Kathleen
22 May 2016 @ 11:08 am
All my fanfics.

Days turned into weeks, weeks turned into months. And then, one not so very special day, I went to my typewriter, I sat down, and I wrote our story. A story about a time, a story about a place, a story about the people. But above all things, a story about love. )
 
 
feeling: working
calliope tune: "The Gallant Shearers"-Tannahill Weavers
 
 
Kathleen
I managed to watch the first episode of Atlantis the same day it premiered and while it scrambled mythology, I completely adored it. The settings, costumes, and soundtrack were gorgeous, the cast is quite attractive (I'm loving Jason's dimples!), and the story is very fun so far. Pythagoras is completely adorable, and I love the friendship starting between Jason and he. The humor struck a good balance with the more serious moments, and even if the pace was a little fast, I thought it was a great start for a pilot and very promising. Onto episode two which wasn't quite as good as the pilot (and no Jason and Pythagoras friendship, sadly), and had me cringing at the dreadful imagining of satyrs, but still gets points for including the maenads. I love Medusa and am mourning her fate already, since against my better judgement I'm slightly shipping her with Jason - she did save his life after all!. I only wish they'd cut back on some of the fate and simply let Jason and Pythagoras get into all sorts of fun, mythological adventures before they start in on future tragedies. "A Boy Of No Consequence" was fun, and thankfully toned down much of the humor of the first two episodes. Ariadne was somewhat less bland when she stood up to the queen, and I could tolerate Hercules a little better, but the witchcraft bits were unnecessary. The hurt/comfort parts were lovely, and I adored how Jason got everyone to work as a team, and his gymnastics, as well as Medusa saving the day. I'm a little sad to see the writers trying to pair her up with Hercules though, since I'd hoped for her to be matched up with Jason. "Twist Of Fate" was superb, mixing adorable moments with more serious. I adored the trio being so cute with the baby, and even Hercules grew on me this week. Jason was fabulous as always, using his gymnastic skills to full advantage, and the baby's mother was a fascinating character and superb actress. I hope to see more of the king and she in the future. I love the show's rare continuity of having Jason's arm bear a scar from the arrow wound in the pilot. "White Lies" had too much Ariadne but I loved Minos finally getting screentime. He's quite a tragic character, and I love his relationship with Ariadne. Jason was awkwardly adorable through the whole episode, and I couldn't stop giggling over Hercules and his pet beetle. "The Song of The Sirens" threw a new spin on things as Jason, desperate to save Medusa and Hercules, makes a rash pact with Circe the witch to kill Pasiphae. I loved Pythagoras and Jason's friendship in the episode, along with the character growth of the Oracle, who, while still mysterious, obviously cares deeply about Jason. The final scene between them when she takes his hand was especially touching. "Rules Of Engagement" was little more than fun, flawless fan service for 99% of the show as Jason does gymnastics and is soundly whumped all while forgetting his shirt at home (why am I not surprised by now?), but it still offered a cute moment where Hercules and Medusa patch things up, and the first glimpse of future darkness as recurring character and palace servant Korrina is needlessly murdered. Poor Korrina, I'd hoped for a bit more from her in the future, but I can't say I'm surprised as I already guessed she wouldn't last forever on the show. Still it only makes me hate Pasiphae more. "The Furies" was an uneven episode consisting of an intriguing premise poorly executed against some stunning acting by Robert Emms and beautiful moments of friendship between not only Jason and Pythagoras but also Hercules and the two; I especially loved the part where Hercules starts to crawl away to deter Pythagoras from giving himself to the furies. "Pandora's Box" brings back the show from hiatus, and I love seeing everyone again, even if it's the most heartbreaking episode yet. Medusa's transformation wasn't unexpected, but I'd hoped it wouldn't be so soon, and the final scene with Jason cursing the gods was stunning and foreboding for the rest of the series. "The Price Of Hope" was mostly a filler full of running but it gave some lovely h/c moments as Pythagoras cared for an injured Jason, a beautiful friendship moment between Hercules and Pythagoras, and a strange twist as Jason is able to look at Medusa. "Hunger Pangs" was hilarious, a wonderful breath of fresh air after weeks of sad episodes, and Jason was adorable as a werewolf who frequently ends up devoid of clothes in strange places. I'd love to see hints of it pop up in later episodes, even if the silver did cure him. "Touched By The Gods" was a "royal episode" as I call it, which means less fun for me than the trio-focused ones which are my favorites, but still the plot offered some resolution to earlier stories as well as a new depth to Jason. I was secretly wishing he'd kill Pasiphae, and I found it odd that he couldn't bring himself to kill her yet killed Circe, who seemed less evil to me of the two, without much of a thought. Still he did selflessly offer himself to her to be killed, showing how much he cares about his friends, and the trio had some wonderful moments that were both funny and heartwarming as they try to help Jason fulfill his vow and then join him battling the living skeletons - a nice nod to Jason and the Argonauts. Jason and the gang's rescue of Ariadne was fun, complete with the always enjoyable bonus of flaming arrows, but I was saddened by the servant's death. On the bright side Heptarian is thankfully gone now, in a strangely quick way, unless the writers are planning to bring him back. The leper colony intrigued me, as well as Jason's long-lost father being among them, and I loved seeing the brief father-son interaction even if Jason isn't aware of who he is. The twist of Pasiphae being his mother made me happy, since, unlike the rest of the fandom it seems, I'd considered it at the beginning but doubted the writers would go that way no matter how much I hoped, and the revelation finally opened up some explanations as to Jason's mysterious gifts. My other favorite parts were Hercules finally admitting he cares about Jason and Hercules nearly crushing Pythagoras by attempting to hide him from the soldiers.

In other brand new shows I've started watching Sleepy Hollow against my better judgement, and quite surprisingly ended up obsessed with it. The premise is creative and incredibly fascinating, and I love Ichabod. I've always been interested in the Revolutionary War and the overlap with history to fantasy is amazing. I'm also liking Ichabod's friendship with Abbie. The writing is brilliant so far and the bad guys, especially the creepy Sandman, are well done against some stunning filming. "John Doe" was superb and my favorite episode so far, with an awesome tale of Roanoke, Ichabod's modern day confusion and old-world gallantry when he takes Abbie's hand to cross the water, and some delicious hurt/comfort and heartwarming moments. Plus Ichabod speaking Middle English and interacting with the boy made my heart melt. "The Sin Eater", drawing from a fascinating Welsh tradition, was brimming with wonderful moments from the hilarious baseball game scene, to Ichabod's swoon-worthy bow, to the poignant and gorgeous exchange as Ichabod prepares to give up his life to defeat the Horseman. Despite my best efforts I've fallen off the wagon and started shipping Ichabod/Abbie hard so I teared up when he finally called her by her first name and later when they hugged. I also liked understanding Katrina's backstory better with the intriguing parts where Ichabod first learned of his gifts and part in the war. "Sanctuary" was a fun haunted house story with a shocking twist as it's revealed Ichabod has a son, born after his death. While on one hand I love it - daddy!Ichabod could be adorable, and even if his son is long dead there still could be a great+ grandchild somewhere, I have a bad feeling about the tragic directions this storyline could take. A darker side of Ichabod has surfaced, too, especially in the scene where he kills the tree creature. "The Golem" was haunting, exploring the fate of Ichabod's son Jeremy - I can only hope the writers will bring him back to life or at least include more flashbacks in the future - as well as Katrina's coven - an extremely creepy set of four women. I loved seeing the Sin Eater again, and Ichabod's Christmas confusion made me giggle as usual, especially the adorable scene where Abbie gives him a stocking, but the ending has me barely able to wait for the show's return.

Despite not planning on it I took a peek at Once Upon A Time In Wonderland and completely fell in love with it's version of the tale. Cyrus and Alice's romance is beautiful and I hope so badly that it has a happy end. Also the Knave of Hearts is wonderful, I just adore him. "The Serpent" was the most heartwrenching episode so far as Jafar's evil origins are revealed, and Alice is finally forced to make a wish to save the Knave's life, tying her life to his in the process, but sadly all for nothing as the Knave is turned to stone. The ending left me in tears, despite the hope of Cyrus beginning to escape, and the lovely wishbone legend, and I can only hope next episode will have more light at the end of the tunnel. "The Cell" was another step forward as well as a step back as Alice uses her second wish which broke my heart, but she and her father managed to mend their relationship even if the ending implies that her father won't remember anything, indicating another sacrifice Alice has made that goes unrealized. It finally occurred to me that every character is motivated by love in some way, and each love is contrasted from Knave and Anastasia's lost love to Jafar's pining for his father's love, to the true, beautiful love between Cyrus and Alice that motivates everything she does. Sophie Lowe was stunning in the episode as usual, bringing out all of Alice's emotions and pain, especially in the scene where she talks about her childhood to her "father", and the Knave and her friendship was as lovely as always. Cyrus, sadly, had the smallest part ever, speaking only one line and in two scenes, out cold except for a few seconds. The final pieces of Jafar's childhood was revealed, and while I understand him a lot better now, and even feel a little sorry for him, I still side with the other prisoner. He saved Cyrus, after all. "Home" was stunning, with Cyrus and Alice finally reunited, Cyrus getting far more screentime than usual, and a shocking twist ending The opening flashback of Cyrus and Alice beneath the stars was gorgeous, and I loved the creation of their little home, with Cyrus giving up his only treasure to protect Alice. Also I guessed right about genies once being human, so I'm looking forward to flashbacks of Cyrus's history. Emma Rigby impressed me the most, going from an unlikeable, overly done character to a compelling, tragic one, and I loved how she slowly reverted to her Anastasia accent and mannerisms, even as my heart broke when the Knave rejected her. The end twist was incredible - I'd forgotten about Alice promising the Knave a wish - and I'm both thrilled that Cyrus is free and Alice is well and also saddened by the Knave's fate, even if I know he'll be a hilariously fun genie.

I've also become very fond of Reign which more than makes up for it's lack of historical authenticity with beauty and endearing characters, especially the gorgeous Bash whose blue eyes take my breath away. I love his relationship with his half brother Francis - I've always been a sap for brothers - and Mary: I ship them against my better judgement, and little Charles is adorable. The castle is stunning, too, and I'm intrigued by the mysterious Clarissa. Plus the series is slowly introducing some more complicated twists and delightful whump so, for now at least, it makes me happy.

I've started watching Almost Human and completely fell in love with it. Both Dorian and John are realistic, far from perfect characters who are easy to relate to, and I love their odd friendship and hilarious banter. Plus, it's been ages since I've seen a sci-fi that could pull off such a far-fetched, seemingly emotionless premise with so much heart and feeling.

I've finished season two of Stargate Atlantis and there's something of a different feel so far as Atlantis is now commanded by military - complete with an alien - and Sheppard gets more reckless than ever in his heroics. I'm iffy on Teyla's ability to now communicate with the wraith as the result of her genes and preferred when it was simply her sensing their presence. but she's still one of the few female tv characters I consider awesome and she finally gets to share more scenes with Sheppard to my shipping delight. I'm getting more used to McKay now, mostly because of his humor and bravery in going after Sheppard in "Aurora", and I laughed through the hilarious "Duet" which forces him to share a body with a woman. Much to my sadness Ford has vanished from the series in one of the worst and most tragic write-outs ever as the result of wraith enzymes from surviving a feeding which makes him violent and unstable. He winds up fleeing through the stargate and, despite another appearance which got my hopes up to his return, then escaping again when Sheppard finally tracks him down. He turns up once again but the series leaves his fate hopeful but hanging as he's last seen aboard a wraith ship. Yet the episode was a bittersweet memory of the first season toward the end with Ford risking his life to let Sheppard escape, and Sheppard finally calling him by his first name. Filling the gap left by Ford, but thankfully not replacing him, is Ronon, a runner hunted for sport by the wraith, who they discover when searching for Ford. While a little hostile at first, he's so far a complex and fascinating character with good chemistry with Sheppard, a strong devotion to the team, and a staggering array of fighting skills which promises some fun in the future. The season's best episodes include the intriguing "Instinct" which provides a new, almost human side to the wraith in a tragic story of a man who rescues and raises a wraith child as his daughter, and "The Long Goodbye", which despite focusing so much on Elizabeth who I still don't like, had some fascinating moments. I liked Ronon going after Sheppard himself, but he worried me when he was so badly shot, even if watching Carson operate with the power out was awesome. Also Teyla's scene where she agonizes over whether to kill Sheppard and save the people was stunning. Onto season three now and it's fascinating so far, picking up where the finale left off by continuing the somewhat tragic storyline of Michael, a wraith turned into a human by Carson's retrovirus. That's followed by the stunning episode "Sateda", a team story that finds Ronon again at the mercy of the wraith. It was filled with beautiful moments that had me tearing up, especially Sheppard admitting how he cares about his friends and Ronon willing to cut his own throat to force the people to let Teyla and Sheppard go. My heart bled for Ronon during the backstory moments, and I completely fell in love with him when he hugged Carson in the adorable ending. Other excellent episodes include the intriguing "Phantoms" where the team begins to hallucinate from a wraith device. I found Teyla being unaffected and Sheppard's vision being attempting to save a soldier he lost to be interesting insights into their characters. More is revealed about the ancients in the episode "Progeny" which features one of the most haunting closing scenes so far, as well as the wraith in the fantastic "Common Ground" in which Sheppard finds himself working with a wraith to escape from prison, an agreement which results in the wraith restoring the life he drained from him. McKay's best of the season is the funny and heartwarming "McKay and Mrs. Miller" featuring a parallel Rodney (I would have loved to see his team!) and McKay's sister. Ronan's wonderful friendship with Sheppard continues to delight me, with highlights including a hilarious scene where Sheppard teaches him to play golf. Happily the pop culture references are even more frequent now, and the team friendship is even better than last season. The last episodes of the season take a startling and incredibly tragic turn with Carson's death which turned me into an emotional wreck. I loved Carson dearly, and even though his death was heroic and poignant, I still hated that he was written out of the series that way. I'm on season four, now, and there's several changes so far. The somewhat annoying replicators storyline has finally found a good plot point in allowing for the removal of Elizabeth from the series; in her place is Sam, and I'm already loving her as the leader, which I'd hoped and supposed I would after enjoying her guest appearances. Ronan gets to shine, and finally has his place in the team cemented, in the excellent "Reunion" which forces him to choose between Atlantis and a trio of survivors from his old home, complete with a poignant twist ending. "Doppelganger" is a fascinating study in nightmares in which Sheppard confronts his deepest fear - himself. Everyone had some wonderful moments, especially Sheppard - the fight scene between his double and he was a delicious guilty pleasure - and McKay, plunging back into the dream machine after nearly dying just to save Sheppard. I loved the beautiful team moment at the end, as well as the awkward but adorably sweet hug between Sheppard and Teyla. "Tabula Rasa", in which a mysterious virus wipes the memories of everyone but Teyla and Ronon in Atlantis, is a fascinating, stunning episode. I loved how Ronon was able to talk Sheppard into trusting him, as well as McKay saving the day. Ive finally learned to adore McKay and my heart hurt and then was so happy for him at the beautiful ending. I love his sweet romance with Katie and hope they have a happy ending. "Miller's Crossing" was an unusual episode which highlighted how much McKay has changed when he offers to sacrifice himself to a wraith to save his dying sister, as well as showing a strangely dark side to Sheppard in which he convinces another man to volunteer in McKay's place. I loved McKay and Jeannie's relationship, though. The downsides to the season are the ever dull replicator storylines, Teyla's odd personality change in "Missing", going from a deeply caring character to a harsh and cold person who's willing to abandon a wounded stranger to die, and Dr. Keller, a tolerable but sadly lacking so-called replacement for Carson who I miss terribly. "The Kindred" both warmed and completely broke my heart by bringing Carson back - as a clone but so Carson I was tearing up within seconds of hearing his Scottish accent. I loved how the team grew to accept him, tried to save him, and were finally forced to keep him asleep until a cure can be found in one of the most tear-jerking goodbyes ever. On top of that was the season finale, the utterly stunning "The Last Man" in which Sheppard, returning through the gate, finds himself in a desolate Atlantis and is forced to return to the past and prevent his friends' deaths. Ronon and Todd, who I grew to love through the season, dying together broke me, as well as McKay spending twenty-five years trying to change the past, and then dying alone like that, leaving a hologram to wait for Sheppard. I sobbed when he wanted to help him when Sheppard was half-dead from the storm and he couldn't even touch him because he wasn't real. The cliff-hanging finale left me biting my nails, and I know I'm going to be a wreck next season.

The Doctor Who 50th was better than I'd been expecting. I was bracing myself for a letdown, and while a lot disappointed me, on the whole I really enjoyed it. Ten seemed mostly in character, I was so happy to see him again, and I was able to cope with my dislike for Eleven for the most part. I really liked the girl with the scarf, especially in the adorable scene where she makes friends with the alien. My favorite thing was the nods to classic!who: the B&W opening, Four's scarf, Kate being the Brigadier's daughter, Jack being mentioned, the pictures including Martha, Kamelion, Tegan, Nyssa, and others, and the "round things". I laughed so hard at the comment at Americans, history, and movies, as well as the "midlife crisis" comment. I shrieked when they had all 13 Doctors turn up twice; if they weren't going to include the old actors it was the next best thing, and it made me so happy to catch a glimpse of Five in the 50th. I also loved Tom Baker's cameo. The story was odd; I loved seeing the Time War, Gallifrey, and all the Time Lord children, but it felt like cheating since destroying Gallifrey shaped Nine and Ten's characters so much - they're so different from the old Doctors because of what they've done, and it cheapened the impact of all they'd done to change it all. I enjoyed The Five(ish) Doctors even better, though. Peter Davison and the others were delightful and parts made me giggle while other scenes had me tearing up from nostalgia, especially the comment about the Tardis no longer "wobbling", and Peter Davison saying his typical "must dash", just like Five again. "The Time Of The Doctor" had more human, personal elements than is typical of Eleven's era, and while I'm not at all sad to see him go I did get a little emotional at the Doctor growing old defending the little town of Christmas, as well as his friendship with the child. I disliked the dig at Ten's so-called "vanity", the messed-up plot jammed with too many aliens to make sense, and I hate the constant reset button that follows every bad event; at least in the original show and Nine's and Ten's eras there were severe, deeply tragic consequences whereas now the Doctor can do pretty much whatever he wants and just rewrite it all. I also don't really care for Clara, although I think I could learn to tolerate her with a good Doctor. I'm willing to accept the new regeneration cycle, though, as random as it is, if only in the hope that future Doctors, and, oh please, runners of the show will get things right again, as well as the fact that I don't think I could bear to watch the Doctor truly die, for the sake of all he was. Twelve, though, in his few moments, was wonderful, both hilarious and instantly appealing, and I'm happily looking forward to adventures with him.

In absence of new OUATIW I've started watching season one of Once Upon A Time which both frustrates and gives me intense bursts of wistfulness for OUATIW while managing to make me come back for more. I love the fairytale world and the unusual, often clever twists on common fairytales, as well as all the characters from different stories existing in the same world. I like Prince Charming and all the flashbacks to his story, although I don't care for David or Storybrooke, oddly enough. I also liked Graham, and was shocked and saddened by what happened to him, since he was just getting depth and emotion. The best episode so far is the stunning "Skin Deep" which made me fall in love with Rumplestiltskin/Belle, as well as seeing Rumplestiltskin in a different light. I loved all the Disney parallels, and for the first time the Storybrooke part tied in perfectly with the fairytale ones, in a beautiful, haunting way. The ending was shocking, but I loved the poignancy of Rumplestiltskin keeping the chipped cup, as well as the twist that he remembers his identity, and thus Belle, too. August is one of my favorites so far, and I adore both his character and storyline. Jefferson is also wonderful and deeply tragic, as is his attempts to reunite with his little daughter Grace. The season finale was unexpected but I loved that the curse is broken and the characters are reunited. I teared up when Rumplestiltskin saw Belle alive for the first time, and again when she remembered him.

In new superhero films I finally saw Thor: The Dark World and it was wonderful, quite different than what I'd expected but very good. I adored the concept of the gaps between the worlds with the characters falling in and out of them, as well as the intriguing backstory of the dark elves. Thor has grown up so much since the first film, and I love his character even more now. For the first time I felt sympathy for Loki, as well as liking him just a little, and it was wonderful to see Thor and he fighting side by side again instead of fighting each other, as well as getting to see so much of Loki's magic. I was saddened by Frigga's death, but I loved that she believed in Loki right until the end, and died heroically. Loki's reaction to her death, and the scene they shared before that were heartbreaking, adding depth to Loki's tragic nature. Thor and Loki's banter during the escape was hilarious, as was Loki's response to everyone threatening his life, and I laughed at Loki turning into Captain America. Thor and Jane's relationship was less appealing to me than last time for some reason, but I did love her risking her life to try to save him toward the end of the battle. Darcy and Ian kept me giggling and I ended up shipping them. The end twist was jaw-dropping, leaving me both happy Loki survived his "death" as well as concerned for the future with him up to his old tricks.

In other new films I saw the beautiful and touching Remember Sunday. I loved the characters and the actors who played them; they were perfect, and Gus and Molly's relationship was believable while still being sweet. I giggled at some parts - like Gus's constant shock over his friend's divorce - and teared up at others, and the comet bits were so lovely. I liked the hopeful, if somewhat bittersweet ending, too. Next was the surprisingly excellent Snow White and the Huntsman, the best version I've seen of the fairytale yet which brought emotion and true personality to the characters where previous versions have failed. Chris Hemsworth was superb as the troubled, yet good-hearted Huntsman, a character I've long adored, and I loved his accent, as well as the hints of romance between Snow White and he, as well as the fact that his kiss and not William's saved her. William was a somewhat fun character, even if his role felt limited in places, and I enjoyed the flashbacks to his childhood with Snow White. Kirsten Stewart was shockingly good at the role, making me change my mind about her acting, and the visuals were gorgeous. I liked the dwarves actually doing something instead of simply comic relief, and the Queen was even more evil than usual, meeting a more fitting end than most versions. Next was Love's Christmas Journey, a sweet, and thankfully more improved installment in the Love Comes Softly series. I liked the characters, as well as seeing little Aaron all grown up and being a wonderful father, and the end was lovely. After that was The Courageous Heart of Irena Sendler, an inspiring true story of a woman who risked her life to save Jewish children during the Holocaust. I loved actually seeing the real lady at the end, and that her story managed to have a happy ending after all she endured, and I loved that she and Stefan found each other in the end. The subplot of the man and his son was poignant and deeply sad, too, and the entire story and filming reminded me a lot of my beloved Hidden In Silence or Miracle At Midnight. After that was The Magic Of Ordinary Days, a lovely, old-fashioned film with a slow-moving plot and slow-growing love story that captivated my heart. The characters felt real and the ending was beautiful. Next was the fun western adventure American Outlaws which, while playing fast and loose with history, was action-packed and a treat to watch, especially with Jesse's shooting tricks, the heroic rescues, and multiple explosions. Then was the heartbreaking and beautiful romance The Lost Valentine. I cried more than I have during any film but I loved it, especially Neil and Caroline's love story. Next was the lovely Heaven Knows Mr. Allison, a moving and poignant mix of love story and war drama with a very human aspect.
 
 
feeling: drunk
calliope tune: "Some Memories Just Won't Die"-Marty Robbins
 
 
Kathleen
11 May 2012 @ 11:36 pm
Real  
Title: Real
Fandom: Almost Human
Summary: His name is DRN-0167. And he was made to feel.
Genre: drama
Characters: Dorian
Pairings: none
Warnings: none

I can't say that I was born, I can't say that I grew in a womb or had a childhood, but I was made to feel. And I do, as much as you. )
 
 
calliope tune: "Send Me An Angel"-Real Life
feeling: nauseated