strained relationship with his father, unrequited love for Tauriel, and, most intriguingly, the loss of his mother. The scene where his father finally tells him that his mother loved him made me sob, and I teared up at the mention of Aragorn as Legolas sets off to find him in the end. The links to LOTRs were skillfully done and never forced as before, and I loved how the ending drifted seamlessly into the first LOTRs. The closing theme was gorgeous - I'm so happy they used Billy Boyd's lovely voice again - and the credits were beautiful.

I went to see Night At The Museum 3: Secret Of the Tomb in theatres, and it was wonderful, a poignant, touching, and funny finale to a wonderful trilogy. Larry was perfect as always, and his friendship with the museum characters never fails to warm my heart. Teddy remains my favorite of the characters, and it made me tear up a little to see his last scenes. Jed and Octavius were hilarious as usual, and I couldn't stop laughing at them watching videos, taking selfies, and using a computer. The new characters, especially Lancelot, were treats, and I loved how many of the old characters they packed in, as well as Ahkmenrah having so much more screentime than in the other films, and even getting a backstory and happy ending after all the nights he spent locked in the coffin. Hugh Jackman's cameo was an unexpected delight, and I couldn't stop laughing all through his scene.

I also saw Mockingjay in theatres and it was painfully excellent, a more grim film than the others but so faithful to the books I couldn't help be delighted. My heart broke for Finnick, a character I never bonded with in the books but have learned to love in the movies, and my favorite part was his speech, including the creepy but fascinating aspect of Snow's poison and roses. His scene with Annie was beautiful and I only wish they shared more, especially flashbacks. While I was disappointed by the Hanging Tree's melody, and didn't care for her voice at all, I loved the other music as well as the beautiful direction style. Peeta was excellent, shattering my heart, especially when enough breaks through the brain-washing that he's able to warn Katniss, and the ending left me broken. Prim was a sweetheart as always, and I loved actually seeing more of Buttercup.

In other new movies I watched What's Eating Gilbert Grape, and despite my dislike of Johnny Depp, I surprisingly loved it. The story was beautiful, moving, and very realistic, and the small town setting gave it a vintage feel decades older than the movie. The acting was amazing, especially Leonardo DiCaprio who did a stunningly convincing job portraying Arnie. Next was the new miniseries Houdini, a uniquely filmed and incredibly entertaining account of Houdini's life and career. Adrien Brody was wonderful as Harry, and I adored Bess and his relationship, as well as his friendship with Jim. The tricks were fabulous to watch, and I liked the voice-overs looking into his thoughts as well as the bits of old footage toward the end. I saw the miniseries The Pillars Of the Earth and completely fell in love with it. The history, a time period I knew little about, was intriguing, the plot twists were fascinating, and I loved the characters, especially Jack and his relationship with Aliena. Many of the other characters, like Prior Phillip, Ellen, and Martha, were all interesting to see their stories, and I loved the happy endings for most of the good characters, and just desserts for the evil. The scenery and cinematography was lovely. I also watched the sequel miniseries World Without End, and it was fascinating, both for the history as well as the personal stories. I liked both of the romances, and was happy to see them both end up together and safe. The plot twists, especially with the Sir Thomas being the king were jaw-dropping, and the entire series was beautifully filmed and made. Then was If I Stay, a lovely and unusual film. I loved Adam and his relationship with Mia, and the ending was gorgeous. Next was L'Homme Qui Rit, a stunningly beautiful version of Victor's Hugo's heartbreaking book, and it was amazing, both for sets and filming as for the talented cast and intriguing characters. Next was Dracula Untold, a beautiful and heartwrenching version of the vampire's origins. I loved how he was shown as a good man who made a terrible choice to save his son, and his relationship with his little family was wonderful. After that was The Maze Runner. I adored the unique freshness of the plot, the oppressive setting, and mood, as well as how character driven it was. Dylan O'Brien was surprisingly good as Thomas - I never thought much of his acting before - and I felt for all the characters, which left me very intrigued for the next film. Next was the fascinating The Rite which I watched solely for Colin O'Donoghue - who was amazing - but ended up loving. The plot was straightforward but affective, and I liked how the story acknowledged true evil and true goodness. The scene where Michael remembers his mother giving him the card and finds the strength to defeat the demon was beautiful, and I felt the ending was largely satisfying. Next was the precious Christmas With Holly which was, like most Hallmarks, beautifully heartwarming and fun. I adored Mark and Holly's relationship, and all the characters were loveable in their own way. I teared up and laughed throughout and loved every moment. Next was the gorgeous miniseries The Red Tent. Dinah has long been one of the most fascinating Biblical characters to me, and I loved seeing her story come to life. Shalem and Benia were both wonderfully kind men, and I was glad Dinah found happiness a second time. I loved how her son came to love her and see her as his mother, and Joseph and Dinah's relationship was beautifully portrayed. Next was the intriguing and oddly beautiful Solomon Kane. I loved the title character - James Purefoy was fabulous and I completely adore his accent - both for his redemption arc as well as his friendship with Meredith. The scene where he pulls himself off the cross to save her was stunning, and I loved their beautiful reunion toward the end. I'm slowly growing to love zombie films and the latest was 28 Days Later. I loved seeing the genre from the British point of view, and the characters, especially the well-intentioned Jim, despite how little is revealed about their pasts, were all intriguing. I enjoyed Jim's relationship with Selena, and was extremely grateful that they went with the ending where Jim survived and the three were rescued. Next was the hilarious short film Incest!: The Musical which was adorable and needed to be so much longer. I couldn't stop laughing, and I loved Alex and Katie's determination to be together. Next was the hauntingly poignant I Am Dina. The story was intriguing, but it was the unusual characters, amazing acting, especially from the child who played little Dina, and stunning scenery that captivated me, along with the beautiful theme. The original version's ending was somehow more fitting, and I teared up at Dina trying to comfort her childish self. Hans Matheson was lovely as Tomas, and I wish he'd had a larger role, but I'm happy he at least got a happy ending, and - I assume - got to still be part of little Benjamin's life. Next was the adorable Sky High which made me laugh and love superheroes a little more than I already do. Will was loveably able to be related to, Layla was sweet, and I adored Warren and his fabulous hair. There were so many flawless in-jokes, too, and the gentle spoofing of the genre was perfect. Next was Mama, an effectively creepy story. The children, both the young actresses and the little girls who played the older versions, were incredible, and I loved Lucas and Annabelle and how they grew to love them. I was saddened by the ending, but it seemed fitting and was bittersweet. Next was the adorable Change Of Heart, the first talkie I'd seen Charles Farrell and Janet Gaynor in together, and the first time I'd gotten to hear her voice. Despite the somewhat rushed end (and Madge getting a happy ending which I didn't want) I loved the story, especially the characters and warmly vintage feel I get from old movies. After that was After, an unusual and interesting story. I loved seeing Freddy and Ana's intertwined stories from childhood to present day, and how their escape required both of them. The ending was perfect. Next was the surprisingly beautiful Elizabethtown which had some wonderful messages along with some whimsical and loveable characters. Orlando Bloom and Kirsten Dunst were both wonderful, and I adored their characters and relationship. The plot was a perfect blend of tears and laughter and I loved every minute. Then I saw the gorgeous Italian miniseries Romeo E Giulietta which has quickly become my favorite version. I fell in love with the characters and broke for them, especially Romeo and Mercutio, and I loved the small enhancements to the plot while remaining faithful, such as giving the nurse something of a backstory and more depth. The scenery and score was stunning, too, and I loved the wintery feel of the film. Then was Pearl Harbor, a gorgeous and beautifully moving movie. I loved the vintage feel, and surprisingly didn't mind the love triangle, probably because I loved all three characters. I was sad that Danny died, but I loved that he did so saving Rafe's life, and the ending, with Rafe and Evelyn together and raising Danny and Evelyn's little boy, made me tear up.

In new fairytale films I saw La Belle Et La Bete, and it was a beautiful and unique version of the fairytale. I would have liked more scenes between Belle and the Beast, as her sudden love for him didn't make much sense other than pity once learning his backstory, and Belle often came across as somewhat spoiled and childish, but the film was gorgeous, especially the details such as the weeping statue, the photography, and the costumes - Belle's green dress was stunning. I loved the unusual origin story of the curse, as well as the adorable dogs, and having the film be a story Belle told her children was an adorable touch. After that was another of the gorgeous Sechs auf einen Streich series, Aschenputtel, and it was beautiful. I loved that the version spent more time showing Viktor, the Prince, as well as the fact that he got to meet Cinderella twice before the ball, making his love for her more logical. Both Viktor and Cinderella were sweet characters and it was easy to root for their happiness, as it was to despise the stepmother and sister, who instead of the cartoonish characters they usually are, were despicable and cruel. I loved the birds helping Cinderella, and the magical tree, and Viktor's relationship with his father was adorable. I also discovered the Märchenperlen series and saw my first, the stunning Die sechs Schwäne. It's long been one of my favorite fairytales and it was adapted beautifully and faithfully, with just a few twists to the plot to make it unique and exciting. I loved the characters and the happy ending.

I gave a try to the BBC miniseries of Ben-Hur, and as I expected, there were quite a few changes from my beloved '50s version, but definitely not all of them bad. Being so much longer, this version had the ability to include things I've always wanted to see, like Judah and Messala's childhood friendship and the beginning of Esther and Judah's love story. Joseph Morgan, despite being a little young for the role, made a good Judah, especially the angry, almost unhinged version that returns for revenge. Messala, intriguingly, was more layered than the '50s pure evil version, and the tragedy of his father's disinterest in him was contrasted against the Ben-Hur's family's original love for him that he betrayed. I loved that the film had him survive the race long enough for Judah and he to make their peace. Esther was somewhat disappointing, coming across as immature and too quick to think badly of Judah, and I didn't warm to her, even by the ending. I loved the new character of Athene, though, and her last scene was fascinating.

In new animated films I saw the adorable Bolt. I loved the title character, Mittens, and Rhino, and the adventure and happy ending for all the characters was wonderful.

I also saw Exodus: Gods and Kings, and as I expected I couldn't help doing a compare and contrast to The Ten Commandments which has been one of my favorite movies since I was in preschool. On the good side I liked how the film portrayed Moses as more warrior and hot-tempered, and the sword's inclusion throughout was a nice touch, especially at the Red Sea scene. In both movies I love the elder Pharaoh's relationship with Moses and he was lovely here. Ramses had more of an edge than Yul Brynner's version, and yet a tenderness with his little son that brought tears to my eyes during the funeral scene. I appreciated the over-whelming feel of the plagues, and the larger scale of the swarms of insects and frogs. Zipporah was beautiful portrayed, with her and Moses's love a highlight of the film, and I adored Moses's scenes with his son. Joshua, despite much less screentime, was just as wonderful, and the actor's beautiful eyes were so expressive and fitting for the character. On the downside the film felt rushed, with not enough needed time spent on Moses's days at the palace, and the focus on war and violence sadly limited the character study which would have smoothed out the plot. It was a fine action movie, but not a powerful and inspiration epic like The Ten Commandments, and in the end I think a combination of the two would result in perfection.

I saw the trailer/spoof "Dr. Quinn Morphine Woman" and it was hilarious, spot on to the original show while poking fun at what it would be like today. I loved seeing nearly everyone again, however briefly, and Sully's horrible wig and hair flipping had me howling with laughter. His and Michaela's kiss, complete with over-dramatic Indian music and heartbeating and breathing, was an absolute treasure. The concept of Michaela as a druglord and the town as addicts was brilliant, and everyone was so perfectly in character I only wish it had been far longer. I also got to see a bit of the pilot California, which sadly never became a series. It was wonderful to see Hank get a chance to shine, and I adored his interactions with Zack. It was quite a sweet and touching episode, and I only wish it had been given a real chance.

I discovered the show The Legend Of William Tell by accident and watched the episode "The Tomb Of the Unknown Warrior". The series is unusual, with great world-building, and I love the clever twist on the original legend. The episode used one of my favorite tropes of body-swapping with a fascinating twist, of enemies exchanging bodies by accident, only to have one die, and the injured survivor on trial for killing himself. Dean O'Gorman was excellent at the role and I loved that it turned out so well.

I finally broke down and watched Dean O'Gorman's episodes of Xena Warrior Princess, and despite not being very fond of the show I really enjoyed "Athen's Academy Of the Performing Bards". He played Homer, and I loved the way the historical people were portrayed, as well as the old movie clips.

I've started watching Copper, a heart-breaking yet incredible series. I appreciate the often painfully accurate history, from the filth of Five Points to the past of little Annie, one of the most tragic characters I've seen on a tv show. I love how the show doesn't flinch from portraying difficult elements, and isn't afraid to make its characters morally complex. Corky is a fascinating, haunting character, and I love his friendship with Annie and how he treats her like his own daughter.

Season two of Resurrection is on now and it's even more jaw-dropping than season one, with twist upon twist against an intriguing story arc. The plot took a very different path than I'd expected but for the most part I'm glad. The concept of this being the second time the Returned came back and the storyline of the 1930s flashbacks and discovered bones are both chilling and fascinating, especially the "demon" story of episode four. Margaret is a disturbing character but I'm intrigued to see where her motives lie. I like seeing some character growth of Janine's part, as well as Fred, and it's lovely to see a bit more of Barbara, especially when she gets to share a scene with Maggie. On the reverse side I'm saddened by Marty betraying Maggie by reporting the bones as well as Lucille's troubling down-spiral and Jacob's oddly defiant behavior which seems so out of character for the sweet boy of last season. The mysterious virus is intriguing, sadly taking Marty's parents and my hope of their having a reunion, but thankfully sparing little Jenny, and Marty finally gets a scene with her. Janine's obsession with Rachael's baby, and apparent kidnapping of Rachael has me terrified, and I'm stunned by Tom's death. The finale was nicely done, even if so many questions were left unanswered - I'll forever be saddened the Government Lady's backstory wasn't explored and Tom never came back - it felt overall largely satisfying. Strangely enough I'm content with not knowing how and why the Returned came back, as across the series I've seen that the point was more focused on how they lived life to the fullest with their second chance. I was happy Rachael chose to stay, and her baby was precious - I'm presuming he's okay and Preacher James was just crazy - and I'm incredibly happy Marty got to keep Jenny. Best of all was Fred's character growth when he stops Henry from wanting to give up Rachael. Another happy treat was Marty and Maggie's relationship; I've shipped them from the start and I'm thrilled they ended up together.

Season two of The 100 is on now and it's not quite as amazing as last season, with so many changes. To my gratitude, Finn is alive, and still the light of the show. The twist of Mt. Weather and it's eerily welcoming people who may or may not be what they seem already has my attention, and as much as I'm saddened by how feral Clarke has been forced to become, I love that she seems to be the only one with any sense. Jasper, such a fun character at the start, only annoys me now, and I miss who he used to be. Monty, as usual is flawless and given far too little screentime since the show pushed Raven into his shoes. I still can't make myself care much about Raven, especially after her cruelty to Murphy. As much as he's a bad guy I've loved him since the start and I'm incredibly excited for the hope of a redemption arc for him. I love Lincoln and Octavia as characters but definitely not as a pairing, and I'm not fond of how their relationship keeps being pushed to the point that they're now going to his village rather than Octavia trying to find her brother and even care if he's alive. Kane's storyline is troubling so far, and he seems to have lost much of the growth of character he showed throughout season one. Bellamy's decency and changed personality have finally made me grow to like him, and I enjoy his friendship with Finn. Finn is breaking my heart, especially when he killed the Grounder, and I'm worried as to what will become of him. I finally made it to "Spacewalker" and in many ways the show is over for me. The Grounders were never innocent with all the kids they killed from the start - their first act is to spear Jasper - and I've wanted them wiped out since the beginning so I felt no pity for their village, only anger that they demand retaliation when they've done more and worse. But to actually kill Finn, the one bright spot of the show, by Clarke's hands was too cruel for words.

Season two of Atlantis has begun, and it's somewhat darker while still, thankfully, retaining some more light-hearted moments. Minos has sadly died; I grew to enjoy his character so I'll miss him, and Ariadne is now queen. Ariadne has never been one of my favorites, and more screentime for her does nothing to make me happier, and she seems worryingly willing to tip into darkness if necessary, even if her intentions toward Atlantis seem good. Jason and the Oracle's relationship remains my favorite on the show, and I'm already concerned by her warning that Jason will turn evil if he learns the truth about his mother. As sad as the vision makes me, I was thrilled to see confirmation, through the glimpse of the Argo, that Jason is THE Jason of mythology. "Telemon" returns to my favorite setting, the arena, with a fascinating story that raises more questions than answers regarding Ariadne's new suitor. "The Marriage of True Minds", the season's best so far, is beautiful and touching, featuring a gorgeous score and some much missed banter between the main trio. "The Day of the Dead", an odd, and somewhat plotless zombie fest, nevertheless features the first intriguing meeting between Jason and Medea, who seems to care in the scene where she heals Jason's leg, and yet ends by stabbing Ariadne.

Onto season ten of Supernatural and the demon!Dean storyline I've dreaded since last season. While I'm so grateful to see the writers have finally put Sam back in the character he used to be, and it's wonderful to see his determination to find and save Dean, I'm saddened by the disconnect between the characters. Dean isn't the scary demon I assumed he'd become but rather a strange, jerk version of himself, chasing women, getting into fights, and singing, and apart from his coldness toward Sam he seems more bitter than non human. Castiel and his steadily declining health has me terrified, even as I'm saddened at yet another season's storyline that distances him from the brothers. I miss Team Free Will together, and I've grown tired of the constant angels storyline, as Castiel is the only one of the angels I've ever enjoyed watching. "Reichenbach"'s revelation that some of Castiel's grace still exists makes me happy, yet I'm proud of Cas for refusing; he's come such a long way and learned so much. Demon!Dean is progressively spookier, and the final scene made me shudder. "Soul Survivor" was superb, and I'm so grateful to have caring!Sam, human!Dean, and healthy!Castiel back again, the way it should be. The twist that Sam forced a man to sell his soul to find Crowley and Dean was fascinating, and I'm intrigued to see if there will be further fallout. I'm also shocked by Crowley saving Castiel. "Ask Jeeves" is a delight, much like an early seasons' ghost hunting episode while still with a glimmer of worry regarding Dean and the Mark. "The Executioner's Song" was stunning, driving Dean closer to a dark ending, while showcasing Team Free Will, a recipe that always forms the best episodes. I teared up when Cain tells Dean he'll kill Cas and Sam, and cheered when Dean was strong enough to give up the blade to Castiel.

I gave a try to the new series Galavant, and despite a shaky pilot, fell in love with it in the second episode. It's hilarious, outrageous, and the characters, even the bad guys, are all loveable. I already ship Isabella and Galavant, and I can't wait to see what happens.

In other new shows I started watching the intriguing Eye Candy and I'm already hooked. The premise is interesting, the acting and emotions are excellent, and I can feel for the main character. I was incredibly sad they killed off Ben, though, since he was so sweet and I loved Lindy and he together. But I'm starting to love Tommy and even ship Lindy and he.

I also discovered the new series 12 Monkeys and I'm in love with it: a sci-fi show with an actual science basis, bound by laws that make sense for a refreshing change. Cole is a likeable and tragic protagonist, with shades of grey - I teared up during the scene where he says how much he wants forgiveness - and I already ship him with Cassandra. My favorite character, however, is Ramse, whose goodness shines through the dark future and friendship with Cole keeps me interested in learning about their pasts. I love the concept, too, and the jumping between time periods.
 
 
calliope tune: "You Belong To Me"-Duprees
feeling: discontent
 
 
Kathleen
I managed to watch the first episode of Atlantis the same day it premiered and while it scrambled mythology, I completely adored it. The settings, costumes, and soundtrack were gorgeous, the cast is quite attractive (I'm loving Jason's dimples!), and the story is very fun so far. Pythagoras is completely adorable, and I love the friendship starting between Jason and he. The humor struck a good balance with the more serious moments, and even if the pace was a little fast, I thought it was a great start for a pilot and very promising. Onto episode two which wasn't quite as good as the pilot (and no Jason and Pythagoras friendship, sadly), and had me cringing at the dreadful imagining of satyrs, but still gets points for including the maenads. I love Medusa and am mourning her fate already, since against my better judgement I'm slightly shipping her with Jason - she did save his life after all!. I only wish they'd cut back on some of the fate and simply let Jason and Pythagoras get into all sorts of fun, mythological adventures before they start in on future tragedies. "A Boy Of No Consequence" was fun, and thankfully toned down much of the humor of the first two episodes. Ariadne was somewhat less bland when she stood up to the queen, and I could tolerate Hercules a little better, but the witchcraft bits were unnecessary. The hurt/comfort parts were lovely, and I adored how Jason got everyone to work as a team, and his gymnastics, as well as Medusa saving the day. I'm a little sad to see the writers trying to pair her up with Hercules though, since I'd hoped for her to be matched up with Jason. "Twist Of Fate" was superb, mixing adorable moments with more serious. I adored the trio being so cute with the baby, and even Hercules grew on me this week. Jason was fabulous as always, using his gymnastic skills to full advantage, and the baby's mother was a fascinating character and superb actress. I hope to see more of the king and she in the future. I love the show's rare continuity of having Jason's arm bear a scar from the arrow wound in the pilot. "White Lies" had too much Ariadne but I loved Minos finally getting screentime. He's quite a tragic character, and I love his relationship with Ariadne. Jason was awkwardly adorable through the whole episode, and I couldn't stop giggling over Hercules and his pet beetle. "The Song of The Sirens" threw a new spin on things as Jason, desperate to save Medusa and Hercules, makes a rash pact with Circe the witch to kill Pasiphae. I loved Pythagoras and Jason's friendship in the episode, along with the character growth of the Oracle, who, while still mysterious, obviously cares deeply about Jason. The final scene between them when she takes his hand was especially touching. "Rules Of Engagement" was little more than fun, flawless fan service for 99% of the show as Jason does gymnastics and is soundly whumped all while forgetting his shirt at home (why am I not surprised by now?), but it still offered a cute moment where Hercules and Medusa patch things up, and the first glimpse of future darkness as recurring character and palace servant Korrina is needlessly murdered. Poor Korrina, I'd hoped for a bit more from her in the future, but I can't say I'm surprised as I already guessed she wouldn't last forever on the show. Still it only makes me hate Pasiphae more. "The Furies" was an uneven episode consisting of an intriguing premise poorly executed against some stunning acting by Robert Emms and beautiful moments of friendship between not only Jason and Pythagoras but also Hercules and the two; I especially loved the part where Hercules starts to crawl away to deter Pythagoras from giving himself to the furies. "Pandora's Box" brings back the show from hiatus, and I love seeing everyone again, even if it's the most heartbreaking episode yet. Medusa's transformation wasn't unexpected, but I'd hoped it wouldn't be so soon, and the final scene with Jason cursing the gods was stunning and foreboding for the rest of the series. "The Price Of Hope" was mostly a filler full of running but it gave some lovely h/c moments as Pythagoras cared for an injured Jason, a beautiful friendship moment between Hercules and Pythagoras, and a strange twist as Jason is able to look at Medusa. "Hunger Pangs" was hilarious, a wonderful breath of fresh air after weeks of sad episodes, and Jason was adorable as a werewolf who frequently ends up devoid of clothes in strange places. I'd love to see hints of it pop up in later episodes, even if the silver did cure him. "Touched By The Gods" was a "royal episode" as I call it, which means less fun for me than the trio-focused ones which are my favorites, but still the plot offered some resolution to earlier stories as well as a new depth to Jason. I was secretly wishing he'd kill Pasiphae, and I found it odd that he couldn't bring himself to kill her yet killed Circe, who seemed less evil to me of the two, without much of a thought. Still he did selflessly offer himself to her to be killed, showing how much he cares about his friends, and the trio had some wonderful moments that were both funny and heartwarming as they try to help Jason fulfill his vow and then join him battling the living skeletons - a nice nod to Jason and the Argonauts. Jason and the gang's rescue of Ariadne was fun, complete with the always enjoyable bonus of flaming arrows, but I was saddened by the servant's death. On the bright side Heptarian is thankfully gone now, in a strangely quick way, unless the writers are planning to bring him back. The leper colony intrigued me, as well as Jason's long-lost father being among them, and I loved seeing the brief father-son interaction even if Jason isn't aware of who he is. The twist of Pasiphae being his mother made me happy, since, unlike the rest of the fandom it seems, I'd considered it at the beginning but doubted the writers would go that way no matter how much I hoped, and the revelation finally opened up some explanations as to Jason's mysterious gifts. My other favorite parts were Hercules finally admitting he cares about Jason and Hercules nearly crushing Pythagoras by attempting to hide him from the soldiers.

In other brand new shows I've started watching Sleepy Hollow against my better judgement, and quite surprisingly ended up obsessed with it. The premise is creative and incredibly fascinating, and I love Ichabod. I've always been interested in the Revolutionary War and the overlap with history to fantasy is amazing. I'm also liking Ichabod's friendship with Abbie. The writing is brilliant so far and the bad guys, especially the creepy Sandman, are well done against some stunning filming. "John Doe" was superb and my favorite episode so far, with an awesome tale of Roanoke, Ichabod's modern day confusion and old-world gallantry when he takes Abbie's hand to cross the water, and some delicious hurt/comfort and heartwarming moments. Plus Ichabod speaking Middle English and interacting with the boy made my heart melt. "The Sin Eater", drawing from a fascinating Welsh tradition, was brimming with wonderful moments from the hilarious baseball game scene, to Ichabod's swoon-worthy bow, to the poignant and gorgeous exchange as Ichabod prepares to give up his life to defeat the Horseman. Despite my best efforts I've fallen off the wagon and started shipping Ichabod/Abbie hard so I teared up when he finally called her by her first name and later when they hugged. I also liked understanding Katrina's backstory better with the intriguing parts where Ichabod first learned of his gifts and part in the war. "Sanctuary" was a fun haunted house story with a shocking twist as it's revealed Ichabod has a son, born after his death. While on one hand I love it - daddy!Ichabod could be adorable, and even if his son is long dead there still could be a great+ grandchild somewhere, I have a bad feeling about the tragic directions this storyline could take. A darker side of Ichabod has surfaced, too, especially in the scene where he kills the tree creature. "The Golem" was haunting, exploring the fate of Ichabod's son Jeremy - I can only hope the writers will bring him back to life or at least include more flashbacks in the future - as well as Katrina's coven - an extremely creepy set of four women. I loved seeing the Sin Eater again, and Ichabod's Christmas confusion made me giggle as usual, especially the adorable scene where Abbie gives him a stocking, but the ending has me barely able to wait for the show's return.

Despite not planning on it I took a peek at Once Upon A Time In Wonderland and completely fell in love with it's version of the tale. Cyrus and Alice's romance is beautiful and I hope so badly that it has a happy end. Also the Knave of Hearts is wonderful, I just adore him. "The Serpent" was the most heartwrenching episode so far as Jafar's evil origins are revealed, and Alice is finally forced to make a wish to save the Knave's life, tying her life to his in the process, but sadly all for nothing as the Knave is turned to stone. The ending left me in tears, despite the hope of Cyrus beginning to escape, and the lovely wishbone legend, and I can only hope next episode will have more light at the end of the tunnel. "The Cell" was another step forward as well as a step back as Alice uses her second wish which broke my heart, but she and her father managed to mend their relationship even if the ending implies that her father won't remember anything, indicating another sacrifice Alice has made that goes unrealized. It finally occurred to me that every character is motivated by love in some way, and each love is contrasted from Knave and Anastasia's lost love to Jafar's pining for his father's love, to the true, beautiful love between Cyrus and Alice that motivates everything she does. Sophie Lowe was stunning in the episode as usual, bringing out all of Alice's emotions and pain, especially in the scene where she talks about her childhood to her "father", and the Knave and her friendship was as lovely as always. Cyrus, sadly, had the smallest part ever, speaking only one line and in two scenes, out cold except for a few seconds. The final pieces of Jafar's childhood was revealed, and while I understand him a lot better now, and even feel a little sorry for him, I still side with the other prisoner. He saved Cyrus, after all. "Home" was stunning, with Cyrus and Alice finally reunited, Cyrus getting far more screentime than usual, and a shocking twist ending The opening flashback of Cyrus and Alice beneath the stars was gorgeous, and I loved the creation of their little home, with Cyrus giving up his only treasure to protect Alice. Also I guessed right about genies once being human, so I'm looking forward to flashbacks of Cyrus's history. Emma Rigby impressed me the most, going from an unlikeable, overly done character to a compelling, tragic one, and I loved how she slowly reverted to her Anastasia accent and mannerisms, even as my heart broke when the Knave rejected her. The end twist was incredible - I'd forgotten about Alice promising the Knave a wish - and I'm both thrilled that Cyrus is free and Alice is well and also saddened by the Knave's fate, even if I know he'll be a hilariously fun genie.

I've also become very fond of Reign which more than makes up for it's lack of historical authenticity with beauty and endearing characters, especially the gorgeous Bash whose blue eyes take my breath away. I love his relationship with his half brother Francis - I've always been a sap for brothers - and Mary: I ship them against my better judgement, and little Charles is adorable. The castle is stunning, too, and I'm intrigued by the mysterious Clarissa. Plus the series is slowly introducing some more complicated twists and delightful whump so, for now at least, it makes me happy.

I've started watching Almost Human and completely fell in love with it. Both Dorian and John are realistic, far from perfect characters who are easy to relate to, and I love their odd friendship and hilarious banter. Plus, it's been ages since I've seen a sci-fi that could pull off such a far-fetched, seemingly emotionless premise with so much heart and feeling.

I've finished season two of Stargate Atlantis and there's something of a different feel so far as Atlantis is now commanded by military - complete with an alien - and Sheppard gets more reckless than ever in his heroics. I'm iffy on Teyla's ability to now communicate with the wraith as the result of her genes and preferred when it was simply her sensing their presence. but she's still one of the few female tv characters I consider awesome and she finally gets to share more scenes with Sheppard to my shipping delight. I'm getting more used to McKay now, mostly because of his humor and bravery in going after Sheppard in "Aurora", and I laughed through the hilarious "Duet" which forces him to share a body with a woman. Much to my sadness Ford has vanished from the series in one of the worst and most tragic write-outs ever as the result of wraith enzymes from surviving a feeding which makes him violent and unstable. He winds up fleeing through the stargate and, despite another appearance which got my hopes up to his return, then escaping again when Sheppard finally tracks him down. He turns up once again but the series leaves his fate hopeful but hanging as he's last seen aboard a wraith ship. Yet the episode was a bittersweet memory of the first season toward the end with Ford risking his life to let Sheppard escape, and Sheppard finally calling him by his first name. Filling the gap left by Ford, but thankfully not replacing him, is Ronon, a runner hunted for sport by the wraith, who they discover when searching for Ford. While a little hostile at first, he's so far a complex and fascinating character with good chemistry with Sheppard, a strong devotion to the team, and a staggering array of fighting skills which promises some fun in the future. The season's best episodes include the intriguing "Instinct" which provides a new, almost human side to the wraith in a tragic story of a man who rescues and raises a wraith child as his daughter, and "The Long Goodbye", which despite focusing so much on Elizabeth who I still don't like, had some fascinating moments. I liked Ronon going after Sheppard himself, but he worried me when he was so badly shot, even if watching Carson operate with the power out was awesome. Also Teyla's scene where she agonizes over whether to kill Sheppard and save the people was stunning. Onto season three now and it's fascinating so far, picking up where the finale left off by continuing the somewhat tragic storyline of Michael, a wraith turned into a human by Carson's retrovirus. That's followed by the stunning episode "Sateda", a team story that finds Ronon again at the mercy of the wraith. It was filled with beautiful moments that had me tearing up, especially Sheppard admitting how he cares about his friends and Ronon willing to cut his own throat to force the people to let Teyla and Sheppard go. My heart bled for Ronon during the backstory moments, and I completely fell in love with him when he hugged Carson in the adorable ending. Other excellent episodes include the intriguing "Phantoms" where the team begins to hallucinate from a wraith device. I found Teyla being unaffected and Sheppard's vision being attempting to save a soldier he lost to be interesting insights into their characters. More is revealed about the ancients in the episode "Progeny" which features one of the most haunting closing scenes so far, as well as the wraith in the fantastic "Common Ground" in which Sheppard finds himself working with a wraith to escape from prison, an agreement which results in the wraith restoring the life he drained from him. McKay's best of the season is the funny and heartwarming "McKay and Mrs. Miller" featuring a parallel Rodney (I would have loved to see his team!) and McKay's sister. Ronan's wonderful friendship with Sheppard continues to delight me, with highlights including a hilarious scene where Sheppard teaches him to play golf. Happily the pop culture references are even more frequent now, and the team friendship is even better than last season. The last episodes of the season take a startling and incredibly tragic turn with Carson's death which turned me into an emotional wreck. I loved Carson dearly, and even though his death was heroic and poignant, I still hated that he was written out of the series that way. I'm on season four, now, and there's several changes so far. The somewhat annoying replicators storyline has finally found a good plot point in allowing for the removal of Elizabeth from the series; in her place is Sam, and I'm already loving her as the leader, which I'd hoped and supposed I would after enjoying her guest appearances. Ronan gets to shine, and finally has his place in the team cemented, in the excellent "Reunion" which forces him to choose between Atlantis and a trio of survivors from his old home, complete with a poignant twist ending. "Doppelganger" is a fascinating study in nightmares in which Sheppard confronts his deepest fear - himself. Everyone had some wonderful moments, especially Sheppard - the fight scene between his double and he was a delicious guilty pleasure - and McKay, plunging back into the dream machine after nearly dying just to save Sheppard. I loved the beautiful team moment at the end, as well as the awkward but adorably sweet hug between Sheppard and Teyla. "Tabula Rasa", in which a mysterious virus wipes the memories of everyone but Teyla and Ronon in Atlantis, is a fascinating, stunning episode. I loved how Ronon was able to talk Sheppard into trusting him, as well as McKay saving the day. Ive finally learned to adore McKay and my heart hurt and then was so happy for him at the beautiful ending. I love his sweet romance with Katie and hope they have a happy ending. "Miller's Crossing" was an unusual episode which highlighted how much McKay has changed when he offers to sacrifice himself to a wraith to save his dying sister, as well as showing a strangely dark side to Sheppard in which he convinces another man to volunteer in McKay's place. I loved McKay and Jeannie's relationship, though. The downsides to the season are the ever dull replicator storylines, Teyla's odd personality change in "Missing", going from a deeply caring character to a harsh and cold person who's willing to abandon a wounded stranger to die, and Dr. Keller, a tolerable but sadly lacking so-called replacement for Carson who I miss terribly. "The Kindred" both warmed and completely broke my heart by bringing Carson back - as a clone but so Carson I was tearing up within seconds of hearing his Scottish accent. I loved how the team grew to accept him, tried to save him, and were finally forced to keep him asleep until a cure can be found in one of the most tear-jerking goodbyes ever. On top of that was the season finale, the utterly stunning "The Last Man" in which Sheppard, returning through the gate, finds himself in a desolate Atlantis and is forced to return to the past and prevent his friends' deaths. Ronon and Todd, who I grew to love through the season, dying together broke me, as well as McKay spending twenty-five years trying to change the past, and then dying alone like that, leaving a hologram to wait for Sheppard. I sobbed when he wanted to help him when Sheppard was half-dead from the storm and he couldn't even touch him because he wasn't real. The cliff-hanging finale left me biting my nails, and I know I'm going to be a wreck next season.

The Doctor Who 50th was better than I'd been expecting. I was bracing myself for a letdown, and while a lot disappointed me, on the whole I really enjoyed it. Ten seemed mostly in character, I was so happy to see him again, and I was able to cope with my dislike for Eleven for the most part. I really liked the girl with the scarf, especially in the adorable scene where she makes friends with the alien. My favorite thing was the nods to classic!who: the B&W opening, Four's scarf, Kate being the Brigadier's daughter, Jack being mentioned, the pictures including Martha, Kamelion, Tegan, Nyssa, and others, and the "round things". I laughed so hard at the comment at Americans, history, and movies, as well as the "midlife crisis" comment. I shrieked when they had all 13 Doctors turn up twice; if they weren't going to include the old actors it was the next best thing, and it made me so happy to catch a glimpse of Five in the 50th. I also loved Tom Baker's cameo. The story was odd; I loved seeing the Time War, Gallifrey, and all the Time Lord children, but it felt like cheating since destroying Gallifrey shaped Nine and Ten's characters so much - they're so different from the old Doctors because of what they've done, and it cheapened the impact of all they'd done to change it all. I enjoyed The Five(ish) Doctors even better, though. Peter Davison and the others were delightful and parts made me giggle while other scenes had me tearing up from nostalgia, especially the comment about the Tardis no longer "wobbling", and Peter Davison saying his typical "must dash", just like Five again. "The Time Of The Doctor" had more human, personal elements than is typical of Eleven's era, and while I'm not at all sad to see him go I did get a little emotional at the Doctor growing old defending the little town of Christmas, as well as his friendship with the child. I disliked the dig at Ten's so-called "vanity", the messed-up plot jammed with too many aliens to make sense, and I hate the constant reset button that follows every bad event; at least in the original show and Nine's and Ten's eras there were severe, deeply tragic consequences whereas now the Doctor can do pretty much whatever he wants and just rewrite it all. I also don't really care for Clara, although I think I could learn to tolerate her with a good Doctor. I'm willing to accept the new regeneration cycle, though, as random as it is, if only in the hope that future Doctors, and, oh please, runners of the show will get things right again, as well as the fact that I don't think I could bear to watch the Doctor truly die, for the sake of all he was. Twelve, though, in his few moments, was wonderful, both hilarious and instantly appealing, and I'm happily looking forward to adventures with him.

In absence of new OUATIW I've started watching season one of Once Upon A Time which both frustrates and gives me intense bursts of wistfulness for OUATIW while managing to make me come back for more. I love the fairytale world and the unusual, often clever twists on common fairytales, as well as all the characters from different stories existing in the same world. I like Prince Charming and all the flashbacks to his story, although I don't care for David or Storybrooke, oddly enough. I also liked Graham, and was shocked and saddened by what happened to him, since he was just getting depth and emotion. The best episode so far is the stunning "Skin Deep" which made me fall in love with Rumplestiltskin/Belle, as well as seeing Rumplestiltskin in a different light. I loved all the Disney parallels, and for the first time the Storybrooke part tied in perfectly with the fairytale ones, in a beautiful, haunting way. The ending was shocking, but I loved the poignancy of Rumplestiltskin keeping the chipped cup, as well as the twist that he remembers his identity, and thus Belle, too. August is one of my favorites so far, and I adore both his character and storyline. Jefferson is also wonderful and deeply tragic, as is his attempts to reunite with his little daughter Grace. The season finale was unexpected but I loved that the curse is broken and the characters are reunited. I teared up when Rumplestiltskin saw Belle alive for the first time, and again when she remembered him.

In new superhero films I finally saw Thor: The Dark World and it was wonderful, quite different than what I'd expected but very good. I adored the concept of the gaps between the worlds with the characters falling in and out of them, as well as the intriguing backstory of the dark elves. Thor has grown up so much since the first film, and I love his character even more now. For the first time I felt sympathy for Loki, as well as liking him just a little, and it was wonderful to see Thor and he fighting side by side again instead of fighting each other, as well as getting to see so much of Loki's magic. I was saddened by Frigga's death, but I loved that she believed in Loki right until the end, and died heroically. Loki's reaction to her death, and the scene they shared before that were heartbreaking, adding depth to Loki's tragic nature. Thor and Loki's banter during the escape was hilarious, as was Loki's response to everyone threatening his life, and I laughed at Loki turning into Captain America. Thor and Jane's relationship was less appealing to me than last time for some reason, but I did love her risking her life to try to save him toward the end of the battle. Darcy and Ian kept me giggling and I ended up shipping them. The end twist was jaw-dropping, leaving me both happy Loki survived his "death" as well as concerned for the future with him up to his old tricks.

In other new films I saw the beautiful and touching Remember Sunday. I loved the characters and the actors who played them; they were perfect, and Gus and Molly's relationship was believable while still being sweet. I giggled at some parts - like Gus's constant shock over his friend's divorce - and teared up at others, and the comet bits were so lovely. I liked the hopeful, if somewhat bittersweet ending, too. Next was the surprisingly excellent Snow White and the Huntsman, the best version I've seen of the fairytale yet which brought emotion and true personality to the characters where previous versions have failed. Chris Hemsworth was superb as the troubled, yet good-hearted Huntsman, a character I've long adored, and I loved his accent, as well as the hints of romance between Snow White and he, as well as the fact that his kiss and not William's saved her. William was a somewhat fun character, even if his role felt limited in places, and I enjoyed the flashbacks to his childhood with Snow White. Kirsten Stewart was shockingly good at the role, making me change my mind about her acting, and the visuals were gorgeous. I liked the dwarves actually doing something instead of simply comic relief, and the Queen was even more evil than usual, meeting a more fitting end than most versions. Next was Love's Christmas Journey, a sweet, and thankfully more improved installment in the Love Comes Softly series. I liked the characters, as well as seeing little Aaron all grown up and being a wonderful father, and the end was lovely. After that was The Courageous Heart of Irena Sendler, an inspiring true story of a woman who risked her life to save Jewish children during the Holocaust. I loved actually seeing the real lady at the end, and that her story managed to have a happy ending after all she endured, and I loved that she and Stefan found each other in the end. The subplot of the man and his son was poignant and deeply sad, too, and the entire story and filming reminded me a lot of my beloved Hidden In Silence or Miracle At Midnight. After that was The Magic Of Ordinary Days, a lovely, old-fashioned film with a slow-moving plot and slow-growing love story that captivated my heart. The characters felt real and the ending was beautiful. Next was the fun western adventure American Outlaws which, while playing fast and loose with history, was action-packed and a treat to watch, especially with Jesse's shooting tricks, the heroic rescues, and multiple explosions. Then was the heartbreaking and beautiful romance The Lost Valentine. I cried more than I have during any film but I loved it, especially Neil and Caroline's love story. Next was the lovely Heaven Knows Mr. Allison, a moving and poignant mix of love story and war drama with a very human aspect.
 
 
calliope tune: "Some Memories Just Won't Die"-Marty Robbins
feeling: drunk
 
 
Kathleen
11 May 2012 @ 10:56 pm
Title: A Fall Into the Sea
Fandom: Atlantis
Summary: To be touched by the gods is to be both blessed and cursed.
Genre: angst, tragedy
Characters: Jason, Pythagoras, Hercules, the Oracle
Pairings: none
Warnings: futurefic, implied character deaths

Curse you and curse the gods. Do your worst. )
Tags:
 
 
feeling: nervous
calliope tune: "Burning Bridges"-Jack Scott